2,198 results
1518ref. 4543Venice: Georgio de Rusconi 1518. Very good. Small 8vo 145 x 97 mm. 48 ff. Collation: A-F8 COMPLETE some soiling traces of damp in outer margins of D1-F8 for which SEE IMAGES. Old 18th-century vellum. In excellent unsophisticated condition. ITALIAN POST-INCUNABLE EDITION OF THE CARCEL DE AMOR THE MOST IMPORTANT SPANISH NOVEL OF COURTLY LOVE. Written in the late 15th century the work is a key example of the "star-crossed lovers" romance tradition. It combines allegory with chivalric narrative while its epistolary form intensifies the themes of miscommunication and emotional crisis. Widely popular it was quickly translated and circulated across Europe as is attested by this Italian translation published in Venice in 1518. The story continues to be celebrated for its emotional intensity and its refined articulation of courtly love. The romance was first translated from the Spanish into Italian by Lelio de Manfredi of Ferrara in 1514 and represents a moment when literature language and print culture intersected across political and cultural borders. For years the story was reshaped and redistributed in Renaissance Europe and contributed to a shared literary tradition. On the title-page of our edition we find only Manfredi's name and the dedicatee is Isabella d'Esta his former pupil. The translator has added his own closing epistle to the Carcel de Amor which praises Isabella; the author's name Diego de San Pedro is nowhere to be found. The Carcel de amor is told almost entirely through letters speeches and monologues rather than dialogue. It centers on Leriano a young nobleman in love with Laureola daughter of the King of Macedonia. His condition is figured as an allegorical "PRISON OF LOVE" and he communicates with her only through a mediator. A rival Persio sometimes Theseus/Perseus accuses Laureola of having an affair leading to her imprisonment. Leriano rescues her and kills his rival but Laureola ultimately rejects him in a letter. In despair he chooses to starve himself to death but not before delivering a speech in praise of women. CATALOGUER'S NOTE: Italian translations of the Carcel de Amor "Carcer Damore" are uncommon. We have located just three copies of ANY Italian language post-incunable edition at auction in the last century: 1518: sold at Ader Paris 2024 1521: sold at Sotheby's London 1970 1518: sold through Quaritch Catalogue 494 1934. EDIT16 CNCE 66997. Georgio de Rusconi unknown
1525ref. 4542Venice: Gregorio di Gregorii 1525. Very good. Small 8vo 143 x 95 mm. 44 ff. Collation: A-E8 F4 COMPLETE title-page with light toning fols. A1-2 with unimportant wormholes in blank gutter margin. Very attractive late 19th- or early 20th-century blue embossed boards gray cloth spine. In excellent condition the paper crisp and fresh. ITALIAN POST-INCUNABLE EDITION OF THE CARCEL DE AMOR ONE OF THE MOST ENDURING OF ALL LATE MEDIEVAL ROMANCES. Written in Spanish in the late 15th century the work is a key example of the "star-crossed lovers" romance tradition. It combines allegory with chivalric narrative while its epistolary form intensifies the themes of distance miscommunication and emotional crisis. Widely popular it was quickly translated and circulated across Europe as is attested by this Italian translation published in Venice in 1525. The story continues to be celebrated for its emotional intensity and its refined articulation of courtly love. The romance was first translated into Italian by Lelio de Manfredi of Ferrara in 1514 and represents a moment when literature language and print culture intersected across political and cultural borders. For years the story was reshaped and redistributed in Renaissance Europe and contributed to a shared literary tradition. On the title-page of our edition we find only Manfredi's name and the dedicatee is Isabella d'Esta his former pupil. The translator has added his own closing epistle to the Carcel de Amor which praises Isabella; the author's name Diego de San Pedro is nowhere to be found. The Carcel de amor is told almost entirely through letters speeches and monologues rather than dialogue. It centers on Leriano a young nobleman in love with Laureola daughter of the King of Macedonia. His condition is figured as an allegorical "PRISON OF LOVE" and he communicates with her only through a mediator. A rival Persio sometimes Theseus/Perseus accuses Laureola of having an affair leading to her imprisonment. Leriano rescues her and kills his rival but Laureola ultimately rejects him in a letter. In despair he chooses to starve himself to death but not before delivering a speech in praise of women. CATALOGUER'S NOTE: Italian translations of the Carcel de Amor "Carcer Damore" are uncommon. We have located just three copies of ANY Italian language post-incunable edition at auction in the last century: 1518: sold at Ader Paris 2024 1521: sold at Sotheby's London 1970 1518: sold through Quaritch Catalogue 494 1934. EDIT16 CNCE 44982. See. Gregorio di Gregorii unknown
