Michel de Saint-PierreLivre Rare Book
Michel de Saint-PierreLivre Rare Book
Bernadette et Lourdes
réf. 31523Artheme Fayard, 1953. Format 13x18 cm, reliure pleine toile, 124 pages.Bon etat.
Librairie Frédéric Delbos · Lussan, France6,00 €
2 093 résultats
1979réf. 1571243688310GLN-390, Editions de la Table Ronde, 1979
réf. 31523Artheme Fayard, 1953. Format 13x18 cm, reliure pleine toile, 124 pages.Bon etat.
1953réf. 1955État : Très bon état - Année : 1953 - Format : in 8° - Pages : 242pp - Editeur : La Table Ronde - Lieu d'édition : Paris - Type : Broché - Commander rapidement : https://www.bons-livres.fr/livre/michel-de-saint-pierre/1955-bernadette-et-lourdes?lrb
1930réf. 117337Paris Flammarion, coll. "L'histoire de la nature vivante..." n° 5 1930 1 vol. relié in-12, demi-chagrin vert, dos à nerfs orné de fleurons dorés, pièce de titre rouge, tête dorée, couvertures et dos conservés, 242 pp. Prière d'insérer joint. Très bon exemplaire, bien relié.
1930réf. 117337Paris Flammarion, coll. "L'histoire de la nature vivante..." n° 5 1930 1 vol. relié in-12, demi-chagrin vert, dos à nerfs orné de fleurons dorés, pièce de titre rouge, tête dorée, couvertures et dos conservés, 242 pp. Prière d'insérer joint. Très bon exemplaire, bien relié.
réf. 60059VPSL
réf. 13398Paris, Hachette et Cie, 1904 13 x 19, 189 pp., reliure dos cuir, couverture conservée, bon état (légères épidermures)
1955réf. 150609065Image Books Doubleday 1955-01-01. Mass Market Paperback. New. Image Books (Doubleday) paperback
2019réf. BN586639Classiques Garnier 2019. 2019. Softcover. Bernardin de Saint-Pierre : Oeuvres complètes : Tome III : Oeuvres scientifiques : "Études de la nature" et textes périphériques Bernardin de Saint-Pierre : Oeuvres complètes : Tome III : Oeuvres scientifiques : "Études de la nature" et textes périphériques Jean-Michel Racault Colas Duflo Joël Castonguay-Belanger Jean-Michel Racault eds. Henri Bernardin de Saint-Pierre Classiques Garnier paperback
1907réf. 2255London: J. M. Dent @ Co 1907. Second edition. Second edition. Arts and Crafts binding in full red-brown morocco with attractive linear gilt patterning and four clusters of leaf motifs on each cover gilt decorated spine. Binding is signed in rear dentelle "WNL." Fine. J. M. Dent @ Co unknown
1907réf. 2255London: J. M. Dent @ Co 1907. Second edition. Second edition. Arts and Crafts binding in full red-brown morocco with attractive linear gilt patterning and four clusters of leaf motifs on each cover gilt decorated spine. Binding is signed in rear dentelle "WNL." Fine. J. M. Dent @ Co unknown books
réf. 75855Editions du Rocher 2005 livre 24*15 273 pages
réf. 2268056341.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. RO20207307FOUCHER. NON DATE. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 335 pages. . . . Classification Dewey : 372.7-Livre scolaire : mathématiques
1891réf. 19047Auxerre et Paris Au Secretariat De La société, Masson et Claudin 1891 Fort In-8 521 pp + 78 pp + CIX + 5 planches
1912réf. 11608Yvert et Tellier, Amiens et Librairie Picard, Paris 1912 (Documents inedits sur l'Abbaye, le Comte et la Ville de Corbie). 2 Bl., 19 Seiten Text u. 22 meist doppelseitige Tafeln. Folio. In Halbleinen-Mappe. Gebräunt u. teils etwas stockfleckig. Mappe am Rücken etwas beschädigt.
