11,064 results
1956ref. 152180Burbank CA: American Broadcasting Company ABC 1956. Draft script for the seventh episode of season five of the 1952-1957 television series originally aired on November 13 1956. Copy belonging to actor Johnny Crawford with his name stamped on the front wrapper and his manuscript ink annotations throughout. After a near-death experience an emotionally stunted man decides to trace the sequence of events backwards to understand the incident gaining a new lease on life in the process. Goldenrod titled wrappers. Title page present undated with credits for screenwriter Laszlo Gorog. 48 leaves with last page of text numbered 43. Mimeograph duplication rectos only with blue revision pages throughout dated 10/5/56. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Housed in brown wrappers with a handwritten title label affixed to the front wrapper dated 1956. American Broadcasting Company [ABC] unknown
1970ref. 158811N.p.: Cannon Films 1970. Two vintage studio still photographs from the 1971 US release of the 1968 Spanish film. A blind sculptor has been working on a piece using bones but he doesn't know they are real human bones of the victims of his wife. Shot on location in Madrid and Andalucía Spain. 10 x 8 inches. About Near Fine. Cannon Films unknown books
1970ref. 158811N.p.: Cannon Films 1970. Two vintage studio still photographs from the 1971 US release of the 1968 Spanish film. A blind sculptor has been working on a piece using bones but he doesn't know they are real human bones of the victims of his wife. Shot on location in Madrid and Andalucía Spain. 10 x 8 inches. About Near Fine. Cannon Films unknown
1966ref. 161628New York: William Mishkin Motion Pictures 1966. Three vintage studio still photographs from the 1966 film. Two with provenance stamps on the versos one with two labels on the verso obscuring two previous provenance stamps. Country girl Cherry arrives in New York to start a career and find romance and gets caught up in the seedy side of the city. Shot on location in New York City. 8 x 10 inches. Very Good plus with light edgewear overall and faint creasing at the extremities one with a wax pencil annotation on the recto and one with pinholes in the lower right margin. William Mishkin Motion Pictures unknown books
1966ref. 161628New York: William Mishkin Motion Pictures 1966. Three vintage studio still photographs from the 1966 film. Two with provenance stamps on the versos one with two labels on the verso obscuring two previous provenance stamps. Country girl Cherry arrives in New York to start a career and find romance and gets caught up in the seedy side of the city. Shot on location in New York City. 8 x 10 inches. Very Good plus with light edgewear overall and faint creasing at the extremities one with a wax pencil annotation on the recto and one with pinholes in the lower right margin. William Mishkin Motion Pictures unknown
1976ref. 152323N.p.: N.p. 1976. Vintage borderless reference photograph of Edwige Fenech and Yanti Somer from the 1976 Italian film. A jealous lawyer suspects his wife of hiding her lover in their utility closet and becomes obsessed with catching her in the act. Set and shot on location in Rome and Milan. 7 x 4.75 inches. Near Fine. N.p. unknown books
1976ref. 152323N.p.: N.p. 1976. Vintage borderless reference photograph of Edwige Fenech and Yanti Somer from the 1976 Italian film. A jealous lawyer suspects his wife of hiding her lover in their utility closet and becomes obsessed with catching her in the act. Set and shot on location in Rome and Milan. 7 x 4.75 inches. Near Fine. N.p. unknown
1970ref. 150606Los Angeles: Paramount Pictures 1970. Eight vintage black and white studio still photographs from the 1970 film. Based on Joseph Heller's searing 1961 antiwar novel about a US Air Force bombardier seeking an escape from the endless senseless brutality of World War II. Director Mike Nichol's third feature film released the same year as Robert Altman's "MASH." Set in the Mediterranean shot on location in Sonora Mexico and Rome. 10 x 8 inches. Near Fine. Paramount Pictures unknown books
1980ref. 147225N.p.: N.p. 1980. Treatment script for an unproduced film. Based on a presumably unpublished novel by Michael Joseph who also adapted the screenplay. Set in the near future the Ayatollah Khomeini has recently died and the new leftist regime in Iran has begun to work together with the Soviet Union. The young and nontraditional US president embarks on an diplomacy trip to address the Soviet Union's recent breach of an antinuclear treaty. His first stop is the UK where he narrowly avoids assassination. White titled wrappers. Title page present dated 1980 noted as Story Outline with credits for screenwriter Michael Joseph. 29 leaves with last page of text numbered 26. Xerographically reproduced on orange stock rectos only. Pages Very Good plus wrapper Very Good plus with black comb binding. N.p. unknown books
