10.482 resultados
1927ref. 297282London : Great Western Railway Company 1927. First Edition. Hardcover. Fine copies in the original gilt-blocked cloth. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: 2 v in 3 : fronts. illus. incl. plans facsims. ports. maps part. fold. diagrs ; 22 cm. Subjects: Great Western Railway. History. Railroads. London : Great Western Railway Company hardcover
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1964ref. 235701964. José G. Cruz "Juan Sin Miedo" photo comic group from 1964 documenting the transformation of the Mexican western from a rural frontier setting into a mass market adventure which absorbed crime fiction and romance into photomontage storytelling. Juan Sin Miedo one of Cruz's most widely circulated characters appears here as a charro hero moving between ranches mining camps taverns criminal conspiracies romantic encounters and wilderness pursuits. In these issues the character is portrayed by actor Jesús Gómez whose photographic performances were combined with drawn layouts and captions producing a hybrid form between comic book film serial and fotonovela. Published during a period of rapid urbanization and expanding consumer media across Latin America the issues show Mexican popular culture negotiating rural identity and modern life through stories that place horses beside automobiles cowboys beside helicopters folk medicine beside commercial advertising and traditional notions of honor beside contemporary crime and technology. Juan Sin Miedo. Ediciones José G. Cruz. Mexico Bogotá and Caracas distribution circa 1964. Five issues. 1 Juan Sin Miedo. Año 2 No. 55. Bogotá: Editorial América S.A. por convenio con José G. Cruz circa 1964. Small format 5 x 7 inches approximately 31 pages. Cover shows Jesús Gómez as Juan Sin Miedo beside H. Palacios with Colombian and Venezuelan prices; interior advertises "Medicamentos Indígenas" and "Tamakuin El Vengador Errante." 2 Juan Sin Miedo. Año 2 No. 63. Bogotá: Editorial América S.A. por convenio con José G. Cruz circa 1964. Small format 5 x 7 inches approximately 33 pages. Cover caption reads "Juan Sin Miedo y Claudia" with interior advertising Casperín Capulina and Colombian distribution through Distribuidora Meridiano. 3 Juan Sin Miedo. No. 163. El Valle del Diablo. Mexico: Ediciones José G. Cruz August 31 1964. Large format 9.5 x 7 inches approximately 32 pages. Cover shows Juan holding a woman under the title "El Valle del Diablo"; interior includes the ownership inscription "Luis Enrique Garcia" and a story opening at the "Central de Estudios Mineros del Estado." 4 Juan Sin Miedo. No. 167. El Salvaje. Mexico: Ediciones José G. Cruz September 28 1964. Large format 9.5 x 7 inches approximately 31 pages. Cover shows a smoking charro beside a woman and horse; interior opens with "El Salvaje" and carries the same Luis Enrique Garcia inscription. 5 Juan Sin Miedo. No. 176. El Helicóptero. Mexico: Ediciones José G. Cruz November 30 1964. Large format 9.5 x 7 inches approximately 31 pages. Cover places the western hero inside a tavern scene; interior action sequences show helicopters gunfire coastal pursuit and a forced landing in the jungle. The archive show Cruz expanding the Mexican western beyond its nineteenth-century frontier setting. In El Valle del Diablo Juan's investigation begins at the "Central de Estudios Mineros del Estado" placing the charro hero within a landscape shaped by resource extraction and state development. El Helicóptero shifts the action into aerial pursuit radio communication jungle landings and international escape routes while El Salvaje juxtaposes ranch culture automobiles romance and crime. Throughout the group horseback riders revolvers and rural villages coexist with aircraft motor vehicles celebrity publicity campaigns and international distribution networks extending from Mexico to Colombia and Venezuela. Covers and interiors with edge wear toning small losses and handling; No. 63 in poor condition with cover unbound but remains fully legible. Overall good condition. A five issue record of José G. Cruz's photo comic western as a transnational Latin American form joining charro heroism popular modernity and serialized visual culture in 1964. unknown
