Johnny Crawford, Stuart Erwin, Dorothy Green, Sarah Selby (starring); Donn Mullally (screenwriter)ABAA
11,046 results
1956ref. 152179Hollywood: Federal Telefilms 1956. Draft script for the 38th episode of season two of the 1955-1957 television series originally aired on June 21 1957 on ABC. Copy belonging to actor Johnny Crawford with his name in manuscript ink to the title page and his manuscript annotations throughout. The series followed the varied experiences of clergymen of all faiths. In this episode the Reverend and Mrs. Stone face difficulties with their newest foster child an angry little boy named Kenny Crawford. Blue self wrappers. Title page present dated July 12 1956 with credits for screenwriter Donn Mullally. 43 leaves with last page of text numbered 41. Mimeograph duplication rectos only with blue and pink revision pages throughout dated 10/10/56. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. Housed in brown wrappers with a handwritten title label affixed to the front wrapper dated 1956. Federal Telefilms unknown books
1986ref. 167937Culver City CA: Columbia Pictures 1986. Seven vintage studio still photographs from the 1986 film including one showing director Walter Hill on the set. Not to be confused with the 2002 film starring Britney Spears. A young student at the Juilliard School befriends with an aging bluesman in hopes that the musician will teach him about his friendship with blues legend Robert Johnson years before. Set in Chicago and Mississippi shot on location in Murphy Greenville Natchez Port Gibson and Vicksburg Mississippi and in Burbank California. 10 x 8 inches. Near Fine to Fine one with an annotation in manuscript ink on the bottom margin. Columbia Pictures unknown books
1968ref. 141216Rome: N.p. 1968. Draft script for an unproduced film. Laid in is a note from Gladys Hill to Irene Heymann dated May 13 1968. A Kentucky family's horse breeding business is ruined in the Civil War leading the patriarch to seek out a new ranch in Texas. There he comes under fire from a Mexican breeder who wishes to be the sole breeder in the region. Set in Texas. Red untitled wrappers. Title page present dated 1968 with credit for screenwriter Lyn Jank. 137 leaves with last page of text numbered 136. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown books
1986ref. 161074Culver City CA: Columbia Pictures 1986. Vintage studio still photograph showing musicians Ry Cooder and Otis Taylor during a soundtrack recording session for the 1986 film. Annotations in manuscript ink on the verso. A white teenager is pulled into an adventure as he explores the legend of blues musician Robert Johnson who purportedly sold his soul to the devil in exchange for lifelong fame and talent. Set and shot on location in Beulah Mississippi. 8 x 10 inches. About Fine. Columbia Pictures unknown books
1942ref. 164224N.p.: N.p. 1942. Vintage reference photograph from the Spanish release of the 1942 film noir showing William Powell Hedy Lamarr and Basil Rathbone. Mimeo snipe and title in Spanish on the verso. After suffering traumatic amnesia a diplomat encounters a number of shady individuals claiming to be from his past and eventually finds himself implicated in a decade-old robbery. A remake of the 1938 French film "Carrefour." 10 x 8 inches. Very Good plus. Grant US. Selby US. Spicer US. N.p. unknown books
1956ref. 152179Hollywood: Federal Telefilms 1956. Draft script for the 38th episode of season two of the 1955-1957 television series originally aired on June 21 1957 on ABC. Copy belonging to actor Johnny Crawford with his name in manuscript ink to the title page and his manuscript annotations throughout. The series followed the varied experiences of clergymen of all faiths. In this episode the Reverend and Mrs. Stone face difficulties with their newest foster child an angry little boy named Kenny Crawford. Blue self wrappers. Title page present dated July 12 1956 with credits for screenwriter Donn Mullally. 43 leaves with last page of text numbered 41. Mimeograph duplication rectos only with blue and pink revision pages throughout dated 10/10/56. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. Housed in brown wrappers with a handwritten title label affixed to the front wrapper dated 1956. Federal Telefilms unknown
1968ref. 141216Rome: N.p. 1968. Draft script for an unproduced film. Laid in is a note from Gladys Hill to Irene Heymann dated May 13 1968. A Kentucky family's horse breeding business is ruined in the Civil War leading the patriarch to seek out a new ranch in Texas. There he comes under fire from a Mexican breeder who wishes to be the sole breeder in the region. Set in Texas. Red untitled wrappers. Title page present dated 1968 with credit for screenwriter Lyn Jank. 137 leaves with last page of text numbered 136. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
