Reverend George Percy BadgerBiblio.com
7 624 résultats
réf. B9781163208854New. unknown
réf. B9781163322543New. unknown
réf. B9781163220139New. unknown
réf. B9781167301223New. unknown
réf. B9781163374894New. unknown
réf. B9781163217795New. unknown
réf. B9781163201749New. unknown
1999réf. 036886New York New York U.S.A.: Family Federation for World Peace and Unification 1999. Soft cover. Good. Good Condition. Minor wear. Binding tight pages clean. Gift inscription from previous owner inside on first page. Pictures available upon request. Family Federation for World Peace and Unification unknown
réf. L3 box749 b1Giovanni Boccaccio: Decameron; Filocolo; Ameto; Fiammetta. La Letteratura Italiana Storia e Testi Volume 8 Italian Edition. A cura di Enrico Carlo Salinari Natalino Sapegno. Riccardo Ricciardi Editore. Hardcover 1262 pp. Riccardo Ricciardi Editore. hardcover
réf. L3 box749 b2Francesco Petrarca: Rime; Trionfi; E Poesie Latine. La Letteratura Italiana Storia e Testi Volume 6. A cura di F. Neri G. Martellotti E. Bianchi N. Sapegno. Riccardo Ricciardi Editore. Hardcover 918 pp. Riccardo Ricciardi Editore. hardcover
réf. L3 box749 b3Poeti del Duecento Tomo 1 & 2 - Complete 2 Volumes La Letteratura Italiana Storia e Testi Volume 6. A cura di Gianfranco Contini. Riccardo Ricciardi Editore. Hardcover 958 pp Tomo 1 1010 pp Tomo 2. Riccardo Ricciardi Editore. hardcover
1996réf. 223514Beta Gamma Editrice 1996. Paperback. Tiny ink signature else very good plus condition with text clean and binding sound. Size: 9.5x11 inches. 111pp. illus. Text in Italian. Beta Gamma Editrice paperback
1706réf. 0104485A Commentary Upon the Two Books of Chronicles: Ezra Nehemiah and Ester By The Right Reverend Father in God Symon Lord Bishop of Ely. Printed for R.I Chilwell at the Rose and Crown in St. Paul's Churchyard 1706. First edition. Leather binding. It appears that this has been rebound at some point. The spine is in beautiful condition- with five raised bands. The boards maybe original as they are a slightly different colour and have more signs of wear and scuffing. The end papers seem to be newer paper than the book contents. Rest of the book is original. Some chipping to page edges and some marks including what look like finger prints to page edges. Some staining to top half of first few pages but text is still completely legible. Pre-owned. R.I.Chilwell hardcover
1976réf. L3 box741 b10Giorgio Vasari: Le Vite de' piú eccellenti architetti pittori et scultori italiani Da Cimabue insino a' tempi nostri. Nell'edizione per i tipi di Lorenzo Torrentino Firenze 1550. Italian Edition. A cura di Luciano Bellosi e Aldo Rossi. Presentazione di Giovanni Previtali. 1986 Giulio Einaudi Editore. Hardcover 1104 pp. Giulio Einaudi Editore. hardcover
1927réf. 42644San Francisco: John J. Newbegin. Very Good with no dust jacket. 1927. Hardcover. Quarter calf with marbled boards gilt titled morocco spine label four spine bands. #207 of 250 copies. Mild wear/slight bumping to board edges. Bookplate. Firm binding and hinges. ; quarto; 86 pages . John J. Newbegin hardcover
1944réf. 031398s.l.: Servizio di informazioni anglo-americano 1944. 9 numeri della rivista di propaganda alleata pubblicata dai servizi di informazione anglo-americani durante la Seconda Guerra Mondiale. Circa 30 pagine non numerate per ogni fascicolo con un ricco apparato fotografico in b/n e unimpaginazione non comune per i giornali di propaganda. Dimensioni: 18x26 cm. Piccola porzione dellangolo superiore destro mancante n. 16 strappetto alla copertina anteriore n. 17 per il resto ordinarie tracce del tempo alle brossure e ottime condizioni interne. IN lingua italiana. I numeri NON vengono venduti separatamente. Servizio di informazioni anglo-americano unknown
1956réf. 195528Marion Methodist Church June 1956. Hardcover. Good. Brown cloth boards are bowed outward slightly and have rubbing at corners and spine edges. Minor soiling. Endpapers have a good bit of foxing. Front endpaper has a name in red pen. One page towards the end has arrow marks in pencil. LO S.U. Marion Methodist Church hardcover
