Carradice, JH; Grozier, Kerry J HBiblio.com
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2005réf. 166j1766British Columbia: BC Forest Service. Very Good. 2005. First Edition. Paperback. 0973994401 . "A lot has changed in the past 55 years but the one constant at the BC Forest Service has always been the sense of family and pride in one of the most resilient organizations in North America if not the world. This book is dedicated to the many hard working men and women of the BC Forest Service. It is a collage of stories events facts and trivia related to the last 55 years in the Vancouver Forest District and more recently the Coast Forest Region. It endeavours to provide the reader with the sense of the dedication the trials the humour and the commitment of this public service organization charged with the management of our wonderful coastal forest legacy." - back cover. 213 pages. Many black and white reproductions of archival photos. Clean bright tight and unmarked with very light wear. A high-quality example. ; 4to . BC Forest Service paperback
1962Mm 175x245 Collana "Maryland" - Volume in copertina rigida con sovraccoperta editoriale illustrata a colori, 252 pagine con tavole a colori fuori testo di U. Faini. Pari al nuovo (as new). Spedizione in 24 ore dalla conferma dell'ordine.
1968réf. 100065841IM.GRAF. (imp.) 1968 in4. 1968. Agrafé. 6 volume(s). 6 revues Star-Ciné Aventures - 1968: n°196 Janvier + n°197 Février + n°203 Août + n°204 Septembre + n°205 Octobre + n°207 Décembre illustré en noir et blanc couvertures en couleurs
1966réf. 100065843IM.GRAF. (imp.) 1966 in4. 1966. Agrafé. 6 volume(s). 6 revues Star-Ciné Aventures 1966: n°174 Mars + n°176 Mai + n°178 Juillet + n°179 Août + n°180 Septembre + n°183 Décembre
2003réf. 1082502003 Volume 21 of The Illustrated History of Movies Through Posters - Juin 2003 - Catalogue - In-4 broché - Sans pagination - Couverture illustrée - Nombreuses illustrations (affiches de cinéma) en couleur
20108vo., First Edition, with very numerous plates; original cloth, a near fine copy in the dustwrapper. This fine territorial unit went to Egypt in September 1914 and saw action at Gallipoli from May until the evacuation. It returned to Egypt in the spring of 1917 before transferring to France where it remained until the Armistice.
1998réf. 326H3297Canada: Alan Blackwell 1998. Book. Very Good. Hardcover. Signed by Authors. First Edition. 8vo - over 7¾" - 9¾" tall. Signed and dated by author upon dedication page. 150 pages. Bibliography. Black and white reproductions of photos. Map endpapers. "An entertaining look at one man's extraordinary life. Yet with its descriptions of pioneer life and the events that helped mold the author's character it accomplishes much more than the average autobiography. In fact though perhaps as much by accident as design it also affords readers a rare glimpse into the social cultural and economic development of the Ootsa Lake B.C. area - and for this reason if no other should be read." - Foreword. "Blackwell was a member of the First Special Service Force aka 'The Devil's Brigade' and saw action in the Aleutians Italy and France. Upon his return to Ootsa Lake he worked as a logger farmer guide-outfitter and placer miner until retirement." - back board. Clean bright and unmarked with light wear. An attractive copy. Alan Blackwell Hardcover
2007Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In English and Turkish. 356 p. Biographies and discographies of 71 Turkish composers. 71 Turkish composers.= 71 Türk bestecisi.
1987réf. 828G3710Powell River British Columbia: Innes Rod; McCahon Graeme; Van't Schip Nick; et al 1987. Book. Very Good. Hardcover. First Edition. 4to - over 9¾" - 12" tall. 40 pages. Proudly celebrates the first 75 years of the Powell River British Columbia paper mill. This large oblong book measures 18" x 11". Embossed maroon vinyl-covered boards. Numerous beautiful large colour photos plus large reproductions of archival black and white photos. Cassette tape and commemorative illustrated clear plastic piece stored inside back board. Unmarked with moderate wear. A quality copy of this proudly and lavishly-produced Powell River memento. Innes, Rod; McCahon, Graeme; Van't Schip, Nick; et al Hardcover
1989Un album de format grand in 8° de 96 pp.; nombreuses illustrations photographiques en noir ou en couleurs; reliure cartonnée de l'éditeur, illustrée. Les films sont présentés sous forme de fiches techniques. Etat de neuf. Voir les photos.
