11,160 results
1965ref. 161670N.p.: Planet Film Distributors 1965. British front-of-house card from the 1965 British film. Provenance stamp on the verso on two labels obscuring a previous provenance stamp. A secret vampire cult which has a headquarters under a graveyard in the small village of Brittany searches for human sacrifices. Shot on location in Finistere France. 8 x 10 inches. Very Good plus with light creasing edgewear and faint toning at the extremities. Planet Film Distributors unknown books
1965ref. 161670N.p.: Planet Film Distributors 1965. British front-of-house card from the 1965 British film. Provenance stamp on the verso on two labels obscuring a previous provenance stamp. A secret vampire cult which has a headquarters under a graveyard in the small village of Brittany searches for human sacrifices. Shot on location in Finistere France. 8 x 10 inches. Very Good plus with light creasing edgewear and faint toning at the extremities. Planet Film Distributors unknown
1964ref. 158708London: Planet Films 1964. Draft script for the 1965 British horror film. A cult of satanic worshippers led by a magnetic 400-year-old vampire prey on the Romani living in a small town in Brittany. OCLC locates no holdings. Shot on location in Finistère France and in Buckinghamshire England. Red titled wrappers. Title page present dated April 1964 with credit for screenwriter Lyn Fairhurst. 94 leaves with last page of text numbered 93. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with two silver brads. Planet Films unknown
1966ref. 154165Los Angeles: American International Pictures AIP 1966. Draft script for the 1967 film. Copy belonging to actor Dick Miller with his name on the title page and his manuscript ink and pencil annotations throughout. Miller was initially cast in the role of Leroy although a motorcycle crash during filming left him with several broken ribs leading to his replacement by actor George Sims. From the estate of Dick Miller. Violence threatens to erupt in a small town when a gang of former Hell's Angels bikers are wrongfully accused of sexually assaulting a teenage girl. One of a handful of films in which actor John Cassavetes agreed to star in order to secure financing for his independent 1968 film "Faces." Shot on location throughout Arizona. Red titled American International Pictures wrappers. Title page present dated 12-7-66 with credits for screenwriter Charles B. Griffith. 105 leaves with last page of text numbered 104. Mimeograph duplication rectos only with blue revision pages throughout dated 12-7-66. Pages Near Fine wrapper Near Fine bound with two gold brads. McPadden Heavy Metal Movies. American International Pictures [AIP] unknown books
1966ref. 154165Los Angeles: American International Pictures AIP 1966. Draft script for the 1967 film. Copy belonging to actor Dick Miller with his name on the title page and his manuscript ink and pencil annotations throughout. Miller was initially cast in the role of Leroy although a motorcycle crash during filming left him with several broken ribs leading to his replacement by actor George Sims. From the estate of Dick Miller. Violence threatens to erupt in a small town when a gang of former Hell's Angels bikers are wrongfully accused of sexually assaulting a teenage girl. One of a handful of films in which actor John Cassavetes agreed to star in order to secure financing for his independent 1968 film "Faces." Shot on location throughout Arizona. Red titled American International Pictures wrappers. Title page present dated 12-7-66 with credits for screenwriter Charles B. Griffith. 105 leaves with last page of text numbered 104. Mimeograph duplication rectos only with blue revision pages throughout dated 12-7-66. Pages Near Fine wrapper Near Fine bound with two gold brads. McPadden Heavy Metal Movies. American International Pictures [AIP] unknown
1985ref. 149448France: JLG Films 1985. Vintage black-and-white borderless reference photograph of director Jean-Luc Godard and actors Claude Brasseur Nathalie Baye and Johnny Hallyday playing pool on the set of the 1985 film. Two detectives staying at a Parisian hotel investigate a murder which occurred two years prior. Released the same year as Godard's highly and pointlessly controversial film "Je Vous Salue Marie." Shot on location in Paris. 9.5 x 7 inches. Near Fine. Godard Histoires du cinema. Carlson and Connolly Destroy All Movies. JLG Films unknown books
1985ref. 149448France: JLG Films 1985. Vintage black-and-white borderless reference photograph of director Jean-Luc Godard and actors Claude Brasseur Nathalie Baye and Johnny Hallyday playing pool on the set of the 1985 film. Two detectives staying at a Parisian hotel investigate a murder which occurred two years prior. Released the same year as Godard's highly and pointlessly controversial film "Je Vous Salue Marie." Shot on location in Paris. 9.5 x 7 inches. Near Fine. Godard Histoires du cinema. Carlson and Connolly Destroy All Movies. JLG Films unknown
