12 473 résultats
1989réf. 047441Berkley Books 1989. Hardcover. Very Good. SIGNED BY EDITOR AND CONTRIBUTORSMARILYN WALLACE TWICE0 CAROLYN WHEAT JULIE SMITH GILLIAN ROBERTS MARCIA MULLER LIA MATERA FAYE KELLERMAN SUE GRAFTON SUSAN DUNLAP AND LINDA BARNES. BOOK CLUB EDITION.BRODART PROTECTED DUST JACKET. SIGNATURES ONLY NO INSCRIPTIONS. Berkley Books hardcover
1989réf. mon0000132157Berkley Publishing 1989-01-01. Paperback. Good. 1.1000 in x 6.9000 in x 4.1000 in. Berkley Publishing paperback
1990réf. Q-9991519467Berkley Pub Group 1990-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Berkley Pub Group hardcover
1990réf. 12446BERKLEY. NY 1990. Fine with no dust jacket. 1990. First Edition; First Printing. Softcover. UNCORRECTED PROOF. Fine in plain red printed wrappers. Finished book cover & publicity sheet laid-in. Features a short story by Sue Grafton. . BERKLEY. NY 1990 paperback
1989réf. 035960NY: Berkley. 1989. The uncorrected proof copy. Sue Grafton Sara Paretsky Faye Kellerman etc. Near fine in wrappers with publisher's promotional sheet laid in. Unless otherwise noted our first editions are first printings. First Edition. Softcover. Near Fine. Berkley paperback books
1989réf. 155641New York: Berkley Publishing 1989. Softcover. Very Good. Very good in wrappers. Book has slight rub of spine Uncorrected Proof. Berkley Publishing unknown books
réf. 1458203352.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1995réf. 111803120029Vox Australis Ast 1995-12-26. Audio CD. New. New CD.; 100% Satisfaction Guaranteed! Ships same or next business day! Vox Australis (Ast) unknown
réf. 091697202X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1950réf. acs01Winter Park FL: Rollins College 1950. First Edition stated. Octavo softbound stiff color illustrated wrappers 52 pp. Very Good with edgewear. Contents: Marilyn Briggs: Knife Blades from Below; Lines; The Sum of the Parts; Civilization; Night Song; Illinois; We Who Walk Alone; Listen Jeffers; Directions; Watching; Playthings; Paul Lee Bissell: Sunset at Ronda; For Dick; Sunday Morning - Sepulveda Spain; The Circle; To Ursula; Gordon Baine Clark: Certain Hunter; Atlantic Birds; Sonnet for an Old Poet; Conversation at Sea; Moths at Night; Intruder; ‘Northern Spring; 64/40; Measuring Knives: BUrma; Lucas Lazurus; Mr. Narcissus to the Virgin; Song for Sad Suzannas; Mountains and Cable Cars; Verdigris Toadstools; There is a Cool and Quiet Lake; The Fisherman Dreaming; Lovers; At Tara; After Seeing “Medea”; Debussy-Heard Distantly; Lines for November and Spring; Richard W. Glatthar: Opus; La Bataille Est Supreme; Uncaused Cause; John Wharton; Jim and Marge; Portrait; Le Vent de Morte; Mentor; Harold P. McKinney: Given; As Long As; To a Poetry Class in 1950. Rollins College, 1950. First Edition, stated. paperback books
réf. 0538226803.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0673192601.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2000réf. Q-157734605xCovenant Communications Inc 2000-05-01. Paperback. New. In shrink wrap. Looks like an interesting title! Covenant Communications Inc paperback
2003réf. Q-097263570XMonkfish Book Publishing 2003-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Monkfish Book Publishing paperback
1999réf. Q-0820321532University of Georgia Press 1999-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! University of Georgia Press paperback
1999réf. x-0820321532Univ of Georgia Pr 1999. Paperback. New. 221 pages. 9.25x6.00x0.75 inches. Univ of Georgia Pr paperback
réf. 29845668-nnew. unknown
réf. 29845668like new. unknown
réf. A9780820352558Hardback. New. hardcover
réf. B9780820352558Hardback. New. hardcover
réf. B9780820321530Paperback / softback. New. How do women writers cope with changes and juggle the demands in their lives to make time for their lives as artists In this text female novelists journalists essayists poets and nonfiction writers address the challenges of ""doing it all"" that face women writers at the dawn of the 21st-century paperback
