Marilyn KalletBiblio.com
12 133 résultats
réf. 29845668-nnew. unknown
réf. 29845668like new. unknown
réf. A9780820352558Hardback. New. hardcover
réf. B9780820352558Hardback. New. hardcover
réf. B9780820321530Paperback / softback. New. How do women writers cope with changes and juggle the demands in their lives to make time for their lives as artists In this text female novelists journalists essayists poets and nonfiction writers address the challenges of ""doing it all"" that face women writers at the dawn of the 21st-century paperback
1999réf. 61855Athens: University of Georgia Press 1999. Paperback. Very good. Paperback. 221pp. Very good in publisher's wraps. University of Georgia Press paperback books
réf. 318981 Group of photographs from Horne's performance on Arthur Godfrey's television show Talent Scouts 1955. 7 photographs each 90 x 130 mm. Black and white glossy. In a blue cardstock Kodak "Album Prints" wrapper with Horne's manuscript annotation to upper: "The Arthur Godfrey Show 1954!." Horne auditioned for Arthur Godfrey's Talent Scouts in Los Angeles singing for radio star Goodman Ace 1899-1982. She recounts the experience in her autobiography Marilyn Horne: The Song Continues p. 72: Goodman a brusque Runyonesque heart-of-gold character had had a bellyful of talent by the time I got to him. "Okay kid whatcha gonna do" he queried disinterestedly. "I'm going to sing an operatic aria." "Esshhh" sighed Goodman obviously not bowled over by my announcement. He sat back with his eyes closed as I sang "Ritorna vincitor" from Aida. When I finished his eyes were wide open. "What else can you do kid" he asked enthusiastically. This time I sang a popular song of the day and when I finished Goodman blasted me. "Are you crazy to sing junk like that with a voice like yours!" "Listen" I shot back "I'll sing anything!" "That's the most ridiculous thing I've ever heard. You stick to opera kid." Horne was given a spot on the show in 1955 and performed "Un bel dì" from Madame Butterfly. In Horne's words: "I sang the hell out of it and won." It was her first appearance on national television and her success meant that she was able to sing on Godfrey's radio show every day for a week. 2 Group of 5 role portrait photographs dating from Horne's early career in Gelsenkirchen 1957-1960. - From Simon Boccanegra 1957. 122 x 91 mm. Colour glossy. - From Handel's Ezio 1958. 121 x 89 mm. Colour glossy. - From Handel's Ezio 1958. 138 x 90 mm. Black and white semi-glossy postcard. - From Wozzeck 1960. 138 x 90 mm. Black and white semi-glossy postcard. - From La Bohème 1960. 240 x 175 mm. Black and white glossy. All identified on verso in Horne's hand. After being invited by Igor Stravinsky to perform at the 1956 Venice Festival Horne remained in Europe performing for three seasons with the Gelsenkirchen Opera. This small city in Germany's industrial west significantly raised its artistic profile with the opening of the modernist Musiktheater im Revier in 1959. 3 Photographic colour interpositive with Luciano Pavarotti and Joan Sutherland ca. 1975. 124 x 99 mm. With "928 Kodak Safety Film" printed to left upper margin. 4 Large broadside for a concert featuring Marilyn Horne at the Teatro Malibran in Venice April 21 1982 with I Soloisti Veneti conducted by Claudio Scimone in a program including works by Handel and Vivaldi. Signed by Horne. 1000 x 350 mm. Rolled. 5 Large poster for Rossini's Stabat Mater performed at the Rossini Opera Festival in Pesaro August-September 1987 with Marilyn Horne Susan Dunn Chris Merritt and Simone Alaimo. 1000 x 700 mm. Rolled. Rossini's "Stabat mater is often said to be operatic." Philip Gossett in Grove Music Online. The first version was first performed in Madrid in 1833; a revised second version was first performed in Paris in 1842. 6 Large colour poster for L'Italiana in Algeri at the Royal Opera House in London in July of 1989 featuring Marilyn Horne as Isabella Judith Howarth as Elvira and Gillian Knight as Zulma conducted by Donato Renzetti. 762 x 508 mm. Rolled. Rossini's L'Italiana in Algeri was first performed in Venice at the Teatro San Benedetto on May 22 1813. Marilyn Horne has sung the role of Isabella throughout her career always to great acclaim. All items with some minor wear but in very good condition overall. "Horne had a voice of extraordinary range rich and tangy in timbre with a stentorian chest register and an exciting top. . In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist singing lieder mélodies Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online. unknown
