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12 768 résultats
réf. 43902775-nnew. unknown
réf. ria9780367468804_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Originally published in 1926 this book develops the Socratic thesis that morality is intelligence that morality is not a matter of standards laws and principles but in knowing what we do – in living self-consciously. paperback
réf. A9780367468545Hardback. New. hardcover
réf. B9781013834486Hardback. New. hardcover
réf. A9780367468804Paperback / softback. New. paperback
réf. 0267849710.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1332098517.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 45431240-nnew. unknown
réf. 45431240like new. unknown
réf. 1018766553.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 63435645Author Solutions Inc. . Hardback. New. pp. 408 Author Solutions, Inc. hardcover
réf. 9834875-nnew. unknown
réf. 9834875like new. unknown
2010réf. x-1450210619Iuniverse Inc 2010. Hardcover. New. 408 pages. 9.25x6.50x1.25 inches. Iuniverse Inc hardcover
réf. 1450210635.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1450210619.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1994réf. G9775170044I3N00Zeitouna / Boraïe Shaalan & Company 1994. Hardcover. Good. Disclaimer:A copy that has been read but remains in clean condition. All pages are intact and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting and the copy can include previous owner inscriptions. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. Zeitouna / Boraïe, Shaalan & Company hardcover
2007réf. 516582007. ISBN 9781584778356; ISBN 1584778350. Sanders Francis Williams. An Essay on Uses and Trusts and on the Nature and Operation of Conveyances at Common Law and of Those Which Derive Their Effect from the Statute of Uses. Edited by John Warner. Philadelphia: R.H. Small 1855. 2 volumes in 1 book. xliv 507 xvii 337 pp. Reprint The Lawbook Exchange Ltd. 2007. Two volumes bound in one. Octavo. xliv 507; xvii 337 pp. Reprinted 2007. ISBN-13: 9781584778356. Publisher's Smythe-sewn navy cloth gilt-stamped spine and front cover. New. $75. Edition Note: Facsimile reprint of the second American edition which was originally expanded from the fifth and final London edition 1844 retaining the original star-paging. First published in London in 1791. Sanders' treatise stands as one of the definitive 19th-century legal works on property law equity and the evolution of the Statute of Uses 1535. It remains crucial for tracing the intersection of English common law conveyancing and equity law explaining how the 1535 statute reshaped land ownership and trusts for both British and American lawyers. Legal bibliographer John Gage Marvin highly praised this specific text calling it a "thorough comprehensive and learned discussion of the Law of Uses and Trusts" Legal Bibliography 628.Author Francis Williams Sanders 1769-1831 was an eminent English barrister and an influential member of the Royal Commission on Real Property Law. unknown
2007réf. 516582007. ISBN 9781584778356; ISBN 1584778350. Sanders Francis Williams. An Essay on Uses and Trusts and on the Nature and Operation of Conveyances at Common Law and of Those Which Derive Their Effect from the Statute of Uses. Edited by John Warner. Philadelphia: R.H. Small 1855. 2 volumes in 1 book. xliv 507 xvii 337 pp. Reprint The Lawbook Exchange Ltd. 2007. Two volumes bound in one. Octavo. xliv 507; xvii 337 pp. Reprinted 2007. ISBN-13: 9781584778356. Publisher's Smythe-sewn navy cloth gilt-stamped spine and front cover. New. $75. Edition Note: Facsimile reprint of the second American edition which was originally expanded from the fifth and final London edition 1844 retaining the original star-paging. First published in London in 1791. Sanders' treatise stands as one of the definitive 19th-century legal works on property law equity and the evolution of the Statute of Uses 1535. It remains crucial for tracing the intersection of English common law conveyancing and equity law explaining how the 1535 statute reshaped land ownership and trusts for both British and American lawyers. Legal bibliographer John Gage Marvin highly praised this specific text calling it a "thorough comprehensive and learned discussion of the Law of Uses and Trusts" Legal Bibliography 628.Author Francis Williams Sanders 1769-1831 was an eminent English barrister and an influential member of the Royal Commission on Real Property Law. unknown books
1991réf. 1-1555872662Lynne Rienner Pub 1991. Hardcover. New. 153 pages. 9.50x6.50x0.75 inches. Lynne Rienner Pub hardcover
réf. 1555872662.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1930réf. 62548Hollywood CA & New York NY; Oshkosh WI & Parkersburg WV: The Strand Theatre Smoot Theatre Lincoln Theatre & Warner Bros. 1930-1934. Oblong folio. 14.5 x 11.5 in. 100 pp unpaginated. two different papers many preserved in archival mylar sleeves. With 90 original silver gelatin photographs either mounted or loose and inserted into sleeves sized from 2 x 2 in. up to 8 x 10 in. most sized approx. 