réf. 10656Hanover Square Press. Hardback. Fine/Fine. 1. 2020. Hardback. Fine. First Edition. First Print. Signed by the author signature only. This book was purchased new never read. An excellent addition to your collection. Dust jacket is protected with a Mylar cover. Books are packed and shipped in boxes. Hanover Square Press hardcover
1933réf. 2MB1950Winnipeg Manitoba: Stovel Co. 1933. A fine hardcover with a very good plus very clean and bright dust jacket. 1st printing limited to 400 copies. . Hard Cover. Fine/Very Good Plus. Stovel Co. Hardcover
1839réf. 79445Carlisle: Samuel Jefferson 1839. 64pp plus introduction disbound. A good reading copy with pages and text clean and bright. Soft. Reading Copy. 8vo. Samuel Jefferson Paperback
1803réf. 3374London: Captain Henry Wilson. Very Good. 1803. Fifth Edition. Later binding of half gilt ruled faux blue morocco over marbled boards. Gilt particulars and decoration to spine. Top and bottom of front hinge cracked top of rear hinge beginning. Blue endpapers. Enlarged edition with supplement by Reverend John Pearce Hockin. "William Taylor 1813" delicately inked to top right of title page. Foldout "Chart of the Pelew Islands and Adjacent Seas" to front of book suffers foxing and some creasing as well as a small closed tear to the bottom margin of a fold line not affecting text. Contains eighteen steel plates with two additional plates included in supplement along with vocabulary of Pelew language. A nice clean copy without further markings. ; 4to 11" - 13" tall; xvii i 244; ii 72 pages; All shipments through USPS insured Priority Mail. . Captain Henry Wilson hardcover
1849réf. 6425New York:: V.G. Audubon 1849-54. First Royal Octavo Edition. Fine with original hand-coloring. A fine original hand-colored lithograph on paper. Royal Octavo 10.5 x 7 inches. Drawn from nature by John Audubon drawn on stone by William E. Hitchcock and lithographed printed and colored by JT Bowen Philadelphia. Accompanied by the original text written by the Reverend John Bachman DD. The Quadrupeds of North America; portrayals of 155 four-legged mammals native to North America depicted in their natural environment was a collaborative effort between the premier nineteenth century American Ornithologist Naturalist Artist and Frontiersman John James Audubon 1785-1851 his sons John Woodhouse Audubon and Victor Gifford Audubon and the naturalist Reverend John Bachman. The four men were unified in their desire to document and portray what they recognized as a dwindling resource; America's native animals amidst the natural beauty of the untouched American landscape. Their collective wisdom predicted the impending effects of Manifest Destiny- man's encroachment on the wilderness and natural landscape of North America- and as such was the impetus for the journey. To document and then portray America's native animals in the splendor and majesty of the uninhabited North American landscape the team traveled westward from Audubon's home in Mill Grove Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark; from the Canadian border of the Northern Russian Territories- now Alaska- then southward to Mexico. Arduous and monumental the journey is recognized in the pathos of the compositions. However the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen The Quadrupeds of North American is a wildlife classic: an essential and timeless contribution to both Early American culture and the Art of American Wildlife Painting. The American Review a Whig journal heralded the national origin of the Quadrupeds: "We have at last have a Great National Work; originated and completed among us- authors artists and artisans of which are our own citizens the Bible of Nature!" John James Audubon in the West. New York: Henry H. Abrams 2000. Sabin 2368. Wood 208. Archivally matted & framed V.G. Audubon, unknown