1953réf. 325a2022British Columbia: Publisher Not Stated 1953. Book. Very Good. Paperback. First Edition. 4to - over 9¾" - 12" tall. 359 pages plus xxi page appendix and 8 pages index. List of illustrations. Dozens of archival black and white illustrations on glossy stock. "These notes are mainly a record of the B.C. Electric its subsidiaries and the companies which preceded it on Vancouver Island. However the B.C. Electric perforce had a wide range of interests throughout the years and to preserve the main theme in its proper perspective it has been found necessary to make incursions into the history of other utility companies on Vancouver Island and also to record a certain amount of local contemporary history." - from Preface. Appendix topics include: Now it Can Be Told - Kilowatts Went to War; A Short History of Gas; A Short History of Light and Power Service in Nanaimo; Honor Rolls - 1st and 2nd World Wars; History of Transportation Fares in Greater Victoria; Major undertakings and expenditures 1946-1951. Tight and square with only moderate external wear. Unmarked. A well preserved copy of this significant work. Publisher Not Stated Paperback
1930Very Good German Original autograph letters signed, concert programs and one ticket of Bruno Walter and Jose Iturbi in 23 September 1932 by Anita Tiedcke, letters by and to Anita Tiedcke, Muhiddin Erel and Suna and Sevim Erels. Includes 54 concert programs, booklets and leaflets which some of them are handwritten, typewritten and mostly original prints. Some programs contains Anita Tiedcke's violin parts, early ones in Berlin (1930s), and later period ones in Istanbul. Especially typescript Istanbul programs (such as Aysegül Sarica's ones) are extremely rare and very important collection on Turkish history of classical music. One special designed hand written and drawn concert program titled "In Mozart Reich - Weihnachts Konzert gespielt von Nannerl u. Wolfgang Mozart. 24 autograph letters from and to all family members. Letters belong to Anita Tiedcke, are especially important for which include legal correspondences about Anita Tiedcke's conversion to Islam with her musician identity and musical history. Anita Tiedcke changed her name as 'Emine Erel' after conversion to Islam and marriage. Suna and Sevim Erels' letters also talk about music mostly. They are written in German usually, but some of them are in Turkish. Also the collection contains some book lists, catalogues. Anita Tiedcke completed her musical education at the Conservatory of Hamburg with the violonist Erika Besserer. After her marriage to Muhiddin Erel, she continued her musical studies in Istanbul and worked as an instructor at the Municipal Conservatory. In 1945, she was appointed as the mayor of the Istanbul Municipal Symphony Orchestra. The couple had two daughters, Suna and Sevin. Suna Erel was not content with the conservatory, but she also graduated from the Münch Hochschule für Musik Academy. Professor Suna Erel, who worked at Mimar Sinan University for many years, retired 8 years ago. For his achievements, the German government awarded Suna Erel the Beethoven medal. Muhiddin Erel was a Turkish professor and doctor. He was the founder of Ege University Medicine Faculty in 1955. Extremely rare and fine collection.
1946Very Good Turkish, Ottoman (1500-1928) Original autograph letter signed by Lawyer Usmanbas sent to his daughter Fetânet Hanim who was sister of Turkish musician Ilhan Usmanbas, (1921-). 22x14 cm. In Ottoman script. 1 p. Full. Dated 26-7-[1]946. He mentions a lawsuit in detail.
1920Coloured map on japon, measuring 20.0 x 26.0 ins (approx. 51.0 x 66.0 cms), folding in 16 panels to 5.5 x 6.5 ins (approx. 14.0 x 16.5 cms), a little age-creasing else a very good, bright, clean copy. Printed in red, blue and black, the map shows the GWR national network with four smaller insert maps of the Isle of Man, South Wales, Birmingham & District and London & the Suburbs. A bright, clean map ideal for framing and display.
