Philip S Lyren (screenwriter)Biblio.com
11,058 results
2002ref. 146414N.p.: N.p. 2002. Draft script for an unproduced film. A young man suffers frequent blackouts often waking with strange injuries all over his body and becomes convinced he is being stalked due to his role in a nefarious unknown plot. White titled self wrappers. Title page present copyrighted 2002 to Philip S. Lyren. 74 leaves with last page of text numbered 73. Typescript rectos only. Pages Very Good plus bound with two gold brads. N.p. unknown
1985ref. 009746Hollywood California: Movie Tech Studios. Offered is the probable first draft of the film screenplay entitled "Dismemberd" Dismembered by screenwriter Jack Neal. An undated draft script the scenes are not numbered circa 1980s the film was finally produced and released in 2003. Directed by Ewing Miles Brown the film starred Lee Horsley Leslie Easterbrook Gordon Jump Bernie Kopell and Judson Mills. Since the film was produced nearly 20 years after the original draft being offered in this listing it is probable that the script underwent several revisions during the ensuing years. The screenplay contains 117 mimeographed loose leaf pages including title page and photo of a glove-covered hand ready to grab a frightened woman looking in a mirror measuring 8-1/2" by 11" bound in heavy green front and rear covers with metal strip. Pasted to the upper area of the front cover is a label from Movie Tech Studios showing its name and address on 832 Seward Street in Hollywood California and typed titled author Jack Neal Reg. S.W.G.W. Property Movie Tech Studios. Light creases to outer cover overhang edges; "DISMBERD" written in black felt pen to outer left spine edges. . Near Fine. Soft cover. 1st Edition. 1985. Movie Tech Studios paperback
1973ref. 132636Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Two vintage reference photographs from the US release of the 1973 Italian-French film both showing actors Oliver Reed and Marcello Mastroianni. Mimeo snipe affixed to the verso of one photograph and layout annotations on the versos of both. A man and his mistress go on vacation but their plans are cut short when they are kidnapped by bank robbers. As a result their image floods the media and police and reporters follow them. 8 x 10 inches. Slight toning else Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1972ref. 151872Los Angeles: American Film Institute AFI 1972. Two vintage studio still photographs one borderless with a bottom margin and one with a wide bottom margin of Peter Bogdanovich and John Ford from the 1971 film. One with a mimeo snipe on verso for the 9th New York Film Festival the film's US premiere. Bogdanovich's documentary on the life and films of he seminal director interviewing the notoriously obstinate man himself as well as some of his most famous actors notably Henry Fonda James Stewart and John Wayne. Affording the rights to the clips however exhausted the film's AFI funding resulting in the film being rarely shown and then only in non-profit venues. In 2006 Bogdanovich having been dissatisfied with the initial version re-edited and included additional interviews with actors and directors including Clint Eastwood Martin Scorsese Steven Spielberg and Walter Hill. 8 x 10 inches. Some light creasing else Near Fine. Scorsese A Personal Journey Through American Movies. American Film Institute [AFI] unknown books
1972ref. 151872Los Angeles: American Film Institute AFI 1972. Two vintage studio still photographs one borderless with a bottom margin and one with a wide bottom margin of Peter Bogdanovich and John Ford from the 1971 film. One with a mimeo snipe on verso for the 9th New York Film Festival the film's US premiere. Bogdanovich's documentary on the life and films of he seminal director interviewing the notoriously obstinate man himself as well as some of his most famous actors notably Henry Fonda James Stewart and John Wayne. Affording the rights to the clips however exhausted the film's AFI funding resulting in the film being rarely shown and then only in non-profit venues. In 2006 Bogdanovich having been dissatisfied with the initial version re-edited and included additional interviews with actors and directors including Clint Eastwood Martin Scorsese Steven Spielberg and Walter Hill. 8 x 10 inches. Some light creasing else Near Fine. Scorsese A Personal Journey Through American Movies. American Film Institute [AFI] unknown
ref. 9761Ensemble de 3 tapuscrits ou copies de tapuscrits de Paul Gsell, en 5 dossiers. Diogène le Chien. Pièce en Trois actes. Tapusctit in-4° sous chemise ocre ou beige formant couverture, titre manuscrit au 1er plat par l'auteur, broché par ruban. 2 exemplaires, un de 144pp. , l'autre non paginé. Les 2 avec nombreuses ratures et corrections autographes de l'auteur. Cette comédie a été radiodiffusée en 1937, avec une musique de Henri-Emile Sauveplane (cf. BNF). Déchirures aux couvertures, on a joint des pages volantes d'un 3ème exemplaire incomplet. /