1980ref. 144156London: N.p. 1980. Draft script for an unproduced film. Set in the near future the Ayatollah Khomeini has recently died and the new leftist regime in Iran has begun to work together with the Soviet Union. The young and untraditional US president embarks on an diplomacy trip to address The Soviet Unions recent breach of an anti-nuclear treaty. His first stop is the UK where he narrowly avoids assassination. White titled wrappers Title page present dated 1980 with credits for screenwriter Michael Joseph. 28 leaves with last page of text numbered 27. Xerographically reproduced. Pages Near Fine wrapper Near Fine comb binding. N.p. unknown books
1980ref. 147225N.p.: N.p. 1980. Treatment script for an unproduced film. Based on a presumably unpublished novel by Michael Joseph who also adapted the screenplay. Set in the near future the Ayatollah Khomeini has recently died and the new leftist regime in Iran has begun to work together with the Soviet Union. The young and nontraditional US president embarks on an diplomacy trip to address the Soviet Union's recent breach of an antinuclear treaty. His first stop is the UK where he narrowly avoids assassination. White titled wrappers. Title page present dated 1980 noted as Story Outline with credits for screenwriter Michael Joseph. 29 leaves with last page of text numbered 26. Xerographically reproduced on orange stock rectos only. Pages Very Good plus wrapper Very Good plus with black comb binding. N.p. unknown
1980ref. 144156London: N.p. 1980. Draft script for an unproduced film. Set in the near future the Ayatollah Khomeini has recently died and the new leftist regime in Iran has begun to work together with the Soviet Union. The young and untraditional US president embarks on an diplomacy trip to address The Soviet Unions recent breach of an anti-nuclear treaty. His first stop is the UK where he narrowly avoids assassination. White titled wrappers Title page present dated 1980 with credits for screenwriter Michael Joseph. 28 leaves with last page of text numbered 27. Xerographically reproduced. Pages Near Fine wrapper Near Fine comb binding. N.p. unknown
1958ref. 162526N.p.: N.p. 1958. Two vintage reference photographs of director Richard Brooks on the set of the 1958 film one showing Brooks talking with Elizabeth Taylor the other showing Brooks with Paul Newman. Printed mimeo snipes affixed to the versos along with the printed labels of Stillphoto in Amsterdam. Based on the 1955 Pulitzer Prize-winning play by Tennessee Williams about the deeply dysfunctional family of a dying plantation owner on the Mississippi Delta. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. N.p. unknown books
1958ref. 150861N.p.: N.p. 1958. Vintage reference photograph of Paul Newman and director Richard Brooks on the set of the 1958 film. Based on the 1955 Pulitzer Prize-winning play of the same name by Tennessee Williams though without much of the homosexual themes and cultural critique of the original. Brick Pollitt Paul Newman is a troubled man beat up from a drunken accident on his way to visit his dying father Big Daddy Burl Ives and the rest of his family with his wife Maggie Elizabeth Taylor. The gathering brings out the family's deeply buried tension repression and anxiety. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. N.p. unknown books
1958ref. 144474Beverly Hills CA: MGM 1958. Vintage photograph of director Richard Brooks and actor Paul Newman on the set of the 1958 film. Typed description and manuscript annotations on the verso. Based on the 1955 Pulitzer Prize-winning play of the same name by Tennessee Williams though without much of the homosexual themes and cultural critique of the original. Brick Pollitt Paul Newman is a troubled man beat up from a drunken accident on his way to visit his dying father Big Daddy Burl Ives and the rest of his family with his wife Maggie Elizabeth Taylor. The gathering brings out the family's deeply buried tension repression and anxiety. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. MGM unknown books
