11,049 results
1989ref. 143676Los Angeles: CBS Television Network 1989. Draft script for the 1990 television film originally aired May 1 1990 on CBS. Copy belonging to casting director Barbara Claman with her name in manuscript ink on front wrapper. A nine-year-old boy witnesses his father's murder. A psychologist works with him to retrieve important information for the criminal investigation. Elijah Wood's debut. Shot on location in Seattle Washington. White titled self wrappers dated September 14 1989 with credits for screenwriter Michael Petryni. Title page integral to front wrapper. 105 leaves with last page of text numbered 105. Xerographically reproduced. Pages Fine wrapper Near Fine bound with two gold brads. CBS Television Network unknown books
1949ref. 151394Hollywood: Paramount Pictures 1949. Post-production Release Dialogue script for the 1949 film. Based on Tiffany Thayer's 1947 novel "One Woman." A South Side reporter discovers the body of a dead call girl and tries to track down her killer using her address book. Set in Chicago. Tall white titled wrappers noting 10 reels dated February 21 1949. Title page integral with the front wrapper as issued. Mimeograph duplication rectos only. Pages Very Good plus bound with two gold brads at the top edge. Paramount Pictures unknown books
1949ref. 151394Hollywood: Paramount Pictures 1949. Post-production Release Dialogue script for the 1949 film. Based on Tiffany Thayer's 1947 novel "One Woman." A South Side reporter discovers the body of a dead call girl and tries to track down her killer using her address book. Set in Chicago. Tall white titled wrappers noting 10 reels dated February 21 1949. Title page integral with the front wrapper as issued. Mimeograph duplication rectos only. Pages Very Good plus bound with two gold brads at the top edge. Paramount Pictures unknown
1956ref. 152152Culver City CA: Four Star Films 1956. Draft script for the 1956 television episode originally aired on June 8. Copy belonging to actor Johnny Crawford with his manuscript ink and pencil annotations throughout. With a call sheet and shooting schedule bound in after the title page. A former hobo experiences difficulties in trying to return to "normal life." Pink titled wrappers. Title page present undated with credits for screenwriter Alvin Sargent. 51 leaves with last page of text numbered 42. Mimeograph duplication rectos only with blue revision pages throughout dated 4/11/56. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Housed in brown wrappers with a handwritten title label affixed to the front wrapper dated April 1956. Four Star Films unknown books
1956ref. 152152Culver City CA: Four Star Films 1956. Draft script for the 1956 television episode originally aired on June 8. Copy belonging to actor Johnny Crawford with his manuscript ink and pencil annotations throughout. With a call sheet and shooting schedule bound in after the title page. A former hobo experiences difficulties in trying to return to "normal life." Pink titled wrappers. Title page present undated with credits for screenwriter Alvin Sargent. 51 leaves with last page of text numbered 42. Mimeograph duplication rectos only with blue revision pages throughout dated 4/11/56. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Housed in brown wrappers with a handwritten title label affixed to the front wrapper dated April 1956. Four Star Films unknown
1989ref. 139236France: Eve Productions 1989. Original French grande poster for the 1989 release of the 1970 US film. Scarce. A small-town border sheriff and marijuana smuggler sets out to kill a rival drug dealer while his girlfriend has a dalliance with another woman. The first Meyer film to feature full frontal male nudity a rarity even in sexploitation films at the time and quite the introduction to soon-to-be Meyer's regular Charles Napier. Meyer shot several new sequences late in production about a quarter of the film's runtime either to replace footage lost by a photo lab or because an actress left the shoot early the reason is disputed. The new sequences unrelated to the original ones give the film an almost surreal quality leading Roger Ebert to call it "possibly the only narrative film ever made without a narrative." The film was one of the most successful of Meyer's career leading him to return to and refine this style in subsequent films peaking with Beneath the Valley of the Ultra-Vixens in 1979. 47 x 63 inches folded as issued. Near Fine. Eve Productions unknown books
1989ref. 139236France: Eve Productions 1989. Original French grande poster for the 1989 release of the 1970 US film. Scarce. A small-town border sheriff and marijuana smuggler sets out to kill a rival drug dealer while his girlfriend has a dalliance with another woman. The first Meyer film to feature full frontal male nudity a rarity even in sexploitation films at the time and quite the introduction to soon-to-be Meyer's regular Charles Napier. Meyer shot several new sequences late in production about a quarter of the film's runtime either to replace footage lost by a photo lab or because an actress left the shoot early the reason is disputed. The new sequences unrelated to the original ones give the film an almost surreal quality leading Roger Ebert to call it "possibly the only narrative film ever made without a narrative." The film was one of the most successful of Meyer's career leading him to return to and refine this style in subsequent films peaking with Beneath the Valley of the Ultra-Vixens in 1979. 47 x 63 inches folded as issued. Near Fine. Eve Productions unknown
