Saint-Pierre, BernardinBiblio.com
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réf. 1334073805.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1161447555.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1020982160.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. B9781015471184Hardback. New. hardcover
réf. 1385390336.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1950réf. 2110502150305003Yodesha 1950. Soft Cover. Fine. Volume: 1 Yodesha paperback
1972réf. 2080202103100131Obunsha 1972. Soft Cover. Fine. Page: 213 Size: 15.5 Width 11.5 Width 1.3 Volume: 1 Obunsha paperback
2004réf. Q-0809594633Wildside Press 2004-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! Wildside Press paperback
1795réf. 3334The scarce first edition of Helen Maria Williams' translation of Saint-Pierre's best-selling Paul et Virginie. This English translation was also to prove enormously popular with many printings in England but this first appearance thought to have been printed in Paris at the English press of Williams' lover John Hurford Stone is scarce. Additionally this copy includes the suite of six engraved plates found only in a few copies. In 1792 two years after her first visit to Paris Helen Maria Williams returned to live there permanently. Her salon on the rue Helvétius became a meeting place not only for her Girondist circle but also for a large number of British American and Irish radicals writers and public figures including Mary Wollstonecraft Thomas Paine Joel Barlow and Charles James Fox. It was at this time that she became involved with John Hurford Stone 1763-1818 a radical English coal dealer who was working as a printer in Paris. Their involvement caused huge scandal in England as Stone was married. He divorced his wife in 1794 and it may be that he was married to Williams in the same year. On October 11th 1793 during tea with Bernardin de Saint-Pierre Williams had learnt that all British citizens in France were to be arrested following the French defeat at Toulon. The next day she and her family were taken to the Luxembourg prison where they stayed until 26th October when they were moved to the English Conceptionist Convent otherwise known as the Couvent des Anglaises. It was here that Williams began this translation. She was released in April of the following year on the condition that she left Paris: she and Stone went together to Switzerland until they were able to return to Paris in 1795 when Stone printed the completed work. Of the copies listed in ESTC only three copies Virginia Morgan and Penn have the plates although the BN copy also has the plates. Of the Morgan copy John Bidwell writes in their catalogue: 'Given the French origins of the paper type plates and binding and the quality of the typesetting this edition was printed in Paris almost certainly at the English press of the expatriate radical John Hurford Stone who was living with Helen Maria Williams at the time. Cf. Madeleine B. Stern "The English Press in Paris and its successors" PBSA 74 1980: 307-89'. Adding another level to the interchange of nationalities in this edition although French the type was of English origin being cast from Baskerville's punches by the Dépôt des caractères de Baskerville in Paris established by Beaumarchais in 1791 and closed c.1795–6. Beaumarchais a great admirer of Baskerville purchased the bulk of the Birmingham printer's punches from his widow after his death John Dreyfus 'The Baskerville punches 1750–1950' The Library 5th series 5 1951 26–48. 'The following translation of Paul and Virginia was written at Paris amidst the horrors of Robespierre's tyranny. During that gloomy epocha it was difficult to find occupations which might cheat the days of calamity of their weary length . In this situation I gave myself the task of employing a few hours every day in translating the charming little novel . and I found the most soothing relief in wandering from my own gloomy reflections to those enchanting scenes of the Mauritius which he has so admirably described . the public will perhaps receive with indulgence a work written under such peculiar circumstances; not composed in the calm of literary leisure or in pursuit of literary fame; but amidst the turbulence of the most cruel sensations and in order to escape from overwhelming misery' Preface signed Helen Maria Williams Paris June 1795. 8vo pp. ii viii 2 9-274 with six stipple engraved plates by Lingée Lefebvre and Clément two after designs by Dutailly tissue guards to all but one of the plates some scattered foxing the text printed on mixed stock much of which is slightly blue-tinted and watermarked 'P Lentaigne' occasional light spotting small marginal hole on D1 one gathering sprung in contemporary calf worn at extremities head and foot of spine chipped roll tool border to covers within double fillet gilt corner fleurons and circles gilt flat spine gilt in compartments blue morocco label lettered in gilt both covers badly scratched with bright marbled endpapers and gilt edges. ESTC t131741 listing BL Bodleian Wisbech; Cornell Harvard Morgan Penn Princeton Smith College Toronto UCLA Chicago Illinois Virginia and Yale. Cohen-de Ricci 932 calling for only 5 plates; no details given in Garside Raven & Schöwerling see note on HMW's translation in 1788:71. John Hurford Stone at the English Press.
