10.258 risultati
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rif. 092298140X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1917Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Sedarabân Mürebb' Zincir ikâ'inda. Darü'l-Elhan Külliyati No. 1. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). Haci Sadullah Aga was a composer and performer. He was the son of Hafiz Kerim Efendi, one of the muezzins of Fatih Mosque, and was one of the greatest composers of the reign of Sultan Selim III. In some sources, the information regarding his life have been jumbled together with other namesake composers of his era. Some of his works may have been confused with those of other namesake composers. Therefore, information regarding his life is not precise. As far as it is known, after his first education, he was accepted to Enderun Mektebi (The Palace School in which the devshirmeh [T.N. selected for the army] children were educated) and he was educated in literature and history and gained skill in javelin, Indian club and horse riding. He had served in the Russo-Turkish War in 1767. It is said that he received great attention from Selim III because he had a beautiful voice and he was a master singer (vocalist) and that he was the head of the fasil committee of the sultan for some time. Sadullah Aga, who is accepted as the most powerful composer of the school of Selim III, was also the 'musahib' (talk friend) of the sultan and later he became the head 'musahib'. He was an eloquent and cheerful person with a nice personality. He served as a music teacher at Enderun and served at the Palace during the reign of Mahmud II. Sadullah Agha followed the footsteps of Itrî and under the influence of Itrî he had integrated lyricism to his compositions, which are considered to be among the greatest pieces of the classical repertoire. He developed a style that is pertinent to classical rules but is more lyrical. His influence on all composers of his period can be seen. Around thirty works of Haci Sadullah Aga, who had composed hundreds of works, has reached the present day. Compositions and 'semaî' are dominant among these works. All of these works are secular and mostly literal works. His works contain a high level of lyricism and musicality. Especially all of his works that formed the 'Bayati-Araban' set are among the most beautiful examples of the classical music repertoire. Sadullah Aga, who is among the elite composers of Classical Turkish music, lived his last years by secluding to the residence given to him seven years before his death by the sultan and died at the age of seventy eight. He has many great songs in various tones. Darülelhan published 121 scores before 1928, this is the first one. Özege 3585. Not in OCLC. Extremely rare.
1844pp. vi, 215. Lightly worn original full cloth binding. Paper label on spine, chipped, as is a bit of the spine. Hardbound. Very good. This influential analysis of Kant's great work was written 'to elucidate those points, which, notwithstanding a translation, made about three years ago, of the work itself still remain unintelligible'. 'Possessed of ample means, [Francis Haywood (1796-1858)] devoted himself to study, and must at an early age have acquired a knowledge of German and of German philosophy and divinity unusual in England at the period, having been in 1828 the anonymous translator of Bretschneider's reply to Hugh James Rose's "State of Protestantism in Germany", dealing with the tendencies of German theology. He shortly afterwards undertook a much more difficult task in the translation of Kant's "Critick of Pure Reason", previously only accessible to English students unacquainted with German in a French or a Latin version. Haywood's long remained the standard English translation. Published [by Pickering] in 1838, it was reprinted with improvements in 1848, and was commended by the chief authority on Kant in Great Britain, Sir William Hamilton, with whom Haywood was corresponding respecting it' (DNB XXII, 832). Much of this description was taken years ago from a Bernard Quaritch Ltd. offering of a slightly better copy at a much higher price. **PRICE JUST REDUCED! W151 Rt
1925Very Good Turkish, Ottoman (1500-1928) Paperback. 4to. (29 x 21 cm). In Ottoman script. 79 p., Portrait of Cemil on cover, b/w ills. and musical scores. Hegira: 1341 = Gregorian: 1925. Rehber-i mûsikî [Rahperi moussiki]. (French: Tambouri Djemil Bey), (1873, Istanbul - July 28, 1916, Istanbul) was an Ottoman tambur, yayli tambur, kemençe, and lavta virtuoso and composer, who has greatly contributed to the taksim (taqsim), (improvisation on a makam / maqam) genre in Ottoman classical music. His son, Mesut Cemil Bey, was an equally renowned Turkish tambur virtuoso. Second Edition. Extremely rare. Özege 16642 / 2. Akdogu I, 82.
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1935rif. b1766-1010201935 hardcover. Small mark on cover. Pages binding and covers good. No writing or highlighting in text. All pages present. Original text not a facsimile. Fast friendly service. Western Electric Corporation hardcover
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1982219 pages. Black and white illustrations. "The first book to detail the prehistory and culture history of the Central Westcoast (Nootkan) people, the Tseshaht and Opetchesaht, whose traditional homeland includes the Alberni Valley and the Westcoast region of Vancouver Island.... Represents the long-awaited completion of a community archaeology project initiated in 1973. Includes a full report on the analysis of the data excavated from one prehistoric native village site, a survey of all other recorded archaeological sites in the study area, plus detailed ethnographic and historic information on native groups and their seasonal cycle of activities." - from back cover. Clean and unmarked. Binding tight. Light to moderate wear externally. Nice solid copy. Book
193896 pages. Features: Blood Money - A Swedish Mercinary in R.F.C. Uniform and the most merciless killer on the Western Front; Murder in the Mess - A modern R.A.F. Bomber Squadron is the setting of Murder in an Officer's Mess; Smoking Prohibited - Misadventure in the Fleet Air Arm; True Story - Continuing the Personal Narrative of a Young Airman who fought in Spanish War Skies; A Spot of Snooping - A Bristol Fighter and its mission where success meant a German Gaol and failure the annihilation of fifty thousand men; and more. Above-average wear. Unmarked. Binding intact. Book
1917Very Good English In contemporary hardcover with embossing. In Ottoman script. Cr. 8vo. (19 x 13 cm). 407 p. Very good. H. 1329 = M. (AD). 1917. Ozege: 7091. Study on biographies, works and their ideas of Hyppolite Taine, Gustave Flaubert, Gabriel Monod, Ernest Lavisse, Niebuhr, Ranke and Mommsen etc. One of the first literary criticism in Ottoman world. Rare. Hayat ve kitablar. Tetebbu'ât-i edebiye ve târîhiye.