1518réf. 4543Venice: Georgio de Rusconi 1518. Very good. Small 8vo 145 x 97 mm. 48 ff. Collation: A-F8 COMPLETE some soiling traces of damp in outer margins of D1-F8 for which SEE IMAGES. Old 18th-century vellum. In excellent unsophisticated condition. ITALIAN POST-INCUNABLE EDITION OF THE CARCEL DE AMOR THE MOST IMPORTANT SPANISH NOVEL OF COURTLY LOVE. Written in the late 15th century the work is a key example of the "star-crossed lovers" romance tradition. It combines allegory with chivalric narrative while its epistolary form intensifies the themes of miscommunication and emotional crisis. Widely popular it was quickly translated and circulated across Europe as is attested by this Italian translation published in Venice in 1518. The story continues to be celebrated for its emotional intensity and its refined articulation of courtly love. The romance was first translated from the Spanish into Italian by Lelio de Manfredi of Ferrara in 1514 and represents a moment when literature language and print culture intersected across political and cultural borders. For years the story was reshaped and redistributed in Renaissance Europe and contributed to a shared literary tradition. On the title-page of our edition we find only Manfredi's name and the dedicatee is Isabella d'Esta his former pupil. The translator has added his own closing epistle to the Carcel de Amor which praises Isabella; the author's name Diego de San Pedro is nowhere to be found. The Carcel de amor is told almost entirely through letters speeches and monologues rather than dialogue. It centers on Leriano a young nobleman in love with Laureola daughter of the King of Macedonia. His condition is figured as an allegorical "PRISON OF LOVE" and he communicates with her only through a mediator. A rival Persio sometimes Theseus/Perseus accuses Laureola of having an affair leading to her imprisonment. Leriano rescues her and kills his rival but Laureola ultimately rejects him in a letter. In despair he chooses to starve himself to death but not before delivering a speech in praise of women. CATALOGUER'S NOTE: Italian translations of the Carcel de Amor "Carcer Damore" are uncommon. We have located just three copies of ANY Italian language post-incunable edition at auction in the last century: 1518: sold at Ader Paris 2024 1521: sold at Sotheby's London 1970 1518: sold through Quaritch Catalogue 494 1934. EDIT16 CNCE 66997. Georgio de Rusconi unknown
1525réf. 4542Venice: Gregorio di Gregorii 1525. Very good. Small 8vo 143 x 95 mm. 44 ff. Collation: A-E8 F4 COMPLETE title-page with light toning fols. A1-2 with unimportant wormholes in blank gutter margin. Very attractive late 19th- or early 20th-century blue embossed boards gray cloth spine. In excellent condition the paper crisp and fresh. ITALIAN POST-INCUNABLE EDITION OF THE CARCEL DE AMOR ONE OF THE MOST ENDURING OF ALL LATE MEDIEVAL ROMANCES. Written in Spanish in the late 15th century the work is a key example of the "star-crossed lovers" romance tradition. It combines allegory with chivalric narrative while its epistolary form intensifies the themes of distance miscommunication and emotional crisis. Widely popular it was quickly translated and circulated across Europe as is attested by this Italian translation published in Venice in 1525. The story continues to be celebrated for its emotional intensity and its refined articulation of courtly love. The romance was first translated into Italian by Lelio de Manfredi of Ferrara in 1514 and represents a moment when literature language and print culture intersected across political and cultural borders. For years the story was reshaped and redistributed in Renaissance Europe and contributed to a shared literary tradition. On the title-page of our edition we find only Manfredi's name and the dedicatee is Isabella d'Esta his former pupil. The translator has added his own closing epistle to the Carcel de Amor which praises Isabella; the author's name Diego de San Pedro is nowhere to be found. The Carcel de amor is told almost entirely through letters speeches and monologues rather than dialogue. It centers on Leriano a young nobleman in love with Laureola daughter of the King of Macedonia. His condition is figured as an allegorical "PRISON OF LOVE" and he communicates with her only through a mediator. A rival Persio sometimes Theseus/Perseus accuses Laureola of having an affair leading to her imprisonment. Leriano rescues her and kills his rival but Laureola ultimately rejects him in a letter. In despair he chooses to starve himself to death but not before delivering a speech in praise of women. CATALOGUER'S NOTE: Italian translations of the Carcel de Amor "Carcer Damore" are uncommon. We have located just three copies of ANY Italian language post-incunable edition at auction in the last century: 1518: sold at Ader Paris 2024 1521: sold at Sotheby's London 1970 1518: sold through Quaritch Catalogue 494 1934. EDIT16 CNCE 44982. See. Gregorio di Gregorii unknown
