Sergei EisensteinBiblio.com
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1983Best.-Nr. 010662Houghton Mifflin Harcourt. DJ in aarhval cover light edge ware. . Fine. Hardcover. 1st Edition. 1983. Houghton Mifflin Harcourt hardcover
1969Best.-Nr. 55908Moscow: Editions Societski Khoudojnik 1969. first edition. Hardcover. Good. 11 x 10 in. Paper boards. Lavish color and B&W plates. Text in Russian and French. Condition is GOOD ; covers a little toned heavy wear to corners and spine ends spine head has two small side tears rear lopwer edge is bumped from corner 4" in. Binding tight. Plates and text all clean and unmarked. Art. Stax. Editions Societski Khoudojnik hardcover
1988Best.-Nr. G0521324157I5N01Cambridge University Press 1988. Hardcover. Acceptable. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Cambridge University Press hardcover
Best.-Nr. 697424557Fredonia Books . Papeback. New. pp. 272 Fredonia Books unknown
1928Best.-Nr. 159783Beverly Hills CA: United Artists 1928. Vintage portrait photograph of Russian director Sergei Eisenstein circa 1928. Printed mimeo snipe affixed to the verso noting Eisenstein as having secured a contract with Joseph M. Schenck President of United Artists. United Artists stars Douglas Fairbanks and Mary Pickford traveled to Moscow after seeing Eisenstein's acclaimed 1925 film "Battleship Potemkin" in Berlin. Fairbanks offered the director a contract an invitation renewed a year later by Schenck. After visiting Hollywood the director would sign a contract with Paramount with several projects slated for production including adaptations of H.G. Wells' "War of the Worlds" and Theodore Dreiser's "An American Tragedy." Ultimately however no films would be made the result of public pressure against Eisenstein's Communist politics. On October 23 1930 by "mutual consent" Paramount and Eisenstein declared their contract null and void ending the director's short-lived career in American cinema. 8 x 10 inches. Very Good plus slightly creased with chips at three corners. United Artists unknown
Best.-Nr. 0851702112.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1985Best.-Nr. G8831748289I4N00Marsilio 1985. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Marsilio paperback
Best.-Nr. Bloomsbury-9780851706764British Film Institute. Paperback. New. 272 pages British Film Institute paperback
Best.-Nr. Bloomsbury-9780851706764British Film Institute. Paperback. New. 272 pages British Film Institute paperback
Best.-Nr. 69-4677New York New York: Harcourt Brace & World 1970. 8vo. Softcover. 288 pp. B&W Plates. Very Good slight wear to edges of cover one crease down spine New York, New York: Harcourt, Brace & World, 1970 paperback
1969Best.-Nr. Q-0156309351Harcourt Brace Jovanovich 1969-03-19. Paperback. New. New. In shrink wrap. Looks like an interesting title! Harcourt Brace Jovanovich paperback
Best.-Nr. Bloomsbury-9781848853560Bloomsbury Academic. Paperback. New. 448 pages Bloomsbury Academic paperback
Best.-Nr. Bloomsbury-9781848853560Bloomsbury Academic. Paperback. New. 448 pages Bloomsbury Academic paperback
Best.-Nr. ria9781848853560_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; I.B.Tauris is delighted to announce the reissue in paperback in three volumes of the definitive most comprehensive edition in the finest translations and fully annotated of the writings of this great filmmaker theorist and teacher o paperback
Best.-Nr. 7719541-nnew. unknown
Best.-Nr. 7719541like new. unknown
Best.-Nr. B9781848853560Paperback / softback. New. The name of Sergei Eisenstein 1898-1948 is synonymous with the idea of montage as exemplified in his silent classics such as "The Battleship Potemkin" 1925 and "October" 1927. This title includes a series of his essays written between 1937 and 1940 which elaborate his ideas on montage. paperback
Best.-Nr. Bloomsbury-9781848853577Bloomsbury Academic. Paperback. New. 424 pages Bloomsbury Academic paperback
Best.-Nr. Bloomsbury-9781848853553Bloomsbury Academic. Paperback. New. 344 pages Bloomsbury Academic paperback
Best.-Nr. Bloomsbury-9781848853577Bloomsbury Academic. Paperback. New. 424 pages Bloomsbury Academic paperback
Best.-Nr. Bloomsbury-9781848853553Bloomsbury Academic. Paperback. New. 344 pages Bloomsbury Academic paperback
Best.-Nr. B9781848853577Paperback / softback. New. Follows on from the 1922-34 writings of Volume 1 and parallels Volume 2's essays on the theory of montage. In the period covered by this volume Eisenstein's film-making ran into the difficulties generated by the Soviet authorities' increasingly restrictive definition of Socialist Realism. paperback
Best.-Nr. B9781848853553Paperback / softback. New. Book documents from the definitive Russian texts the complex course of Sergei Eisenstein's writings during the revolutionary years in the Soviet Union. It presents Eisenstein the innovative aesthetic thinker socialist artist and humourist passionately engaged in the debates over the art forms of the future. paperback
1925Best.-Nr. 168469N.p.: N.p. 1925. Nine reference photographs from the 1925 Soviet silent film seven borderless and two bordered struck and issued by Cinémathèque Française circa 1936. All seven borderless photographs with the stamp of Archives Cinémathèque Française on the verso. A dramatization of a real-life mutiny which occurred on the Russian battleship Potemkin in 1905. The film's violence led to it being banned in West Germany and the UK until 1954 and even after that given an X rating until 1978. It was shown in a much-edited form in East Germany though the US premiere in December 1926 was shown unedited. A written introduction by Leon Trotsky at the beginning of the film was cut from later Soviet prints due to Trotsky running afoul of Stalin. The film's famous sequence showing a massacre by Tsarist soldiers of civilians on the Odessa Steps is considered the first example of a montage sequence in cinema. All photogaphs 5 x 3.5 inches. Generally Near Fine. BFI 1494. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown books
1928Best.-Nr. 159783Beverly Hills CA: United Artists 1928. Vintage portrait photograph of Russian director Sergei Eisenstein circa 1928. Printed mimeo snipe affixed to the verso noting Eisenstein as having secured a contract with Joseph M. Schenck President of United Artists. United Artists stars Douglas Fairbanks and Mary Pickford traveled to Moscow after seeing Eisenstein's acclaimed 1925 film "Battleship Potemkin" in Berlin. Fairbanks offered the director a contract an invitation renewed a year later by Schenck. After visiting Hollywood the director would sign a contract with Paramount with several projects slated for production including adaptations of H.G. Wells' "War of the Worlds" and Theodore Dreiser's "An American Tragedy." Ultimately however no films would be made the result of public pressure against Eisenstein's Communist politics. On October 23 1930 by "mutual consent" Paramount and Eisenstein declared their contract null and void ending the director's short-lived career in American cinema. 8 x 10 inches. Very Good plus slightly creased with chips at three corners. United Artists unknown books
