7 816 résultats
1973réf. 884659New York:: Taplinger Publishing Co. 1973. FROM THE LIBRARY OF FILM LEGEND MARLON BRANDO with his notations underlinings drawings and doodles etc. in red pen throughout the book. Including a paperback copy of The Relaxation Response by Herbert Benson M.D. also profusely notated by Brando in red pen and pencil. First Edition. Excellent/Excellent. Taplinger Publishing Co., paperback
2005réf. 87009John Szoke Editions. New. 2005. Hardcover. 0936598107 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 160 pages well-illustrated. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee John Szoke Editions hardcover
réf. 90073Moderne Kunst Nurnberg. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German and English. 176 pp. -- with a bonus offer--; With his brutal post-industrial music theatrical makeup and controversial lyrics about serial killers and Satanism shock rocker Marilyn Manson has stood as an icon for a generation of dispossessed teens. It is less well known that Manson has been painting pictures since 1999. Genealogies of Pain presents 30 of his paintings executed over the past ten years. Manson's portraits of cartoonish characters are rendered in delicate pastel colors but the subject matter accords with his notoriously morbid aesthetic: one figure gnaws off his own fingers another wears a gas mask. This volume pairs Manson with filmmaker David Lynch who has also made a living out of mining mankind's darkest carnal fears. Included here are stills from four of Lynch's early short experimental films Six Men Getting Sick The Grandmother The Amputee and The Alphabet which employ similar themes of physical and psychological trauma. An interview with Manson explores his techniques and relevant art historical traditions.; 386984129X . Moderne Kunst Nurnberg hardcover
réf. awd-1157Important tirage photographique en couleurs monté dans un encadrement carré en bois, ajouré en cercle au centre. Très rare épreuve, peut-être tirée pour un essai de couleurs lors de la commercialisation d’une affiche en 1969. Mentions Mati Klarwein, Grain of Sand, Robert Crandall Assoc., 1968 sur le côté avec échelles chromatiques, petits manques de pigmentation dans la partie basse (111,5/117,2 cm dans un cadre de 122/122 cm).
réf. ANAIS-0984579516Rational Reasoning LLC. paperback. Good. 1.8x09x2.1. Buy with confidence. Excellent Customer Service & Return policy. Rational Reasoning, LLC paperback
1950réf. 1342399c. late 1950s. A black and white photograph of Marilyn Monroe by Milton Greene in the late 1950s. This is one of the rare photographs of Marilyn Monroe by Greene show her face. Artist's inscription to the reverse reads: "To Jan for good taste." With an authenticity stamp; signed by Milton Greene dated Sep. 7 1979. Dimensions: image: w 19 x h 14.5 in; mat: w 24 x h 20 in Slight wear to surface with minimum scratches. Waviness along edges with minor residues to upper edge. Thin marks imprinted to borders due to previous matting. Yellow tape marks to upper edge of reverse. Located at our Dupont Store. 1342399. Arts & Antiques. unknown books
1942réf. 33168West Los Angeles: University High School 1942. Hardcover. Very Good. First and only edition. Folio. Scattered very light foxing a very good plus copy. Marilyn Monroe here as Norma Baker is depicted with a small individual picture in the sophomore class. The picture is the first image of Monroe to be published in a book. In addition the actress did not finish high school and this is the ONLY portrait photo of her to appear in a high school yearbook. American Book Prices Current lists no auction records for this book and we have seen only one other copy offered in the book trade. University High School hardcover
1977réf. 175722Tokyo / New York / San Francisco: Kodansha International 1977. Limited. Hardbound. New copies from old storage. White / Blue / Other color linen cloth with gilt embossed design and title contained within a bluish cloth clamshell box. various paginations all with numerous mounted color plates and small bw reproductions. From the original limited edition of 300 numbered copies for each volume. Non-matching numbers. Each volume contained in a cloth clamshell box and in it's original shipping container and box. "Three hundred copies of this limited international edition have been printed. A stunning production from the first limited run of this series. Text