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réf. Z1-G-021-02420Wiley. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Wiley unknown
réf. 1076906028-8-1Independently published. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Independently published unknown
réf. 0375751106-11-1Random House Inc. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Random House Inc unknown
réf. 1453678425-11-1CreateSpace Independent Publishing Platform. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. CreateSpace Independent Publishing Platform unknown
2026réf. x-1009182528Cambridge University Press 2026. Paperback. New. 316 pages. 6.14x0.71x9.21 inches. Cambridge University Press paperback
réf. ria9780593518915_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
réf. 392298-6National Academies Press. Used - Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. National Academies Press unknown
2011réf. G0314272577I3N002011. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. paperback
réf. 0375429948-7-1-13Princeton Review. Acceptable. The item might be beaten up but readable. May contain markings or highlighting as well as stains bent corners or any other major defect but the text is not obscured in any way. Princeton Review unknown
réf. U2094C00044UPrinceton Review 2017-04-25. cards. Very Good. 3x2x5. Complete and clean. All pages present and readable binding intact. Highlighting or writing is absent or limited to a handful of pages. No water damage. Cover and spine may show light shelf wear edge bumping or minor creasing. May have a remainder mark stickers or sticker residue or a previous owner's name. Access codes CDs DVDs and other bundled supplements may not be included and should be assumed used or missing unless the listing explicitly states otherwise. Princeton Review unknown
2016réf. 1-110191971XPrinceton Review 2016. Paperback. New. 2017 ed. edition. 512 pages. 10.88x8.38x1.16 inches. Princeton Review paperback
réf. 0593516281-9-1-NAUPrinceton Review. 4. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Princeton Review unknown
2017réf. 1-152471013XPrinceton Review 2017. Paperback. New. csm edition. 655 pages. 11.00x8.50x1.75 inches. Princeton Review paperback
réf. 0375764577-7-1-13Princeton Review. 1. Acceptable. The item might be beaten up but readable. May contain markings or highlighting as well as stains bent corners or any other major defect but the text is not obscured in any way. Princeton Review unknown
réf. 68146361-75UWorld. Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. UWorld unknown
2024réf. 1-0593517784Princeton Review 2024. Paperback. New. 6th premium edition. 496 pages. 10.87x8.38x1.13 inches. Princeton Review paperback
réf. 0375763015-11-1Princeton Review. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Princeton Review unknown
2016réf. 1-163369237XHarvard Business School Pr 2016. Paperback. New. box edition. 336 pages. 7.00x5.00x1.00 inches. Harvard Business School Pr paperback
1969réf. 238821969. American counterculture magazine group from November 1969 through October 1970 documenting Evergreen Review as it brought experimental literature into direct contact with Black radical politics the New Left sexual liberation environmentalism censorship and revolutionary cinema. Founded by Grove Press publisher Barney Rosset in 1957 Evergreen had developed by the end of the 1960s from a literary review associated with Samuel Beckett Jean Paul Sartre the Beats and international avant garde writing into a large format illustrated monthly addressing the political conflicts and visual culture of the American counterculture. These eight issues begin with the November 1969 number and its coverage of Easy Rider then extend across 1970 through articles including Julius Lester's "The Black Writer and the New Censorship" Nat Hentoff's "Keeping Ecology Alive" and Kent E. Carroll's "Film and Revolution: An Interview with Jean Luc Godard." The sequence records a magazine treating cinema racial politics environmental crisis censorship literature and sexuality as parts of the same contemporary cultural struggle. Evergreen Review. New York: Evergreen Review Inc. 1969 to 1970. Eight issues: 1 No. 72 November 1969 with cover references to Donald Newlove Dotson Rader Julian Mitchell Nat Hentoff Dennis Hopper and Easy Rider and a portfolio by Kishin Shinoyama; the issue includes L. M. Kit Carson's treatment of Easy Rider a film that had entered American theaters that year as a defining representation of countercultural mobility and generational conflict. 2 No. 75 February 1970 contents include an interview with Zelimir Zilnik an article on LeRoi Jones Jean-Francois Jonvel's photography portfolio book reviews. 3 No. 76 March 1970 contents include Bill Amidon's "Cannonball Catchers" Michael Rumaker's "For Charles Olson" an interview with Jaromil Jires Raymond Bertrand's erotic drawings. 4 No. 77 April 1970 contents include an article on censorship of black radicalism an article on environmentalism Arthur Freed's photography portfolio Bill Price's "Jimmy's Home." 5 No. 79 June 1970 contents include poems by black dhildren an interview with Fred Baker article on the double standards of justice by Bobby Seale. 6 No. 80 July 1970 contents include Allen Ginsberg's "Memory Gardens" Samuel Beckett's "Lessness" an interview with Nagisa Oshima commentary on Native American oppression. 7 No. 82 September 1970 containing material addressing the Chicago Conspiracy Trial and an interview concerning Jean Genet and the Black Panthers alongside Julius Lester and Nat Hentoff. 