257 résultats
1978réf. RO30161513. 1978. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 disque audio 33 tours - pochette en bon état. . . . Classification : 410-33 Tours
1990réf. RO30151825. 1990. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 laserdisc - couleur - version française - PAL - digital sound - 105 min. environ. . . . Classification : 400-Diplomes / Prix
1968réf. 4926Mexico Paramount Film Services 1968 Première édition. Une jolie carte de lobby mexicaine pour la sortie en langue espagnole du film britannique "The Strange Affair". Sorti en 1968, ce film met en scène Michael York, Susan George et Jeremy Kemp. Il est basé sur le roman de 1966 de l'ancien policier métropolitain et détective privé Bernard Toms. Cette affiche est destinée à la sortie mexicaine du film. Carte propre, avec quelques traces d'usure et d'encoche sur les bords. La voiture est un peu serrée sur le bord supérieur et le bord gauche. Il s'agit néanmoins d'une carte attrayante qui pourrait être joliment encadrée. 31,5 cm x 41 cm.
1966réf. RO30009768Chez l'auteur. 1966. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Quelques rousseurs. 39 pages, 1er plat illustré, nombreuses illustrations noir et blanc dans et hors texte.. . . . Classification Dewey : 791.43-Cinéma
1932réf. WALTER-FILM007826Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1932. Vintage original 8 x 10" 20 x 25 cm black-and-white glossy silver gelatin photo. Near fine. A beautiful portrait of Anna May Wong for one of her most substantial roles in a major talking film the notorious pre-Code opus Shanghai Express directed by Josef von Stroheim. Though Wong received third billing behind Marlene Dietrich and Clive Brook her portrayal of Hui Fei is universally regarded as a masterclass in acting. Hui Fei is a fiercely independent woman navigating a train ride from Peking to Shanghai during the Chinese Civil War which is hijacked by rebel forces. Her performance often overshadowed Dietrich's. Unfortunately she would not be cast in another role as complex as this. Wikipedia Photo coded P671-245. Paramount
1932réf. WALTER-FILM007826Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1932. Vintage original 8 x 10" 20 x 25 cm black-and-white glossy silver gelatin photo. Near fine. A beautiful portrait of Anna May Wong for one of her most substantial roles in a major talking film the notorious pre-Code opus Shanghai Express directed by Josef von Stroheim. Though Wong received third billing behind Marlene Dietrich and Clive Brook her portrayal of Hui Fei is universally regarded as a masterclass in acting. Hui Fei is a fiercely independent woman navigating a train ride from Peking to Shanghai during the Chinese Civil War which is hijacked by rebel forces. Her performance often overshadowed Dietrich's. Unfortunately she would not be cast in another role as complex as this. Wikipedia Photo coded P671-245. Paramount books
réf. 68-7592Hollywood CA: Paramount 1939. B&W Photo. 8" x 10" Good with tears perforations minor loss at corner. Additional photo included. Hollywood, CA: Paramount, 1939. unknown
réf. 68-7556Hollywood CA: Paramount 1942. B&W Photo. 8" x 10" Very Good with creasing. Hollywood, CA: Paramount, 1942. unknown
réf. 68-7599Hollywood CA: Paramount 1947. B&W Photo. 8" x 10" Very Good Hollywood, CA: Paramount, 1947. unknown
réf. 68-7577Hollywood CA: Paramount 1939. B&W Photo. 8" x 10" Very Good. Hollywood, CA: Paramount, 1939. unknown
réf. 68-7553Hollywood CA: Paramount 1957. B&W Photo. 8" x 10" Very Good. Hollywood, CA: Paramount, 1957. unknown
réf. 68-7549Hollywood CA: Paramount 1956. B&W Photo. 8" x 10" Very Good. Hollywood, CA: Paramount, 1956. unknown
1933réf. WALTER-FILM006815Paramount. No binding. About Fine. Los Angeles: Paramount Pictures 1933. Set of five 5 vintage original 8 x 10" 20 x 25 cm. black-and-white double weight matte finish photos. Very minor corner wear and some with tiny pinholes at corners about fine. When Buster Crabbe lost out to fellow Olympic swimmer Johnny Weissmuller in playing Tarzan at MGM Paramount came up with this competitive story. It was Buster's first feature film and the studio photographers wasted little time in presenting photography of his physique which bared nearly all and would not be tolerated once the Production Code was enforced. This series of images introduced moviegoers to Crabbe. They are amongst the finest photos in male beefcake. Photos coded P-1495-2 3 4 6 27. Paramount
1938réf. WALTER-FILM006816Paramount. No binding. Very Good. Los Angeles: Paramount Pictures 1938. Set of four 4 Vintage original 8 x 10" 20 x 25 cm. black-and-white glossy silver gelatin photos. Minor corner creases and wear to all. One has chip at top right corner another has chip at bottom left corner. Overall very good. Four photos in a series called "How To Swim in Nine Easy Lessons". The series includes nine photos as indicated; present are numbers 1 6 8 and 9. Each has a blurb printed on the verso explaining the swim technique which Buster is demonstrating. They were used to publicize his appearance in the Paramount film Tip Off Girls. The Olympic swim champ was popular and utilized in film for his physique more so than his acting talents but he did make for an iconic Flash Gordon. From the Kenneth Anger collection but not stamped. Anger may have been planning a beefcake storyline for one of his books or just liked collecting beefcake photos of the stars. Photos coded P1498-240 241 243 248. Paramount