1928Fine Armenian Full morocco. Roy. 8vo. (23 x 16 cm). In Armenian together with samples in Ottoman Turkish (Turkish with Arabic letters), Latin, Italian. 451, [4] p. First and Only Edition. Fuzuli is a poet who has an important place among the poets of Classical Turkish Literature XVI Century. Fuzûlî, as in history, is one of the most widely read and known poets in the world today. Having a large number of Fuzuli's works copies in Turkey and the world library, this is one of the most important pieces of evidence of love and attention. One of the important indicators of this situation is that Terzibasyan compared the works of Fuzûlî with his contemporaries in the West and Armenian poets in his work titled Numûne or Fuzûlî Commentary from the Mystical Poem of the Song. One of the personalities we can regard as one of the important indicators of this love for Fuzûlî is Priest Kevork Terzibasyan. Terzibasyan's interest and love for Fuzûlî's works led him to devote his life to Fuzûlî. Terzibasyan wrote a 3-volume book in Western Armenian. The first volume of the work was published in 1928. The second volume was published in 1929 after the death of Terzibasyan. These works were written in Western Armenian, and today there are only the first and second volumes. There are different claims about the third volume of Terizbasyan's book. This work of Terzibasyan is important in terms of showing how the poet Fuzûlî was interpreted from an Armenian pen. It is also important in terms of revealing similar and different aspects of Fuzûlî's contemporaries. From this point of view, it is possible to say that in the book of Terzibasyan, Fuzûlî is frequently emphasized that he is at a different point than Western and Eastern poetry within the scope of Eastern and Western poetry. This work of Terzibasyan is important in terms of revealing why an Armenian pastor devoted 20 years of his life to Fuzûlî. This situation even caused Terzibasyan to be exposed to criticism within his own society. At this point, it is seen that there is a section titled "Salute to Mustafa Kemal Pasha" in the work of a priest who has devoted his life to Fuzûlî. The answer to the questions of why and how Terzibasyan made a connection between Fuzûlî and Mustafa Kemal Pasha reveals the importance of the text once again. In this study, firstly, brief information about who is Terzibasyan will be given. The fact that there is a separate title about Mustafa Kemal Pasha in this work and his common points with Fuzûlî indicates that Terzibasyan had a great admiration and respect for Atatürk. Another point that draws attention in this work is that Terzibasyan compared Atatürk to poets and writers worldwide, the specially Italian poet Dante. It is possible to say that these similarities are rather related to the power and influence Atatürk had on his society. Terzibasyan as a cleric believes that future generations will only have the power to reconcile their values with the West by learning the past values. For this reason, in his work, he deals extensively with the effects of Fuzûlî on world poets and his reflections in the world of poetry, similar and different aspects of poets in the West and East. According to Terzibasyan, the only way for future generations to grasp this literary world is to learn the works of historical figures comprehensively. Terzibasyan believes that in such a way, new literature from Eastern literature will sprout. (Source: Mustafa Kemal Pasha in the Work of Kevork Terzibasyan named the Sample or Fuzuli Commentary from the Mystical Poem of the Orient, by Bozkus). This book is not translated into any language. Refii Cevat Ulunay, (1890-1968)'s article in 1968 stating that the book should be translated into Turkish was published in the literary journals of the period. Terzibashian (Gevorg Gerapaytzar Terzibasyan), (1862-1959), was born in Ankara city. Terzibasyan, who completed his primary education in Ankara, was noticed as a brilliant student during his... Extremely rare. Not
1981Roy. 4to., First Edition, with fine coloured facsimile as frontispiece, 12 fine coloured facsimiles (8 full-page) and numerous facsimiles (a number full-page) in monochrome; original green boards printed in black, a near fine copy. WITH THE PRINTED LIST OF ESTIMATES LOOSELY INSERTED. The catalogues lists 19 lots. The catalogue includes an introduction to the John Carter Brown Library by Thomas Adams and list of sources. The Ottobeuren Gradual was purchased by Kraus for over GBP700,000.