1518réf. 4543Venice: Georgio de Rusconi 1518. Very good. Small 8vo 145 x 97 mm. 48 ff. Collation: A-F8 COMPLETE some soiling traces of damp in outer margins of D1-F8 for which SEE IMAGES. Old 18th-century vellum. In excellent unsophisticated condition. ITALIAN POST-INCUNABLE EDITION OF THE CARCEL DE AMOR THE MOST IMPORTANT SPANISH NOVEL OF COURTLY LOVE. Written in the late 15th century the work is a key example of the "star-crossed lovers" romance tradition. It combines allegory with chivalric narrative while its epistolary form intensifies the themes of miscommunication and emotional crisis. Widely popular it was quickly translated and circulated across Europe as is attested by this Italian translation published in Venice in 1518. The story continues to be celebrated for its emotional intensity and its refined articulation of courtly love. The romance was first translated from the Spanish into Italian by Lelio de Manfredi of Ferrara in 1514 and represents a moment when literature language and print culture intersected across political and cultural borders. For years the story was reshaped and redistributed in Renaissance Europe and contributed to a shared literary tradition. On the title-page of our edition we find only Manfredi's name and the dedicatee is Isabella d'Esta his former pupil. The translator has added his own closing epistle to the Carcel de Amor which praises Isabella; the author's name Diego de San Pedro is nowhere to be found. The Carcel de amor is told almost entirely through letters speeches and monologues rather than dialogue. It centers on Leriano a young nobleman in love with Laureola daughter of the King of Macedonia. His condition is figured as an allegorical "PRISON OF LOVE" and he communicates with her only through a mediator. A rival Persio sometimes Theseus/Perseus accuses Laureola of having an affair leading to her imprisonment. Leriano rescues her and kills his rival but Laureola ultimately rejects him in a letter. In despair he chooses to starve himself to death but not before delivering a speech in praise of women. CATALOGUER'S NOTE: Italian translations of the Carcel de Amor "Carcer Damore" are uncommon. We have located just three copies of ANY Italian language post-incunable edition at auction in the last century: 1518: sold at Ader Paris 2024 1521: sold at Sotheby's London 1970 1518: sold through Quaritch Catalogue 494 1934. EDIT16 CNCE 66997. Georgio de Rusconi unknown books
1525réf. 4542Venice: Gregorio di Gregorii 1525. Very good. Small 8vo 143 x 95 mm. 44 ff. Collation: A-E8 F4 COMPLETE title-page with light toning fols. A1-2 with unimportant wormholes in blank gutter margin. Very attractive late 19th- or early 20th-century blue embossed boards gray cloth spine. In excellent condition the paper crisp and fresh. ITALIAN POST-INCUNABLE EDITION OF THE CARCEL DE AMOR ONE OF THE MOST ENDURING OF ALL LATE MEDIEVAL ROMANCES. Written in Spanish in the late 15th century the work is a key example of the "star-crossed lovers" romance tradition. It combines allegory with chivalric narrative while its epistolary form intensifies the themes of distance miscommunication and emotional crisis. Widely popular it was quickly translated and circulated across Europe as is attested by this Italian translation published in Venice in 1525. The story continues to be celebrated for its emotional intensity and its refined articulation of courtly love. The romance was first translated into Italian by Lelio de Manfredi of Ferrara in 1514 and represents a moment when literature language and print culture intersected across political and cultural borders. For years the story was reshaped and redistributed in Renaissance Europe and contributed to a shared literary tradition. On the title-page of our edition we find only Manfredi's name and the dedicatee is Isabella d'Esta his former pupil. The translator has added his own closing epistle to the Carcel de Amor which praises Isabella; the author's name Diego de San Pedro is nowhere to be found. The Carcel de amor is told almost entirely through letters speeches and monologues rather than dialogue. It centers on Leriano a young nobleman in love with Laureola daughter of the King of Macedonia. His condition is figured as an allegorical "PRISON OF LOVE" and he communicates with her only through a mediator. A rival Persio sometimes Theseus/Perseus accuses Laureola of having an affair leading to her imprisonment. Leriano rescues her and kills his rival but Laureola ultimately rejects him in a letter. In despair he chooses to starve himself to death but not before delivering a speech in praise of women. CATALOGUER'S NOTE: Italian translations of the Carcel de Amor "Carcer Damore" are uncommon. We have located just three copies of ANY Italian language post-incunable edition at auction in the last century: 1518: sold at Ader Paris 2024 1521: sold at Sotheby's London 1970 1518: sold through Quaritch Catalogue 494 1934. EDIT16 CNCE 44982. See. Gregorio di Gregorii unknown books