1966ref. 154505N.p.: Film-Makers' Distribution Center 1966. Vintage studio still photograph of Gerard Malanga from the 1966 film. Disregarding formal narrative the film follows various residents of the Chelsea Hotel in New York City during 1966 presented in a split screen with a single audio track associated with only one side of the screen. The release marked a critical moment in Andy Warhol's career as it was the first film he directed to receive international success and distribution or even be screened outside cine-clubs in New York City. Set and shot on location in Chelsea New York. 8 x 10 inches. Very Good plus. Film-Makers' Distribution Center unknown books
1966ref. 154505N.p.: Film-Makers' Distribution Center 1966. Vintage studio still photograph of Gerard Malanga from the 1966 film. Disregarding formal narrative the film follows various residents of the Chelsea Hotel in New York City during 1966 presented in a split screen with a single audio track associated with only one side of the screen. The release marked a critical moment in Andy Warhol's career as it was the first film he directed to receive international success and distribution or even be screened outside cine-clubs in New York City. Set and shot on location in Chelsea New York. 8 x 10 inches. Very Good plus. Film-Makers' Distribution Center unknown
1969ref. 140854Moscow: Gorky Film Studio 1969. Treatment script for the 1972 film. A collaboration between Moscow's Gorky Studio and Stockholm's Omega Film. An English translation produced for consideration by English-speaking parties involved in production. After the October Revolution of 1917 a Russian engineer is assigned to purchase locomotives from Sweden. He is to purchase them with gold claimed by opponents of the revolution. Set in the Soviet Union. White titled self wrapper lacking rear wrapper noted as Literary Scenario on the front wrapper dated April 1969 with credits for screenwriters Semitiov Braginsky Yegorov and Soloviev and translator Alan Blair. 92 leaves with last leaf of text numbered 91. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with a comb binding. Gorky Film Studio unknown books
1969ref. 140854Moscow: Gorky Film Studio 1969. Treatment script for the 1972 film. A collaboration between Moscow's Gorky Studio and Stockholm's Omega Film. An English translation produced for consideration by English-speaking parties involved in production. After the October Revolution of 1917 a Russian engineer is assigned to purchase locomotives from Sweden. He is to purchase them with gold claimed by opponents of the revolution. Set in the Soviet Union. White titled self wrapper lacking rear wrapper noted as Literary Scenario on the front wrapper dated April 1969 with credits for screenwriters Semitiov Braginsky Yegorov and Soloviev and translator Alan Blair. 92 leaves with last leaf of text numbered 91. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with a comb binding. Gorky Film Studio unknown
1950ref. 107868London: Apex 1950. Draft script for the 1951 British film. Editor Peter Hunt's copy with his manuscript annotations throughout. Peter Hunt began his career in the UK film industry as an editor working on several of the best-known early James Bond films "Dr. No" "From Russia With Love" "Goldfinger" as well as "The Ipcress File." He debuted as a director with "On Her Majesty's Secret Service" in 1969. Blue untitled wrappers. Title page present dated April 1950 noted as shooting script with credits for Kenneth Hume. 87 leaves with last page of text numbered 86. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two staples. Apex unknown books
1950ref. 107868London: Apex 1950. Draft script for the 1951 British film. Editor Peter Hunt's copy with his manuscript annotations throughout. Peter Hunt began his career in the UK film industry as an editor working on several of the best-known early James Bond films "Dr. No" "From Russia With Love" "Goldfinger" as well as "The Ipcress File." He debuted as a director with "On Her Majesty's Secret Service" in 1969. Blue untitled wrappers. Title page present dated April 1950 noted as shooting script with credits for Kenneth Hume. 87 leaves with last page of text numbered 86. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two staples. Apex unknown
1983ref. 132515Hollywood: Paramount Pictures 1983. Vintage black-and-white still photograph from the 1983 US film. Mimeograph snipe detached from verso previously affixed but present. The two burn-outs host a dope-a-thon to raise funds for a bankrupt film festival in Amstderam. 8 x 9.75 inches. Near Fine. Paramount Pictures unknown books
1984ref. 132514Los Angeles: Orion Pictures Corporation 1984. Two vintage black-and-white still photographs from the 1984 US film. Cheech and Chong's period piece about the French Revolution a comedy geared toward a wider audience with the two moving away from the stoner comedy that made them famous. 8 x 10 inches. Near Fine. Orion Pictures Corporation unknown books
1970ref. 141235N.p.: N.p. 1970. Draft script for an unproduced film. A man travels to Vienna on business and falls in love with a beautiful stranger whom he suspects of stealing his car. Guided by his daily horoscope he believes he has found his soulmate. Set in London and Vienna. Blue untitled wrappers. Title page present with credit for screenwriter Mario Garriba. 140 leaves with last page of text numbered 139. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown books
