ParamountBiblio.com
257 résultats
1927réf. WALTER-FILM005709Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1927. Vintage original 8 x 10" 20 x 25 cm. black-and-white print still photo light crease and rippling from descriptive paper snipe on back near fine. A portrait of Evelyn Brent George Bancroft and Clive Brook from Josef von Sternberg's gangster film often cited as a proto-film noir. Grant p. 675: "Important precursor of the 1930s US gangster movie and as such significant to noir's ancestry." Silver and Ward p. 301: "Enhanced immeasurably by the exotic visual preoccupations of . Sternberg which encompass a range of original symbols and imagery. The script as written by ex-newspaperman Ben Hecht realistically details the personalities populating the sordid speakeasies and dingy dwellings of the gangsters." Paramount
1927réf. WALTER-FILM005709Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1927. Vintage original 8 x 10" 20 x 25 cm. black-and-white print still photo light crease and rippling from descriptive paper snipe on back near fine. A portrait of Evelyn Brent George Bancroft and Clive Brook from Josef von Sternberg's gangster film often cited as a proto-film noir. Grant p. 675: "Important precursor of the 1930s US gangster movie and as such significant to noir's ancestry." Silver and Ward p. 301: "Enhanced immeasurably by the exotic visual preoccupations of . Sternberg which encompass a range of original symbols and imagery. The script as written by ex-newspaperman Ben Hecht realistically details the personalities populating the sordid speakeasies and dingy dwellings of the gangsters." Paramount books
réf. WALTER-FILM005811Paramount. No binding. Near Fine. Los Angeles: Paramount 1942. Vintage original 8 x 10" 20 x 25 cm. black-and-white single weight glossy silver gelatin print still photo. Photo is lightly sepia toned. There is creasing in all four blank white margins. Near fine. A stunning portrait of Veronica Lake during her early time at Paramount when she was appearing in such now classic films as I WANTED WINGS THIS GUN FOR HIRE and I MARRIED A WITCH. Lake worked with the top directors and filmmakers and turned in some wonderfully subtle and deft performances in which her genius has been more recently recognized. This publicity photo is coded #2745034. Paramount unknown
réf. WALTER-FILM006307Paramount. No binding. Just About Fine. Hollywood: Paramount Pictures 1942. Vintage original 10 x 8" 25 x 20 cm. black-and-white print still photo small closed tear in blank upper center top just about fine. Studio portrait of Veronica Lake during her time at Paramount Pictures. Photo coded P2745-504. Paramount unknown books
réf. WALTER-FILM006308Paramount. No binding. Fine. Hollywood: Paramount Pictures 1947. Vintage original 10 x 8" 25 x 20 cm. black-and-white print still photo fine. Studio portrait shot a year after Veronica Lake appeared in THE BLUE DAHLIA. She remained at Paramount for a few more years after. Paramount unknown books
réf. WALTER-FILM005811Paramount. No binding. Near Fine. Los Angeles: Paramount 1942. Vintage original 8 x 10" 20 x 25 cm. black-and-white single weight glossy silver gelatin print still photo. Photo is lightly sepia toned. There is creasing in all four blank white margins. Near fine. A stunning portrait of Veronica Lake during her early time at Paramount when she was appearing in such now classic films as I WANTED WINGS THIS GUN FOR HIRE and I MARRIED A WITCH. Lake worked with the top directors and filmmakers and turned in some wonderfully subtle and deft performances in which her genius has been more recently recognized. This publicity photo is coded #2745034. Paramount unknown books
1942réf. WALTER-FILM006653Paramount. No binding. About Fine. Los Angeles: Paramount Pictures 1942. Vintage original 8 x 10" 20 x 25 cm. black-and-white glossy silver gelatin photo. Tape repair at top right corner about fine. Veronica Lake displays her iconic appearance in this unusual portrait in which she sports a designer bracelet in promotion for her work in This Gun for Hire. The original attached paper blurb on verso calls it a "He and She" bracelet designed by Hobe. A picture of "he" and "she" can be inserted in the hearts. A vintage King Features Syndicate Inc. ink stamp on verso. Paramount books