is in English and Japanese. The majority of works illustrated and dicussed ar featured in this work are Chinese and Japanese but there are also Korean and Islamic ceramics. This is the complete set of these first editions which focus on the following institutions: s: v. 1. Tokyo National Museum -- v. 2 National Museum of Korea Seoul -- v. 3. Museum Pusat Jakarta -- v. 4 Iran Bastan Museum Teheran -- v. 5. The British Museum London -- v. 6. Victoria & Albert Museum London. - v. 7. Percival David Foundation of Chinese Art London -- v. 8. Musée Guimet Paris -- v. 9. Museum of Far Eastern Antiquities Stockholm -- v. 10. The Freer Gallery of Art Washington D.C. -- v. 11. Museum of Fine Arts Boston -- v. 12 The Metropolitan Museum of Art New York. Shipping at cost. Kodansha International hardcover
1977réf. 175722Tokyo / New York / San Francisco: Kodansha International 1977. Limited. Hardbound. New copiers from old storage. White / Blue / Other color linen cloth with gilt embossed design and title contained within a bluish cloth clamshell box. various paginations all with numerous mounted color plates and small bw reproductions. From the original limited edition of 300 numbered copies for each volume. Non-matching numbers. Each volume contained in a cloth clamshell box and in it's original shipping container and box. "Three hundred copies of this limited international edition have been printed. A stunning production from the first limited run of this series. Text is in English and Japanese. The majority of works illustrated and dicussed ar featured in this work are Chinese and Japanese but there are also Korean and Islamic ceramics. This is the complete set of these first editions which focus on the following institutions: s: v. 1. Tokyo National Museum -- v. 2 National Museum of Korea Seoul -- v. 3. Museum Pusat Jakarta -- v. 4 Iran Bastan Museum Teheran -- v. 5. The British Museum London -- v. 6. Victoria & Albert Museum London. - v. 7. Percival David Foundation of Chinese Art London -- v. 8. Musée Guimet Paris -- v. 9. Museum of Far Eastern Antiquities Stockholm -- v. 10. The Freer Gallery of Art Washington D.C. -- v. 11. Museum of Fine Arts Boston -- v. 12 The Metropolitan Museum of Art New York. Shipping at cost. Kodansha International hardcover books
réf. 6120Unbound. No Jacket. Signed by Author. A Framed photograph of Marilyn Monroe In Negligee VG SIGNATURE GUARANTEED AUTHENTIC. Signed by Author. Unbound. paperback
réf. 114025Rare original 1957 Woodbury Savings Bank financial statement signed by both Marilyn Monroe and Arthur Miller in the beginning of their five-year marriage. One page partially printed the statement is dated September 9 1957 and lists the couple's joint annual income as $50000 total expenses as $30000 or - and amount of life insurance as $50000. The preparer has also listed Monroe as self-employed and President of Marilyn Monroe Production with a suit pending against the company as a corporation. Monroe and Miller's ages are also listed respectively as 31 and 41. Signed at the conclusion of the document "Arthur Miller" and "Marilyn Monroe Miller." In very good condition. Accompanied by a mimeograph of the loan agreement for $35000 for which the statement was prepared. After filming for The Seven Year Itch wrapped up in November 1954 Monroe left Hollywood for the East Coast where she and photographer Milton Greene founded their own production company Marilyn Monroe Productions MMP. Monroe asserted that she was no longer under contract to Fox as it had not fulfilled its duties such as paying her the promised bonus beginning a year-long legal battle between her and Fox in January 1955. After founding MMP Monroe moved to Manhattan and spent 1955 studying acting where she began dating actor Marlon Brando and playwright Arthur Miller. On June 29 Monroe and Miller were married at the Westchester County Court in White Plains New York; two days later they had a Jewish ceremony at the home of Kay Brown Miller's literary agent in Waccabuc New York. With the marriage Monroe converted to Judaism which led Egypt to ban all of her films. Due to Monroe's status as a sex symbol and Miller's image as an intellectual the media saw the union as a mismatch as evidenced by Variety's headline "Egghead Weds Hourglass." Monroe and Miller separated after the filming of Lets Make Love in 1960 after both carried on extramarital affairs Monroe with her co-star Yves Montand and Miller with set photographer Inge Morath. unknown books
