10 807 résultats
1940réf. 46529N.P.: Privately printed n.d. ca 1940. 1940. First edition. 8 1/4" x 45" sheet folded to 24 panels. Illustrations. Map. 12 full-color captioned images are printed on one side of the sheet. The opposite side offers 2 cover panels a 6-panel color route map and 4 panels offering information on the Royal Gorge Route and the Moffat Tunnel Route describing what one can expect to see an experience during the trip and offering information on notable Rio Grande Wonder Spots. Minimal soiling and with light rubbing to some folds. Very good plus. Privately printed, n.d. [ca 1940]. unknown
1890réf. 46818Chicago: R. R. Donnelley and Sons Company 1890. 1890. UTAH. First Edition. 56 pp. Octavo 22 cm Gray illustrated wrappers. Illustrations. Offers a short history of the settlement and growth of Utah and includes profiles of Salt Lake Ogden and the Great Salt Lake. Illustrations include the tramway in Little Cottonwood "The vast improvements wrought by the industrious and frugal pioneers of Utah the great natural resources of the territory the balm of its health giving and invigorating climate the wonders of the majestic mountains the sylvan beauties of its unrivaled valleys the new relations of amity and progress that have sprung into life between all the religious sects of the territory and especially in Salt Lake City the enterprise of energetic railroads the building of great irrigating canals the establishment of manufactories the growth of mining in short all those great strides towards absolute preeminence which Utah has made have been to a great extant ignored in the past." - from the Preface. A small bump to the fore-edges along the upper portion of the front cover and diminishing in size inward very light foxing to the first few pages else a very good tight copy. Not in Flake/Draper. R. R. Donnelley and Sons Company, 1890. unknown
1952réf. 62713Wien, ?AHV?-Zeitschriften-Produktion, 1952. 8°. Je 66 S., Illustr.-OHefte.
réf. L12782Dépliant publicitaire pour la sortie du film " Pour une poignée de Dollars " de Sergio Leone en 1967. Avec Clint Eastwood. Plaquette à trois volets illustrés, 30 x 18 cm. Texte en anglais.
réf. 29726Bruxelles, s.d. [1967] Affiche 55 x 37 cm. Impression en couleurs au recto. Affiche belge de ce film avec Glenn Ford, A. Dickinson, etc. Production M.G.M. E.O.
réf. L5301Affiche originale française (80 x 60 cm.), 1946. Dessinée par Jean Mascii. Film de King Vidor avec Gregory Peck, Joseph Cotten, Jennifer Jones, etc. E.O. Pliée en quatre.
réf. L5302Affiche originale française (1940) du film Pacific-Express. Réalisé par Cecil B. DeMille en 1939. Avec Barbara Stanwyck, Joel McCrea, Akim Tamiroff, etc. E.O. pliée en quatre.
réf. L5300Affiche originale 54 x 40 cm. du film Blueberry de Jan Kounen de 2004, avec Vincent Cassel, Michael Madsen, etc. D'après la bande dessinée de Jean " Moebius " Giraud. Affiche pliée en deux. E.O.
réf. L5299Affiche originale française du film Escorte pour l'Oregon 80 x 120 cm. Film de Francis D. Lyon de 1959. D'après : Steve Hayes. Avec Victor Mature, Elaine Stewart, etc. Affiche pliée très petites fentes. E.O.
réf. L5305Affiche originale française (80 x 60 cm.) du film Calibre 44 réalisé par Albert C. Gannaway. Avec Macdonald Carey, Audrey Totter, James Craig, etc. E.O. pliée en quatre.
réf. L13828Chêne, 1975. In-4 br. à l'italienne. Traduit par B. Marret. Préface de V. A. Paladin. Ouvrage concu et réalisé par L. Aldrich. Nombreuses reproductions en couleurs de tableaux de Charles Russell. E.O.
réf. L5063Fernand Nathan Editeur, 1954. In-12 cartonnage éditeur illustré, dos toilé. Coll. " Contes et Légendes de tous les pays ". Illustrations in et hors texte. E.O.
réf. L5060Alphonse Picard et Fils, Éditeurs, 1893. In-12 br. Récit d'un voyage en Amérique du Nord dans la seconde moitié du 19 ème. siècle. Année de l'E.O.
réf. 26433Billing. Foote Publishing Co. 1954. Plaquette in-8 agrafée de 80 p. Environ 100 lettres de Buffalo Bill envoyées à sa sœur. Nombreuses photos, fac-similés, etc. Édition établie et préfacée par S. A. Foote. E.O. Envoi autographe de Stella Adelyne Foote.
réf. L5064New York. Ballantine Books, 1976. In-8 br. à l'italienne. Couverture illustrée en couleurs. Texte de M. Baigell en anglais. Illustrations en noir et blanc et 46 planches en couleurs. E.O.