1986ref. 167937Culver City CA: Columbia Pictures 1986. Seven vintage studio still photographs from the 1986 film including one showing director Walter Hill on the set. Not to be confused with the 2002 film starring Britney Spears. A young student at the Juilliard School befriends with an aging bluesman in hopes that the musician will teach him about his friendship with blues legend Robert Johnson years before. Set in Chicago and Mississippi shot on location in Murphy Greenville Natchez Port Gibson and Vicksburg Mississippi and in Burbank California. 10 x 8 inches. Near Fine to Fine one with an annotation in manuscript ink on the bottom margin. Columbia Pictures unknown
1986ref. 161074Culver City CA: Columbia Pictures 1986. Vintage studio still photograph showing musicians Ry Cooder and Otis Taylor during a soundtrack recording session for the 1986 film. Annotations in manuscript ink on the verso. A white teenager is pulled into an adventure as he explores the legend of blues musician Robert Johnson who purportedly sold his soul to the devil in exchange for lifelong fame and talent. Set and shot on location in Beulah Mississippi. 8 x 10 inches. About Fine. Columbia Pictures unknown
1942ref. 164224N.p.: N.p. 1942. Vintage reference photograph from the Spanish release of the 1942 film noir showing William Powell Hedy Lamarr and Basil Rathbone. Mimeo snipe and title in Spanish on the verso. After suffering traumatic amnesia a diplomat encounters a number of shady individuals claiming to be from his past and eventually finds himself implicated in a decade-old robbery. A remake of the 1938 French film "Carrefour." 10 x 8 inches. Very Good plus. Grant US. Selby US. Spicer US. N.p. unknown
1983ref. 148072Universal City: Universal Studios 1983. Vintage studio still photograph of Dana Hill from the 1983 film. Based on Marjorie Kinnan Rawlings' 1942 memoir. Rawlings Mary Steenburgen makes the abrupt decision to leave her husband and move to an isolated orange grove to concentrate on writing her novel "The Yearling." Nominated for four Academy Awards including Best Supporting Actor Rip Torn and Best Supporting Actress Alfre Woodward. Nominated for the Palme d'Or. Set in and shot on location in Florida. 8 x 10 inches. Near FIne. Universal Studios unknown books
1969ref. 132601London: Warner-Pathe 1969. Two vintage black-and-white still photographs of Warren Oates from the 1969 UK film. Mimeograph snipe affixed to the verso of 1 still. Both stills feature the great Warren Oates. A comedy about two crooks hired to rob an old lady but she proves to be too charming and the robbers can't muster the guts to steal from her. 8 x 10 inches and 7.25 x 9.25 inches no borders as issued. Smaller still with a tiny closed tear else Near Fine. Warner-Pathe unknown books
1970ref. 154948London: Juveniles Group of IPC Magazines 1970. Vintage British program for the 1970 film with color film still photographs throughout. A biographical account of the 17th century political and religious struggles taking place in England under the reign of King Charles Alec Guinness. Director Ken Hughes' favorite of his own films. Winner of an Academy Award and nominated for one other. Shot on location in Spain and England. 8.5 x 10.5 inches. 20 pages side stapled. Near FIne with light toning and two staples in the front wrapper. McPadden Heavy Metal Movies. Juveniles Group of IPC Magazines unknown books
1970ref. 154948London: Juveniles Group of IPC Magazines 1970. Vintage British program for the 1970 film with color film still photographs throughout. A biographical account of the 17th century political and religious struggles taking place in England under the reign of King Charles Alec Guinness. Director Ken Hughes' favorite of his own films. Winner of an Academy Award and nominated for one other. Shot on location in Spain and England. 8.5 x 10.5 inches. 20 pages side stapled. Near FIne with light toning and two staples in the front wrapper. McPadden Heavy Metal Movies. Juveniles Group of IPC Magazines unknown
1963ref. 132885London: Warner-Pathe Distributors 1963. Collection of 3 vintage full-color British front-of-house cards from the UK release of the 1963 US film. Based on Ira Levin's 1961 play starring Bob Hope as a New York theater critic and Lucille Ball as his wife playwrights that may or may not be very good. The fourth and final pairing of Hope and Ball. Set in New York. 8 x 10 inches. A moderate crease to each still else Near Fine. Warner-Pathe Distributors unknown books