5 x 7 in. many w/ photographer’s imprints 71 pieces of mounted ephemera including promotional cards souvenir promotional items such as napkins studio advertising mimeograph typescript marketing scripts lobby cards newspaper clippings and more. All leaves bound w/ brass screw posts at gutter margin many preserved in archival mylar sleeves some leaves w/ chipping & tears at fore=-edges offset tears and or reside on versos of a few photos some scuffing old glue markings cropping to some leaves still a VG artifact preserved as album. This exceptional original Warner Bros. Studio marketing photo album/scrapbook chronicles the movie industry’s system of engaging the movie-going public during the Great Depression in a form of interactive promotional live theatre to immerse them in the cinematic experience. Featuring physical props displays special lighting costumed extras studio scripts featuring a myriad of promotions the Warner Bros. Studios theatre group was able to enhance and pull in far more movie-goers and set the foundation for their marketing system in the coming decades. By using their opulent and fabulous 1920’s era created movie palaces these images capture the pre-Code sexualized Mae West in slinky costumes emblazoned on radio station cars physical stand-up showroom displays restaurant menus post-Prohibition tavern beer coasters and even pulled in local officials such as Mayor George Oaks of Oshkosh WI. Also featured here are photos and flyers for the giveaway cars tie-ins with the Oshkosh State Teachers College football team and nearby department store window displays which significantly expanded the visual and immersive experience.Of particular interest is the included and very detailed 117 step campaign script for Mae West’s iconic “I’m No Angel” featuring the titillating star as Tira the circus beauty who manages to always be mistress of the situation whether in the cage with wild beasts her boudoir filled with admirers to be bedded or even charming and seducing the judge at the end of the film with only a wiggle. The pre-Code campaign encourages the Warner Bros. Studio theatre’s to include a “Try your figure” display panel where young women would measure themselves against the busty silhouette and those that matched closest to the scantily gowned West would receive free tickets. Another stunt was setting up a “Mae West Voice Test” using a dictaphone in the lobby with a “pretty girl attendant” set up in charge to ask potential women movie-goer attendees to utter “Come up and see me sometime” and free tickets were awarded for the best Mae West imitations. Other movies featured at the Strand in Oshkosh or the Smoot & Lincoln Theatre’s in Parkersburg WV depicted here with promotions souvenirs and photographs include: “The Sea Wolf” based on Jack London’s book and which starred Milton Sills Jane Keithley and Raymond Hacket released just 1 week after Sills’ death and features stunts with potential young movie-goers to bring their Rin Tin Tin like dogs as well as airplane stunts and lobby card; or elaborate window displays and automobile floats mocked up as dirigibles and costumed extras for Frank Capra’s “Dirigible” released in 1931 and starred Fay Wray Jack Holt Ralph Graves and Hobart Bosworth set against the drama of a competition by fixed-wing aircraft and dirigible airships to reach the South Pole. Other movies briefly archived in the group here feature “When Ladies Meet” released in 1933 starring Ann Harding Myrna Loy and Robert Montgomery or a couple mentions of the 1931 Bela Lugosi Dracula. The 1933 Gold Diggers is featured in several photos which starred Joan Blondell Aline MacMahaon Monica Bannister Joan Barclay and Connie Blackwood as out-of-work Broadway chorus girls. Also appearing here in approximately one fourth of the photo album/scrapbook is a similar campaign as that for Mae West for the 1932 “Fireman Save my Child!” with the wildly popular comedian Joe E. Brown starring as Joe Grant inventor fireman and baseball player offered to play in the big leagues in the film but earning more money from his inventions Again the script advises engaging the local fire department to put on stunts include the supplied advertising on their fire engines and even encourages the use of a large animatronic mechanical head of Brown in a fireman’s hat in the lobby. The movie was actually a natural fit for Joe Brown who had launched his physical comedy during the 1893 Depression by making faces at the firemen on passing coal-burning trains so they would throw coal at him to collect and sell and later worked as circus acrobat and newsboy and was a lifelong baseball fan. From 1930-July 1934 the Hollywood studios were largely self-regulating their content with continued threats by outside groups to “clean” up their movies and somehow balance the puritanical group sensibilities against the ever growing demands by audiences for movies that were daring edgy naughty and even sexualized often depicting spousal abuse sexual bondage marital infidelity free love with stars such as Mae West Norma Shearer Kay Francis Dorothy Mackaill Nancy Carroll and Constance Bennett typically depicted half-clad or in bed. At the time the movie studios and theatre’s were attempting to recoup the massive investments in transitioning to sound films and market the new technology by cultivating a sophisticated campaign system often hiring Broadway writers directors and actors to travel around and oversee their promotions productions. See: John Farr How Movies Got Us Through the Great Depression Best Movies 2024; David P. Hayes Production Code of the Motion Picture Industry 2009; Mae West Reveals Herself as a Circus Queen in “I’m No Angel” at the Paramount New York Times Oct. 14 1933. The Strand Theatre, Smoot Theatre, Lincoln Theatre, & Warner Bros., unknown
1876réf. 52022Los Angeles: Louis Lewin & Co. 1876. First Anglo History of Los Angeles The expanded second issue a shorter version appeared earlier the same year of this rare early Los Angeles history apparently the first to be published by an Anglo American. Issued concurrent with the American Centennial with some account of the Los Angeles centennial celebration in an appendix. Includes Dr. J.S. Griffin's overland diary. Griffin was under Kearny's command. Original printed wrappers. Wrappers brittle and heavily chipped reinforced with cloth tape. Text with old tape on spine and first few leaves. Tanned and brittle as is usual though internally clean. About good if a bit fragile. COWAN p.669. GRAFF 4540. LAYNE 49. HOWES W110. ROCQ 2652. DAWSON 80 75. ZAMORANO SELECT 112. hardcover
réf. B9781015720077Hardback. New. hardcover