1849réf. 4369New York:: V.G. Audubon 1849-54. First Royal Octavo Edition. Fine with original hand-coloring. A fine original hand-colored lithograph on paper. Royal Octavo 10.5 x 7 inches. Drawn from nature by John Audubon drawn on stone by William E. Hitchcock and lithographed printed and colored by JT Bowen Philadelphia. Accompanied by the original text written by the Reverend John Bachman DD. The Quadrupeds of North America; portrayals of 155 four-legged mammals native to North America depicted in their natural environment was a collaborative effort between the premier nineteenth century American Ornithologist Naturalist Artist and Frontiersman John James Audubon 1785-1851 his sons John Woodhouse Audubon and Victor Gifford Audubon and the naturalist Reverend John Bachman. The four men were unified in their desire to document and portray what they recognized as a dwindling resource; America's native animals amidst the natural beauty of the untouched American landscape. Their collective wisdom predicted the impending effects of Manifest Destiny- man's encroachment on the wilderness and natural landscape of North America- and as such was the impetus for the journey. To document and then portray America's native animals in the splendor and majesty of the uninhabited North American landscape the team traveled westward from Audubon's home in Mill Grove Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark; from the Canadian border of the Northern Russian Territories- now Alaska- then southward to Mexico. Arduous and monumental the journey is recognized in the pathos of the compositions. However the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen The Quadrupeds of North American is a wildlife classic: an essential and timeless contribution to both Early American culture and the Art of American Wildlife Painting. The American Review a Whig journal heralded the national origin of the Quadrupeds: "We have at last have a Great National Work; originated and completed among us- authors artists and artisans of which are our own citizens the Bible of Nature!" John James Audubon in the West. New York: Henry H. Abrams 2000. Sabin 2368. Wood 208. Matted in Ivory Rag Board 12 x 16 inches. V.G. Audubon, unknown
1849réf. 4396New York:: V.G. Audubon 1849-54. First Royal Octavo Edition. Fine with original hand-coloring. A fine original hand-colored lithograph on paper. Royal Octavo 10.5 x 7 inches. Drawn from nature by John Audubon drawn on stone by William E. Hitchcock and lithographed printed and colored by JT Bowen Philadelphia. Accompanied by the original text written by the Reverend John Bachman DD. The Quadrupeds of North America; portrayals of 155 four-legged mammals native to North America depicted in their natural environment was a collaborative effort between the premier nineteenth century American Ornithologist Naturalist Artist and Frontiersman John James Audubon 1785-1851 his sons John Woodhouse Audubon and Victor Gifford Audubon and the naturalist Reverend John Bachman. The four men were unified in their desire to document and portray what they recognized as a dwindling resource; America's native animals amidst the natural beauty of the untouched American landscape. Their collective wisdom predicted the impending effects of Manifest Destiny- man's encroachment on the wilderness and natural landscape of North America- and as such was the impetus for the journey. To document and then portray America's native animals in the splendor and majesty of the uninhabited North American landscape the team traveled westward from Audubon's home in Mill Grove Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark; from the Canadian border of the Northern Russian Territories- now Alaska- then southward to Mexico. Arduous and monumental the journey is recognized in the pathos of the compositions. However the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen The Quadrupeds of North American is a wildlife classic: an essential and timeless contribution to both Early American culture and the Art of American Wildlife Painting. The American Review a Whig journal heralded the national origin of the Quadrupeds: "We have at last have a Great National Work; originated and completed among us- authors artists and artisans of which are our own citizens the Bible of Nature!" John James Audubon in the West. New York: Henry H. Abrams 2000. Sabin 2368. Wood 208. Matted in Ivory Rag Board 12 x 16 inches. V.G. Audubon, unknown