1943ref. 152570Culver City CA: Columbia Pictures 1943. Vintage press photograph of actors Glenn Ford and Marguerite Chapman from the 1943 film. Printed mimeo snipe affixed to the verso. During WWII a new destroyer fails its sea trials and is assigned to mail runs but nevertheless is forced to engage in combat against Japanese planes and a submarine. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1943ref. 152570Culver City CA: Columbia Pictures 1943. Vintage press photograph of actors Glenn Ford and Marguerite Chapman from the 1943 film. Printed mimeo snipe affixed to the verso. During WWII a new destroyer fails its sea trials and is assigned to mail runs but nevertheless is forced to engage in combat against Japanese planes and a submarine. 8 x 10 inches. Near Fine. Columbia Pictures unknown
1969ref. 170392N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 French film showing director Marguerite Duras and actor Michael Lonsdale during filming on location. Stamp of photographer Michel Lioret on the verso. Based on the 1969 novel by Duras a dark psychological drama about four visitors to a rural French hotel. 7 x 5 inches. Near Fine. N.p. unknown books
1969ref. 150219N.p.: N.p. 1969. Vintage borderless reference photograph of Marguerite Duras on the set of the 1969 film. Credits printed on verso. Marguerite Duras' directorial debut based on her radical 1969 novel about two couples exploring the destructive potential of their desires their identities dissipating and merging at an isolated seaside resort where no other guests are seen only heard playing tennis surrounded by a dense forest. 5 x 7 inches. Near Fine. N.p. unknown books
1969ref. 170392N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 French film showing director Marguerite Duras and actor Michael Lonsdale during filming on location. Stamp of photographer Michel Lioret on the verso. Based on the 1969 novel by Duras a dark psychological drama about four visitors to a rural French hotel. 7 x 5 inches. Near Fine. N.p. unknown
1969ref. 150219N.p.: N.p. 1969. Vintage borderless reference photograph of Marguerite Duras on the set of the 1969 film. Credits printed on verso. Marguerite Duras' directorial debut based on her radical 1969 novel about two couples exploring the destructive potential of their desires their identities dissipating and merging at an isolated seaside resort where no other guests are seen only heard playing tennis surrounded by a dense forest. 5 x 7 inches. Near Fine. N.p. unknown
1943ref. 160278Burbank CA: Warner Brothers 1943. Vintage reference photograph from the 1943 film. A group of American soldiers are tasked with a secret mission to surveil the Japanese in preparation for a bombing of Tokyo. Set in the Pacific Ocean and at the Mare Island Naval Shipyard shot on location in Portuguese Bend California and at the US Naval Station on Mare Island California. 10.25 x 6.75 inches trimmed. Very good plus with some wear to the finish and creasing at the top and bottom right corners and along the left right and top edges. Warner Brothers unknown books
1985ref. 153201N.p.: N.p. 1985. Vintage borderless reference photograph from the set of the 1985 film showing director Susan Seidelman reviewing the script on location. A bored New Jersey housewife gets involved in the life of a free spirited New Yorker through a series of events involving farcical elements such as amnesia and mistaken identity. Madonna's first major screen role and a breakthrough turn for Rosanna Arquette. 9.5 x 7 inches. Near Fine. Carlson and Connolly Destroy All Movies. N.p. unknown books
1985ref. 153201N.p.: N.p. 1985. Vintage borderless reference photograph from the set of the 1985 film showing director Susan Seidelman reviewing the script on location. A bored New Jersey housewife gets involved in the life of a free spirited New Yorker through a series of events involving farcical elements such as amnesia and mistaken identity. Madonna's first major screen role and a breakthrough turn for Rosanna Arquette. 9.5 x 7 inches. Near Fine. Carlson and Connolly Destroy All Movies. N.p. unknown
ref. 149785N.p.: N.p. Unknown. Draft script for an unproduced film. With an annotation in manuscript ink on the title page noting the film's title and the name of screenwriter Ken Hyman. Two CIA agents tail a neo-Nazi murderer in West Berlin. Hyman was best known as a producer during the 1960s and 1970s. Set in West Berlin and Virginia. White untitled wrappers. Lacking title page. 135 leaves with last page of text numbered 134. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus lightly dampstained on the front wrapper and first several leaves bound with a silver prong. N.p. unknown books
