12 477 résultats
1997réf. 1327385Washington: Natinal Gallery of Art 1997. Hardcover. Quarto; VG/VG-; Hardcover with DJ; DJ spine black with white and tan print; DJ has light edgewear vendor labels on rear else clean and bright; Boards in tan cloth with blue print clean and strong; Text block clean and tight; Signed in ink by contributor Jeffrey Weiss on the half-title page; Signed in ink by the editor on the title page; "Exhibition dates: National Gallery of Art Washington 30 March - 27 July 1997."; 374 pages frontispiece illustrated color. Modern Art NOTE: Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1327385. Shelved Dupont Bookstore. Natinal Gallery of Art hardcover books
réf. 20437091Yael University Press for the Frick Collection & t. 28.0 x 22.0cms 300pp 70 colour illusts very good hardback & dustwrapper This exhibiiton traced Picasso's development as a draftsman from his youthful academic exercises through to his renewed interest in classicism in the early 1920s. Galassi's essay considers his interest in the Old Masters. McCully's essay looks at the early critical responses to these drawings. Togther they show how Picasso revitalised the form. Yael University Press for the Frick Collection & t hardcover
2011réf. c453119Yale University Press 2011. 1st Edition . Hardcover. New/New. 4to - over 9¾ - 12" tall. In original shrinkwrap Yale University Press hardcover
2011réf. 96769Yale University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 316 pp. ; 173 illus. 164 in color. -- with a bonus offer--; Pablo Picasso 1881-1973 is acknowledged as one of the greatest draftsmen of the 20th century. Picasso's Drawings 1890-1921 follows the dazzling development of his drawing practice from the precocious academic exercises of his youth to his renewal of classicism in his virtuoso output of the early 1920s. A selection of more than seventy works on paper with extended entries highlights his stylistic experiments and techniques during this roughly thirty-year period which begins and ends in a classical mode and encompasses his most radical innovations. An essay by Susan Grace Galassi provides a detailed study of Picasso's drawing practice and explores his interest in the Old Masters and Marilyn McCully considers the early critical responses to Picasso's drawings. These discussions of Picasso's style sources and techniques demonstrate how drawing served as an essential means of invention and discovery for the artist. This book brings to the fore Picasso's engagement with artists of the past and the ways in which he perpetuated competed with and ultimately reinvented the practices of his artistic mentors on his own terms. Through emulation allusion dissection and outright hijacking Picasso continued the grand tradition of drawing in a revitalized form. This study reveals the extent to which the artist relied on drawing as a means of synthesizing past and present tradition and innovation to give his own art a bold and vigorous expression. . 2011. 0300170734 . Yale University Press hardcover
réf. PJH56872Yale University Press 2011. Near Fine in publishers cloth in like slightly rubbed dustjacket. Pablo Picasso 1881-1973 is acknowledged as one of the greatest draftsmen of the 20th century. 'Picasso's Drawings 1890-1921' follows the dazzling development of his drawing practice from the precocious academic exercises of his youth to his renewal of classicism in his virtuoso output of the early 1920s. A selection of more than seventy works on paper with extended entries highlights his stylistic experiments and techniques during this roughly thirty-year period which begins and ends in a classical mode and encompasses his most radical innovations. This title includes an essay by Susan Grace Galassi that provides a detailed study of Picasso's drawing practice and explores his interest in the Old Masters and an essay by Marilyn McCully considers the early critical responses to Picasso's drawings. These discussions of Picasso's style sources and techniques demonstrate how drawing served as an essential means of invention and discovery for the artist. This book brings to the fore Picasso's engagement with artists of the past and the ways in which he perpetuated competed with and ultimately reinvented the practices of his artistic mentors on his own terms. Through emulation allusion dissection and outright hijacking Picasso continued the grand tradition of drawing in a revitalized form. This study reveals the extent to which the artist relied on drawing as a means of synthesizing past and present tradition and innovation to give his own art a bold and vigorous expression. ISBN 0300170734 Yale University Press 2011 hardcover