1938réf. WALTER-FILM006816Paramount. No binding. Very Good. Los Angeles: Paramount Pictures 1938. Set of four 4 Vintage original 8 x 10" 20 x 25 cm. black-and-white glossy silver gelatin photos. Minor corner creases and wear to all. One has chip at top right corner another has chip at bottom left corner. Overall very good. Four photos in a series called "How To Swim in Nine Easy Lessons". The series includes nine photos as indicated; present are numbers 1 6 8 and 9. Each has a blurb printed on the verso explaining the swim technique which Buster is demonstrating. They were used to publicize his appearance in the Paramount film Tip Off Girls. The Olympic swim champ was popular and utilized in film for his physique more so than his acting talents but he did make for an iconic Flash Gordon. From the Kenneth Anger collection but not stamped. Anger may have been planning a beefcake storyline for one of his books or just liked collecting beefcake photos of the stars. Photos coded P1498-240 241 243 248. Paramount books
1933réf. WALTER-FILM006815Paramount. No binding. About Fine. Los Angeles: Paramount Pictures 1933. Set of five 5 vintage original 8 x 10" 20 x 25 cm. black-and-white double weight matte finish photos. Very minor corner wear and some with tiny pinholes at corners about fine. When Buster Crabbe lost out to fellow Olympic swimmer Johnny Weissmuller in playing Tarzan at MGM Paramount came up with this competitive story. It was Buster's first feature film and the studio photographers wasted little time in presenting photography of his physique which bared nearly all and would not be tolerated once the Production Code was enforced. This series of images introduced moviegoers to Crabbe. They are amongst the finest photos in male beefcake. Photos coded P-1495-2 3 4 6 27. Paramount books
1928réf. WALTER-FILM007800Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1928. Set of 22 vintage original 8 x 10" 20 x 25 cm black-and-white photos one with a marginal chip. Sixteen have mimeographed text on verso some have old photo agency stickers. Two have writing in margins. Overall near fine. A remarkably substantial group of photos from this film which came near the end of Erich von Stroheim's career as a director. Set in Vienna in 1914 this was one of Stroheim's regular forays into the world of decadent European aristocracy. Paramount
1928réf. WALTER-FILM007800Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1928. Set of 22 vintage original 8 x 10" 20 x 25 cm black-and-white photos one with a marginal chip. Sixteen have mimeographed text on verso some have old photo agency stickers. Two have writing in margins. Overall near fine. A remarkably substantial group of photos from this film which came near the end of Erich von Stroheim's career as a director. Set in Vienna in 1914 this was one of Stroheim's regular forays into the world of decadent European aristocracy. Paramount books
réf. WALTER-FILM006440Paramount. No binding. About Fine. Los Angeles: Paramount Pictures 1935. Vintage original 8 x 11"" 20 x 28 cm. black-and-white double weight glossy silver nitrate keybook photo. Minor wear at bottom left edge keybook holes at left edge about fine. Independent film producer Walter Wanger throws a wrap party at the completion of his Paramount-released musical Every Night at Eight on the film's nightclub set and likely on the last day of principal photography; it is rare to find photos showing such events. His stars Alice Faye Frances Langford George Raft and director Raoul Walsh are joined by left-to-right: - Henry Fonda who was placed under contract to Wanger in 1935 after Broadway success and was just finishing his first film The Farmer Takes a Wife; - Gail Patrick Paramount contract player who was appearing in Wanger's Smart Girl at the time; - Walter Wanger producer of the film; - Alice Faye who was on loan from Fox Pictures to star in Wanger's film. She is still in costume; - Ida Lupino who was appearing in and is in costume and makeup for Wanger's production Smart Girl; - William Wellman well-known director writer and producer seemingly between projects; - Alison Skipworth in costume for The Devil is a Woman; - Frances Langford making her feature film debut and debuting her signature song ""I'm In the Mood for Love"". Her costume matches that of Alice Faye; - George Raft lead star of the film and Paramount contract player; - Joan Bennett who would be married to Wanger between 1940-65 and who was appearing in numerous Paramount films in 1935; - Raoul Walsh director of the film; - Bert Hanlon though the verso identifies him as Harry Holman -- the character actor who appeared in over 20 films in 1935 alone including uncredited in this film -- it is incorrect. This is composer songwriter actor author and director Bert Hanlon who wrote dialogue for this film. The party took place in late-June 1935 at General Service Studio Hollywood CA. Ink stamped by the Hollywood Advertising Council June 26 1935. Paramount unknown books
