WALKER John (1787 - 1873)MareMagnum
10 258 résultats
1846Carta nautica delle coste occidentali dell'Africa, realizzata dal celebre idrografo inglese. Acquaforte su lastra di zinco, acciaiata, in buono stato di conservazione. Rara. Nautical chart of west Africa by Walker. Steel engraving, good conditions. Rare.
194870 pages. Articles: Scandals in Veterans' Housing (part 1 of 2); The Secret Papers of Harry L. Hopkins (part 6) - Roosevelt's Greatest Dilemma; Six Artists and a Model - Edith Franklin's posing is a steppingstone to her stage career; Good-Time Street - the most raucous and colorful block in New York; Truman's recent troubles hurt his chance of election; The Hot-Potato Olympics - what price international amity at this year's Games in London; How to Catch a Husband - Mr. Lamb's job is to bringem' back when they stray. Fiction: Cupid with Celluloid Wings; Guirls Like Me; Squaw Medicine; The Bramble Bush (part 4 of 5); Sweet revenge; Errors of Judgment. Ads include: Old Thompson Whiskey; Pepsodent - with photo of Mary Louise Shine; Western Electric; Schlitz; beer; the New York Stock Exchange (NYSE); Ford cars (2 pages); Macmillan Oil - featuring Douglas Moone of San Antonio, TX; Samsonite Luggage; Pontiac cars; Milky Way chocolate bars (back cover). Unmarked with moderate wear. A sound vintage copy. Book
réf. DADAX0451205472New unknown
19788vo., First Edition, with 18 plates on 8; red cloth, gilt back, a near fine copy in unclipped dustwrapper, the latter with two short closed tears. SIGNED BY HARDING AND PETHERTON ON HALF-TITLE. With personal bookplate on front free endpaper.
réf. DADAX0367633884New unknown
1939réf. 010631H.N. Appleby 1939. Book. Good. Hardcover. 336pp51pp adverts photos folding maps & plans modern blue cloth/gilt binding retaining original card covers sl wear/discolouration. Ex-British Transport Commission/British Railways Board Legal Service Library a few stamps and sellotape marks. Comprehensive survey produced & published by H.N. Appleby by arrangement with GWR. Final edition of publication first produced in 1923 as Great Western Ports. Scarce. H.N. Appleby Hardcover
1872réf. 131493London: Edward Stanford 1872. First Edition. Hardcover. Very Good. London Edward Stanford 1872. Octavo xvi 415 pages plus a frontispiece Government House Perth. Blue cloth lettered and decorated in gilt and extensively decorated in blind all edges uncut; cloth lightly marked and a little rubbed and bumped at the extremities; spine tanned with minor wear to the ends and the front bottom corner; front endpaper slightly marked with the hinge cracked but firm; first and last pages offset; minimal signs of age and use; a very good copy. Provenance: contemporary ownership initials on the half-title and the later armorial bookplate of James Angas Johnson on the front pastedown. James Angas Johnson 1841-1902 accountant and pastoralist was a son of Rosetta French Johnson later Hannay eldest daughter of George Fife Angas 'Australian Dictionary of Biography'. Edward Stanford hardcover
1927réf. 297282London : Great Western Railway Company 1927. First Edition. Hardcover. Fine copies in the original gilt-blocked cloth. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: 2 v in 3 : fronts. illus. incl. plans facsims. ports. maps part. fold. diagrs ; 22 cm. Subjects: Great Western Railway. History. Railroads. London : Great Western Railway Company hardcover
réf. DADAX0826458483New unknown
réf. DADAX0199841543New unknown
réf. DADAX0199240639New unknown
1964réf. 235701964. José G. Cruz "Juan Sin Miedo" photo comic group from 1964 documenting the transformation of the Mexican western from a rural frontier setting into a mass market adventure which absorbed crime fiction and romance into photomontage storytelling. Juan Sin Miedo one of Cruz's most widely circulated characters appears here as a charro hero moving between ranches mining camps taverns criminal conspiracies romantic encounters and wilderness pursuits. In these issues the character is portrayed by actor Jesús Gómez whose photographic performances were combined with drawn layouts and captions producing a hybrid form between comic book film serial and fotonovela. Published during a period of rapid urbanization and expanding consumer media across Latin America the issues show Mexican popular culture negotiating rural identity and modern life through stories that place horses beside automobiles cowboys beside helicopters folk medicine beside commercial advertising and traditional notions of honor beside contemporary crime and technology. Juan Sin Miedo. Ediciones José G. Cruz. Mexico Bogotá and Caracas distribution circa 1964. Five issues. 