réf. PJH51341Yale University Press 2011. Mint in publishers cloth in like dustjacket still shrink wrapped. 1st edition. Pablo Picasso 1881-1973 is acknowledged as one of the greatest draftsmen of the 20th century. 'Picasso's Drawings 1890-1921' follows the dazzling development of his drawing practice from the precocious academic exercises of his youth to his renewal of classicism in his virtuoso output of the early 1920s. A selection of more than seventy works on paper with extended entries highlights his stylistic experiments and techniques during this roughly thirty-year period which begins and ends in a classical mode and encompasses his most radical innovations. This title includes an essay by Susan Grace Galassi that provides a detailed study of Picasso's drawing practice and explores his interest in the Old Masters and an essay by Marilyn McCully considers the early critical responses to Picasso's drawings. These discussions of Picasso's style sources and techniques demonstrate how drawing served as an essential means of invention and discovery for the artist. This book brings to the fore Picasso's engagement with artists of the past and the ways in which he perpetuated competed with and ultimately reinvented the practices of his artistic mentors on his own terms. Through emulation allusion dissection and outright hijacking Picasso continued the grand tradition of drawing in a revitalized form. This study reveals the extent to which the artist relied on drawing as a means of synthesizing past and present tradition and innovation to give his own art a bold and vigorous expression. ISBN 0300170734 Yale University Press 2011 hardcover
2011réf. mon0004166047Yale University Press 2011T. paperback. Good. 0.7283 8.4291 5.8504. Yale University Press paperback
2011réf. Embry 192019Yale U. Press 2011. First edition first printing. Fine in fine dust jacket in mylar cover. Full page color reproductions. Yale U. Press, 2011. First edition, first printing. unknown books
2011réf. 130344Washington DC: The Frick Collection / Yale University Press 2011. Softbound. VG - back corner may be bent otherwise clean. Dark brown and color illustrated wraps. xiii 299 pages : Many nice color reproductions of 74 works with detailed annotations. Pablo Picasso 1881-1973 is generally acknowledged as the greatest draftsman of the 20th century. Through some 55 works the exhibition presents the dazzling development of Picasso's drawings over a 30-year period—from the precocious academic exercises of his youth in the 1890s to the virtuoso works of the early 1920s including the radical innovations of cubism and collage. Drawing served as an essential means of invention and discovery in Picasso's multifaceted art connecting him with the grand tradition of drawing by European masters of the near and distant past. The Frick Collection / Yale University Press unknown books
2011réf. 44495New Haven: Yale University Press / The Frick Collection 2011. First Edition. Quarto 27.5cm x 23cm. Brown cloth boards hardcover with titling embossed in darker brown on spine; pictorial dustjacket; 302pp; illus. Very Good copy; two gently bumped corners; very small tear to upper spine hinge; slight shelf wear to extremities else clean and tight. Very Good dustwrapper; slight shelf wear to extremities; two small teats to upper cover flap corner else clean. Published on the occasion of of the exhibition held at The Frick Collection New York and the National Gallery of Art Washington DC in 2012 this volume explores through critical essays by its author Picasso's style sources and techniques as well as critical responses to his early drawings to argue that the artist relied on drawing as a means of synthesizing tradition and innovation. 74 reproductions of Picass's drawings as well as hundreds of illustrations in color and b&w. Yale University Press / The Frick Collection unknown books
1997réf. Q-0894682687Natl Gallery of Art 1997-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Natl Gallery of Art paperback
1997réf. 106349Washington DC: National Gallery of Art 1997. Softbound. VG. Color pictorial wraps. 374 pp. profusely illustrated in bw and color. An extensive and broad exhibition catalogue that features 182 works. Includes focused essays by 10 authors selected bibliography lengthy index. National Gallery of Art unknown books
1997réf. 71851New Haven:: Yale Univeristy Press. Near Fine in Near Fine dust jacket. 1997. Hardcover. 0300071663 . Color illustrations throughout. First edition. Near fine in a near fine dust jacket. . Yale Univeristy Press, hardcover books
2013réf. 281443Monaco: Grimaldi 2013. hardcover. fine. Picasso. Many illustrations in color & in black & white. Slim square 4to pictorial boards. Monaco: Grimaldi Forum 2013. Fine. Issued in conjunction with a 2013 exhibition featuring Pablo Picasso's time spent on the French Riviera. Grimaldi unknown
2013réf. 281443Monaco: Grimaldi 2013. hardcover. fine. Picasso. Many illustrations in color & in black & white. Slim square 4to pictorial boards. Monaco: Grimaldi Forum 2013. Fine. Issued in conjunction with a 2013 exhibition featuring Pablo Picasso's time spent on the French Riviera. Grimaldi unknown books