1948ref. 172458Universal City CA: Universal Pictures 1948. Four vintage reference photographs and four vintage keybook photographs from the 1949 film. Four keybook photographs with mimeo snipes affixed to the versos. Based on the 1934 novel of the same name by Don Tracy. A man returns home hoping to repair his relationship with his ex-wife only to find she is now married to the head of a crime syndicate. Set in Los Angeles CA shot on location in Long Beach and Los Angeles CA. 8 x 10 inches. Keybook photographs and three reference photographs Very Good plus. One reference photo Very Good with creasing and a small tear at the margin in the bottom left corner. Grant US. Godard Histoires du cinema. Lee The Heist Film. Penzler 101. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Universal Pictures unknown books
1948ref. 172458Universal City CA: Universal Pictures 1948. Four vintage reference photographs and four vintage keybook photographs from the 1949 film. Four keybook photographs with mimeo snipes affixed to the versos. Based on the 1934 novel of the same name by Don Tracy. A man returns home hoping to repair his relationship with his ex-wife only to find she is now married to the head of a crime syndicate. Set in Los Angeles CA shot on location in Long Beach and Los Angeles CA. 8 x 10 inches. Keybook photographs and three reference photographs Very Good plus. One reference photo Very Good with creasing and a small tear at the margin in the bottom left corner. Grant US. Godard Histoires du cinema. Lee The Heist Film. Penzler 101. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Universal Pictures unknown
1986ref. 139486N.p.: De Laurentiis Entertainment Group 1986. Three vintage black-and-white studio still photographs from the 1986 film. Three sisters reunite in their hometown of Hazelhurst Mississippi. This black comedy is based on the Pulitzer Prize-winning play by Beth Henley. Henley also wrote the screenplay for the film. Set in Mississippi shot on location in North Carolina. 8 x 10 inches and 10 x 8 inches. . Near Fine. De Laurentiis Entertainment Group unknown books
1989ref. 150949Beverly Hills CA: Orion Pictures Corporation 1989. Vintage reference photograph of Martin Landau and Woody Allen on the set of the 1989 film. One of Allen's finest films a dark drama with comic elements interweaving two opposing stories. In one ophthalmologist Judah Rosenthal's Landau mistress Angelica Huston threatens to reveal their affair unless he leaves his wife Miriam Claire Bloom. Responding to the threat his gangster brother Jack Jerry Orbach offers to have her killed. In the other documentary filmmaker Clifford Stern Allen is hired by his pompous television producer brother-in-law Alan Alda to make a documentary about him and begins to fall in love with producer Halley Reed Mia Farrow. Nominated for three Academy Awards including Best Director Best Screenplay and Best Supporting Actor for Martin Landau. Set in and shot on location in New York and New Jersey. 10 x 8 inches. Near Fine. Ebert III. Schrader Canon Fodder 39. Orion Pictures Corporation unknown books
1989ref. 150802Beverly Hills CA: Orion Pictures Corporation 1989. Vintage reference photograph of Woody Allen and cinematographer Sven Nykvist on the set of the 1989 film. One of Allen's finest films a dark drama with comic elements interweaving two opposing stories. In one ophthalmologist Judah Rosenthal's Landau mistress Angelica Huston threatens to reveal their affair unless he leaves his wife Miriam Claire Bloom. Responding to the threat his gangster brother Jack Jerry Orbach offers to have her killed. In the other documentary filmmaker Clifford Stern Allen is hired by his pompous television producer brother-in-law Alan Alda to make a documentary about him and begins to fall in love with producer Halley Reed Mia Farrow. Nominated for three Academy Awards including Best Director Best Screenplay and Best Supporting Actor for Martin Landau. Set in and shot on location in New York and New Jersey. 10 x 8 inches. Near Fine. Ebert III. Schrader Canon Fodder 39. Orion Pictures Corporation unknown books