1992ref. 39290Ed. Revista Literaria 1992. unbound. Bueno. Ed. Revista Literaria. Madrid 1929. Carton lomo piel. 29x21. 828 pp. Del Nº 27 al nº 52. 45 titulos. Cubiertas y lomo algo deslucidos. Pequeñas faltas que afectan al texto en pags. 171-172 ; 763-764 ; 787-788. Ed. Revista Literaria unknown
1828ref. 44998New-York: S. King 1828. Very good plus. Early Republic American edition of an altered version of Bernardin de Saint-Pierre's work featuring a happy ending not present in the original. This is the story of two French colonist children who grow up side-by-side and fall in love in Mauritius only to be torn apart by class expectations. PAUL AND VIRGINIA is punctuated by abolitionist themes which this version makes more explicit: rather than dying in a shipwreck as in the original work Virginia is rescued by a formerly enslaved man. OCLC located only two holdings of this edition the first published by S. King in New York. 12mo. 7.25'' x 4.25''. Modern half-calf binding with marbled boards. Hand-colored etched frontispiece. 32 pages followed by 18 modern blank leaves collated complete. Binding with a bit of edgewear to spine. Leaves with light scattered soil mild bleedthrough of colors to back of frontispiece. Sharp. S. King unknown
1947ref. 45298Paris: Editions de la Maison Française 1947. Near fine in original slipcase. Limited edition of this illustrated 18th-century French tragedy with abolitionist themes - with a numbered print by Friesz loosely laid in. The story of two French colonist children who grow up side-by-side in Mauritius and fall in love only to be torn apart by class expectations. PAUL ET VIRGINIE is punctuated by anti-slavery sentiments part of Saint-Pierre's desire to explore the possibility of "building a new society free of specific clearly identified European ideals" Wasserman 104. This limited edition features illustrations by Fauvist E. Othon Friesz and was published two years before his death. 11'' x 8.75''. Original stiff wrappers. Original glassine. Illustrated in color. 8 LVI 146 4 pages in loose folia. Black-and-white Friesz print numbered 92/230 loosely laid in. In original stiff folder with title to spine and original slipcase. Slipcase with some edgewear light shelfwear; small bump to rear. Folder spine a bit sunned. Glassine with mild bumping to spine ends. Interior clean and bright. (Editions de la Maison Française) unknown
1797ref. 10257London: Vernor and Hood 1797 Third edition. Full leather much worn and marked gold bands to the spine black title label eps grubby name to title page frontis and four full-page engravings by H Richter grubby marks and occasional foxing throughout some corners chipped good. Vernor and Hood hardcover
2008ref. 304210Quebec: Les Publications De Quebec 2008. Book. Fine. Paperback. Comme neuf. Les Publications De Quebec Paperback
1818ref. 25268Paris: Chez Méquigon-Marvis. Libtraire rue de L'École de Médecine 1818. First Collected edition. Mises en ordre et Précédées de la Vie de l'Auteur par L. Aimé-Martin. Engraved frontispiece portrait of the author in volume I and numerous other engraved plates throughout. 12 vols. 8vo 8-1/4 height; widith 1-14 inches but varies slightly; 14 inches in total length. Full contemporary brown sprinkled calf gilt spine with contrasing leather spine labels. Spines uniformly darkened a little small chip from one label otherwise a fine clean attractive set. First Collected edition. Mises en ordre et Précédées de la Vie de l'Auteur par L. Aimé-Martin. Engraved frontispiece portrait of the author in volume I and numerous other engraved plates throughout. 12 vols. 8vo 8-1/4 height; widith 1-14 inches but varies slightly; 14 inches in total length. Chiefly remembered today for his Paul et Virginie Barnardin de Saint-Pierre was also a naturalist who wrote extensively on the harmony and order of nature. Paul et Virginie in fact appears in Volume IV of his Etudes de la Nature. This is the first collected edition of his works published four years after his death in 1814. Brunet V 57 Chez Méquigon-Marvis. Libtraire, rue de L'École de Médecine unknown