1964ref. 235701964. José G. Cruz "Juan Sin Miedo" photo comic group from 1964 documenting the transformation of the Mexican western from a rural frontier setting into a mass market adventure which absorbed crime fiction and romance into photomontage storytelling. Juan Sin Miedo one of Cruz's most widely circulated characters appears here as a charro hero moving between ranches mining camps taverns criminal conspiracies romantic encounters and wilderness pursuits. In these issues the character is portrayed by actor Jesús Gómez whose photographic performances were combined with drawn layouts and captions producing a hybrid form between comic book film serial and fotonovela. Published during a period of rapid urbanization and expanding consumer media across Latin America the issues show Mexican popular culture negotiating rural identity and modern life through stories that place horses beside automobiles cowboys beside helicopters folk medicine beside commercial advertising and traditional notions of honor beside contemporary crime and technology. Juan Sin Miedo. Ediciones José G. Cruz. Mexico Bogotá and Caracas distribution circa 1964. Five issues. 1 Juan Sin Miedo. Año 2 No. 55. Bogotá: Editorial América S.A. por convenio con José G. Cruz circa 1964. Small format 5 x 7 inches approximately 31 pages. Cover shows Jesús Gómez as Juan Sin Miedo beside H. Palacios with Colombian and Venezuelan prices; interior advertises "Medicamentos Indígenas" and "Tamakuin El Vengador Errante." 2 Juan Sin Miedo. Año 2 No. 63. Bogotá: Editorial América S.A. por convenio con José G. Cruz circa 1964. Small format 5 x 7 inches approximately 33 pages. Cover caption reads "Juan Sin Miedo y Claudia" with interior advertising Casperín Capulina and Colombian distribution through Distribuidora Meridiano. 3 Juan Sin Miedo. No. 163. El Valle del Diablo. Mexico: Ediciones José G. Cruz August 31 1964. Large format 9.5 x 7 inches approximately 32 pages. Cover shows Juan holding a woman under the title "El Valle del Diablo"; interior includes the ownership inscription "Luis Enrique Garcia" and a story opening at the "Central de Estudios Mineros del Estado." 4 Juan Sin Miedo. No. 167. El Salvaje. Mexico: Ediciones José G. Cruz September 28 1964. Large format 9.5 x 7 inches approximately 31 pages. Cover shows a smoking charro beside a woman and horse; interior opens with "El Salvaje" and carries the same Luis Enrique Garcia inscription. 5 Juan Sin Miedo. No. 176. El Helicóptero. Mexico: Ediciones José G. Cruz November 30 1964. Large format 9.5 x 7 inches approximately 31 pages. Cover places the western hero inside a tavern scene; interior action sequences show helicopters gunfire coastal pursuit and a forced landing in the jungle. The archive show Cruz expanding the Mexican western beyond its nineteenth-century frontier setting. In El Valle del Diablo Juan's investigation begins at the "Central de Estudios Mineros del Estado" placing the charro hero within a landscape shaped by resource extraction and state development. El Helicóptero shifts the action into aerial pursuit radio communication jungle landings and international escape routes while El Salvaje juxtaposes ranch culture automobiles romance and crime. Throughout the group horseback riders revolvers and rural villages coexist with aircraft motor vehicles celebrity publicity campaigns and international distribution networks extending from Mexico to Colombia and Venezuela. Covers and interiors with edge wear toning small losses and handling; No. 63 in poor condition with cover unbound but remains fully legible. Overall good condition. A five issue record of José G. Cruz's photo comic western as a transnational Latin American form joining charro heroism popular modernity and serialized visual culture in 1964. unknown books
2000ref. 738j1710Canada: UBC PressCanada. Good in Good dust jacket. 2000. First Edition. Hardcover. 0774804270 . "Brings together some of the most intriguing images of the Image Recovery Project many revealed for the first time in over a hundred years. The text adds new insights derived from the project's detective work linking painted images to communities histories and the hands of individual painters. Bill McLennan's Image Recovery Project aimed to develop a database of infrared photos of historical Northwest Coast paintings." - dust jacket. xii 291 semi-glossy pages. Notes. References. Index. Oblong 9.25" x 11". Extensively and beautifully illustrated with colour and black and white photography. Moderate wear. Binding sound. Former library copy with few related markings. Dust jacket now in glossy new archival-grade protection. A sound example. ; 8vo - over 7¾" - 9¾" tall; The Transforming Image: Painted Arts of Northwest Coast First Nations North America Image Recovery Project . UBC Press,Canada hardcover
19813 vols., 8vo., First Edition, with numerous plates and maps throughout; cloth (red/green/blue respectively), gilt backs, a near fine set in unclipped dustwrapper. The set comprises: Vol I:: The Making of A General 1887-1942 (1981); Vol II: Master of the Battlefield 1942-1944 (1983); Vol. III: The Field-Marshal 1944-1976 (1986). THIS SET WAS FORMERLY IN THE LIBRARY OF LT.-COL. S.P. FEARON: LOOSELY INSERTED IS A T.L. FROM FEARON TO THE AUTHOR, TOGETHER WITH A.L.s. FROM THE AUTHOR IN REPLY AND FURTHER T.L.s. FROM FEARON. The correspondence refers to clarifications in the text of the first volume (in particular to the timing of the Japanese invasion of Malaya and the Fall of Singapore). Lt.-Col. Sheppard Percy Fearon (1911-1984) served with 2 Bn Border Regiment and subsequently with 5 Bn 14 Punjab Regiment, Indian Army. {Baxter 174A, 175A, 174B respectively; Enser, p.157.