1989ref. 150949Beverly Hills CA: Orion Pictures Corporation 1989. Vintage reference photograph of Martin Landau and Woody Allen on the set of the 1989 film. One of Allen's finest films a dark drama with comic elements interweaving two opposing stories. In one ophthalmologist Judah Rosenthal's Landau mistress Angelica Huston threatens to reveal their affair unless he leaves his wife Miriam Claire Bloom. Responding to the threat his gangster brother Jack Jerry Orbach offers to have her killed. In the other documentary filmmaker Clifford Stern Allen is hired by his pompous television producer brother-in-law Alan Alda to make a documentary about him and begins to fall in love with producer Halley Reed Mia Farrow. Nominated for three Academy Awards including Best Director Best Screenplay and Best Supporting Actor for Martin Landau. Set in and shot on location in New York and New Jersey. 10 x 8 inches. Near Fine. Ebert III. Schrader Canon Fodder 39. Orion Pictures Corporation unknown
1987ref. 171544N.p.: N.p. 1987. Final Draft script for Season 2 Episode 1 of the 1986-1988 television series. Originally aired September 22 1987 on NBC. An early screenwriting effort for film director Michael Mann who went on to create "Miami Vice" followed by a legendary film career. Series following a detective with plans to stop a mobster in 1960s Las Vegas. In this episode the detective has to protect a Senator who investigates the mob and an actress who has ties to the mob. Set in 1960s Las Vegas. Generic brown manila wrappers with tape affixed to the front wrapper indicating the series and episode titles in manuscript ink and with credits in manuscript ink for screenwriter Peter Lance. Title page present dated 7/24/87 noted as FINAL DRAFT with credits for screenwriter Peter Lance. 64 leaves with last page of text numbered 56. Xerographic duplication rectos only with revision pages throughout dated variously between 7/17/87 and 7/24/87. Pages Fine wrapper Fine internally bound with silver prong binding. N.p. unknown books
1987ref. 171549N.p.: N.p. 1987. Revised Draft script for Season 2 Episode 3 of the 1986-1988 television series. Originally aired October 20 1987 on NBC. With revisions by Michael Mann prior to developing "Miami Vice" and moving on to a massive film career. Series following a detective with plans to stop a mobster in 1960s Las Vegas. In this episode the detective sets up a sting operation to catch a family involved in the marijuana trade. Set in 1960s Las Vegas. Generic brown wrappers with tape affixed to the front wrapper with manuscript ink annotations indicating the series and episode titles and with credits for screenwriter Tom Towler. Title page present dated 8/21/87 noted as Revised with credits for screenwriter Tom Towler. 62 leaves with last page of text numbered 57. Xerographic duplication rectos only with revision pages throughout dated variously between 8/18/87 and 8/21/87. Pages Fine wrapper Near Fine internally bound with silver prong binding. N.p. unknown books
1987ref. 171549N.p.: N.p. 1987. Revised Draft script for Season 2 Episode 3 of the 1986-1988 television series. Originally aired October 20 1987 on NBC. With revisions by Michael Mann prior to developing "Miami Vice" and moving on to a massive film career. Series following a detective with plans to stop a mobster in 1960s Las Vegas. In this episode the detective sets up a sting operation to catch a family involved in the marijuana trade. Set in 1960s Las Vegas. Generic brown wrappers with tape affixed to the front wrapper with manuscript ink annotations indicating the series and episode titles and with credits for screenwriter Tom Towler. Title page present dated 8/21/87 noted as Revised with credits for screenwriter Tom Towler. 62 leaves with last page of text numbered 57. Xerographic duplication rectos only with revision pages throughout dated variously between 8/18/87 and 8/21/87. Pages Fine wrapper Near Fine internally bound with silver prong binding. N.p. unknown
1987ref. 171544N.p.: N.p. 1987. Final Draft script for Season 2 Episode 1 of the 1986-1988 television series. Originally aired September 22 1987 on NBC. An early screenwriting effort for film director Michael Mann who went on to create "Miami Vice" followed by a legendary film career. Series following a detective with plans to stop a mobster in 1960s Las Vegas. In this episode the detective has to protect a Senator who investigates the mob and an actress who has ties to the mob. Set in 1960s Las Vegas. Generic brown manila wrappers with tape affixed to the front wrapper indicating the series and episode titles in manuscript ink and with credits in manuscript ink for screenwriter Peter Lance. Title page present dated 7/24/87 noted as FINAL DRAFT with credits for screenwriter Peter Lance. 64 leaves with last page of text numbered 56. Xerographic duplication rectos only with revision pages throughout dated variously between 7/17/87 and 7/24/87. Pages Fine wrapper Fine internally bound with silver prong binding. N.p. unknown