1833ref. 230554Paris: Lefèvre 1833. 784; 621 pp. 2 vols. Royal 8vo. Three-quarter calf marbled boards red and black morocco spine labels. Spine label of Vol. I slightly chipped else a Near Fine set. 784; 621 pp. 2 vols. Royal 8vo. Lefèvre unknown
1795ref. 58293Boston: Printed by I. Thomas and E. T. Andrews 1795. First American edition. French and English text on facing pages. 1 vols. 12mo. Contemporary sheep red morocco label. Some wear to upper joint tears along gutter of blanks some browning and soiling of text. Signature on title of Armand Auboyneau who had presented it to Samuel Malbone on the blank preceding title whose signature is on the endpaper with Auboyneau's that of Eliza Tweeny Malbone is on the first page of text. First American edition. French and English text on facing pages. 1 vols. 12mo. Author of "Paul and Virginia." The first book of the author's work "Arcadia" "wherein the celebrated author . . .had proposed to represent the three states of barbarity civilization and corruption through which pass successively almost every nation" Advertisement of the Translators. This is apparently an imaginary view of early Gaul. Jean Baptiste de La Roche was one of the translators. Evans 29461 Printed by I. Thomas and E. T. Andrews unknown
ref. 449/79Paris Lehuby 1850. DAVID in-8 X415 pp 20 Tafeln OHLdr Goldschnitt Ecken bestoßen gering stockfleckig. Seltene Ausgabe nicht bei Vicaire Sander und Rümann. Paris, Lehuby, 1850, unknown
ref. 117270Paris Librairie Artistique H. Launette et Cie. 1887. xxvii. 208 pages. 1 feuillet. 12 planches hors-texte. 285x20 Cm. Pleine reliure en soie satiné bleu dans son étui. Le titre apparaît dans une plaque figurative dorée sur le plat et le dos. Reliure signée Engel. Charnières et dos frottés. Coins et coiffes un peu émoussés. 12 belles eaux-fortes hors-texte gravées par Auguste Boullard et très nombreuses vignettes dans le texte gravées sur bois d'après les dessins de Maurice Leloir. Rare exemplaire sous luxueux cartonnage en soie. Imprimée sur grand papier. Faux-titre titre table des eaux-fortes préambule et avant-propos. Très bon exemplaire. Paris, Librairie Artistique H. Launette et Cie. 1887. unknown
ref. 48126Avignon Chez Joseph Chastel 1718. 97 pages. 10 pages. 1 feuillet blanc. 67 pages. 118 pages. 57 pages. 12 pages. 79 pages. 32 pages. 4 pages. 1 feuillet blanc. 16x9 Cm. Plein veau de l'époque. Dos à nerfs richement orné. Plats et charnières frottées. Coins et coiffes émoussés. Huit lettres réponses et instructions en un volume qui traitent des questions religieuses. Louis-Antoine de Noailles est un prélat français évêque de Cahors puis de Châlons il est ensuite archevêque de Paris de 1695 à 1729 créé cardinal en 1700. Il condamna les cinq propositions de Jansenius mais il se montra conciliant avec les jansénistes et s'opposa vivement à leurs adversaires les jésuites. Peu après sa nomination à Paris il avait approuvé les Réflexions morales du père Pasquier Quesnel un oratorien déjà connu pour son attachement au jansénisme et qui devait devenir l'un des principaux chefs de ce parti. Taches et rousseurs éparses. Mouillure légère. Quelques pages partiellement déreliées. Avignon, Chez Joseph Chastel, 1718. unknown
ref. 83622Bayreuth Archiv für Geschichte von Oberfranken 1964. Gr.8° 160 S. 36 Taf. Brosch. Kopf min. läd. etw. gebräunt. EA dieses Sonderdrucks. Mit Widmung des Autors auf Titelblatt. Dissertation Universität Frankfurt/M. - «Joseph Saint-Pierre um 1709 - 21. Juli 1754 in Bayreuth war ein französischer Architekt. Saint-Pierre arbeitete am Hof des Markgrafen Friedrich von Brandenburg-Bayreuth und seiner Frau Wilhelmine in Bayreuth ab 1743 probeweise als fürstlicher Hofbauinspektor bis er dann 1746 eine feste Anstellung erhielt. Die Neugestaltung des Stadtbilds von Bayreuth Mitte des 18. Jahrhunderts ist wesentlich auf seine Bautätigkeit zurückzuführen. Der bedeutende Baumeister Carl von Gontard der unter Friedrich II. zahlreiche Bauwerke in Brandenburg-Preußen errichtete arbeitete anfangs unter Saint-Pierre am Bayreuther Hof» Wikipedia. 010 Bayreuth, Archiv für Geschichte von Oberfranken, 1964 unknown