1894réf. mon0000103853A.C. McClurg & Co 1894-01-01. Hardcover. Very Good. in x in x in. Amazing copy! Very clean and tight copy with negligible wear to the spine and covers. Gilt spine front cover embossing and top edges of pages. Pictures available on request. A.C. McClurg & Co hardcover
1888réf. BOOKS242854London UK: George Routledge and Sons. G/NO DUSTJACKET. 1888. Ltd Edition. Cloth. No. 221 of 800 copies . 4to. 208 pp. cover rubbed. bumped fraued yellowing . George Routledge and Sons hardcover
1819réf. 220336London : Printed for John Sharpe; Longman Hurst Rees Orme and Brown; Baldwin Cradock and Joy; and George Cowie and Co. 1819 i.e.1820 1819. 1st Edition in this form. Hardback. Very good copy bound in contemporary full aniline calf. Raised bands and gilt-blocked titles to spine with compartments uniformly tooled in gilt. Decorative gilt-stamped border to upper and lower boards. Spine bands and panel edges somewhat worn and rubbed as with age. All edges gilt. Marbled endpapers. Some age toning and tanning internally especially around the prelims and plates. Small bookseller's label on blank prelim. leaf: Wm. A. Colman Broadway New York. Previous owner's inscription and signature to half title and engraved title pages. Remains particularly well-preserved overall; tight and strong. Further scans images etc. and additional bibliographical material available on request.; 8vo 8"" - 9"" tall; 168 pages; Physical description: viii 168 p. 4 leaves of plates : ill. ; 19 cm. 12mo. Added engraved title page with vignette dated 1820.The plates and title vignette are drawn by Richard Westfall engraved by Charles Heath; three of the plates are dated 1820.Printer's imprint on verso of title leaf and at foot of p. 168: C. Whittingham printer College House Chiswick. Translation of: Paul et Virginie. Subjects: French literature -- Children's books -- Translations into English. London : Printed for John Sharpe; Longman, Hurst, Rees, Orme, and Brown; Baldwin, Cradock, and Joy; and George Cowie and Co., 18 hardcover
1891réf. 52357Philadelphia: Henry Altemus. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine clean & unmarked - Text in English with lovely black and white illustrations by Leloir. 296 pages. Includes a brief biographical essay on Saint-Pierre. -- with a bonus offer-- . 1891. Henry Altemus hardcover
1838réf. C83997Paris: L. Curmer 1838. First Edition Thus. Hardback. Hardcover Hardcover. Very Good. First Edition Thus. Hardback. 4to. pp lvi 458 12. Attractively bound in half textured maroon Morocco over marbled boards lettered gilt at the spine with five raised bands and refreshed endpapers. First edition with these illustrations. Text in French. The frontispiece the 28 plates engraved on wood and the 7 steel plates are printed on india paper chine applique_ and mounted. Very good indeed. Excellent condition. L. Curmer, hardcover
1788réf. 338270Lausanne: J. Mourer 1788. hardcover. near fine. 294 pages in French. 12mo rebound in older 3/4 brown calf marbled boards gilt decorations to spine original green patterned paper wrappers bound in; top edges gilt others uncut. Lausanne: J. Mourer 1788. Areas of rubbing to spine and edges of covers as well as to joints. Light spotting to some leaves. A near fine copy. Early edition possibly a pirated edition; the first edition was published 1789 though Paul et Virginie was published 1788 in volume four of Saint-Pierre's Etudes de Nature. J. Mourer unknown