1999réf. 61855Athens: University of Georgia Press 1999. Paperback. Very good. Paperback. 221pp. Very good in publisher's wraps. University of Georgia Press paperback books
réf. 318981 Group of photographs from Horne's performance on Arthur Godfrey's television show Talent Scouts 1955. 7 photographs each 90 x 130 mm. Black and white glossy. In a blue cardstock Kodak "Album Prints" wrapper with Horne's manuscript annotation to upper: "The Arthur Godfrey Show 1954!." Horne auditioned for Arthur Godfrey's Talent Scouts in Los Angeles singing for radio star Goodman Ace 1899-1982. She recounts the experience in her autobiography Marilyn Horne: The Song Continues p. 72: Goodman a brusque Runyonesque heart-of-gold character had had a bellyful of talent by the time I got to him. "Okay kid whatcha gonna do" he queried disinterestedly. "I'm going to sing an operatic aria." "Esshhh" sighed Goodman obviously not bowled over by my announcement. He sat back with his eyes closed as I sang "Ritorna vincitor" from Aida. When I finished his eyes were wide open. "What else can you do kid" he asked enthusiastically. This time I sang a popular song of the day and when I finished Goodman blasted me. "Are you crazy to sing junk like that with a voice like yours!" "Listen" I shot back "I'll sing anything!" "That's the most ridiculous thing I've ever heard. You stick to opera kid." Horne was given a spot on the show in 1955 and performed "Un bel dì" from Madame Butterfly. In Horne's words: "I sang the hell out of it and won." It was her first appearance on national television and her success meant that she was able to sing on Godfrey's radio show every day for a week. 2 Group of 5 role portrait photographs dating from Horne's early career in Gelsenkirchen 1957-1960. - From Simon Boccanegra 1957. 122 x 91 mm. Colour glossy. - From Handel's Ezio 1958. 121 x 89 mm. Colour glossy. - From Handel's Ezio 1958. 138 x 90 mm. Black and white semi-glossy postcard. - From Wozzeck 1960. 138 x 90 mm. Black and white semi-glossy postcard. - From La Bohème 1960. 240 x 175 mm. Black and white glossy. All identified on verso in Horne's hand. After being invited by Igor Stravinsky to perform at the 1956 Venice Festival Horne remained in Europe performing for three seasons with the Gelsenkirchen Opera. This small city in Germany's industrial west significantly raised its artistic profile with the opening of the modernist Musiktheater im Revier in 1959. 3 Photographic colour interpositive with Luciano Pavarotti and Joan Sutherland ca. 1975. 124 x 99 mm. With "928 Kodak Safety Film" printed to left upper margin. 4 Large broadside for a concert featuring Marilyn Horne at the Teatro Malibran in Venice April 21 1982 with I Soloisti Veneti conducted by Claudio Scimone in a program including works by Handel and Vivaldi. Signed by Horne. 1000 x 350 mm. Rolled. 5 Large poster for Rossini's Stabat Mater performed at the Rossini Opera Festival in Pesaro August-September 1987 with Marilyn Horne Susan Dunn Chris Merritt and Simone Alaimo. 1000 x 700 mm. Rolled. Rossini's "Stabat mater is often said to be operatic." Philip Gossett in Grove Music Online. The first version was first performed in Madrid in 1833; a revised second version was first performed in Paris in 1842. 6 Large colour poster for L'Italiana in Algeri at the Royal Opera House in London in July of 1989 featuring Marilyn Horne as Isabella Judith Howarth as Elvira and Gillian Knight as Zulma conducted by Donato Renzetti. 762 x 508 mm. Rolled. Rossini's L'Italiana in Algeri was first performed in Venice at the Teatro San Benedetto on May 22 1813. Marilyn Horne has sung the role of Isabella throughout her career always to great acclaim. All items with some minor wear but in very good condition overall. "Horne had a voice of extraordinary range rich and tangy in timbre with a stentorian chest register and an exciting top. . In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist singing lieder mélodies Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online. unknown