réf. 114025Rare original 1957 Woodbury Savings Bank financial statement signed by both Marilyn Monroe and Arthur Miller in the beginning of their five-year marriage. One page partially printed the statement is dated September 9 1957 and lists the couple's joint annual income as $50000 total expenses as $30000 or - and amount of life insurance as $50000. The preparer has also listed Monroe as self-employed and President of Marilyn Monroe Production with a suit pending against the company as a corporation. Monroe and Miller's ages are also listed respectively as 31 and 41. Signed at the conclusion of the document "Arthur Miller" and "Marilyn Monroe Miller." In very good condition. Accompanied by a mimeograph of the loan agreement for $35000 for which the statement was prepared. After filming for The Seven Year Itch wrapped up in November 1954 Monroe left Hollywood for the East Coast where she and photographer Milton Greene founded their own production company Marilyn Monroe Productions MMP. Monroe asserted that she was no longer under contract to Fox as it had not fulfilled its duties such as paying her the promised bonus beginning a year-long legal battle between her and Fox in January 1955. After founding MMP Monroe moved to Manhattan and spent 1955 studying acting where she began dating actor Marlon Brando and playwright Arthur Miller. On June 29 Monroe and Miller were married at the Westchester County Court in White Plains New York; two days later they had a Jewish ceremony at the home of Kay Brown Miller's literary agent in Waccabuc New York. With the marriage Monroe converted to Judaism which led Egypt to ban all of her films. Due to Monroe's status as a sex symbol and Miller's image as an intellectual the media saw the union as a mismatch as evidenced by Variety's headline "Egghead Weds Hourglass." Monroe and Miller separated after the filming of Lets Make Love in 1960 after both carried on extramarital affairs Monroe with her co-star Yves Montand and Miller with set photographer Inge Morath. unknown
1992réf. SBBI-L-BD400631-RAG-20250Oxford University Press 1992. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Oxford University Press paperback
1962réf. 151448London: Jonathan Cape 1962. First edition of the ninth novel in Ian Fleming’s James Bond series. Octavo original black cloth. Boldly signed by eleven cast members of the 1977 film adaptation on the title page and facing page including: Roger Moore Caroline Munro Olga Bisera Sue Vanner Shane Rimmer Eva Rueber-Staier Marilyn Galsworthy Valerie Leon Edward de Souza Vernon Dobtcheff and director John Glen. Fine in a near fine dust jacket with light toning and rubbing. Written with Vivienne Michel. Jacket design by Richard Chopping. A unique example. In light of the novel's immense presence as a classic thriller it's amusing to learn that it was at first poorly received. The novel was banned in several countries due to its heightened sexual writing. The reception was so bad that Fleming wrote to Michael Howard of the Jonathan Cape publishing company to explain why he wrote the book: "I had become increasingly surprised to find my thrillers which were designed for an adult audience being read in schools and that young people were making a hero out of James Bond . So it crossed my mind to write a cautionary tale about Bond to put the record straight in the minds particularly of younger readers . the experiment has obviously gone very much awry" Chancellor 2005. Upon Fleming's request no reprints were made until after his death in 1964. It was the basis for the tenth film in the James Bond series starring Roger Moore Barbara Bach and Curt Jürgens. It was directed by Lewis Gilbert and the screenplay was written by Christopher Wood and Richard Maibaum. Jonathan Cape hardcover
