O'Brien, Reverend John ABiblio.com
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réf. 1163822604.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1987réf. 632631 vol. grand in-8 br., Quaderni del Centro di Studio per l'Archeologia Etrusco-Italica, Consiglio Natzionale delle Ricerche, 1987, 196 pp.
2017réf. 14943Milano: Skira 2017. Usato in buono stato. . Brossura editoriale illustrata cm 30 x 28 pp 326 2 illustrate a colori. Ben conservato. Pubblicato nel 2017 in occasione della mostra promossa da Le Stanze del Vetro di Venezia questo catalogo costituisce la prima monografia scientifica sulla produzione di vetri e cristalli disegnati da Ettore Sottsass jr 1917 - 2017 per Memphis Vistosi Fontana Arte Venini Swarowski Yamigiwa Alessi e altri; con numerose immagini di disegni pubblicazioni d’epoca cataloghi e allestimenti una cronologia illustrata e fotografie a piena pagina degli oggetti esposti. Con contributi di Luca Massimo Barbero Cristina Beltrami Françoise Guichon e Marino Barovier. Prima edizione. Skira unknown
1879réf. 1395Paris, Emile Derenne, 1879, 16 X 25 cm., broché, 66 pp. Envoi de l'auteur au Docteur LAURENT, consultant à Bourbonne-les-Bains. Partiellement non coupé. Couverture plissée et petit manque au dos. Intérieur propre. Ouvrage rare.
réf. 229645Lyon, A. Brun, 1876 gr. in-8, 213 pp., blasons in-t., demi-chagrin lie-de-vin, dos à nerfs orné de fleurons dorés, monogramme en pied (reliure de l'époque). Quelques rousseurs. Ex-libris Le Baron de Truchis de Varennes.
réf. 229765Lyon, A. Brun, 1876 gr. in-8, 213 pp., blasons in-t., cartonnage papier marbré à la Bradel, couv. cons. (reliure moderne).
1877réf. 6698Bourg-en-Bresse, Imprimerie J.M. Villefranche, 1877 ; in-8, broché ; 47 pp. et 2 planches hors-texte, premier plat conservé.
1883réf. 774151883 Lyon, Mougin-Rusand, 1880, plaquette in 8° brochée, 22 pages ; couverture imprimée.
1881réf. 810661881 Paris, Becus, 1881, plaquette in 8° brochée, 16 pages ; couverture illustrée.
PARIS, Lib. médicale de Germer-Baillière - 1874 - Tiré à part des Annales de la Société d'hydrologie - In-12 - En partie débroché - Tableaux - 121 pages - Propre
1988AA.VV Eucaristia celebrata dal Santo Padre Giovanni Paolo II per gli studenti universitari. , Tipografia Vaticana 1988, Lievemente segnato dal tempo, complessivamente in buono stato Buono (Good) . 44
1966In 8 (21,5x14,5) Legatura in pelle con fregi e titolo in oro al dorso; pp. 252 con 16 tavole a colori di Aligi Sassu; ottimo
1957réf. 2143483Torino, Milano, Padova u.a.: G. B. Paravia 1957. XV, (1), 136 Seiten. 8° (17,5-22,5 cm) illustrierte Orig.-Broschur. [Softcover / Paperback].
1530In-folio, (8), 291pp, (1), legatura in pergamena coeva, buono stato. Comprende anche il Canticum Moysi in exodo. Glosse in greco ai margini. In-folio, (8), 291pp, (1), contemporary vellum binding, good condition. It also includes the Canticum Moysi in exodo. Glossae in Greek at the margins.
réf. 0259750611.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2001réf. Q-1891024280D.A.P./Distributed Art Publishers Inc 2001-10-15. Hardcover. New. New. In shrink wrap. Looks like an interesting title! D.A.P./Distributed Art Publishers, Inc hardcover
réf. 13977595Milan: Centro Studi Archeologia Africana, 2004 in-8, 163 pages, illustrations, bibliographie. Broché, étiquette de référencement, bon état. Texte français et italien.
réf. ABE-86478215442 FEMMES A DROITE DE LA FONTAINE-MENTION MTIL EN BAS A DROITE-NON VOYAGEE (BCP3)
réf. 003841Ex-libris (109*69mm) pour indiquer le dos des livres du révérend (1848-1937) et sa femme au collège de Gettysburg (USA).