2017réf. 200302Williamstown MA: Clark Art Institute 2017. Paperback. VG. White illustrated wraps with black lettering; 136 pp.; richly illustrated. Although Pablo Picasso 1881-1973 is often thought of as a solitary genius his career was fueled by the inspiration he drew from both personal and collegial relationships. Picasso practiced printmaking throughout his career-an interest that inherently fostered collaboration as it brought him in contact with numerous printers and publishers. At the same time his many famous muses-Marie-Therese Walter Dora Maar and others-influenced both his techniques and his imagery. This book features thirty-five of Picasso's most important prints that showcase the artistic exchange vital to his process. It includes his first major etching from 1904 portraits of his lovers and family members and prints that transform motifs by Rembrandt Manet and other earlier artists such as an interpretation of Rembrandt's Ecce Homo from 1970. This book considers the artist's major statements in printmaking throughout his career. -- Rear Cover. Clark Art Institute paperback
1998réf. BN198869Editions de la Martinière 1998. 1998. Hardcover. Picasso: Peintre et sculpteur sur argile Picasso: Peintre et sculpteur sur argile Collectif; McCully Marilyn Editions de la Martinière hardcover
1998réf. 103329Harry N. Abrams Incorporated 1998. First Edition. Hardcover. Near Fine Condition/Near Fine. VG/VG 1st ed 1998 Harry N. Abrams Incorporated hardback unclipped DJ in sleeve illustrated. Black remainder mark to base of book and a little spotting to top edge of pages only otherwise bright and unmarked. Size: quarto. Elegantly produced high quality volume more related books available. Quantity Available: 1. Shipped Weight: Under 3kg. Category: Art & Design; United Kingdom; ISBN: 0810943530. ISBN/EAN: 9780810943537. 84cxrarebooks is the trading name of Cambridge-based bookseller Marino Guida with 25 years experience in the trade. We guarantee the condition of all our books. Further images or a short video presentation of any book can be arranged on request. We send tax-free and tariff-free to EU US/Canada and Australia/NZ with insurance included for peace of mind. Inventory No: 103329. 9780810943537 Harry N. Abrams, Incorporated hardcover
1998réf. 4139741Royal Academy Of Arts London 1998. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item2100grams ISBN:9780900946646 Royal Academy Of Arts, London hardcover
1998réf. 4139742Royal Academy Of Arts London 1998. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item2050grams ISBN:9780900946646 Royal Academy Of Arts, London hardcover
1999réf. 213687New York: Harry N. Abrams Inc 1999. First edition and first printing. Hardcover. 258 pages. Published in conjunction an exhibition that ran September 17 through December 16 1998 at the Royal Academy of Arts in London and then March 3 through June 6 199 at The Metropolitan Museum of Art. Features texts by Claude Picasso Bernard Ruiz-Picasso and Marilyn McCully. Includes 310 color illustrations list of previous exhibitions a glossry of materials techniques and shapes and a selected bibliography. A near fine copy in black cloth boards with some very minor wear and in a near fine dust jacket. Harry N. Abrams, Inc unknown
réf. ANAIS-0974960705Mitchell-Innes & Nash. hardcover. Good. 9.5x0.8x12.8. Buy with confidence. Excellent Customer Service & Return policy. Mitchell-Innes & Nash hardcover
2006réf. Q-0974960705Mitchell-Innes & Nash 2006-02-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Mitchell-Innes & Nash hardcover
réf. 0974960705.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1997réf. 27119Washington DC and New Haven CT: The National Gallery of Art and Yale University Press. As New in As New dust jacket. 1997. First Printing. Hard Cover. 0300071663 . Publisher's full brown cloth black lettering on spine blue endpapers. Profusely illustrated with 182 full-color plates many full-page as well as 115 B&W reproductions. This catalogue accompanies a major travelling exhibition organized by The National Gallery of Art and the Museum of Fine Arts Boston exploring the early work of Picasso including the Blue period the Rose period and an important series of nudes from 1906. Linking the development of his later work to these early achievements the authors discuss them in the context of the artist's life and in the cultural and political climate of the time. Edited by Marilyn McCully the contributing authors include Natasha Staller Robert S. Lubar Phillip Dennis Cate Robert J. Boardingham Jeffrey Weiss Peter Read Robert Rosenblum Margaret Werth Mark Rosenthal and Ann Hoenigswald. . Both the volume and the unclipped dust jacket are in perfect pristine condition; unread unmarked tight square and clean. A large heavy book - additional shipping charges may apply. AS NEW/AS NEW. Color Plates. 4to 11" - 13" tall. 374 pp . The National Gallery of Art and Yale University Press hardcover