2026réf. LRB9007017Paris: Editions Recreasoft 2026 Langue : Français. Environ 652 pages. Impression sur papier premium. Français : Réimpression à la demande. Édition originale : 1838. Édition illustrée de Paul et Virginie accompagnée de La chaumière indienne avec la notice historique et littéraire de Sainte-Beuve sur J.-H. Bernardin de Saint-Pierre. L'ouvrage se distingue par son riche appareil iconographique comprenant un portrait de l'auteur des vignettes des planches gravées sur bois et sur acier ainsi qu'une présentation typographique soignée. Cette publication réunit l'un des textes emblématiques du roman sentimental français et un important ensemble d'illustrations d'artistes du XIXe siècle. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1838. Illustrated edition of Paul et Virginie with La chaumière indienne and Sainte-Beuve's historical and literary notice on J.-H. Bernardin de Saint-Pierre. The volume is notable for its substantial pictorial apparatus including a portrait of the author vignettes wood engravings and steel plates all presented in a carefully designed nineteenth-century format. It brings together one of the classic works of French sentimental fiction and an important ensemble of illustrations by nineteenth-century artists. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
1838réf. 923Paris: Curmer 1838. In-8 gr. mm. 256x160 legatura in piena pelle editoriale lievi segni duso ricca cornice a secco ai piatti ricca decorazione in ottone applicata ai piatti dorso a cordoni con decorazioni ai riquadri e titolo oro tagli dorati pp. LVI 460 12. Riccamente illustrato da: 1 carta a colori 7 ritratti 29 illustrazioni fuori testo incise su legno numerosissime vignette nel testo di Meissonier Français Johannot Isabey Paul Huet Marville Steinheil. 56-458p 1 tavola a piena pagina. Le plus celebre des illustres du 19eme siecle. . l'edition la plus reussie et la plus interessante des tres nombreuses editions de cet ouvrage". Cfr. Carteret che dedica 15 pagine solo a questa edizione. Rousseurs comme toujours vedi Carteret III p. 537. Esemplare con fioriture peraltro ben conservato. Curmer, unknown
1868réf. 39088Paris: Lemerre 1868. Cm. 35 pp. xxvii 1 334 2. Ritratto dell'autore all'antiporta frontespizio in rosso e nero testo interamente inquadrato da elegante fregio tipografico molte incisioni xilografiche nel testo anche a piena pagina. Legatura edit. in piena percallina rossa con decorazioni a secco e titoli in oro. Qualche leggera fioritura peraltro esemplare genuino e ben conservato. Prima tiratura cfr. Vicaire VII 73. Lemerre unknown
réf. 71844Paris: Garnier frères s.a. fine '800. Cm. 235 pp. lxxxvii 1 335 1. Con molte incisioni xilografiche di Alexandre de Bar. Legatura editoriale in percallina rossa interamente decorata e con titoli in oro. Tagli dorati. Ben conservato. Garnier frères unknown
1838réf. 88033Paris: Curmer 1838. Cm. 26 pp. lvi 458 14. Con moltissime illustrazioni incise nel testo e su tavole fuori testo su carta di Cina e protette da velina parlante. Solida legatura coeva in mezza pelle e percallina dorso a nervi con titoli e ricchi fregi in oro. Tagli dorati. Alcune carte con fioriture peraltro ben conservato. Ex libris. Esemplare appartenente alla prima tiratura e che ne presenta tutte le caratteristiche riportate dalle bibliografie specializzate. Curmer unknown
1863réf. 54652Paris: Furne 1863. Cm. 25 pp. 4 421 3. Ritratto dell'autore all'antiporta e moltissime incisioni nel testo e su tavole f.t. Legatura in mezza pelle e percallina rossa dorso a nervi con titoli e fregi in oro. Tagli dorati. Eccellente stato di conservazione. Furne unknown
1823réf. 16949A Paris: chez Méquignon Marvis 1823. Cm. 22 pp. 4 iv 409 3. Frontespizio figurato quattro tavole incise in rame fuori testo ed una carta geografica de l'"Ile de France" più volte ripiegata. Legatura coeva in cart. rigido verde alla bodoniana dorso liscio con titoli e filetti in oro. Esemplare con qualche fioritura peraltro apprezzabile per l'ampiezza dei margini in barbe. chez Méquignon Marvis unknown
1945réf. 241226042Aux dépens d'un Amateur 1945. Paperback. Very Good. 0x0x0. Please Read This is a 1947 printing - The pages are uncut - No marks on text - My shelf location - so-c-36 Aux dépens d'un Amateur paperback
