11,049 results
1968ref. 162458N.p.: Audubon Films 1968. Three vintage studio still photographs from the US release of the US/European 1968 film. All three photographs with a provenance stamp on the versos. Based on the 1966 French novel "Thérèse et Isabelle" by Violette Leduc. Two young students abandoned by their families in a Swiss boarding school for girls experience a profound attraction for each other. Shot on location in Potsdam Germany and Paris. 8 x 10 inches. Near Fine. Audubon Films unknown books
1968ref. 162458N.p.: Audubon Films 1968. Three vintage studio still photographs from the US release of the US/European 1968 film. All three photographs with a provenance stamp on the versos. Based on the 1966 French novel "Thérèse et Isabelle" by Violette Leduc. Two young students abandoned by their families in a Swiss boarding school for girls experience a profound attraction for each other. Shot on location in Potsdam Germany and Paris. 8 x 10 inches. Near Fine. Audubon Films unknown
1973ref. 133028London: Harbour Productions / Cineman Films 1973. Collection of six vintage black-and-white still photographs from the 1973 UK film. In a film tailor made for his unique screen presence Price plays a Shakespearean actor who exacts bloody revenge on the critics who denied him an acting award using scenes from the Bard's plays as inspiration for each murder. An undeniably appealing cult crossover between high literature and lowbrow horror-comedy. A story set and shot on location in London. 8 x 10 inches. About Fine. Harbour Productions / Cineman Films unknown books
1973ref. 133028London: Harbour Productions / Cineman Films 1973. Collection of six vintage black-and-white still photographs from the 1973 UK film. In a film tailor made for his unique screen presence Price plays a Shakespearean actor who exacts bloody revenge on the critics who denied him an acting award using scenes from the Bard's plays as inspiration for each murder. An undeniably appealing cult crossover between high literature and lowbrow horror-comedy. A story set and shot on location in London. 8 x 10 inches. About Fine. Harbour Productions / Cineman Films unknown
1957ref. 145156Culver City CA: RKO Radio Pictures 1957. Vintage linen backed keybook photograph from the set of the 1957 film. Mimeo snipe on the verso. Hal Ditmar James MacArthur the teenage son of a wealthy movie producer gets in a fight the manager of a theater and struggles to convince either the police or his father that he acted in self-defense. Shot on location in Los Angeles. 8 x 10 inches. Near Fine. RKO Radio Pictures unknown books
ref. 172903N.p.: CFP Distribution 2995. Vintage studio still photograph from the 1995 film. Based on a true story about a teenage boy obsessed with poisoning people including his parents schoolmates and co-workers. Set in and shot on location in London. 8 x 10 inches. Fine. CFP Distribution unknown books
1973ref. 162618N.p.: Cannon Group 1973. Two vintage studio still photographs from the US release of the 1972 British film originally released in the UK under the title "Au Pair Girls." Both photographs with a provenance stamp on the verso one also with a label obscuring a previous provenance stamp. Several young women from continental Europe and Asia arrive in England to begin jobs as au pairs and spend more time bedding their hosts than doing their jobs. Veteran British director Val Guest's first foray in the sex comedy genre. Shot on location in London and Berkshire England. 8 x 10 inches. Near Fine. Cannon Group unknown books
1960ref. 155070N.p.: N.p. 1960. Collection of eleven vintage reference photographs from the 1960 film. One photograph with a printed mimeo snipe affixed to the verso. After nearly being lynched as a result of falsely being accused of sexual assault a Black jazz musician flees to a small game preserve off the Carolina coast where he befriends a teenage girl under the control of a predatory abusive game warden. A complex portrait of race in postwar America written by noted blacklisted screenwriter Hugo Butler and now considered one of director Luis Buñuel's most underrated films. Shot on location in Mexico. 10 x 8 inches. Near Fine. Rosenbaum 1000. N.p. unknown books
1970ref. 163450Hollywood: Tempo Enterprises / Crown Pictures 1970. Revised Final Draft script for the 1971 film. Copy belonging to an unidentified crew member with annotations in manuscript ink and pencil on the title page and three leaves of the script. While waiting for the results from a pregnancy test a precocious high school senior decides to leave her family older lover and boyfriend behind and hitchhike to Big Sur California with her best friend. Red titled wrappers noted as copy No. 23 in manuscript ink on the front wrapper. Title page present undated noted as Revised Final Draft with credit for screenwriter David Allen Dixon. 125 leaves with last page of text numbered 124. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. Tempo Enterprises / Crown Pictures unknown books