réf. 318981 Group of photographs from Horne's performance on Arthur Godfrey's television show Talent Scouts 1955. 7 photographs each 90 x 130 mm. Black and white glossy. In a blue cardstock Kodak "Album Prints" wrapper with Horne's manuscript annotation to upper: "The Arthur Godfrey Show 1954!." Horne auditioned for Arthur Godfrey's Talent Scouts in Los Angeles singing for radio star Goodman Ace 1899-1982. She recounts the experience in her autobiography Marilyn Horne: The Song Continues p. 72: Goodman a brusque Runyonesque heart-of-gold character had had a bellyful of talent by the time I got to him. "Okay kid whatcha gonna do" he queried disinterestedly. "I'm going to sing an operatic aria." "Esshhh" sighed Goodman obviously not bowled over by my announcement. He sat back with his eyes closed as I sang "Ritorna vincitor" from Aida. When I finished his eyes were wide open. "What else can you do kid" he asked enthusiastically. This time I sang a popular song of the day and when I finished Goodman blasted me. "Are you crazy to sing junk like that with a voice like yours!" "Listen" I shot back "I'll sing anything!" "That's the most ridiculous thing I've ever heard. You stick to opera kid." Horne was given a spot on the show in 1955 and performed "Un bel dì" from Madame Butterfly. In Horne's words: "I sang the hell out of it and won." It was her first appearance on national television and her success meant that she was able to sing on Godfrey's radio show every day for a week. 2 Group of 5 role portrait photographs dating from Horne's early career in Gelsenkirchen 1957-1960. - From Simon Boccanegra 1957. 122 x 91 mm. Colour glossy. - From Handel's Ezio 1958. 121 x 89 mm. Colour glossy. - From Handel's Ezio 1958. 138 x 90 mm. Black and white semi-glossy postcard. - From Wozzeck 1960. 138 x 90 mm. Black and white semi-glossy postcard. - From La Bohème 1960. 240 x 175 mm. Black and white glossy. All identified on verso in Horne's hand. After being invited by Igor Stravinsky to perform at the 1956 Venice Festival Horne remained in Europe performing for three seasons with the Gelsenkirchen Opera. This small city in Germany's industrial west significantly raised its artistic profile with the opening of the modernist Musiktheater im Revier in 1959. 3 Photographic colour interpositive with Luciano Pavarotti and Joan Sutherland ca. 1975. 124 x 99 mm. With "928 Kodak Safety Film" printed to left upper margin. 4 Large broadside for a concert featuring Marilyn Horne at the Teatro Malibran in Venice April 21 1982 with I Soloisti Veneti conducted by Claudio Scimone in a program including works by Handel and Vivaldi. Signed by Horne. 1000 x 350 mm. Rolled. 5 Large poster for Rossini's Stabat Mater performed at the Rossini Opera Festival in Pesaro August-September 1987 with Marilyn Horne Susan Dunn Chris Merritt and Simone Alaimo. 1000 x 700 mm. Rolled. Rossini's "Stabat mater is often said to be operatic." Philip Gossett in Grove Music Online. The first version was first performed in Madrid in 1833; a revised second version was first performed in Paris in 1842. 6 Large colour poster for L'Italiana in Algeri at the Royal Opera House in London in July of 1989 featuring Marilyn Horne as Isabella Judith Howarth as Elvira and Gillian Knight as Zulma conducted by Donato Renzetti. 762 x 508 mm. Rolled. Rossini's L'Italiana in Algeri was first performed in Venice at the Teatro San Benedetto on May 22 1813. Marilyn Horne has sung the role of Isabella throughout her career always to great acclaim. All items with some minor wear but in very good condition overall. "Horne had a voice of extraordinary range rich and tangy in timbre with a stentorian chest register and an exciting top. . In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist singing lieder mélodies Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online. unknown books
réf. 0551012021.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 2699564Harpercollins/STL. 1st UK Paperback Ed. Paperback. Used; Good. Simply Brit welcome to our online used book store where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books from classics to hidden gems ensuring theres something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us your trusted source for affordable books that do not compromise on quality. 12/31/1987 Harpercollins/STL paperback
réf. 0551014415.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0739436805.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. ria9783319695228_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book describes the algorithms and computer architectures used to create and analyze photographs in modern digital cameras. It also puts the capabilities of digital cameras into context for applications in art entertainment and vi hardcover
2018réf. 1-3319887939Springer 2018. Paperback. New. reprint edition. 226 pages. 9.25x6.10x0.55 inches. Springer paperback
2017réf. x-3319695223Springer 2017. Hardcover. New. 185 pages. 9.50x6.25x0.75 inches. Springer hardcover
réf. 3319887939.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. DADAX3319887939Springer 2018-09-04. Softcover reprint of the original 1st ed. 2018. paperback. New. 6.10x0.55x9.25. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
réf. SONG3319887939Springer 2018-09-04. Softcover reprint of the original 1st ed. 2018. paperback. Used: Good. 6.10x0.55x9.25. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
réf. 0998050601.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. B9781524559236Hardback. New. hardcover
réf. 1524559237.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0323638821-11-1-14Elsevier. 8. Very Good. Contains NEW UNOPENED access code. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Elsevier unknown
2021réf. SKU1747091Elsevier 2021-06-18. hardcover. New. 7x1x10. New Book Ships with Tracking Elsevier hardcover
2021réf. SKU0225768Elsevier 2021-06-18. Hardcover. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Elsevier hardcover
2021réf. 1-0323638821Elsevier Science Health Science 2021. Hardcover. New. 8th har/psc edition. 1088 pages. 10.25x7.25x1.65 inches. Elsevier Science Health Science hardcover