2000ref. 163920N.p.: N.p. 2000. One Revised Draft script and two script revision memorandums for the 2001 film. From the archive of crew member Chris Scher. Based on the 1998 play by Donald Margulies. A friend group of two married couples is shaken up after one of the couples decides to separate. Shot on location in New York City and Los Angeles and Malibu California. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Revised Draft: White titled self wrapper noted as Toronto Revision on the front wrapper dated 9/4/00 with credits for screenwriter and playwright Donald Margulies. Title page integral with front wrapper. 120 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Memorandum 1: Lacking wrappers. With internal production document notifying cast and crew of revision pages dated November 1 2000. Title page present dated 11/1/00 with credits for screenwriter and playwright Donald Margulies. 20 leaves with last page of text numbered 112. Xerographic duplication rectos only comprised solely of blue revision pages dated 10/31/00. Near Fine bound with a staple at the top left corner. Memorandum 2: lacking wrappers. With internal production document notifying the cast and crew of revision pages dated 11/9/00. Title page present dated 11/09/00 with credits for screenwriter and playwright Donald Margulies. 27 leaves with last page of text numbered 109. Xerographic duplication rectos only comprised solely of pink revision pages dated 11/09/00. Generally Near Fine production document Very Good plus bound with a staple at the top left corner. N.p. unknown books
2000ref. 163920N.p.: N.p. 2000. One Revised Draft script and two script revision memorandums for the 2001 film. From the archive of crew member Chris Scher. Based on the 1998 play by Donald Margulies. A friend group of two married couples is shaken up after one of the couples decides to separate. Shot on location in New York City and Los Angeles and Malibu California. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Revised Draft: White titled self wrapper noted as Toronto Revision on the front wrapper dated 9/4/00 with credits for screenwriter and playwright Donald Margulies. Title page integral with front wrapper. 120 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Memorandum 1: Lacking wrappers. With internal production document notifying cast and crew of revision pages dated November 1 2000. Title page present dated 11/1/00 with credits for screenwriter and playwright Donald Margulies. 20 leaves with last page of text numbered 112. Xerographic duplication rectos only comprised solely of blue revision pages dated 10/31/00. Near Fine bound with a staple at the top left corner. Memorandum 2: lacking wrappers. With internal production document notifying the cast and crew of revision pages dated 11/9/00. Title page present dated 11/09/00 with credits for screenwriter and playwright Donald Margulies. 27 leaves with last page of text numbered 109. Xerographic duplication rectos only comprised solely of pink revision pages dated 11/09/00. Generally Near Fine production document Very Good plus bound with a staple at the top left corner. N.p. unknown
1990ref. 162956N.p.: N.p. 1990. Draft script for an unproduced short film. A down-on-his-luck man flirts with a waitress at a run down restaurant. Set in the Bronx New York City. White titled self wrappers lacking rear wrapper with credits for screenwriter Stephen Thomas Sustarsic II. Title page integral with front self wrapper. 15 leaves with last page of text numbered 15. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine unbound. N.p. unknown books
1990ref. 162956N.p.: N.p. 1990. Draft script for an unproduced short film. A down-on-his-luck man flirts with a waitress at a run down restaurant. Set in the Bronx New York City. White titled self wrappers lacking rear wrapper with credits for screenwriter Stephen Thomas Sustarsic II. Title page integral with front self wrapper. 15 leaves with last page of text numbered 15. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine unbound. N.p. unknown