1 Juan Sin Miedo. Año 2 No. 55. Bogotá: Editorial América S.A. por convenio con José G. Cruz circa 1964. Small format 5 x 7 inches approximately 31 pages. Cover shows Jesús Gómez as Juan Sin Miedo beside H. Palacios with Colombian and Venezuelan prices; interior advertises "Medicamentos Indígenas" and "Tamakuin El Vengador Errante." 2 Juan Sin Miedo. Año 2 No. 63. Bogotá: Editorial América S.A. por convenio con José G. Cruz circa 1964. Small format 5 x 7 inches approximately 33 pages. Cover caption reads "Juan Sin Miedo y Claudia" with interior advertising Casperín Capulina and Colombian distribution through Distribuidora Meridiano. 3 Juan Sin Miedo. No. 163. El Valle del Diablo. Mexico: Ediciones José G. Cruz August 31 1964. Large format 9.5 x 7 inches approximately 32 pages. Cover shows Juan holding a woman under the title "El Valle del Diablo"; interior includes the ownership inscription "Luis Enrique Garcia" and a story opening at the "Central de Estudios Mineros del Estado." 4 Juan Sin Miedo. No. 167. El Salvaje. Mexico: Ediciones José G. Cruz September 28 1964. Large format 9.5 x 7 inches approximately 31 pages. Cover shows a smoking charro beside a woman and horse; interior opens with "El Salvaje" and carries the same Luis Enrique Garcia inscription. 5 Juan Sin Miedo. No. 176. El Helicóptero. Mexico: Ediciones José G. Cruz November 30 1964. Large format 9.5 x 7 inches approximately 31 pages. Cover places the western hero inside a tavern scene; interior action sequences show helicopters gunfire coastal pursuit and a forced landing in the jungle. The archive show Cruz expanding the Mexican western beyond its nineteenth-century frontier setting. In El Valle del Diablo Juan's investigation begins at the "Central de Estudios Mineros del Estado" placing the charro hero within a landscape shaped by resource extraction and state development. El Helicóptero shifts the action into aerial pursuit radio communication jungle landings and international escape routes while El Salvaje juxtaposes ranch culture automobiles romance and crime. Throughout the group horseback riders revolvers and rural villages coexist with aircraft motor vehicles celebrity publicity campaigns and international distribution networks extending from Mexico to Colombia and Venezuela. Covers and interiors with edge wear toning small losses and handling; No. 63 in poor condition with cover unbound but remains fully legible. Overall good condition. A five issue record of José G. Cruz's photo comic western as a transnational Latin American form joining charro heroism popular modernity and serialized visual culture in 1964. unknown
1964réf. 235701964. José G. Cruz "Juan Sin Miedo" photo comic group from 1964 documenting the transformation of the Mexican western from a rural frontier setting into a mass market adventure which absorbed crime fiction and romance into photomontage storytelling. Juan Sin Miedo one of Cruz's most widely circulated characters appears here as a charro hero moving between ranches mining camps taverns criminal conspiracies romantic encounters and wilderness pursuits. In these issues the character is portrayed by actor Jesús Gómez whose photographic performances were combined with drawn layouts and captions producing a hybrid form between comic book film serial and fotonovela. Published during a period of rapid urbanization and expanding consumer media across Latin America the issues show Mexican popular culture negotiating rural identity and modern life through stories that place horses beside automobiles cowboys beside helicopters folk medicine beside commercial advertising and traditional notions of honor beside contemporary crime and technology. Juan Sin Miedo. Ediciones José G. Cruz. Mexico Bogotá and Caracas distribution circa 1964. Five issues. 1 Juan Sin Miedo. Año 2 No. 55. Bogotá: Editorial América S.A. por convenio con José G. Cruz circa 1964. Small format 5 x 7 inches approximately 31 pages. Cover shows Jesús Gómez as Juan Sin Miedo beside H. Palacios with Colombian and Venezuelan prices; interior advertises "Medicamentos Indígenas" and "Tamakuin El Vengador Errante." 2 Juan Sin Miedo. Año 2 No. 63. Bogotá: Editorial América S.A. por convenio con José G. Cruz circa 1964. Small format 5 x 7 inches approximately 33 pages. Cover caption reads "Juan Sin Miedo y Claudia" with interior advertising Casperín Capulina and Colombian distribution through Distribuidora Meridiano. 