1917Very Good Russian Original sheet music. Folio. (33 x 26 cm). In Russian and German. 17 p. Musical scores with fine illustrated cover. Tape on spine. Water stains on pages. Otherwise a good copy. [SHEET MUSIC] Geisha [= Die Geisha]. Muz. Sidney Djonsa (Sidney Jones). (Selection). The Geisha, a story of a tea house is an Edwardian musical comedy in two acts. The score was composed by Sidney Jones to a libretto by Owen Hall, with lyrics by Harry Greenbank. Additional songs were written by Lionel Monckton and James Philp. The Geisha opened in 1896 at Daly's Theatre in London's West End, produced by George Edwardes. The original production had the second longest run of any musical up to that time. The cast starred Marie Tempest and C. Hayden Coffin, with dancer Letty Lind and comic Huntley Wright. The show was an immediate success abroad, with an 1896 production in New York and numerous tours and productions in Europe and beyond. It continued to be popular until World War II and even beyond to some degree. The most famous song from the show is "The Amorous Goldfish". Stmped by A. Comendinger who was a legendary musical publisher in Constantinople in 19th and 20th century. This is a rare Russian Edition. This "selected" edition is not in OCLC.
1924Very Good French Paperback. Folio. (34 x 25 cm). In French. 15 p. 7 p. Stains on pages and cover. [SHEET MUSIC] Ire Valse pour piano Op. 83 par. Marie-Auguste Massacrié-Durand was a French music publisher, organist, and composer. Durand was born in Paris and studied at the Paris Conservatoire with François Benoist. He started as an organist in 1849 in Saint-Ambroise, then at St. Genevieve, St. Roch and St. Vincent de Paul (1862-74). Together with Louis Schoenewerk and other sponsors, Durand founded the company Durand-Schoenewerk & Cie. in December 1869 and acquired the important catalogue of the Paris music publisher Gustave Flaxland (1821-1895), which had grown from approximately 1,200 titles in 1847 to 1,400 titles in 1869. This included the French rights to the early Wagner operas. Following a dispute, the company dissolved on 18 March 1885 and was sold at auction in May 1896. Auguste Durand and Louis Schoenewerk bought the firm in its entirety, and they reconstituted the company with Durand's son Jacques (1865-1928). In November 1891, Jacques replaced Schoenewerk and the name changed to A. Durand & fils. Jacques assumed control of the company in 1909 when his father died, and brought in his cousin Gaston Choisnel (d. 1921) as a partner. Durand became an expert in the publication of works by French composers including Victorin de Joncières, Edouard Lalo, Jules Massenet, Claude Debussy, Camille Saint-Saëns, Maurice Ravel, Albert Roussel and Paul Dukas. The company also published the French editions of Tannhäuser, The Flying Dutchman and Lohengrin by Richard Wagner and many editions of old masters including, in particular, a complete critical edition of Rameau edited under the initial direction of Saint-Saëns. Between 1910 and 1913, Auguste and, after his death, his son Jacques organised concerts to raise awareness of new music. In 1914, Jacques published under the title Édition classique Durand & fils important nineteenth-century works for piano including the music of Chopin edited by Debussy, of Mendelssohn by Ravel and of Schumann by Gabriel Fauré. [.]. Sotiri Christides [sic. Christidis] who is an contemporary of Andria, started music publications in 1905's. Christides published on almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operets' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). Hemay be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
1917Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Muhayyer Naksî Agir Semâî - Muhayyer Naksî Yürük Semâî. Darü'l-Elhan Külliyati No.3 [The House of Melodies Collected Works No. 3]. [With original stamp of Samli Iskender -Kudmanizâde-]. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). First Semâîs' composer is unknown, second one is by Eyyûbî Bekir Aga. He was an early classical Turkish composers. Ahmed Hamdi Tanpinar's devoted his book 'Mahur Beste' to Eyyûbî Efendi and inspired by him. Darülelhan published 121 scores before 1928, this is the third one. Özege 3585. Not in OCLC. Extremely rare.
1917Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Muhayyer Remel. Darü'l-Elhan Külliyati No. 7 [The House of Melodies Collected Works No. 7]. [With original personal stamp of Samli Iskender -Kudmanizâde-]. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). Almost known nothing for the life of Halil Efendi. There are four compositions with their lyrics up to now. Darülelhan published 121 scores before 1928, this is the seventh one. Özege 3585. Not in OCLC. Extremely rare.