8 No. 83 October 1970 including Kent E. Carroll's "Film and Revolution: An Interview with Jean Luc Godard" material by R. Buckminster Fuller and Dziga Vertov and Hentoff's writing on ecology. The group spans the year in which the American counterculture confronted an increasingly interconnected set of political questions: the Vietnam War and antiwar movement Black liberation political trials and state power censorship ecology and the relationship between revolutionary politics and mass culture. Evergreen Review approached these subjects through the same publishing program that Grove Press had used to contest literary censorship and introduce international avant garde writing to American readers. By 1969 and 1970 that program had expanded into a magazine whose typography photography erotic imagery and political illustration were themselves arguments about the limits of mainstream publishing. Covers and extremities show moderate rubbing creasing handling wear occasional soiling and edge wear; issue 75 has water damage to front cover causing partial fusion of first page; issue 79 covers partially detached on lower half of spine; interiors generally clean and complete. Overall good condition.Eight issues tracing Evergreen Review from the countercultural mythology surrounding Easy Rider in late 1969 through the Black politics censorship debates environmentalism sexual experimentation and revolutionary cinema that occupied its pages during 1970. unknown
réf. 1941759203-8-1Trivium Test Prep. Study Guide. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Trivium Test Prep unknown
1965réf. 238981965. Dunker Thomas W. and Robert M. Dunker. Horseshit: The Offensive Review three issues from the four issue run 1965 to 1968 documenting an independent California magazine in which two former servicemen directed graphic satire obscenity sexual humor and anti authoritarian writing against military culture organized religion political institutions and conventional morality during the escalation of the Vietnam War. Thomas Dunker who had been drafted into the Army after leaving the seminary supplied the writing while his brother Robert a former Marine supplied the drawings. Their first issue appeared in 1965 before American troop strength in Vietnam expanded from roughly 23000 advisers and personnel at the end of 1964 to more than 184000 by the end of 1965 and its cover established the magazine's anti military position with a soldier carrying a rifle and holding a dead infant beneath the command "ATTACK!" Using dark humor surreal imagery and aggressive social critique to test the limits of free expression and anti establishment satire during a period of political and cultural upheaval in the United States Horseshit emerged as one of the more confrontational expressions of the 1960s underground press. Dunker Thomas W. and Robert M. Dunker. Horseshit: The Offensive Review. Hermosa Beach California: Gauntlet Press / Scum Publishing Company 1965 to 1968. Three issues Nos. 1 2 and 3 from a four issue run lacking No. 4. Approximately 11 x 8.5 inches illustrated wrappers extensively illustrated in black and white. 1 No. 1. Hermosa Beach: Gauntlet Press 1965. 44 pages. Second printing. Cover depicts an armed American soldier holding a dead infant beneath the caption "ATTACK!" The opening statement identifies Bob and Tom Dunker as brothers seeking a magazine combining "strong fearless humorous drawings with witty intelligent outspoken writing" and defines its editorial independence in the declaration "Horseshit doesn't have this problem. It is the work of men not the product of a committee." Contents move between sexual satire fiction poetry political cartoons and attacks on military culture. 2 No. 2. Hermosa Beach: Scum Publishing Company 1967. 48 pages. Third Printing. By the second issue the Dunkers had replaced the Gauntlet Press imprint with Scum Publishing Company and sharpened the magazine's attacks on political and religious authority. "CANONIZE JFK NOW" satirizes the post assassination elevation of John F. Kennedy into a national martyr while "CUNT IS A CHRISTIAN WORD" combines sexual vocabulary with an attack on Christian doctrine and institutional religion. 3 No. 3. Hermosa Beach: Scum Publishing Company copyright 1968. 48 pages. First printing. The third issue retains the magazine's large format and dense alternation of prose cartoons political imagery and sexual material. The contents continue the Dunkers' attacks on institutional authority and conventional standards of propriety. Horseshit emerged from a California underground print culture in which control of production and distribution allowed small publishers to circulate material excluded from conventional magazines but the Dunkers' project remained unusually personal in both authorship and visual language. Robert later recalled that printers typesetters and distributors became increasingly difficult to secure practical obstacles consistent with a publication whose profanity explicit sexual imagery attacks on Christianity and anti military politics restricted ordinary commercial channels. The conflict became concrete in Berkeley in 1968 when bookseller Moe Moskowitz was arrested in an obscenity case involving Horseshit along with Zap Snatch and Valerie Solanas's SCUM Manifesto placing the magazine within the legal disputes surrounding the sale of underground publications during the period. Overall very good condition with staples in tact and text legible. unknown
réf. 0309115795-7-1National Academies Press. Acceptable. The item might be beaten up but readable. May contain markings or highlighting as well as stains bent corners or any other major defect but the text is not obscured in any way. National Academies Press unknown
réf. R02R-00777Princeton Review. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. Princeton Review unknown
réf. 1633693155-9-15-NAUHarvard Business Review Press. 1. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Harvard Business Review Press unknown
réf. 1633693155-10-15Harvard Business Review Press. 1. New. The item is brand new never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped. Harvard Business Review Press unknown