3 Juan Sin Miedo. No. 163. El Valle del Diablo. Mexico: Ediciones José G. Cruz August 31 1964. Large format 9.5 x 7 inches approximately 32 pages. Cover shows Juan holding a woman under the title "El Valle del Diablo"; interior includes the ownership inscription "Luis Enrique Garcia" and a story opening at the "Central de Estudios Mineros del Estado." 4 Juan Sin Miedo. No. 167. El Salvaje. Mexico: Ediciones José G. Cruz September 28 1964. Large format 9.5 x 7 inches approximately 31 pages. Cover shows a smoking charro beside a woman and horse; interior opens with "El Salvaje" and carries the same Luis Enrique Garcia inscription. 5 Juan Sin Miedo. No. 176. El Helicóptero. Mexico: Ediciones José G. Cruz November 30 1964. Large format 9.5 x 7 inches approximately 31 pages. Cover places the western hero inside a tavern scene; interior action sequences show helicopters gunfire coastal pursuit and a forced landing in the jungle. The archive show Cruz expanding the Mexican western beyond its nineteenth-century frontier setting. In El Valle del Diablo Juan's investigation begins at the "Central de Estudios Mineros del Estado" placing the charro hero within a landscape shaped by resource extraction and state development. El Helicóptero shifts the action into aerial pursuit radio communication jungle landings and international escape routes while El Salvaje juxtaposes ranch culture automobiles romance and crime. Throughout the group horseback riders revolvers and rural villages coexist with aircraft motor vehicles celebrity publicity campaigns and international distribution networks extending from Mexico to Colombia and Venezuela. Covers and interiors with edge wear toning small losses and handling; No. 63 in poor condition with cover unbound but remains fully legible. Overall good condition. A five issue record of José G. Cruz's photo comic western as a transnational Latin American form joining charro heroism popular modernity and serialized visual culture in 1964. unknown books
2000réf. 738j1710Canada: UBC PressCanada. Good in Good dust jacket. 2000. First Edition. Hardcover. 0774804270 . "Brings together some of the most intriguing images of the Image Recovery Project many revealed for the first time in over a hundred years. The text adds new insights derived from the project's detective work linking painted images to communities histories and the hands of individual painters. Bill McLennan's Image Recovery Project aimed to develop a database of infrared photos of historical Northwest Coast paintings." - dust jacket. xii 291 semi-glossy pages. Notes. References. Index. Oblong 9.25" x 11". Extensively and beautifully illustrated with colour and black and white photography. Moderate wear. Binding sound. Former library copy with few related markings. Dust jacket now in glossy new archival-grade protection. A sound example. ; 8vo - over 7¾" - 9¾" tall; The Transforming Image: Painted Arts of Northwest Coast First Nations North America Image Recovery Project . UBC Press,Canada hardcover
19813 vols., 8vo., First Edition, with numerous plates and maps throughout; cloth (red/green/blue respectively), gilt backs, a near fine set in unclipped dustwrapper. The set comprises: Vol I:: The Making of A General 1887-1942 (1981); Vol II: Master of the Battlefield 1942-1944 (1983); Vol. III: The Field-Marshal 1944-1976 (1986). THIS SET WAS FORMERLY IN THE LIBRARY OF LT.-COL. S.P. FEARON: LOOSELY INSERTED IS A T.L. FROM FEARON TO THE AUTHOR, TOGETHER WITH A.L.s. FROM THE AUTHOR IN REPLY AND FURTHER T.L.s. FROM FEARON. The correspondence refers to clarifications in the text of the first volume (in particular to the timing of the Japanese invasion of Malaya and the Fall of Singapore). Lt.-Col. Sheppard Percy Fearon (1911-1984) served with 2 Bn Border Regiment and subsequently with 5 Bn 14 Punjab Regiment, Indian Army. {Baxter 174A, 175A, 174B respectively; Enser, p.157.
réf. 18634393like new. unknown
réf. 18634393-nnew. unknown
réf. SONG1848131887Used: Good unknown
réf. SONG0131828568Used: Good unknown
réf. DADAX0205645313New unknown
2017réf. 2081502111905823Hoo shubbansha 2017. Soft Cover. Fine. The book is in fine condition. Hoo shubbansha paperback
réf. DADAX0415856566New unknown
2018réf. x-147395343XSage Pubns Ltd 2018. Hardcover. New. 303 pages. 9.75x7.00x1.00 inches. Sage Pubns Ltd hardcover
2005réf. __1853834777Earthscan / James & James 2005. Hardcover. New. 144 pages. 8.50x5.50x0.50 inches. Earthscan / James & James hardcover
réf. DADAX0198273282New unknown
