11,049 results
1972ref. 158656N.p.: N.p. 1972. Vintage reference photograph of actress Jenny Runacre from the 1972 film. Layout annotations in manuscript pencil on the verso along with the stamp of The Other Cinema in London and an Alternative Arts stamp with the film title. Stephen Dwoskin's second feature film. Dwoskin was an experimental filmmaker who produced work based on themes of perception disability and sexuality. He was a cofounder of the London Film-Makers' Co-op in 1966 and the film collective Spectre in 1980. 10 x 8 inches. Very Good plus. N.p. unknown
1967ref. 157986N.p.: N.p. 1967. Four vintage studio still photographs from the 1967 film. One with annotations in manuscript ink and pencil on the verso regarding cropping. From the archive of film historian and author Joel Finler. A bold film adaptation of the controversial allegorical drama by Amiri Baraka writing here as he often did in the 1960s as Leroi Jones. An erratic white woman meets an African American man on a subway car. When he begins to respond to her erotic advances she begins to taunt him viciously goading him until he explodes into violence. Anthony Anthony Harvey's important and still impactful first directorial effort followed by many successful films including "The Lion in Winter" 1968 "They Might Be Giants" 1971 and "The Glass Menagerie" 1973. Set in New York with subway exteriors shot in Manhattan and interiors shot in London. 10 x 8 inches. Near Fine. N.p. unknown books
1967ref. 157986N.p.: N.p. 1967. Four vintage studio still photographs from the 1967 film. One with annotations in manuscript ink and pencil on the verso regarding cropping. From the archive of film historian and author Joel Finler. A bold film adaptation of the controversial allegorical drama by Amiri Baraka writing here as he often did in the 1960s as Leroi Jones. An erratic white woman meets an African American man on a subway car. When he begins to respond to her erotic advances she begins to taunt him viciously goading him until he explodes into violence. Anthony Anthony Harvey's important and still impactful first directorial effort followed by many successful films including "The Lion in Winter" 1968 "They Might Be Giants" 1971 and "The Glass Menagerie" 1973. Set in New York with subway exteriors shot in Manhattan and interiors shot in London. 10 x 8 inches. Near Fine. N.p. unknown
1975ref. 149660Paris: Sofracima 1975. Vintage oversize borderless color reference photograph from the 1975 film showing actress Isabelle Huppert. With the stamp of Cine-Voc Films on the verso. A middle-aged man on his annual family camping vacation rapes and murders the teenage daughter of his old friends then frames a group of Arab immigrant workers for the crime. 12 x 9.5 inches. Very Good plus with pinholes to the corners and light wear to the top edge. Sofracima unknown books
1975ref. 149660Paris: Sofracima 1975. Vintage oversize borderless color reference photograph from the 1975 film showing actress Isabelle Huppert. With the stamp of Cine-Voc Films on the verso. A middle-aged man on his annual family camping vacation rapes and murders the teenage daughter of his old friends then frames a group of Arab immigrant workers for the crime. 12 x 9.5 inches. Very Good plus with pinholes to the corners and light wear to the top edge. Sofracima unknown
1960ref. 141008N.p.: N.p. 1960. Treatment script for an unproduced film. Signature of reader Ilse Lahn of the Paul Kohner Agency on the title page in manuscript ink. Three men rob a bank and almost get away with it until a young ventriloquist intervenes allowing the lawmen to capture the crooks. Lacking wrappers. Title page present with credit for screenwriter Jack Lewis. Six leaves with last page of text numbered five. Mimeograph duplication rectos only. Pages Very Good plus bound with a staple. N.p. unknown books
1960ref. 141008N.p.: N.p. 1960. Treatment script for an unproduced film. Signature of reader Ilse Lahn of the Paul Kohner Agency on the title page in manuscript ink. Three men rob a bank and almost get away with it until a young ventriloquist intervenes allowing the lawmen to capture the crooks. Lacking wrappers. Title page present with credit for screenwriter Jack Lewis. Six leaves with last page of text numbered five. Mimeograph duplication rectos only. Pages Very Good plus bound with a staple. N.p. unknown
1946ref. 151733Los Angeles: Vanguard Films 1946. Promotional folder for the 1946 film on heavy buff card stock with large "Duel in the Sun" black and red logo on face of folder and "Duel in the Sun Pictures and Stories" printed on upper tab. Based on Niven Busch's 1944 novel of the same name. Lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939 and held in high regard by some of today's finest filmmakers. Nominated for two Academy Awards. Set in Texas shot on location in Arizona and California. 11.75 x 9.5 inches. Near Fine Clover Men Women and Chainsaws. Godard Histoires du Cinema. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Silver and Ward US. Vanguard Films unknown books
1947ref. 143180Los Angeles: Selznick International 1947. Post-production Footage Schedule script for the 1946 film complete as issued by Selznick Studios. Based on Niven Busch's 1944 novel of the same name. Lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939 and held in high regard by some of today's finest filmmakers. Nominated for two Academy Awards. Set in Texas shot on location in Arizona and California. Footage schedule script prints 308-437 dated May 10 1947. Blue titled wrappers three staples 3 leaves. Near Fine. Selznick International unknown books