1924Very Good Greek, Modern (post 1453) Paperback. Folio. (32 x 25 cm). In Greek. 4 p. [SHEET MUSIC] Se mia trellin Zanthoula. Lyrics by D. Tzeretapoulou. Music by N. Kokkinou. Sotiri Christides [sic. Christidis] who is contemporary of Andria, started music publications in the 1905's. Christides published in almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operettas' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). He may be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
1917Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Sedarabân Mürebb' Zincir ikâ'inda. Darü'l-Elhan Külliyati No. 1. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). Haci Sadullah Aga was a composer and performer. He was the son of Hafiz Kerim Efendi, one of the muezzins of Fatih Mosque, and was one of the greatest composers of the reign of Sultan Selim III. In some sources, the information regarding his life have been jumbled together with other namesake composers of his era. Some of his works may have been confused with those of other namesake composers. Therefore, information regarding his life is not precise. As far as it is known, after his first education, he was accepted to Enderun Mektebi (The Palace School in which the devshirmeh [T.N. selected for the army] children were educated) and he was educated in literature and history and gained skill in javelin, Indian club and horse riding. He had served in the Russo-Turkish War in 1767. It is said that he received great attention from Selim III because he had a beautiful voice and he was a master singer (vocalist) and that he was the head of the fasil committee of the sultan for some time. Sadullah Aga, who is accepted as the most powerful composer of the school of Selim III, was also the 'musahib' (talk friend) of the sultan and later he became the head 'musahib'. He was an eloquent and cheerful person with a nice personality. He served as a music teacher at Enderun and served at the Palace during the reign of Mahmud II. Sadullah Agha followed the footsteps of Itrî and under the influence of Itrî he had integrated lyricism to his compositions, which are considered to be among the greatest pieces of the classical repertoire. He developed a style that is pertinent to classical rules but is more lyrical. His influence on all composers of his period can be seen. Around thirty works of Haci Sadullah Aga, who had composed hundreds of works, has reached the present day. Compositions and 'semaî' are dominant among these works. All of these works are secular and mostly literal works. His works contain a high level of lyricism and musicality. Especially all of his works that formed the 'Bayati-Araban' set are among the most beautiful examples of the classical music repertoire. Sadullah Aga, who is among the elite composers of Classical Turkish music, lived his last years by secluding to the residence given to him seven years before his death by the sultan and died at the age of seventy eight. He has many great songs in various tones. Darülelhan published 121 scores before 1928, this is the first one. Özege 3585. Not in OCLC. Extremely rare.
1924Very Good Greek, Modern (post 1453) Paperback. Folio. (32 x 25 cm). In Greek. 3 p. [SHEET MUSIC] Ztin aponoa zou: N. Kokkinou.; Serenate d'amore: G. Ingenito.; Mi Lizmoniz: E. di Capua.; I. Petalouda: N. Kokkinou. Di Azma kai Klidekumvalon. Sotiri Christides [sic. Christidis] who is an contemporary of Andria, started music publications in 1905's. Christides published on almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operets' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). Hemay be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
1975réf. 2412050448xbvkHoniara, British Solomon Islands Protectorate, printed by the Government Printer, 1971-1975. Detailed collation: I. Annual titlepage, v pages 'Index', 224 pages (Issue #1-#4 individually paginated [16 p. in total], Issue 5 starts with p. 17, then onwards to p. 224). / II. Annual titlepage, xiii pages 'Index', 245 pages. / III. Annual titlepage, xi pages 'Index', 200 pages. / IV. Annual titlepage, x pages 'Index', 245 pages. / V. Annual titlepage, xi pages 'Index', 196 pages. - 'Publisher's' titled greyblue halfcloth bindings with yellow thick cardboard-panels; 8vo.(ca. 20,5 x 14 x 9 cm; ca. 2,5 kg.).
2015réf. 220817001High Noon Western Americana 2015. Hardcover. Good. 0x0x0. Text is LIKE NEW. Very Clean. No writing or tears to text. Has minor cover wear. Dust Jacket is only fair. DJ has heavy creasing. Still a great Reading Copy. High Noon Western Americana hardcover