1974149 pages. "Consists of extracts derived from readings for individuals, and topics of discussion are varied enough that everyone will find something of interest." - from page i. Prior owner's name atop front free endpaper else unmarked with moderate wear. A sound copy. Book
1801réf. 3865A scarce book of country excursions taking in some of the most striking landscapes and great houses within a day's journey of Bath. Three excursions are presented in the course of four letters with each excursion illustrated with a small part-page engraved map. The author describes in detail the landscapes cities and great houses along the way with plentiful information about the history of the towns gardens and architecture visited. Of particular note are Longleat Stourhead Fonthill and Wardour Castle. 'I am now to introduce you to one of the most splendid mansions in the kingdom Fonthill the seat of Mr. Beckford; where expence has reached its utmost limits in furniture and ornaments; where every room is a gold mine and every apartment a picture-gallery' p. 119. The description of Beckford's library is alas rather brief: 'The library is a large room filled with choice and expensive books; and decorated with appropriate paintings on the ceiling' p. 126. Warner also visits 'new' Wardour Castle - it was built in the 1770s - and gives a room by room commentary of the architecture furniture and paintings. Or particular interest is his description of the chapel: 'From this apartment we are carried into the western gallery of the chapel; a structure that displays superlative taste and magnificence. Crimson furniture and gilded ornaments produce an immediate striking coup d' œil; but when the decorations are examined individually the splendour and expence become more perceptible. Three immense pictures by Rubens cover the southern wall of the chapel; and one by this artist and another by Guido of the same majestic size are their opposite companions. The altar-piece is a Dead Christ by Cades. A large gallery is constructed at the western end superbly fitted up for Lord Arundel and his party; a second at the east end of the north side for the choir; and a third at the east end of the north side for the accommodation of visiters sic. Benches occupy the middle of the chapel for the reception of the domestics and such of the villagers as profess the Romish faith; for there is a Catholic seminary here the pupils of which punctually attend at morning and evening prayers. The eastern end of the chapel recedes into a semi-circular form through the windows of which light is admitted; but as these are placed high and consist of coloured glass the effect is extremely striking and solemn. The central window exhibits Angels and the awful Tetragrammaton from which is an emanation of glory. Brought forward from the eastern end sufficiently to allow the processions around it stands the Altar a most costly piece of workmanship fixed on a splendid sarcophagus of ebony; and constructed of porphyry agate and amber. A magnificent crucifix of silver surmounts the altar; and two censers of solid gold embossed with silver suspended over it pour through the chapel odiferous clouds of ever-burning frankincense. Every thing around indeed evinces that the Romish ritual is observed here with the utmost vigour and magnificence; and doubtless the celebration of its higher offices amid such seducing objects must act with infinite force upon the imagination. The effect produced by the externals of worship every man experiences who attends our Cathedral service which has not been stripped of so much of its lace as the common parochial ritual; how much then must this be increased when aided by exquisite examples of sculpture and painting; amid the strains of angelical music the glare of unnumbered lights and the Hallelujahs of numerous multitudes! The tamest fancy must be roused by such a scene and the coldest heart warmed into transport … It is but proper to add that the attendance of strangers at the service in Wardour chapel is considered as a compliment and every convenience provided for their accommodation' pp. 137-141. Richard Warner was an antiquary and an Anglican clergyman originally from the coastal town of Lymington in Hampshire. He became curate to Wililam Gilpin whose influence can be clearly seen in the present work dedicated to walking and the natural beauties of the west country. Warner obtained his first position in Bath in 1794 and remained there for some years writing a number of topographical works and a gothic novel Netley Abbey 1795 inspired by local ruins. He was a friend of Wordsworth who collected Warner's picturesque writings alongside those of Gilpin and who is known to have dined with him in Bath. In his lifetime Warner was mostly known for his controversial pacifist sermons and writings: it is thought that Blake was referring to Warner in the lines 'ask him if he is Bath or if he is Canterbury' in Jerusalem as claimed by David Erdman. Although this copy is in a later nineteenth century binding and was bound without the half-title a previous owner - possibly from the 1840s or 1850s perhaps contemporaneous with the binding and the newspaper cutting - has added an engraved portrait a Latin celebration of Bath an engraving of Farleigh Castle and a newspaper cutting referring to Paul Methuen of Corsham. OCLC lists BL University of Edinburgh the Natural History Museum and the Rubenianum in Antwerp only. Crutwell & G.G. and J. Robinson
1901réf. 83155Saint-Dié, Typographie et Lithographie C. Cuny, 1901, in-8 (13,5x21cm), pleine toile rouge (usure), 161p. Edition originale. Reliure présentant des marques du temps. Intérieur frais. Ex-libris manuscrit sur la page de titre.
réf. 12755GRASSE, Imp. de Dufort ainé - 1807 - In-12 - couverture muette - 35, 12 PagesDRAGUIGNAN, Fabre, 1826 - In-12 - 8 pages
1963réf. 74587USA 1963. Cm. 28 pp. 1828. Con 12.025 illustrazioni nel testo e molte tavole f.t. a colori. Leg. edit. in tela illustrata. Ben conservato. Straordinario repertorio iconografico. hardcover
réf. 1490854088.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