réf. WALTER-FILM006790Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1934. Vintage original 8 x 10" 20 x 25 cm. black-and-white glossy silver gelatin photo. Some wear at bottom corners near fine. Original type on verso explains that Wally Westmore head of Paramount's make-up department has invented a new gun spray make-up device for applying body make-up. In this image showman Earl Carroll is shown demonstrating it on one of his showgirls Anya Taranda. Carroll's dancing ladies performed an extravagant production number in the film. The device is the forerunner of today's airbrush make-up technique. Photo is coded 989/2/90. Paramount unknown
réf. WALTER-FILM006790Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1934. Vintage original 8 x 10" 20 x 25 cm. black-and-white glossy silver gelatin photo. Some wear at bottom corners near fine. Original type on verso explains that Wally Westmore head of Paramount's make-up department has invented a new gun spray make-up device for applying body make-up. In this image showman Earl Carroll is shown demonstrating it on one of his showgirls Anya Taranda. Carroll's dancing ladies performed an extravagant production number in the film. The device is the forerunner of today's airbrush make-up technique. Photo is coded 989/2/90. Paramount unknown books
réf. 64-00034Paramount Pictures. Paperback. New. . Paramount Pictures paperback
réf. 63-9634Hollywood CA: Paramount Pictures 1991-98. Three VHS Tapes. Very Good. Provenance: from the estate of Lady Barbara Colyton former wife of Addams Family creator Charles Addams. They divorced in 1956 and in the divorce settlement she was awarded copyright to some of his work. Hollywood, CA: Paramount Pictures, 1991-98. unknown
1939réf. 10411NY: Famous Music Corporation. Very Good with no dust jacket. 1939. First Edition; First Printing. Softcover. Light wear/soiling to the covers. ; 9x12; 25 pages . Famous Music Corporation paperback
1977réf. 88976Archer Chicago: Paramount Pictures Corp. Exclusive License Bi-Rite Enterprises Inc 1977. Presumed First Edition First printing. Photograph. Fair. The format is approximately 8.5 inches by 9.75 inches. The image dimensions are approximately 8 inches by 9.25 inches. The image is a head and torso shot of a shirtless Andy Gibb . There is a tape repaired tear at the bottom right near the corner. There is a plastic hanging hook at the top center of the image. Andrew Roy Gibb 5 March 1958 – 10 March 1988 was an English singer and songwriter. He was the younger brother of Barry Robin and Maurice Gibb musicians who had formed the Bee Gees during the late-1950s. Andy Gibb was never a major member of the Bee Gees but had his own solo career as well as being a member of other groups over time. Gibb came to prominence in the late-1970s through the early-1980s with eight singles reaching the Top 20 of the US Hot 100 three of which went to No. 1: "I Just Want to Be Your Everything" 1977 "Love Is Thicker Than Water" 1977 and "Shadow Dancing" 1978. In the early 1980s he co-hosted the American music television series Solid Gold. He also performed in a production of The Pirates of Penzance and Joseph and the Amazing Technicolor Dreamcoat. Gibb would later have substance use problems and depression. He died on 10 March 1988 aged 30. Gibb dropped out of school at the age of 13 and with an acoustic guitar given to him by his older brother Barry he began playing at tourist clubs around Ibiza Spain when his parents moved there and later on the Isle of Man his brothers' birthplace where his parents were living at the time. Gibb was nominated for two Grammy Awards at the 20th Annual Grammy Awards.37 He was also nominated for two American Music Awards. The Bee Gees were a musical group formed in 1958 by brothers Barry Robin and Maurice Gibb. The trio were especially successful in popular music in the late 