1942ref. 162029N.p.: N.p. 1942. Vintage reference photograph from the 1942 film showing actor Errol Flynn in a leather aviator jacket. Photographer stamp on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A war film about a group of Allied aviators who must escape the Third Reich after being shot down near the Polish border and captured by the Germans. 8 x 10 inches. Very Good plus with creasing and a small splash on the recto and adhesive residue on the verso. N.p. unknown books
1942ref. 162029N.p.: N.p. 1942. Vintage reference photograph from the 1942 film showing actor Errol Flynn in a leather aviator jacket. Photographer stamp on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A war film about a group of Allied aviators who must escape the Third Reich after being shot down near the Polish border and captured by the Germans. 8 x 10 inches. Very Good plus with creasing and a small splash on the recto and adhesive residue on the verso. N.p. unknown
ref. 149785N.p.: N.p. Unknown. Draft script for an unproduced film. With an annotation in manuscript ink on the title page noting the film's title and the name of screenwriter Ken Hyman. Two CIA agents tail a neo-Nazi murderer in West Berlin. Hyman was best known as a producer during the 1960s and 1970s. Set in West Berlin and Virginia. White untitled wrappers. Lacking title page. 135 leaves with last page of text numbered 134. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus lightly dampstained on the front wrapper and first several leaves bound with a silver prong. N.p. unknown
1978ref. 144593Munich: Bavaria Atelier 1978. Vintage borderless photograph of Rainer Werner Fassbinder on the set of the 1978 film. With manuscript annotations on the verso. Based on the 1936 novel of the same name by Vladimir Nabokov. Herman Herman Dirk Bograde a Russian immigrant and Jewish business owner in Berlin is targeted by Nazis. While slowly losing his mind he fixates on a man he believes to be his doppelganger. After taking out a new life insurance policy he devises a plan to free himself of his problems. Nominated for the Palme d'Or at the Cannes Film Festival. Shot on location in Germany. 10 x 8 inches. Near Fine. Bavaria Atelier unknown books
1978ref. 144593Munich: Bavaria Atelier 1978. Vintage borderless photograph of Rainer Werner Fassbinder on the set of the 1978 film. With manuscript annotations on the verso. Based on the 1936 novel of the same name by Vladimir Nabokov. Herman Herman Dirk Bograde a Russian immigrant and Jewish business owner in Berlin is targeted by Nazis. While slowly losing his mind he fixates on a man he believes to be his doppelganger. After taking out a new life insurance policy he devises a plan to free himself of his problems. Nominated for the Palme d'Or at the Cannes Film Festival. Shot on location in Germany. 10 x 8 inches. Near Fine. Bavaria Atelier unknown
1954ref. 160994Los Angeles: Twentieth Century-Fox 1954. Two vintage reference photographs taken on the set of the 1954 film one showing director Henry Koster talking to Marlon Brando and the other showing Koster with Brando and actress Jean Simmons. Printed mimeo snipes and Twentieth Century-Fox stamps on the versos. From the archive of film historian and author Joel Finler. A biopic about the rise and fall of Napoleon Bonaparte based loosely on Annemarie Selinko's 1953 nonfiction book. Nominated for two Academy Awards. Set in Marseilles shot on location throughout California and in Hauts-de-Seine Paris and Seine-et-Marne France. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1954ref. 160994Los Angeles: Twentieth Century-Fox 1954. Two vintage reference photographs taken on the set of the 1954 film one showing director Henry Koster talking to Marlon Brando and the other showing Koster with Brando and actress Jean Simmons. Printed mimeo snipes and Twentieth Century-Fox stamps on the versos. From the archive of film historian and author Joel Finler. A biopic about the rise and fall of Napoleon Bonaparte based loosely on Annemarie Selinko's 1953 nonfiction book. Nominated for two Academy Awards. Set in Marseilles shot on location throughout California and in Hauts-de-Seine Paris and Seine-et-Marne France. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown
1958ref. 150167N.p.: N.p. 1958. Vintage borderless photograph of actress Sophia Loren on the set of the 1958 film. With a Photoplay Library stamp on the verso along with the stamp of photographer Bill Avery and manuscript pencil annotations regarding layout. Based on Eugene O'Neill's 1924 play. A greedy New England farmer marries for a third time after working his first two wives to death. Trouble ensues when his new wife a headstrong Italian woman begins an affair with his youngest son. Bill Avery worked as a photographer at Columbia Pictures in the early 20th century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others. 9.5 x 7.5 inches. Near Fine. N.p. unknown books