1953réf. 59040Boston MA: Beckwith’s 37 Essex St. 1953. 12mo. 109 3 pp. With 100’s of photo & text illustrations throughout. Colour-illustrated softcovers cover art photo of woman in English riding wear with horse ads on back minor shelfwear slight soiling back cover still VG copy. First edition of this uncommon catalogue by the noted New England equitation supply and ranchwear store with English and Western wear. Included within are women’s California suede jackets Corral leather jackets the Rio Grande Jacket Western California shirts for men & women Divided riding skirts for women Lady Levi’s and more. The catalogue even includes listing for a leather motorcycle jacket in conjunction with the release of Marlon Brando’s The Wild One. No copies in Worldcat. Beckwith’s, 37 Essex St., paperback
1990réf. CINEMA55550322080726Paris, Adam Biro, "1/1", 1990, 64 pages cousues sous couverture souple illustrée. Dépliant couleurs en début d'ouvrage. Iconographie noir & blanc.
1920réf. 243371920. Very good condition. 11 b&w real photographs printed titles on the back including a great view of South Beach with a view over the wharves and a crowd in their holiday best crossing the railway line looking towards the Indian Ocean and a view of Convict Bridge with automobiles crossing over. The other images are: the War Memorial panorama of the wharves the Town Hall and High Street High Street showing the store front of Samuel's "The Big Tailors the Swan River another view of High Street the Post Office shipping on the Harbour and Round House Arthur's Point. These were perhaps the majority of a set of photographs issued for tourists. Photographs measure 3 1/2 x 2 1/2" unknown
1914réf. 3378Various locations in Southern California and Hawaii 1914. About very good. Sixty-one leaves illustrated with 214 mounted silver gelatin photographs most with manuscript annotations in white ink; plus numerous mounted postcards menus and assorted ephemera. Oblong quarto. Contemporary black textured limp cloth over boards. Edges a bit chipped and tattered inelegant black tape repairs to spine. First leaf detached contents otherwise clean. A wonderful annotated vernacular photograph album documenting a well-to-do family's vacation to Hawaii via brief stops along the West Coast in 1914. The album opens with a group image of the travelers in San Francisco numbering around twenty-two men women and children captioned "Southern California - Honolulu." This is followed by several pages picturing their initial journey from Seattle down to San Pedro Los Angeles and San Diego before they departed for Honolulu on the S.S. Matsonia on June 17. A passenger list is included and many of the images are captioned with the names of the subjects providing a nice opportunity for identifying the travelers by cross-referencing the passenger list. The group spends their vacation time at the Sea Side Hotel on Waikiki Beach in bathing houses and on the beach visiting local businesses plantations and other hotels surfing fishing and more. Through the course of the album much of the landscape of Waikiki is featured providing a snapshot of the hotel and details of its surroundings along with shots of a "Native Village" sugar cane fields and a plantation pineapple fields street views of Honolulu a picnic for "Kids of all nations" at Waikiki the Port of Honolulu and more. The album also features a few early images of surfing at Waikiki Beach. In mid-July true to the title of the album the group heads back across the Pacific Ocean aboard the R.M.S. Niagara after just one month. Most notable among the photographs are about thirty risqué images of local Hawaiian women interspersed throughout. The pictures of the "Native Girls" often feature them topless or scantily clad identifying them with additional captions such as "Hawaiian Beauty" "Maidens bathing" "Girls" "Hula Hula Dancers" and "The Ex. Queen of Hawaii." One group shot shows ten Hawaiian women eating fish captioned "'Lunau' sic Lu'au or Native feast." Another side-view image of a naked Hawaiian woman is annotated "The Natives are a sturdy race of people." There are also numerous images featuring other indigenous Hawaiian people in a variety of settings including a couple of images showing a "Hawaiian boy climbing a cocoa nut palm" two pictures of "Native fisher boys" a "Native hut" "Hawaiian kiddies" a "Native canoeist" a "Group of Natives" a "Native Priest - looks as if he had been fasting for some time" and images showing "Natives selling 'Leis' for departing visitors" and "Native 'Leis' vendors on Honolulu." The images of the Hawaiian women as well as the men combined with the captions provide an opportunity for further studying the ways in which affluent American mainlanders have traditionally viewed indigenous Hawaiians and other native peoples encountered throughout the world. In addition to the passenger list mentioned above the ephemeral items include shipboard menus a program for an onboard concert newspaper clippings cigar labels and postcards. The latter includes a series of forty-one vibrantly-colored postcards illustrated with Hawaiian fish. An interesting travel album detailing a trip to Hawaii at the outset of the First World War with many notable observations on indigenous peoples in Honolulu especially the young women of the island. unknown