1931réf. WALTER-FILM007590Paramount. No binding. Fine. Los Angeles: Paramount Pictures 1931. Vintage original 11 x 14" 28 x 36 cm lobby card. Two archival paper remnants on verso. Card is in impeccable condition fine. Tabu was the great German director F. W. Murnau's last film he died shortly before its premiere due to a car accident and one of the final masterpieces of silent film. Murnau traveled to Bora Bora with documentary filmmaker Robert Flaherty with whom he worked on some early versions of the script but disputes arose and Flaherty bowed out. Wikipedia Lobby cards from this film are genuinely rare. This card with the film's two protagonists in the center turns up almost never. Paramount
1931réf. WALTER-FILM007590Paramount. No binding. Fine. Los Angeles: Paramount Pictures 1931. Vintage original 11 x 14" 28 x 36 cm lobby card. Two archival paper remnants on verso. Card is in impeccable condition fine. Tabu was the great German director F. W. Murnau's last film he died shortly before its premiere due to a car accident and one of the final masterpieces of silent film. Murnau traveled to Bora Bora with documentary filmmaker Robert Flaherty with whom he worked on some early versions of the script but disputes arose and Flaherty bowed out. Wikipedia Lobby cards from this film are genuinely rare. This card with the film's two protagonists in the center turns up almost never. Paramount books
réf. WALTER-FILM007820Paramount. No binding. Near Fine. Los Angeles: Paramount 1930. Vintage original 8 x 10" 20 x 25 cm black-and-white glossy silver gelatin photo. Minor wear small edge crease at lower right corner 1930 holograph note on verso. Near fine. Star Gary Cooper poses at center with director Roland V. Lee at left surrounded by crew on location for the pre-Code war romance film A Man from Wyoming. The handwritten notes on verso indicate "10 days ranch pontoon bridge" and dated April May 1930. This came from the collection of one of the crew members likely present in the photo. This story took place during the United States entry into World War I. By 1930 Americans were ready to take in stories about the horrific war Paramount unknown
réf. WALTER-FILM007820Paramount. No binding. Near Fine. Los Angeles: Paramount 1930. Vintage original 8 x 10" 20 x 25 cm black-and-white glossy silver gelatin photo. Minor wear small edge crease at lower right corner 1930 holograph note on verso. Near fine. Star Gary Cooper poses at center with director Roland V. Lee at left surrounded by crew on location for the pre-Code war romance film A Man from Wyoming. The handwritten notes on verso indicate "10 days ranch pontoon bridge" and dated April May 1930. This came from the collection of one of the crew members likely present in the photo. This story took place during the United States entry into World War I. By 1930 Americans were ready to take in stories about the horrific war Paramount unknown books
réf. WALTER-FILM006420Paramount. No binding. Fine. Los Angeles: Paramount Pictures 1947. Vintage original 8 x 10"" 20 x 25 cm. black-and-white print still photo coded ""10008-110"" fine. This is a great film noir image. Burt Lancaster and Lizabeth Scott stand tensely by a newsstand as its vendor hawks a newspaper with Lancaster's image identified as that of a killer wanted by the police. Silver Ward. Ursini Porfiro p. 146. Grant p. 330. Paramount unknown books
réf. WALTER-FILM007776Paramount. No binding. Just About Fine. Los Angeles: Paramount Pictures 1929. Set of 12 vintage original 8 x 10" 20 x 25 cm black-and-white photos one with mimeographed text on verso three with the film's title stamped on verso overall just about fine. Josef von Sternberg's first talking film. Some historians credit his importance in the evolution of gangster films with his UNDERWORLD 1927. This was by any standard the first significant talking gangster film. It tells the story of a criminal facing execution who wants to kill the man in the next cell for being in love with his former girlfriend. Sternberg experimented with asynchronous sound effects which served to augment or supplement the visual effects or as he framed the process "To be correctly and effectively used the sound had to bring to the image a quality other than what the lens included a quality out of the range of the image. Sound had to counterpoint or compensate for the image add to it – not subtract from it." Rather than the external and complementary musical accompaniment of silent films Sternberg's scores arise organically with the mise-en-scène and form a key component of the film. The music off-screen does not recede in deference to the on-screen dialogue but competes with it. Off-screen voices comment on the visual action but are not identified visually until later in the film sequence contributing to an "unrealistic cadence" that characterizes the film's dialogue. Film historian Andrew Sarris describes it as "a startling experiment. his use of sound and music for mood effects and the very unreality of his style seems to justify the unusual density of his sound track." Sternberg also uses sound expressionistically such as the erratic start-stop of a sewing machine or the "sinister" squeaking of a dog's ball toy squeezed by the condemned criminal in the hours before his death. Wikipedia Paramount unknown