1970ref. 141235N.p.: N.p. 1970. Draft script for an unproduced film. A man travels to Vienna on business and falls in love with a beautiful stranger whom he suspects of stealing his car. Guided by his daily horoscope he believes he has found his soulmate. Set in London and Vienna. Blue untitled wrappers. Title page present with credit for screenwriter Mario Garriba. 140 leaves with last page of text numbered 139. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
1937ref. 144994Los Angeles: Twentieth Century-Fox 1937. Three vintage photographs from the set of the 1937 film. With printed descriptions on the verso of each. One photo shown. Please inquire to see others. Checkers Jane Withers and Edgar Connell Stuart Erwin a veterinarian mend a horse's leg before a big race that could help save a man's farm. Filmed on location in Pomona CA. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1961ref. 143870Italy: Cinematografica RI.RE 1961. Collection of 14 vintage borderless single weight studio still photographs from the 1961 Italian-French film. Action sequences picketers Delon and his compatriots and a charming candid of Barbara Lass are present. Numerical annotations and a few with actor names on the versos in manuscript pencil along with the stamp of photographer Pierluigi Praturlon. The film's premiere was at Cannes and earned director Clément a Palme d'Or nomination. In 1921 Ulysses Delon enrolls in the Italian Fascist party and his initiation is to gain the trust of local printer Fossati Cervi. Fossati's family and beautiful daughter Lass are anarchists contesting Ulysses' beliefs and he ultimately decides to forge his own political path. Set in Rome shot there on location. 7 x 9.25 inches. Near Fine slight curling. Cinematografica RI.RE unknown books
1961ref. 143870Italy: Cinematografica RI.RE 1961. Collection of 14 vintage borderless single weight studio still photographs from the 1961 Italian-French film. Action sequences picketers Delon and his compatriots and a charming candid of Barbara Lass are present. Numerical annotations and a few with actor names on the versos in manuscript pencil along with the stamp of photographer Pierluigi Praturlon. The film's premiere was at Cannes and earned director Clément a Palme d'Or nomination. In 1921 Ulysses Delon enrolls in the Italian Fascist party and his initiation is to gain the trust of local printer Fossati Cervi. Fossati's family and beautiful daughter Lass are anarchists contesting Ulysses' beliefs and he ultimately decides to forge his own political path. Set in Rome shot there on location. 7 x 9.25 inches. Near Fine slight curling. Cinematografica RI.RE unknown
1989ref. 168205Los Angeles / London: Hemdale 1989. Two vintage studio still photographs from the 1989 film including one showing director Mick Jackson on the set. Based on the real-life case of Chris Calhoun a traumatized war veteran whose experiences in a Florida State Hospital led to sweeping reforms in mental health care across the state. 10 x 8 inches. Fine. Hemdale unknown books
1969ref. 171508Los Angeles: American International Pictures AIP 1969. Two vintage lobby cards for the 1969 film. Cher's first film appearance without her then-husband Sonny Bono about a free-spirited mercurial hippie hitchhiker. Shot on location in Phoenix Arizona. 14 x 11 inches. Near Fine. American International Pictures [AIP] unknown books
1969ref. 171508Los Angeles: American International Pictures AIP 1969. Two vintage lobby cards for the 1969 film. Cher's first film appearance without her then-husband Sonny Bono about a free-spirited mercurial hippie hitchhiker. Shot on location in Phoenix Arizona. 14 x 11 inches. Near Fine. American International Pictures [AIP] unknown
1973ref. 167142Universal City: Universal Studios 1973. Draft script for the tenth episode of the first season of the 1973-74 NBC television series that aired on November 27 1973. Copy printed on pink leaves with manuscript pencil and ink annotations on -- pages. The first show co-created by Stephen J. Cannell about a unique team of the Los Angeles Police Department lead by Chase Reddick Mitchell Ryan that specializes in solving unusually difficult or violent cases. The series premiered on September 11 1973 and aired for 23 episodes ending on April 10 1974. In this episode Sgt. MacCray Wayne Maunder attempts to infiltrate a garbage removal firm whose owner is syndicate boss and is distracted by the attention of the crime boss' daughter. Set in Los Angeles. Front wrapper integral with title page dated September 28 1973 with credits for screenwriter Michael Donovan. 59 leaves with last page of text numbered 57. Mimeograph duplication rectos only. Pages Very Good plus bound with a staple to the top left corner. Universal Studios unknown books
1973ref. 167142Universal City: Universal Studios 1973. Draft script for the tenth episode of the first season of the 1973-74 NBC television series that aired on November 27 1973. Copy printed on pink leaves with manuscript pencil and ink annotations on -- pages. The first show co-created by Stephen J. Cannell about a unique team of the Los Angeles Police Department lead by Chase Reddick Mitchell Ryan that specializes in solving unusually difficult or violent cases. The series premiered on September 11 1973 and aired for 23 episodes ending on April 10 1974. In this episode Sgt. MacCray Wayne Maunder attempts to infiltrate a garbage removal firm whose owner is syndicate boss and is distracted by the attention of the crime boss' daughter. Set in Los Angeles. Front wrapper integral with title page dated September 28 1973 with credits for screenwriter Michael Donovan. 59 leaves with last page of text numbered 57. Mimeograph duplication rectos only. Pages Very Good plus bound with a staple to the top left corner. Universal Studios unknown