1537réf. 4403Venice: Francesco Bindoni & Mapheo Pasini compagni 1537. 8vo 145 x 94 mm. 48 leaves. Italic types. Large title woodcut of the prison of love in flames 19 woodcut text illustrations printed from 13 blocks most showing two scenes; initial spaces with guide letters unrubricated. 19th-century green straight-grained morocco sides with double fillet border enclosing central gold-blocked arms of Gómez de la Cortina his gilt crowned ciphers in the corners gilt edges. Provenance: Joaquin Gómez de La Cortina 1st Marquis de Morante 1808-1868 supralibros & bookplate; with Quaritch their collation note at end; sold in 1996 to Kenneth Rapoport bookplate. Lelio Manfredi’s Italian translation of the Carcel de amor 1st ed. 1492 was among the most popular sentimental romances of its time. Many wept over the thwarted love of the noble Leriano and Laureola heir to the throne of Macedonia. Captive in an allegorical tower of love communicating with his beloved only through mediators the hero eventually renounces her in order to preserve her honor threatened by a rival’s false aspersions. There are duels and battles Leriano stops eating and finally dies after shredding and swallowing her letters. The tragedy touched a nerve and dozens of editions appeared in Spain as well as translations into Italian French English Catalan and in the 17th century German. Few remembered the true author whose name is omitted from most of these editions. One of several Castilian romances that were widely adapted and translated into other western European languages the Carcel de amor was the only one to appear first in print and to be consistently illustrated. It permeated the European reading public. The tale is told through letters and monologues rather than dialogue and much has been written about its hybrid forms and elaborate rhetoric “a reflection of vernacular humanism and a fictional tour de force of rhetorical precepts” Francomano p. 10 and about its literary sources and later influence or lack of it: While many scholars note its influence on the development of later European Renaissance fiction through its use of epistolary exchanges and of a narrative voice L’autore who acts as intermediary as well as its tragic ending and exploration of class differences between the lovers one commentator has called it “a dead-end in the history of literature” A. West: “In general the Prison of Love is a book of vestiges: of ways of believing that no longer obtain of customs that already were dying out of a manner of writing soon to be eclipsed by the realism of the picaresque novel.” The humanist Lelio Manfredi d. 1528 translated the work into Italian at the request of Isabella d’Este to whom the printed editions are dedicated the first appearing in Venice in 1514. Eight more editions of his translation are recorded by USTC all but one Venetian the last in 1546. This edition is the third of four recorded editions by the partners Fr. Bindoni & Maffeo Pasini who specialized in vernacular literature and devotional works. The title woodcut used in the Bindoni and Pasini editions is a close copy of woodcuts from earlier Venetian editions see for example an anonymously published Spanish edition from 1523 Sander 6729 not in USTC whose title is reproduced in the Heredia catalogue vol. 2 no. 2468. Its iconography dates to the earliest Spanish editions as does that of the small primitive text woodcuts which relate to the text and are based on the more elaborate cuts from the Spanish incunable editions cf. Deyermond. Blind copying was the order of the day: note the anachronism of a cheaply printed edition of the 1530s retaining blank initial spaces with guide letters to be filled by nonexistent rubricators or illuminators who by this late date would only have been hired to embellish costly imprints or luxury manuscripts. I locate two US holdings of this edition UCLA and Folger and six holdings of other editions of Manfredi’s translation. USTC 854438; EDIT-16 CNCE 66994; Sander 6732 note; Palau 293388; Brunet V 112. Not in Essling. Cf. Alan Deyermond “The Woodcuts of Diego de San Pedro's Cárcel de Amor 1492-1496” Bulletin hispanique 2002 104-2: 511-528; Emily Francomano The Prison of Love: Romance Translation and the Book in the Sixteenth Century Toronto 2018; Adrian West “On Translating Diego de San Pedro's The Prison of Love” Asymptote Oct. 2012 online. Francesco Bindoni & Mapheo Pasini, compagni unknown