1981ref. 152195Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1981. Final Draft script for the 1982 film. Copy belonging to an unknown crew member with their name in manuscript pencil to the top right corner of the front wrapper. A coming-of-age tale set in 1959 following a group of four friends in their early twenties struggling to adapt to life as adults. Set and shot on location in Baltimore. Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 156 dated January 12 1981 with credits for director and screenwriter Barry Levinson. Title page present with credits for director and screenwriter Barry Levinson. 124 leaves with last page of text numbered 116. Xerographic duplication rectos only with blue revision pages throughout dated 2/23/81. Pages Near Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1981ref. 152195Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1981. Final Draft script for the 1982 film. Copy belonging to an unknown crew member with their name in manuscript pencil to the top right corner of the front wrapper. A coming-of-age tale set in 1959 following a group of four friends in their early twenties struggling to adapt to life as adults. Set and shot on location in Baltimore. Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 156 dated January 12 1981 with credits for director and screenwriter Barry Levinson. Title page present with credits for director and screenwriter Barry Levinson. 124 leaves with last page of text numbered 116. Xerographic duplication rectos only with blue revision pages throughout dated 2/23/81. Pages Near Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1945ref. 135327New York: Noel Meadow / Monogram Pictures 1945. Original program for the 1945 film. Features ad layouts side-by-side comparison of Lawrence Tierney and the real John Dillinger and various headline suggestions. Dillinger Tierney robs a store meets fellow gangster Specs Lowe in jail and continues his heists once freed from prison this time with a moll named Helen Jeffreys who eventually rats him out to the Fuzz. Nominated for an Academy Award. Director Nosseck made good use of stock footage from previous gangster films. Illustrated wrappers saddle-stapled. 16 leaves. Very Good with light foxing faint bruising and a vertical fold at the center. Grant US. Hardy The Gangster Film US. Okuda 440. Selby US. Spicer US. Stephens pp. 85-86. Noel Meadow / Monogram Pictures unknown books
1973ref. 149494Los Angeles: American International Pictures AIP 1973. Vintage reference photograph from the 1973 film showing a side-by-side comparison of John Dillinger and actor Warren Oates in costume as Dillinger. With a printed mimeo snipe affixed to the verso. A dramatization of the crimes of folk hero midwestern bank robber and notorious mobster John Dillinger best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" 1967 a movie which reignited the US public's interest in 1930s gangster films. Set and shot on location throughout Arizona and Oklahoma. 10 x 8 inches. Very Good plus with light creases and curling. American International Pictures [AIP] unknown books
1973ref. 154001Los Angeles: American International Pictures AIP 1973. Vintage reference photograph from the 1973 film showing actors Warren Oates and Michelle Phillips. A dramatization of the crimes of folk hero midwestern bank robber and notorious mobster John Dillinger best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" 1967 a movie that reignited the US public's interest in 1930s gangster films. Set and shot on location throughout Arizona and Oklahoma. 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown books
1945ref. 172365Los Angeles CA: Monogram Pictures 1945. Vintage studio still photograph from the 1945 Poverty Row film noir. With a blind stamp on the verso at the bottom right corner as well as a rubber-stamped number "7." Bruises at all four corners of the verso from being previously mounted for use. Based on the life of gangster John Dillinger. A petty criminal becomes a serious gangster when he joins a gang of bank robbers after meeting them in prison and subsequently helping them escape. Sshot on location in Simi Valley CA and the San Bernardino National Forest in California. 8 x 10 inches. Very Good plus. Grant US. Selby US. Spicer US. Weldon 1996. Monogram Pictures unknown books
1979ref. 168187Los Angeles: American International Pictures AIP 1979. Vintage studio still photograph from a 1979 re-release of the 1973 film showing Warren Oates mid-holdup with a nun looking on with judgment on the left. A dramatization of the crimes of folk hero midwestern bank robber and notorious mobster John Dillinger best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" 1967 a film that reignited the US public's interest in 1930s gangster films. Set and shot on location throughout Arizona and Oklahoma. 10 x 8 inches. Very Good plus lightly soiled on the bottom margin. American International Pictures [AIP] unknown books
1973ref. 160428Los Angeles: American International Pictures AIP 1973. Vintage oversize borderless color reference photograph from the 1973 film showing actor Warren Oates and director John Milius between takes. Stamp of Rossel Films on the verso. A dramatization of the crimes of folk hero midwestern bank robber and notorious mobster John Dillinger best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" 1967 a film that reignited the US public's interest in 1930s gangster films. Set and shot on location throughout Arizona and Oklahoma. 12 x 9.5 inches. Pinholes at the top corners else about Near Fine. American International Pictures [AIP] unknown books