1914réf. 3378Various locations in Southern California and Hawaii 1914. About very good. Sixty-one leaves illustrated with 214 mounted silver gelatin photographs most with manuscript annotations in white ink; plus numerous mounted postcards menus and assorted ephemera. Oblong quarto. Contemporary black textured limp cloth over boards. Edges a bit chipped and tattered inelegant black tape repairs to spine. First leaf detached contents otherwise clean. A wonderful annotated vernacular photograph album documenting a well-to-do family's vacation to Hawaii via brief stops along the West Coast in 1914. The album opens with a group image of the travelers in San Francisco numbering around twenty-two men women and children captioned "Southern California - Honolulu." This is followed by several pages picturing their initial journey from Seattle down to San Pedro Los Angeles and San Diego before they departed for Honolulu on the S.S. Matsonia on June 17. A passenger list is included and many of the images are captioned with the names of the subjects providing a nice opportunity for identifying the travelers by cross-referencing the passenger list. The group spends their vacation time at the Sea Side Hotel on Waikiki Beach in bathing houses and on the beach visiting local businesses plantations and other hotels surfing fishing and more. Through the course of the album much of the landscape of Waikiki is featured providing a snapshot of the hotel and details of its surroundings along with shots of a "Native Village" sugar cane fields and a plantation pineapple fields street views of Honolulu a picnic for "Kids of all nations" at Waikiki the Port of Honolulu and more. The album also features a few early images of surfing at Waikiki Beach. In mid-July true to the title of the album the group heads back across the Pacific Ocean aboard the R.M.S. Niagara after just one month. Most notable among the photographs are about thirty risqué images of local Hawaiian women interspersed throughout. The pictures of the "Native Girls" often feature them topless or scantily clad identifying them with additional captions such as "Hawaiian Beauty" "Maidens bathing" "Girls" "Hula Hula Dancers" and "The Ex. Queen of Hawaii." One group shot shows ten Hawaiian women eating fish captioned "'Lunau' sic Lu'au or Native feast." Another side-view image of a naked Hawaiian woman is annotated "The Natives are a sturdy race of people." There are also numerous images featuring other indigenous Hawaiian people in a variety of settings including a couple of images showing a "Hawaiian boy climbing a cocoa nut palm" two pictures of "Native fisher boys" a "Native hut" "Hawaiian kiddies" a "Native canoeist" a "Group of Natives" a "Native Priest - looks as if he had been fasting for some time" and images showing "Natives selling 'Leis' for departing visitors" and "Native 'Leis' vendors on Honolulu." The images of the Hawaiian women as well as the men combined with the captions provide an opportunity for further studying the ways in which affluent American mainlanders have traditionally viewed indigenous Hawaiians and other native peoples encountered throughout the world. In addition to the passenger list mentioned above the ephemeral items include shipboard menus a program for an onboard concert newspaper clippings cigar labels and postcards. The latter includes a series of forty-one vibrantly-colored postcards illustrated with Hawaiian fish. An interesting travel album detailing a trip to Hawaii at the outset of the First World War with many notable observations on indigenous peoples in Honolulu especially the young women of the island. unknown books
1994réf. 131j2819Canada: Kamloops Art Gallery. Very Good No dust jacket as issued. First Edition. Paperback. Catalogue of the exhibition "E.J. Hughes: The Vast and Beautiful Interior" 22 September to 6 November 1994 curated by Jann L.M. Bailey for the Kamloops Art Gallery. "Edward John Hughes was born in North Vancouver in 1913 and attended the Vancouver School of Art for six years. This exhibition focuses on his lesser-known works of the interior of B.C. Lesser-known perhaps because Canadians tend to view B.C. from a coastal perspective. Patricia Salmon Hughes's long-time friend and biographer notes that while most people know Hughes for his images of coastal B.C. in the decade between 1956 and 1965 he produced an almost equal number of non-coastal works. The works in this exhibition date from 1931 to 1994 with the most being produced between 1956 and the present." - Foreword. 72 semi-glossy pages tastefully illustrated in colour with considerable text a chronology of Mr. Hughes and a list of works in the exhibition. Clean bright tight and unmarked with light wear. A wonderful memento of this exceptionally gifted Canadian artist. 19.6 x 27.1 cm.; Paintings; 8vo . 1994. 1895497132 . Kamloops Art Gallery paperback
réf. 11880Calgary (Alberta). Frontier Publishing, 1968. Coll. " Frontier Book " n° 14. Plaquette in-8 agrafée de 56 p. Texte en anglais consacré à Gabriel Dumont, Métis Français-Cree, grand chasseur de bisons, trappeur, guide et interprète dans l'Ouest du Canada. Plus tard il rejoint le Wild West Show de Buffalo Bill. Photographies hors-texte. E.O.