1537réf. 4403Venice: Francesco Bindoni & Mapheo Pasini compagni 1537. 8vo 145 x 94 mm. 48 leaves. Italic types. Large title woodcut of the prison of love in flames 19 woodcut text illustrations printed from 13 blocks most showing two scenes; initial spaces with guide letters unrubricated. 19th-century green straight-grained morocco sides with double fillet border enclosing central gold-blocked arms of Gómez de la Cortina his gilt crowned ciphers in the corners gilt edges. Provenance: Joaquin Gómez de La Cortina 1st Marquis de Morante 1808-1868 supralibros & bookplate; with Quaritch their collation note at end; sold in 1996 to Kenneth Rapoport bookplate. Lelio Manfredi’s Italian translation of the Carcel de amor 1st ed. 1492 was among the most popular sentimental romances of its time. Many wept over the thwarted love of the noble Leriano and Laureola heir to the throne of Macedonia. Captive in an allegorical tower of love communicating with his beloved only through mediators the hero eventually renounces her in order to preserve her honor threatened by a rival’s false aspersions. There are duels and battles Leriano stops eating and finally dies after shredding and swallowing her letters. The tragedy touched a nerve and dozens of editions appeared in Spain as well as translations into Italian French English Catalan and in the 17th century German. Few remembered the true author whose name is omitted from most of these editions. One of several Castilian romances that were widely adapted and translated into other western European languages the Carcel de amor was the only one to appear first in print and to be consistently illustrated. It permeated the European reading public. The tale is told through letters and monologues rather than dialogue and much has been written about its hybrid forms and elaborate rhetoric “a reflection of vernacular humanism and a fictional tour de force of rhetorical precepts” Francomano p. 10 and about its literary sources and later influence or lack of it: While many scholars note its influence on the development of later European Renaissance fiction through its use of epistolary exchanges and of a narrative voice L’autore who acts as intermediary as well as its tragic ending and exploration of class differences between the lovers one commentator has called it “a dead-end in the history of literature” A. West: “In general the Prison of Love is a book of vestiges: of ways of believing that no longer obtain of customs that already were dying out of a manner of writing soon to be eclipsed by the realism of the picaresque novel.” The humanist Lelio Manfredi d. 1528 translated the work into Italian at the request of Isabella d’Este to whom the printed editions are dedicated the first appearing in Venice in 1514. Eight more editions of his translation are recorded by USTC all but one Venetian the last in 1546. This edition is the third of four recorded editions by the partners Fr. Bindoni & Maffeo Pasini who specialized in vernacular literature and devotional works. The title woodcut used in the Bindoni and Pasini editions is a close copy of woodcuts from earlier Venetian editions see for example an anonymously published Spanish edition from 1523 Sander 6729 not in USTC whose title is reproduced in the Heredia catalogue vol. 2 no. 2468. Its iconography dates to the earliest Spanish editions as does that of the small primitive text woodcuts which relate to the text and are based on the more elaborate cuts from the Spanish incunable editions cf. Deyermond. Blind copying was the order of the day: note the anachronism of a cheaply printed edition of the 1530s retaining blank initial spaces with guide letters to be filled by nonexistent rubricators or illuminators who by this late date would only have been hired to embellish costly imprints or luxury manuscripts. I locate two US holdings of this edition UCLA and Folger and six holdings of other editions of Manfredi’s translation. USTC 854438; EDIT-16 CNCE 66994; Sander 6732 note; Palau 293388; Brunet V 112. Not in Essling. Cf. Alan Deyermond “The Woodcuts of Diego de San Pedro's Cárcel de Amor 1492-1496” Bulletin hispanique 2002 104-2: 511-528; Emily Francomano The Prison of Love: Romance Translation and the Book in the Sixteenth Century Toronto 2018; Adrian West “On Translating Diego de San Pedro's The Prison of Love” Asymptote Oct. 2012 online. Francesco Bindoni & Mapheo Pasini, compagni unknown books
réf. 0332730395.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1144937213.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