1973ref. 149494Los Angeles: American International Pictures AIP 1973. Vintage reference photograph from the 1973 film showing a side-by-side comparison of John Dillinger and actor Warren Oates in costume as Dillinger. With a printed mimeo snipe affixed to the verso. A dramatization of the crimes of folk hero midwestern bank robber and notorious mobster John Dillinger best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" 1967 a movie which reignited the US public's interest in 1930s gangster films. Set and shot on location throughout Arizona and Oklahoma. 10 x 8 inches. Very Good plus with light creases and curling. American International Pictures [AIP] unknown
1945ref. 172365Los Angeles CA: Monogram Pictures 1945. Vintage studio still photograph from the 1945 Poverty Row film noir. With a blind stamp on the verso at the bottom right corner as well as a rubber-stamped number "7." Bruises at all four corners of the verso from being previously mounted for use. Based on the life of gangster John Dillinger. A petty criminal becomes a serious gangster when he joins a gang of bank robbers after meeting them in prison and subsequently helping them escape. Sshot on location in Simi Valley CA and the San Bernardino National Forest in California. 8 x 10 inches. Very Good plus. Grant US. Selby US. Spicer US. Weldon 1996. Monogram Pictures unknown
1945ref. 135327New York: Noel Meadow / Monogram Pictures 1945. Original program for the 1945 film. Features ad layouts side-by-side comparison of Lawrence Tierney and the real John Dillinger and various headline suggestions. Dillinger Tierney robs a store meets fellow gangster Specs Lowe in jail and continues his heists once freed from prison this time with a moll named Helen Jeffreys who eventually rats him out to the Fuzz. Nominated for an Academy Award. Director Nosseck made good use of stock footage from previous gangster films. Illustrated wrappers saddle-stapled. 16 leaves. Very Good with light foxing faint bruising and a vertical fold at the center. Grant US. Hardy The Gangster Film US. Okuda 440. Selby US. Spicer US. Stephens pp. 85-86. Noel Meadow / Monogram Pictures unknown
1973ref. 160428Los Angeles: American International Pictures AIP 1973. Vintage oversize borderless color reference photograph from the 1973 film showing actor Warren Oates and director John Milius between takes. Stamp of Rossel Films on the verso. A dramatization of the crimes of folk hero midwestern bank robber and notorious mobster John Dillinger best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" 1967 a film that reignited the US public's interest in 1930s gangster films. Set and shot on location throughout Arizona and Oklahoma. 12 x 9.5 inches. Pinholes at the top corners else about Near Fine. American International Pictures [AIP] unknown
1973ref. 154001Los Angeles: American International Pictures AIP 1973. Vintage reference photograph from the 1973 film showing actors Warren Oates and Michelle Phillips. A dramatization of the crimes of folk hero midwestern bank robber and notorious mobster John Dillinger best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" 1967 a movie that reignited the US public's interest in 1930s gangster films. Set and shot on location throughout Arizona and Oklahoma. 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown
1962ref. 167657Copenhagen: Politikens Presse Foto 1962. Three vintage reference photographs from the 1962 Danish film. Printed mimeo snipes in English affixed to the versos along with the stamps of Politikens Presse Foto and Agence France-Presse. Not to be confused with the 1962 British crime thriller directed by Peter Maxwell. Based on South African writer Nadine Gordimer's 1958 novel "A World of Strangers" about a white liberal Englishman who befriends a Black man after moving to Johannesburg only to realize that their friendship carries unforeseen consequences for them both. Shot on location in Johannesburg. 9.5 x 7.25 inches. Lightly foxed on the margins and versos else about Near Fine. Politikens Presse Foto unknown books
1962ref. 167657Copenhagen: Politikens Presse Foto 1962. Three vintage reference photographs from the 1962 Danish film. Printed mimeo snipes in English affixed to the versos along with the stamps of Politikens Presse Foto and Agence France-Presse. Not to be confused with the 1962 British crime thriller directed by Peter Maxwell. Based on South African writer Nadine Gordimer's 1958 novel "A World of Strangers" about a white liberal Englishman who befriends a Black man after moving to Johannesburg only to realize that their friendship carries unforeseen consequences for them both. Shot on location in Johannesburg. 9.5 x 7.25 inches. Lightly foxed on the margins and versos else about Near Fine. Politikens Presse Foto unknown