réf. 3092New York: The Neikrug Press 1981. First edition. Original linen clamshell box. Very Good. THE RARE STUNNING COMPLETE PORTFOLIO OF 10 LARGE ICONIC SILVER GELATIN PRINTS OF MARILYN MONROE BY PHILIPPE HALSMAN. EXTREMELY RARE ARTIST PROOF: From the collection of John Springer one of Monroe's press representatives. This portfolio was given to Springer by Yvonne Halsman at the time of publication. Nine of the prints are from Halsman's famous 1952 shoot at Monroe's apartment for LIFE Magazine including the cover shot for the April 7 1952 issue; one "Marilyn Jumping" from his 1959 "Jumpology" series. Halsman explained the circumstances of the 1952 shoot: "I drove to the outskirts of Los Angeles where she lived in a two-room apartment. What impressed me in the living room was the obvious striving for self-improvement. I saw a photograph of Eleanora Duse and a multitude of books that I did not expect to find there like the works of Dostoevsky Freud the history of Fabian socialism etc. On the floor were two barbells." Philippe Halsman website. In addition to the LIFE cover photograph and "Marilyn Jumping" the portfolio includes: "Portrait of Marilyn 1952"; "Marilyn with Barbells 1952"; "Marilyn Entering the Closet 1952"; "Marilyn Flirting 1952"; "Marilyn at the Drive-In 1952"; "Marilyn Listening to Music 1952"; "The True Marilyn 1952"; "Marilyn-Mao 1952". Limitation signed by Yvonne Halsman Philippe Halsman died two years before the portfolio was issued and with artist's proof designation "a/p". Each photograph with hand-stamped copyright on the reverse and the limitation number left blank indicating the artist's proof. Size: 11x14 inch prints; archivally fastened and matted onto 16x20 inch Museum Rag Board. Note: Two of the original mattes have recently been replaced with nearly indistinguishable archival matte boards. New York: The Neikrug Press 1981. Large portfolio. Prints loose as issued in linen clamshell box with title label. Some soiling to box as often; photographs fine. Over the years many sets have been broken up and the prints sold individually; complete sets are now very rare. The Neikrug Press unknown
1956réf. 151580Garden City New York: Doubleday & Company Inc 1956. First edition in book form of the famed actress's ghostwritten piece for Pageant magazine often considered the closest thing to an autobiographical work published during her lifetime. Octavo original cloth illustrated with 43 photographs. Signed by Marilyn Monroe on the front free endpaper. Although Monroe was an avid reader—as demonstrated by the celebrated 1999 Christie’s sale of her personal library—books bearing her signature are exceptionally rare. The present volume is the only work published during her lifetime that was directly derived from her own words as recorded in contemporaneous interviews. Her only formal autobiography My Story was issued posthumously in 1974. From the library of critic photographer and artist Paul McMahon who served as a stage manager for Marlene Dietrich for more than thirteen years. McMahon obtained Monroe’s signature in person at a 1957 theatrical performance in New York City having learned in advance that she would be in attendance with her then-husband Arthur Miller. Monroe was not known to sign books and did so only rarely; on this occasion however she appears to have been taken by surprise by McMahon’s request and nevertheless obliged reportedly despite Miller’s evident irritation. Very good in a very good dust jacket. Jacket photograph of Marilyn Monroe by Topix. Jacket design by Sydney Butchkes. Housed in a custom clamshell box. Accompanied by a full Letter of Authenticity from JSA. Exceptionally rare no signed copy of any comparable biographical work has appeared at auction in the past half century. Authored by Pete Martin 1901–1980 a longtime Hollywood reporter and noted ghostwriter of celebrity narratives Will Acting Spoil Marilyn Monroe is presented in the form of a semi-fictionalized dialogue in which a group of interlocutors including Monroe herself alternately reflect upon her life and career. The text is based on a series of extensive interviews conducted by Martin with Monroe between 1955 and 1956 during the period in which she was studying method acting under Lee Strasberg. The resulting work conveys a notable degree of intimacy between writer and subject and captures Monroe’s reflections on fame vulnerability artistic ambition and her persistent desire to be regarded as a serious actress. It is within this text that several of her most frequently cited remarks first appeared including “I think people need human warmth even when they're asleep and unconscious” “Those who know me better know better” and in reference to her nude calendar “I'm saving a copy of it for my grandchildren.” Although Martin undoubtedly shaped the material into a coherent narrative the voice that emerges remains recognizably Monroe’s own. Doubleday & Company, Inc hardcover