1967ref. 157108Paris: France-Soir 1967. Two vintage borderless reference photographs from the 1967 French film. Both with stamps on the verso crediting photographer André Grassart. In search of love two sisters leave their small hometown and begin working as traveling carnival singers. Director Jacques Demy's charming follow-up to his 1964 film "The Umbrellas of Cherbourg." Shot on location in Rochefort Charente-Maritime France. Both photographs approximately 12 x 8 inches. Near Fine. BFI. Criterion Collection 717. Rosenbaum 1000. France-Soir unknown books
1922ref. 172059N.p.: N.p. 1922. Vintage reference photograph from the 1922 silent film showing Marion Davies watching Pedro de Cordoba in his laboratory. Received stamp and annotations in manuscript pencil on the verso. Based on the 1918 novel by Marie Corelli about a young woman who undergoes a surgical procedure to regain her beauty and youth at the cost of her sympathy. Davies' 14th film appearance. Currently considered lost. 8 x 10 inches. Near Fine. Complete collation details available on request. N.p. unknown books
1922ref. 172059N.p.: N.p. 1922. Vintage reference photograph from the 1922 silent film showing Marion Davies watching Pedro de Cordoba in his laboratory. Received stamp and annotations in manuscript pencil on the verso. Based on the 1918 novel by Marie Corelli about a young woman who undergoes a surgical procedure to regain her beauty and youth at the cost of her sympathy. Davies' 14th film appearance. Currently considered lost. 8 x 10 inches. Near Fine. Complete collation details available on request. N.p. unknown
1967ref. 157108Paris: France-Soir 1967. Two vintage borderless reference photographs from the 1967 French film. Both with stamps on the verso crediting photographer André Grassart. In search of love two sisters leave their small hometown and begin working as traveling carnival singers. Director Jacques Demy's charming follow-up to his 1964 film "The Umbrellas of Cherbourg." Shot on location in Rochefort Charente-Maritime France. Both photographs approximately 12 x 8 inches. Near Fine. BFI. Criterion Collection 717. Rosenbaum 1000. France-Soir unknown
1957ref. 145156Culver City CA: RKO Radio Pictures 1957. Vintage linen backed keybook photograph from the set of the 1957 film. Mimeo snipe on the verso. Hal Ditmar James MacArthur the teenage son of a wealthy movie producer gets in a fight the manager of a theater and struggles to convince either the police or his father that he acted in self-defense. Shot on location in Los Angeles. 8 x 10 inches. Near Fine. RKO Radio Pictures unknown
1960ref. 155070N.p.: N.p. 1960. Collection of eleven vintage reference photographs from the 1960 film. One photograph with a printed mimeo snipe affixed to the verso. After nearly being lynched as a result of falsely being accused of sexual assault a Black jazz musician flees to a small game preserve off the Carolina coast where he befriends a teenage girl under the control of a predatory abusive game warden. A complex portrait of race in postwar America written by noted blacklisted screenwriter Hugo Butler and now considered one of director Luis Buñuel's most underrated films. Shot on location in Mexico. 10 x 8 inches. Near Fine. Rosenbaum 1000. N.p. unknown
1970ref. 163450Hollywood: Tempo Enterprises / Crown Pictures 1970. Revised Final Draft script for the 1971 film. Copy belonging to an unidentified crew member with annotations in manuscript ink and pencil on the title page and three leaves of the script. While waiting for the results from a pregnancy test a precocious high school senior decides to leave her family older lover and boyfriend behind and hitchhike to Big Sur California with her best friend. Red titled wrappers noted as copy No. 23 in manuscript ink on the front wrapper. Title page present undated noted as Revised Final Draft with credit for screenwriter David Allen Dixon. 125 leaves with last page of text numbered 124. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. Tempo Enterprises / Crown Pictures unknown
1973ref. 162618N.p.: Cannon Group 1973. Two vintage studio still photographs from the US release of the 1972 British film originally released in the UK under the title "Au Pair Girls." Both photographs with a provenance stamp on the verso one also with a label obscuring a previous provenance stamp. Several young women from continental Europe and Asia arrive in England to begin jobs as au pairs and spend more time bedding their hosts than doing their jobs. Veteran British director Val Guest's first foray in the sex comedy genre. Shot on location in London and Berkshire England. 8 x 10 inches. Near Fine. Cannon Group unknown
1964ref. 132696London: National Screen Service / MGM 1964. Vintage full-color still photograph from the 1964 UK film. A star-studded romantic comedy about the lives and loves of those who own a certain yellow Rolls-Royce. 8 x 10 inches. Light creases at the extremities else Near Fine. National Screen Service / MGM unknown books
1964ref. 150332N.p.: N.p. 1964. Vintage oversize borderless black and white photograph of actor Omar Sharif playfully clicking his heels in the air between takes while filming on location in Austria for the 1964 film. With manuscript pencil and ink annotations on the verso along with a PIX Agency stamp crediting photographer Denis Cameron. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A romantic comedy anthology about the varied owners of an idiosyncratic yellow Rolls-Royce from its first owners a British aristocrat and his unfaithful wife to its last a socialite who accidentally becomes involved in the Nazi invasion of Ljubljana. Set and shot on location in London and Hertfordshire in England Naples Florence and Tuscany in Italy and Austria. 11.25 x 14 inches. Near Fine with brief wear to the corners. N.p. unknown books