ref. 45023Leipzig Amelang 1899. Gr.8° XII 179 S. zahlr. Abb. tlw. a. Taf. OLwd. m. farb. Deckelill. OU OU stark läd. u. geklebt Kapitale min. berieben Vs. etw. gebräunt Buch sonst tadellos. EA dieser Ausgabe. Mit einer Einleitung von Ferd. Lotheisen. 010 Leipzig, Amelang, 1899 unknown
ref. STLD0170Paris Curmer 1838. Lex.8°. LVI S. 6 Bl. Abbildungsverz. 4582 S. auf starkem Papier. Mit Holzschn.-Vign. auf Rücks. d. Vortit. Titelvign. gest. Portr. nach Louis FRANCAIS als Frontisp. gest. Tit. kolor. gest. Karte d. Ile de France Mauritius 28 Holzschnitt-Taf. . nach Tony Johannot Paul Huet Louis Francais u. Ernest Meissonier sowie 468 Vign. u. Init. dav.7 in Stahlst. im Text. Schöner hellbrauner geglätteter Lederband d. Zt. auf 4 falschen Bünden m. Zentralmedaillon u. Bordüren in Blindpr. goldgepr. Fileten u. reicher Rückenvergoldung. dreis. Goldschn. OU. eingebunden. Kanten geringf. berieben Rücken etw. geblichen frisch u. fast fleckenfrei. Ein Meisterwerk der franz. Buchillustration. Paris, Curmer 1838. unknown
ref. FSKB0353A Paris Chez Deterville et Lefevre 1816. 14x85 cm. Gest. Front. nach Moreau le Jeune VIII 242 S. Lederband d. Zt. mit RüSch. u. reicher Rücken- u. Einbandvergoldung. Ecken berieben sonst gutes Exemplar in dekorativer Bindung A Paris, Chez Deterville et Lefevre 1816. unknown
ref. FSKB0354Londres S. Low 1824. 145x9 cm. Gest. Front. u. gest. Titel nach W. Harvey 215 5 Notes S. Halblederband d. Zt. nach Moreau le Jeune Deckel leicht berieben Spiegel mit Widmungsvermerk einer Schule in Birmingham aus 1828. Kanten leicht berieben erste Lage gelockert die ersten 2 Bll. fleckig. Londres, S. Low 1824. unknown
ref. FSKB0165Paris Furne 1855. gr.8°. Tit. XL 330 S. auf starkem Papier. Mit 5 statt 7 Portr. in getönten Stahlst. nach Ernest LAFITTE Tony JOHANNOT u. Ernest MEISSONIER 19 Taf. in Holzschn. nach Paul HUET Tony JOHANNOT u. Louis FRANÇAIS 1 kolor. gest. Karte d. Ile de Paris, Furne 1855. unknown
ref. FSKB0352A Paris de l'Imprimerie de Monsieur Didot Jeune 1789. 13x85 cm. XXXV 2431 S. 4 Kupfertafeln marmorierter geglätteter Ganzlederband d. Zt. mit RüSch. u. reicher Rücken Einband- u. Innenkantenvergoldung umlaufender Goldschnitt. Titel mit dem Zusatz >Prix papier ecu fin d'Essone 4 liv." Erste Einzelausgabe hier auf besserem Papier und mit den Kupfern von MOREAU le JEUNE 3 und VERNET. Auf Seite 243 verso der gedruckte Vermerk " "L'Approbation et le Privilège se trouvent aux Etudes de la Nature".- Gumuchian 5047; Brunet V57; Cioranescu III58867; Sander 1787. A Paris, de l'Imprimerie de Monsieur [Didot Jeune] 1789. unknown
ref. FSKB0351A Paris de l'Imprimerie de Monsieur Didot Jeune 1789. 105x75 cm. XXXV 2431 S. Pappband d. Zt. mit RüSch. Ecken u. Kanten berieben im Text sauber u. nahezu fleckenfrei. Erste Einzelausgabe hier die billigere Ausgabe ohne Kupfer. Titel mit dem Zusatz >Prix broché 1 liv 10 sols.< Auf Seite 243 verso der gedruckte Vermerk "L'Approbation et le Privilège se trouvent aux Etudes de la Nature".- Gumuchian 5048; Brunet V57; Cioranescu III58867. A Paris, de l'Imprimerie de Monsieur [Didot Jeune] 1789. unknown
1815ref. 67010London: Baldwin Cradock and Joy 47 Paternoster Row C. Baldwin printer New Bridge-street London 1815. First edition in English 3 volumes engraved portrait frontispiece original chocolate-brown paper-covered boards paper labels on spines; a few chips and cracks but largely a very good sound set. In ink on verso of each front free endpaper: El: Rose / Kilravock Castle 27th June / 1816. Though she died in 1815 the signer is probably Elizabeth Rose of the clan Rose erstwhile owners of Kilvarock Castle. Saint-Pierre 1737-1814 was the author of the often-reprinted story Paul et Virginie 1789. In Harmonies Saint-Pierre attempts to prove the existence of God based on the wonders of nature. "After Rousseau and even more than Rousseau Bernardin was in French literature the apostle of the return to nature though both in him and in his immediate follower Chateaubriand there is still much mannerism and unreality" EB-11. Baldwin, Cradock, and Joy, 47, Paternoster Row, [C. Baldwin, printer, New Bridge-street, London] unknown
ref. A9781087877938Hardback. New. hardcover
ref. A9781032685366Paperback / softback. New. This book brings out of the shadows the work of true pioneers by presenting and analyzing from a resolutely feminist perspective the works they have conceived within the National Film Board of Canada. paperback
ref. B9781020782510Hardback. New. hardcover