1947ref. 151729Los Angeles: Selznick International 1947. Censorship Cuts script for the 1946 film. Based on the 1944 novel by Niven Busch. A recently orphaned girl is sent to live with her father's cousin. When both of sons take a liking to her she must make a decision amid their growing conflict. Set in Texas shot on location in Arizona and California. Gray titled wrappers noted as Censorship Cuts on the front wrapper. Title page integral with first page dated July 31 1947 noted as Censorship Cuts. 4 leaves with last page of text numbered 4. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Clover Men Women and Chainsaws. Godard Histoires du Cinema. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Silver and Ward US. Selznick International unknown books
1947ref. 151728Los Angeles: Selznick International 1947. Trailer #3 Dialogue Cutting Continuity script for the 1946 film. Based on the 1944 novel by Niven Busch. A recently orphaned girl is sent to live with her father's cousin. When both of sons take a liking to her she must make a decision amid their growing conflict. Set in Texas shot on location in California and Arizona. Gray titled wrappers noted as Trailer #3 Dialogue Cutting Continuity on the front wrapper dated May 29 1947. 4 leaves with last page of text numbered 4. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two staples along the top edge. Clover Men Women and Chainsaws. Godard Histoires du Cinema. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Silver and Ward US. Selznick International unknown books
1947ref. 143493Los Angeles: Selznick International 1947. Music Timing Schedule for the 1946 film. Based on the 1944 novel by Niven Busch. A recently orphaned girl is sent to live with her father's cousin. When both of sons take a liking to her she must make a decision amid their growing conflict. Set in Texas shot on location in California and Arizona. Tall white self-wrappers production No. 103 dated June 10 1947 with credits for musical director Dimitri Tiomkin. 11 leaves with last page of text numbered 11. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with one staple at the top left corner. Selznick International unknown books
1946ref. 159853Culver City CA: Selznick International 1946. Two vintage borderless reference photographs and two vintage bordered reference photographs of director King Vidor on the set of the 1946 Western film. Three linen-backed with printed mimeo snipes affixed to the verso. Based on Niven Busch's 1944 novel. Two brothers fight over their love for a young relative while their father attempts to sway railroad builders from constructing a new line on his land. A lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939. Set in Texas shot on location in Arizona and California. Two 9.5 x 7.25 inches two 10 x 8 inches. Generally Very Good plus with light creasing and wear on the edges. Hardy p. 152. Pitts 1187. Selznick International unknown books
1946ref. 159853Culver City CA: Selznick International 1946. Two vintage borderless reference photographs and two vintage bordered reference photographs of director King Vidor on the set of the 1946 Western film. Three linen-backed with printed mimeo snipes affixed to the verso. Based on Niven Busch's 1944 novel. Two brothers fight over their love for a young relative while their father attempts to sway railroad builders from constructing a new line on his land. A lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939. Set in Texas shot on location in Arizona and California. Two 9.5 x 7.25 inches two 10 x 8 inches. Generally Very Good plus with light creasing and wear on the edges. Hardy p. 152. Pitts 1187. Selznick International unknown
2000ref. 171952Los Angeles: Twentieth Century-Fox 2000. Draft script for the 2000 comedy film. Two deadbeat stoners wake up from a long night of partying and embark on a journey to find their car whose cargo includes anniversary gifts for their girlfriends. Self wrappers. Title page present dated February 25 2000 with credit for screenwriter Philip Stark. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
2000ref. 171952Los Angeles: Twentieth Century-Fox 2000. Draft script for the 2000 comedy film. Two deadbeat stoners wake up from a long night of partying and embark on a journey to find their car whose cargo includes anniversary gifts for their girlfriends. Self wrappers. Title page present dated February 25 2000 with credit for screenwriter Philip Stark. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1994ref. 166475N.p.: Reno & Osborn Productions 1994. Revised Final Draft for Season 2 Episode 7 for the 1994-1997 television series. Originally aired April 24 1995 on USA Network. This adult animated series based on the 1990 comic by Everett Peck follows a duck who works as a private investigator. In this episode someone arrives claiming to be the illegitimate son of Duckman's business partner conceived when he was fighting in Vietnam. White titled self wrappers lacking rear wrapper noted as REVISED FINAL DRAFT on the front wrapper dated August 31 1994 with credits for uncredited screenwriters Jeffrey S. Astrof and Mike Sikowitz. Title page integral with front wrapper. 34 leaves with last page of text numbered 32. Xerographic duplication rectos only with undated revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. Reno & Osborn Productions unknown books