réf. 30088Paris De l'Imprimerie P. Didot l'aîné 1806. 1 vol. 235 x 320 mm de faux-titre front. titre xcii 194 p. et 3 f. Maroquin bleu à long grain plats à encadrements ornés de larges roulettes et filets à froid et dorés dos richement orné roulette intérieure tranches dorées reliure signée de Simier R. du Roi. . La plus luxueuse édition illustrée de Paul et Virgnie en partie originale et qui fixe le texte définitif. Elle est illustrée d'un portrait de l'auteur et de 6 planches hors texte gravées sur cuivre par Bourgeois de la Richardière Bovinet Mecou Prot Ribault Roger et Tillement. . Les éditions de Paul et Virginie sont nombreuses : c'est le best-seller de l'époque dès le XVIIIe siècle. Si l'édition la plus célèbre est évidemment la fameuse édition Curmer de 1838 richement illustrée et destinée à un large public la plus luxueuse et la plus belle des éditions est éditée trente ans auparavant par l'imprimerie de Firmin Didot en 1806 sur un beau papier d'Essone. Une édition à l'opposé de la Curmer : peu d'illustrations un tirage très limité un grand format et un prix élevé. Les exemplaires en sont le plus souvent luxueusement reliés par les meilleurs ateliers de l'époque. Cette édition est supervisés par l'auteur y adjoignant un préambule inédit où il revient sur la création des gravures oeuvre de Lafitte « Enfance de Paul et Virginie » Girodet « Le Passage du torrent » Baron Gérard « Arrivée de M. de la Bourdonnais » Moreau le jeune « Les Adieux de Paul et Virginie » Isabey « Les tombeaux » et Prudhon pour la plus célèbre d'entre elles : « Le Naufrage de Virginie ». « Comment M. Prud'hon a-t-il pu renfermer de si grands objets dans un si petit espace où a-t-il trouvé les modèles de ces mobiles et fugitifs effets que l'art ne peut poser et dont la nature seule ne nous présente que de rapides images . Si M. Prud'hon réussit par la pureté de ses crayons et l'élégance de ses formes à rendre des divinités il intéresse encore davantage selon moi en représentant des mortelles . Il est selon moi le La Fontaine des dessinateurs. » C'est la dernière édition parue du vivant de l'auteur et revue par ses soins. Cachet armorié au faux-titre non identifié ; ex-libris Joël Dupont ancien conservateur du Musée Barbey d'Aurevilly. Bel exemplaire très frais. Cohen 993 ; P. Thoinet « Répertoire bibliographique et iconographique de Paul et Virginie » Bulletin du bibliophile n° 41 1961 p. 167 « rien n'égale la noblesse de cette composition in-4. . C'est à mon avis une très belle réussite de l'art du livre ». Paris, De l'Imprimerie P. Didot l'aîné, 1806. 1 vol. (235 x 320 mm) de faux-titre, front., titre, xcii, 194 p. et [3] f. Maroq unknown
1906réf. 140053Boston: Houghton Mifflin et Cie 1906. patterned paper-covered boards paper spine label slipcase. Rogers Bruce. small 4to. patterned paper-covered boards paper spine label slipcase. viii 154 2 pages. Limited to 250 numbered copies. Warde No.68. Private bookplate of Herbert H. Johnson on front pastedown. Spine lightly faded. Some minor rubbing to the extreminities slipcase rubbed with small cracks else a fine copy. Typography by Bruce Rogers. Printed on hand- made paper with type imported from France. The original copper plates have been cut on wood by M. Lamont Brown and the prints mounted. With an engraved title page. The typography is by the notable American book designer Bruce Rogers 1870-1957 who "was appreciated in his lifetime. In addition to several honorary degrees in 1948 he was awarded a gold medal from the American Academy of Arts and Letters for distinction in the graphic arts. Over decades of accomplishment in which he designed approximately 500 books. Rogers literally defined the profession of book designing in the United States" ANB. Francis Meynell stated that Rogers was."the greatest artificer of the book who ever lived Houghton Mifflin et Cie unknown