1964ref. 150332N.p.: N.p. 1964. Vintage oversize borderless black and white photograph of actor Omar Sharif playfully clicking his heels in the air between takes while filming on location in Austria for the 1964 film. With manuscript pencil and ink annotations on the verso along with a PIX Agency stamp crediting photographer Denis Cameron. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A romantic comedy anthology about the varied owners of an idiosyncratic yellow Rolls-Royce from its first owners a British aristocrat and his unfaithful wife to its last a socialite who accidentally becomes involved in the Nazi invasion of Ljubljana. Set and shot on location in London and Hertfordshire in England Naples Florence and Tuscany in Italy and Austria. 11.25 x 14 inches. Near Fine with brief wear to the corners. N.p. unknown
1971ref. 162117New York: American International Pictures AIP 1971. Vintage reference photograph from the American release of the 1969 Italian film showing actor Pierre Clémenti holding a photograph of Britt Ekland. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Loosely based on the classic Athenian tragedy "Antigone" set in contemporary Milan and using the play to explore the protests of 1968 the Years of Lead and the Italian countercultural movement. 10 x 7.5 inches. Very Good plus with moderate glue residue on the verso. American International Pictures [AIP] unknown books
1971ref. 162117New York: American International Pictures AIP 1971. Vintage reference photograph from the American release of the 1969 Italian film showing actor Pierre Clémenti holding a photograph of Britt Ekland. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Loosely based on the classic Athenian tragedy "Antigone" set in contemporary Milan and using the play to explore the protests of 1968 the Years of Lead and the Italian countercultural movement. 10 x 7.5 inches. Very Good plus with moderate glue residue on the verso. American International Pictures [AIP] unknown
1995ref. 163676Beverly Hills CA: Twentieth Century-Fox Television 1995. Two vintage color promotional portrait photographs of Gillian Anderson and David Duchovny in character from 1995 released during the second to third season of the beloved Fox television series which aired in its original run from September 1993 through May 2002. The show originally ran for nine seasons from 1995 through 2002 and was revived for a short six episode tenth season in 2016. Following the success of the revival the show returned for a ten episode eleventh season in 2018. In addition to the television series the show spawned two feature films "The X-Files" directed by Rob Bowman in 1998 and "The X-Files: I Want to Believe" directed by creator Chris Carter in 2008 as well as the 2001 Fox series "The Lone Gunman" and numerous comic book adaptations. Two FBI Special Agents Fox Mulder Duchovny and Dana Scully Anderson investigate the eponymous "X-Files" marginalized unsolved cases involving paranormal phenomena. Winner of 16 Primetime Emmy Awards. 8 x 10 inches. Near Fine. Twentieth Century-Fox Television unknown books
1995ref. 163676Beverly Hills CA: Twentieth Century-Fox Television 1995. Two vintage color promotional portrait photographs of Gillian Anderson and David Duchovny in character from 1995 released during the second to third season of the beloved Fox television series which aired in its original run from September 1993 through May 2002. The show originally ran for nine seasons from 1995 through 2002 and was revived for a short six episode tenth season in 2016. Following the success of the revival the show returned for a ten episode eleventh season in 2018. In addition to the television series the show spawned two feature films "The X-Files" directed by Rob Bowman in 1998 and "The X-Files: I Want to Believe" directed by creator Chris Carter in 2008 as well as the 2001 Fox series "The Lone Gunman" and numerous comic book adaptations. Two FBI Special Agents Fox Mulder Duchovny and Dana Scully Anderson investigate the eponymous "X-Files" marginalized unsolved cases involving paranormal phenomena. Winner of 16 Primetime Emmy Awards. 8 x 10 inches. Near Fine. Twentieth Century-Fox Television unknown
1956ref. 143359Burbank CA: Warner Brothers 1956. Vintage borderless photograph of a contemplative Alfred Hitchcock on the set of the 1956 film. With the stamp of Warner Brothers Netherlands on the verso. Based on the real life story of Manny Balestrero accused of a series of robberies he didn't commit as detailed in the nonfiction book "The True Story of Christopher Emmanuel Balestrero" by Maxwell Anderson who co-wrote the screenplay and the "Life" magazine article "A Case of Identity" by Herbert Brean. Hitchcock's final film for Warner Brothers and an influence on both Jean-Luc Godard and Martin Scorsese. 7.25 x 9.25. About Near Fine. Grant US. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Warner Brothers unknown books