1994ref. 166475N.p.: Reno & Osborn Productions 1994. Revised Final Draft for Season 2 Episode 7 for the 1994-1997 television series. Originally aired April 24 1995 on USA Network. This adult animated series based on the 1990 comic by Everett Peck follows a duck who works as a private investigator. In this episode someone arrives claiming to be the illegitimate son of Duckman's business partner conceived when he was fighting in Vietnam. White titled self wrappers lacking rear wrapper noted as REVISED FINAL DRAFT on the front wrapper dated August 31 1994 with credits for uncredited screenwriters Jeffrey S. Astrof and Mike Sikowitz. Title page integral with front wrapper. 34 leaves with last page of text numbered 32. Xerographic duplication rectos only with undated revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. Reno & Osborn Productions unknown
1956ref. 132194London: Independent Film Distributors / British Lion 1956. Vintage black-and-white British front-of-house card from the 1956 UK film. A well-received farce about a couple of dim-witted bookmakers who decide to fix a horse race. 8 x 9.75 inches. Very Good plus withand light stains and creases. Independent Film Distributors / British Lion unknown books
1956ref. 298558Remus Films 1956. Photograph. 7 original B/W publicity photograph 7.8 x 9.8 inches. Photographs of Sydney James William Hartnell Renee Houston Dick Bentley 2 poses Brian Rix and Tommy Cooper. Near fine copies. Identification of actor written in ink on rear. Pen indentation visible with raking light on photograph surface. Remus Films unknown
1948ref. 151633Tokyo: Toho Company 1948. Draft script for the 1948 Japanese film noir. Text and titles in Japanese. The first of sixteen film collaborations between director Akira Kurosawa and actor Toshiro Mifune. Kurosawa's seventh film saw him exploring the inter workings and motivations of the yakuza and machismo. Censorship was tight regarding the occupation forbidding criticism of Americans leading Kurosawa to slip in references to the US presence in Japan satirizing jazz "pan pan" girls unlicensed prostitutes catering to American soldiers and Western clothing and hairstyles. Set in the slums of postwar Japan. White titled wrappers. Approximately 40 leaves with last page of text numbered 79. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good plus covered in a protective plastic wrapping from when the script was used during filming side stapled. BFI 638. Criterion Collection 413. Grant Japan. Toho Company unknown books
1948ref. 151633Tokyo: Toho Company 1948. Draft script for the 1948 Japanese film noir. Text and titles in Japanese. The first of sixteen film collaborations between director Akira Kurosawa and actor Toshiro Mifune. Kurosawa's seventh film saw him exploring the inter workings and motivations of the yakuza and machismo. Censorship was tight regarding the occupation forbidding criticism of Americans leading Kurosawa to slip in references to the US presence in Japan satirizing jazz "pan pan" girls unlicensed prostitutes catering to American soldiers and Western clothing and hairstyles. Set in the slums of postwar Japan. White titled wrappers. Approximately 40 leaves with last page of text numbered 79. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good plus covered in a protective plastic wrapping from when the script was used during filming side stapled. BFI 638. Criterion Collection 413. Grant Japan. Toho Company unknown
ref. 141676Pretoria South Africa: Emil Nofal Films N.D. Treatment script for an unproduced television series. A half-hour television series focusing on the unique cultures of Africa and how different groups interact with each other especially in the modern age. Written for South African television by Nofal an acclaimed South African director producer and screenwriter. Set in South Africa. White titled wrappers with credits for screenwriter Emil Nofal. 5 leaves with last leaf of text numbered 5. Mechanical duplication. Pages Very Good plus wrapper Very Good plus perfect-bound. Emil Nofal Films unknown books
ref. 141676Pretoria South Africa: Emil Nofal Films N.D. Treatment script for an unproduced television series. A half-hour television series focusing on the unique cultures of Africa and how different groups interact with each other especially in the modern age. Written for South African television by Nofal an acclaimed South African director producer and screenwriter. Set in South Africa. White titled wrappers with credits for screenwriter Emil Nofal. 5 leaves with last leaf of text numbered 5. Mechanical duplication. Pages Very Good plus wrapper Very Good plus perfect-bound. Emil Nofal Films unknown
1989ref. 156671Santa Monica: Avenue Pictures 1989. Vintage studio still photograph of Matt Dillon and William Burroughs from the 1989 film. From the archive of film historian and author Joel Finler. Director Gus Van Sant's first feature film and a breakthrough film for actors Matt Dillon and Kelly Lynch. A nihilistic answer to the onslaught of coming-of-age movies in the 1980s appropriately released at the end of that decade. The unsentimental exploits of a group of young people driven by nothing other than boredom and an obsessive need for more drugs leading inevitably to confusion and rampant lawlessness. 10 x 8 inches. Near Fine. Spicer US Neo-Noir. Avenue Pictures unknown books