réf. 201703780Paris, Payot, 1977 ; in-8, 307 pp., br. Broché bon état (papier bruni).
1917Very Good Russian Original sheet music. Folio. (33 x 26 cm). In Russian and German. 17 p. Musical scores with fine illustrated cover. Tape on spine. Water stains on pages. Otherwise a good copy. [SHEET MUSIC] Geisha [= Die Geisha]. Muz. Sidney Djonsa (Sidney Jones). (Selection). The Geisha, a story of a tea house is an Edwardian musical comedy in two acts. The score was composed by Sidney Jones to a libretto by Owen Hall, with lyrics by Harry Greenbank. Additional songs were written by Lionel Monckton and James Philp. The Geisha opened in 1896 at Daly's Theatre in London's West End, produced by George Edwardes. The original production had the second longest run of any musical up to that time. The cast starred Marie Tempest and C. Hayden Coffin, with dancer Letty Lind and comic Huntley Wright. The show was an immediate success abroad, with an 1896 production in New York and numerous tours and productions in Europe and beyond. It continued to be popular until World War II and even beyond to some degree. The most famous song from the show is "The Amorous Goldfish". Stmped by A. Comendinger who was a legendary musical publisher in Constantinople in 19th and 20th century. This is a rare Russian Edition. This "selected" edition is not in OCLC.
1954réf. 56687Fresno Ca.: Kamiyama 1954. Young Buddhists in California in 1954 Photographed by a Noted Japanese-American Photographer A substantial group photograph featuring the attendees of the 1954 conference of the Western Young Buddhist League. The photograph captures a few hundred finely-dressed Japanese-American men and women posed in a park in Fresno California. Various delegates to the conference hold handwritten signs indicating their home cities and regional organizations which include Stockton Lodi Delta Enmanji Marysville Sacramento Placer Palo Alto San Mateo Berkeley Florin Alameda San Francisco Oakland Fresno Selma Los Angeles San Diego Pasadena and numerous other California cities and locales. There are also contingents from Arizona the Western Young Buddhist League's Southern District the San Fernando Valley Young Buddhists the Coast District Young Buddhist Association and the Central California Young Buddhist Association. The elders of the organization sit in chairs in front of the young Bussei. Interestingly this photograph was taken by noted and prolific Fresno photographer Urasaburo "Frank" Kamiyama. Frank Kamiyama 1886-1974 was an important Japanese-American chronicler of his own community in Fresno and the surrounding area beginning in the early 20th century. He was arrested on March 27 1942 as one of eight "named Japanese alien enemies" and interned at Angel Island in California and in Santa Fe New Mexico during World War II. His family including his wife Mitan and their four daughters were interned separately at Rohwer in Arkansas the easternmost of the Japanese internment camps. After the war Kamiyama continued to photograph the lives of Japanese Americans in California until his death. A rare image of a large organization of young Japanese-American Buddhists in California in the Eisenhower years with no copies reported in OCLC. Panoramic silver gelatin photograph 10 x 35¾ inches. Minor edge wear some creasing and abrading at top right corner a few soft creases four small circular stains near bottom right corner. About very good overall. unknown