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2018ref. x-147395343XSage Pubns Ltd 2018. Hardcover. New. 303 pages. 9.75x7.00x1.00 inches. Sage Pubns Ltd hardcover
2017ref. 2081502111905823Hoo shubbansha 2017. Soft Cover. Fine. The book is in fine condition. Hoo shubbansha paperback
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2005ref. __1853834777Earthscan / James & James 2005. Hardcover. New. 144 pages. 8.50x5.50x0.50 inches. Earthscan / James & James hardcover
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ref. 12260L’homme à l’étoile d’argent Une aventure du Lieutenant BLUEBERRY. In 4 cartonné couverture illustrée en couleurs, gardes illustrées, titre illustré en couleurs, 48 pages de dessins en couleurs de J. GIRAUD. Titre en long, en noir au dos. DARGAUD S.A éditeur, quatrième trimestre 1969.n°000, Editeur n°418, 27 titres au dernier plat.. Edition originale. Très bon état.
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ref. 69072, Brepols - Harvey Miller, 2026 hardback, Pages: 204 p.Size:155 x 245 mm, Illustrations:71 tables b/w. Language(s):Latin, French *new. ISBN 9782503623078.
1986ref. 765j1516Revelstoke British Columbia: Revelstoke Senior Citizen Association. Fine. 1986. First Edition. Hardcover. 088925401X . Presents the local history of Revelstoke British Columbia. "Dedicated to our pioneers who opened up this country. To those that settled at Second Crossing as Revelstoke was first called. To the men that came with the building of the Canadian Pacific Railway bringing their wives from many countries to men and women who cleared the land south of here with stumping powder and a horse and often oxen." - page ii. Includes over 140 pages of family histories. Generously illustrated with black and white reproductions of archival photos. Map endpapers. 354 pages. Index. Clean bright tight and unmarked with negligible wear. An excellent example. Gift quality. Hale & Barman 142.; 4to . Revelstoke Senior Citizen Association hardcover
1994ref. 131j2819Canada: Kamloops Art Gallery. Very Good No dust jacket as issued. First Edition. Paperback. Catalogue of the exhibition "E.J. Hughes: The Vast and Beautiful Interior" 22 September to 6 November 1994 curated by Jann L.M. Bailey for the Kamloops Art Gallery. "Edward John Hughes was born in North Vancouver in 1913 and attended the Vancouver School of Art for six years. This exhibition focuses on his lesser-known works of the interior of B.C. Lesser-known perhaps because Canadians tend to view B.C. from a coastal perspective. Patricia Salmon Hughes's long-time friend and biographer notes that while most people know Hughes for his images of coastal B.C. in the decade between 1956 and 1965 he produced an almost equal number of non-coastal works. The works in this exhibition date from 1931 to 1994 with the most being produced between 1956 and the present." - Foreword. 72 semi-glossy pages tastefully illustrated in colour with considerable text a chronology of Mr. Hughes and a list of works in the exhibition. Clean bright tight and unmarked with light wear. A wonderful memento of this exceptionally gifted Canadian artist. 19.6 x 27.1 cm.; Paintings; 8vo . 1994. 1895497132 . Kamloops Art Gallery paperback