1958ref. 162526N.p.: N.p. 1958. Two vintage reference photographs of director Richard Brooks on the set of the 1958 film one showing Brooks talking with Elizabeth Taylor the other showing Brooks with Paul Newman. Printed mimeo snipes affixed to the versos along with the printed labels of Stillphoto in Amsterdam. Based on the 1955 Pulitzer Prize-winning play by Tennessee Williams about the deeply dysfunctional family of a dying plantation owner on the Mississippi Delta. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. N.p. unknown
1958ref. 150861N.p.: N.p. 1958. Vintage reference photograph of Paul Newman and director Richard Brooks on the set of the 1958 film. Based on the 1955 Pulitzer Prize-winning play of the same name by Tennessee Williams though without much of the homosexual themes and cultural critique of the original. Brick Pollitt Paul Newman is a troubled man beat up from a drunken accident on his way to visit his dying father Big Daddy Burl Ives and the rest of his family with his wife Maggie Elizabeth Taylor. The gathering brings out the family's deeply buried tension repression and anxiety. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. N.p. unknown
1958ref. 144474Beverly Hills CA: MGM 1958. Vintage photograph of director Richard Brooks and actor Paul Newman on the set of the 1958 film. Typed description and manuscript annotations on the verso. Based on the 1955 Pulitzer Prize-winning play of the same name by Tennessee Williams though without much of the homosexual themes and cultural critique of the original. Brick Pollitt Paul Newman is a troubled man beat up from a drunken accident on his way to visit his dying father Big Daddy Burl Ives and the rest of his family with his wife Maggie Elizabeth Taylor. The gathering brings out the family's deeply buried tension repression and anxiety. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. MGM unknown
1970ref. 161589N.p.: Grove Press 1970. Vintage studio still photograph from the US release of the 1967 German-Polish film. Rare. Based on the 1961 novella by Günter Grass the second book in the Danzig Trilogy and sequel to his 1959 novel "The Tin Drum." A former gymnast returns to his home town Danzig and reflects on the fate of his classmate Joachim who disappeared during the war. Shot on location in Gdansk Gdynia and Sopot Poland. 8 x 10 inches. Very Good plus with a small closed tear in the top left margin. Grove Press unknown books
1970ref. 161589N.p.: Grove Press 1970. Vintage studio still photograph from the US release of the 1967 German-Polish film. Rare. Based on the 1961 novella by Günter Grass the second book in the Danzig Trilogy and sequel to his 1959 novel "The Tin Drum." A former gymnast returns to his home town Danzig and reflects on the fate of his classmate Joachim who disappeared during the war. Shot on location in Gdansk Gdynia and Sopot Poland. 8 x 10 inches. Very Good plus with a small closed tear in the top left margin. Grove Press unknown
1974ref. 157656N.p.: N.p. 1974. Two vintage reference photographs from the 1975 film. One with a printed snipe label affixed to the bottom edge of the recto. Noted independent director Mark Rappaport's first feature an experimental film shot in pieces over eighteen months in New York. 10 x 8 inches. Near Fine. N.p. unknown books
1974ref. 159140N.p.: N.p. 1974. Three vintage reference photographs from the 1974 avant-garde film. Two photographs with snipes affixed to the versos and one with annotations in manuscript pencil regarding cropping. Noted independent director Mark Rappaport's first feature length film shot in pieces over a year and a half. Two photographs 10 x 8 inches one photograph 7 x 5 inches. Near Fine to Very Good plus. N.p. unknown books
1974ref. 159140N.p.: N.p. 1974. Three vintage reference photographs from the 1974 avant-garde film. Two photographs with snipes affixed to the versos and one with annotations in manuscript pencil regarding cropping. Noted independent director Mark Rappaport's first feature length film shot in pieces over a year and a half. Two photographs 10 x 8 inches one photograph 7 x 5 inches. Near Fine to Very Good plus. N.p. unknown
1974ref. 157656N.p.: N.p. 1974. Two vintage reference photographs from the 1975 film. One with a printed snipe label affixed to the bottom edge of the recto. Noted independent director Mark Rappaport's first feature an experimental film shot in pieces over eighteen months in New York. 10 x 8 inches. Near Fine. N.p. unknown
1971ref. 161586N.p.: Gentlemen II Productions 1971. Three studio still photographs from the presumably lost 1971 film. All photographs with provenance stamps on the verso one with a label obscuring a previous provenance stamp. Posters from the film have survived but photographs are excessively rare. 8 x 10 inches. Very Good plus one with wax pencil annotations on the recto. Gentlemen II Productions unknown books