1960s and early 1970s and later as prominent performers in the disco music era in the mid-to-late 1970s. The group sang recognizable three-part tight harmonies: Robin's clear vibrato lead vocals were a hallmark of their earlier hits while Barry's R&B falsetto became their signature sound during the mid-to-late 1970s and 1980s. The group wrote all their own original material as well as writing and producing several major hits for other artists and are regarded as one of the most important and influential acts in pop-music history. They have been referred to in the media as The Disco Kings Britain's First Family of Harmony and The Kings of Dance Music. Brother Andy Gibb contributed to the group and its success. Paramount Pictures Corp., Exclusive License Bi-Rite Enterprises Inc unknown
réf. 17-1329Los Angeles CA: Paramount Pictures 1958. . 8x10 black & white glossy publicity photo. Very Good. Los Angeles, CA: Paramount Pictures, 1958. unknown
réf. 17-1343Los Angeles CA: Paramount Pictures 1954. . 8x10 black & white glossy publicity photo. Very Good. Los Angeles, CA: Paramount Pictures, 1954. unknown
réf. 17-1456Los Angeles CA: Paramount 1964. . 8 x 10 inch black & white glossy publicity photograph. Very Good. Los Angeles, CA: Paramount, 1964. unknown
réf. 17-1467Los Angeles CA: Paramount Pictures 1935. . 8 x 10 inch black & white glossy publicity photograph. Very Good. Some wear slight wrinkling. Name “Claude Rains” underlined in blue pen. Los Angeles, CA: Paramount Pictures, 1935. unknown
réf. 17-1464Los Angeles CA: Paramount Pictures 1956. 8 x 10 inch black & white glossy publicity photograph. Very Good. Los Angeles, CA: Paramount Pictures, 1956. unknown
réf. 63-9635Hollywood CA: Paramount Pictures 2002. Letter-sized Pages 10 pp. Very Good. Provenance: from the estate of Lady Barbara Colyton former wife of Addams Family creator Charles Addams. They divorced in 1956 and in the divorce settlement she was awarded copyright to some of his work. Hollywood, CA: Paramount Pictures, 2002. unknown
réf. 63-9613Hollywood CA: Paramount Pictures 2002. Letter-sized Pages ca. 25 pp. Very Good. Provenance: from the estate of Lady Barbara Colyton former wife of Addams Family creator Charles Addams. They divorced in 1956 and in the divorce settlement she was awarded copyright to some of his work. Hollywood, CA: Paramount Pictures, 2002. unknown
réf. 63-9616Hollywood CA: Paramount Pictures 2002. Letter-sized Pages ca. 25 pp. Very Good. Provenance: from the estate of Lady Barbara Colyton former wife of Addams Family creator Charles Addams. They divorced in 1956 and in the divorce settlement she was awarded copyright to some of his work. Hollywood, CA: Paramount Pictures, 2002. unknown
réf. 63-9614Hollywood CA: Paramount Pictures 2002. Letter-sized Pages ca. 25 pp. Very Good. Provenance: from the estate of Lady Barbara Colyton former wife of Addams Family creator Charles Addams. They divorced in 1956 and in the divorce settlement she was awarded copyright to some of his work. Hollywood, CA: Paramount Pictures, 2002. unknown
réf. 63-9626Hollywood CA: Paramount Pictures 2002. Letter-sized Pages 10 pp. Very Good. Provenance: from the estate of Lady Barbara Colyton former wife of Addams Family creator Charles Addams. They divorced in 1956 and in the divorce settlement she was awarded copyright to some of his work. Hollywood, CA: Paramount Pictures, 2002. unknown
réf. 63-9615Hollywood CA: Paramount Pictures 2002. Letter-sized Pages ca. 25 pp. Very Good. Provenance: from the estate of Lady Barbara Colyton former wife of Addams Family creator Charles Addams. They divorced in 1956 and in the divorce settlement she was awarded copyright to some of his work. Hollywood, CA: Paramount Pictures, 2002. unknown
réf. 63-9625Hollywood CA: Paramount Pictures 2003. Letter-sized Pages ca. 15 pp. Very Good. Provenance: from the estate of Lady Barbara Colyton former wife of Addams Family creator Charles Addams. They divorced in 1956 and in the divorce settlement she was awarded copyright to some of his work. Hollywood, CA: Paramount Pictures, 2003. unknown
