Friedman, MarilynBiblio.com
12.485 risultati
rif. 0847679861New. paperback. New. Satisfaction Guaranteed or your money back. paperback
rif. 3420001-nnew. unknown
1994rif. DADAX0847679861Rowman & Littlefield Publishers 1994-12-22. First Edition. paperback. New. 5.72x0.51x9.02. Buy with confidence. Excellent Customer Service & Return policy. Rowman & Littlefield Publishers paperback
rif. 650548542University of Exeter Press . Hardback. New. pp. 247 University of Exeter Press hardcover
rif. Bloomsbury-9780847679867Rowman & Littlefield. Paperback. New. 160 pages Rowman & Littlefield paperback
rif. Bloomsbury-9780847679867Rowman & Littlefield. Paperback. New. 160 pages Rowman & Littlefield paperback
rif. B9780847679867Paperback / softback. New. Friedman challenges the response to hate speech codes disputes the supposed pre-eminence of the Western canon and champions "thick multiculturalism" over a "thin global diversity" approach. Narveson argues that the equality of person invisaged in "classical" liberalism is the genuine article. paperback
1995rif. x-0847679861Rowman & Littlefield 1995. Paperback. New. 160 pages. 9.25x6.25x0.75 inches. Rowman & Littlefield paperback
1982rif. 2605150079Praeger 1982-07-28. hardcover. Good. 6x0x9. Hardcover ex-library with typical marks shows moderate cover wear. Text is unmarked. Ships FAST! Praeger hardcover
rif. 0313228639.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. Bloomsbury-9780313228636Praeger. Hardback. New. 318 pages Praeger hardcover
rif. Bloomsbury-9780313228636Praeger. Hardback. New. 318 pages Praeger hardcover
rif. 63851977ABC-Clio Incorporated . Hardback. New. pp. 318 ABC-Clio, Incorporated hardcover
1983rif. Q-089594099XCrossing Press 1983-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! Crossing Press paperback
rif. 42252631like new. unknown
rif. 42252631-nnew. unknown
rif. B9781912419685Hardback. New. hardcover
2008rif. 78441Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 132 pp. With 65 col. Ills. 22 x 22 cm. -- with a bonus offer-- . 2008. 0976903091 . Museum paperback
2008rif. 123271New Brunswick NJ: Zimmerli Art Museum 2008. Softbound. VG. Color glossy illustrated wraps. 131 pp. profusely illustrated with 65 color plates. Since Andy Warhol’s Campbell Soup can images first appeared in the 1960s Pop Art has remained a pervasive force in contemporary art. Numerous artists have created bold colorful pictures inspired by every day reality and the American Dream: advertising comics food mass-produced consumer goods the media political turmoil and sexy nudes. Pop artists revolutionized printmaking by incorporating photography and commercial processes. Ranging from humorous to arrestingly serious or ordinary to glamorous this exhibition of sixty prints explores the interaction of popular culture and printmaking across four decades. The artists represented in this exhibition include: Jim Dine Red Grooms Jasper Johns Robert Indiana Roy Lichtenstein Claes Oldenburg Eduardo Paolozzi Mel Ramos Robert Rauschenberg Larry Rivers James Rosenquist Andy Warhol and Tom Wesselmann. Selected primarily from the collection of the Jane Voorhees Zimmerli Art Museum at Rutgers the exhibition also features a special loan from the Roy Lichtenstein Foundation. Zimmerli Art Museum paperback
2008rif. 123271New Brunswick NJ: Zimmerli Art Museum 2008. Softbound. VG. Color glossy illustrated wraps. 131 pp. profusely illustrated with 65 color plates. Since Andy Warhol’s Campbell Soup can images first appeared in the 1960s Pop Art has remained a pervasive force in contemporary art. Numerous artists have created bold colorful pictures inspired by every day reality and the American Dream: advertising comics food mass-produced consumer goods the media political turmoil and sexy nudes. Pop artists revolutionized printmaking by incorporating photography and commercial processes. Ranging from humorous to arrestingly serious or ordinary to glamorous this exhibition of sixty prints explores the interaction of popular culture and printmaking across four decades. The artists represented in this exhibition include: Jim Dine Red Grooms Jasper Johns Robert Indiana Roy Lichtenstein Claes Oldenburg Eduardo Paolozzi Mel Ramos Robert Rauschenberg Larry Rivers James Rosenquist Andy Warhol and Tom Wesselmann. Selected primarily from the collection of the Jane Voorhees Zimmerli Art Museum at Rutgers the exhibition also features a special loan from the Roy Lichtenstein Foundation. Zimmerli Art Museum paperback books
2006rif. Q-087972871XPopular Press 2 2006-02-17. Paperback. New. In shrink wrap. Looks like an interesting title! Popular Press 2 paperback
2006rif. x-0879728701Popular Pr of Bowling Green State 2006. Hardcover. New. 1st edition. 424 pages. 9.00x6.00x1.00 inches. Popular Pr of Bowling Green State hardcover
rif. 6142269852Elsevier . Papeback. New. pp. 200 Elsevier unknown
rif. B9780807175279Paperback / softback. New. While most people are aware of the World War II internment of thousands of Japanese citizens and residents of the US few know that Germans Austrians and Italians were also held in internment camps. Port of No Return tells the story of New Orleans's key role in this complex secret operation. paperback
rif. 32820468Hollywood icon Marilyn Monroe at the beginning of her career. Signed by the photographer in silver ink. Ed Clark was a top photographer for Life magazine in the 1940s 50s and 60s. In 1950 he received a call from a friend at 20th Century Fox wondering if he wanted to photograph "a hot tomato" the little-known 24 year-old actress Marilyn Monroe. Her film career had just begun to gain momentum: three months earlier Monroe had appeared as a crooked lawyer's girlfriend in The Asphalt Jungle. Two months later she had a small role as an aspiring starlet in All About Eve. In a 1999 interview Clark recalled "She was almost unknown then so I was able to spend a lot of time shooting her." "We'd go out to Griffith Park in Los Angeles and she'd read poetry. I sent several rolls to LIFE in New York but they wired back 'Who the hell is Marilyn Monroe'" Printed later by Clark. Ektacolor print. 14 x 11 in. Minor faults in the negative. Fine.
