4840 risultati
rif. 1332521177.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1390140857.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1959rif. 419549Guatemala and Mexico 1959. Near Fine. A collection of 79 gelatin silver prints ranging in size from 7" x 7" to 8" x 10" and four smaller 5" x 4" prints by Alma Lavenson collated and housed in 11 handmade paste-paper portfolios. The collection consists of 51 prints taken in Guatemala in seven portfolios and 32 prints taken in Mexico in four portfolios. Each print is captioned by Lavenson on the versos in green ink giving place names and in her smaller hand underneath in blue ink giving additional information. All are in fine condition. Also included is a San Francisco Museum of Modern Art exhibition catalog 1984-85 Inscribed by Lavenson. This portfolio is Lavenson's first book solely devoted to her photography. A remarkable assemblage of images made by the famed California photographer of Guatemalan and Mexican women children and men including several Mayan peoples from various rural regions and towns throughout both countries. The images date from a trip Lavenson made in 1959 during which she also visited her son Albert who was conducting anthropological field research in Chiapas Mexico. Lavenson was a self-taught photographer from the Bay Area whom Edward Weston told to abandon the soft-focus style of the times and adopt the crisp style of the Modernist movement. She took the advice to with such verve that she was invited to participate in a San Francisco gallery show that featured work by Weston's newly formed photo group f/64. The attention- getting show which also featured the work of Ansel Adams Imogen Cunningham and Consuelo Kanaga exposed her work to wide acclaim leading to three solo shows at the San Francisco Museum of Modern Art inclusion in Edward Steichen's "The Family of Man" exhibition and showings at the Metropolitan Museum of Art and the Museum of Modern Art in New York. Like many women of the time Lavenson largely set aside her career as a photographer after her marriage in 1933. Lavenson died in 1989 at age 92 just a year after her final solo exhibition at the Baltimore Museum of Art but today is gaining in reputation as an important photographer of the first part of the 20th Century. A detailed list follows: Guatemala 47 prints 4 small prints Portfolio 1. Almolonga Quetzaltenango 5 prints. In a red and purple paste paper wrapper. Some fraying and short tears to the edges else all other wrappers are near fine. Portfolio 2. San Francisco el Alto 6 prints. In a dark green/blue paste paper wrapper. Includes several images of "Friday Market Day". Portfolio 3. Chichicastenango 8 prints. B & W and multi-colored paste paper wrapper. Portfolio 4. Antiqua 3 prints. Light amber and multi-colored paste-paper wrapper. Includes an image of a man stitching on a loom. Portfolio 5. San Antonio Aguas Calientes 3 prints. B & W and multi-colored paste-paper wrapper. Portfolio 6. Palín Nahualá and Quetzaltenango 10 prints. Light purple paper wrapper. Portfolio 7. Lake Atitlán 16 prints including the four smaller prints. Light purple paper wrapper. Includes images of Guatemalans in Panajachel Santiago and San Antonio Palopó. The four smaller prints are landscapes of Puerto Barrios and the Rio Dulce. Mexico 32 gelatin silver prints Housed in 4 orange and black paste-paper wrappers very good or better Portfolio 1 12 prints Pátzcuaro 6 and Taxco 6. Portfolio 2 4 prints Janitzio 3 and Cuernavaca 1. Portfolio 3 9 prints San Miguel Allende 5 and Guanajuato 4. Includes one print: "Child with Sugar Cane" owned by the Center for Creative Photography at the University of Arizona; and images of the woman "Caretaker of Church Guanajuato". Portfolio 4 7 prints San Juan de las Lagos 2 and Morelia 5. Includes images of "Fiesta dancers Guadelupe Day" and of a "Fire-Works Family". Also: Exhibition Catalog Inscribed. Portraits of Artists; Faces Photographed; 9 December 1984 - 24 March 1985. Inscribed by Lavenson: "For Judy Nan / from Alma" on p. 37 underneath her photograph printed in the catalog: San Idelfonso Indians 1941. unknown
1959rif. 419549Guatemala and Mexico 1959. Near Fine. A collection of 79 gelatin silver prints ranging in size from 7" x 7" to 8" x 10" and four smaller 5" x 4" prints by Alma Lavenson collated and housed in 11 handmade paste-paper portfolios. The collection consists of 51 prints taken in Guatemala in seven portfolios and 32 prints taken in Mexico in four portfolios. Each print is captioned by Lavenson on the versos in green ink giving place names and in her smaller hand underneath in blue ink giving additional information. All are in fine condition. Also included is a San Francisco Museum of Modern Art exhibition catalog 1984-85 Inscribed by Lavenson. This portfolio is Lavenson's first book solely devoted to her photography. A remarkable assemblage of images made by the famed California photographer of Guatemalan and Mexican women children and men including several Mayan peoples from various rural regions and towns throughout both countries. The images date from a trip Lavenson made in 1959 during which she also visited her son Albert who was conducting anthropological field research in Chiapas Mexico. Lavenson was a self-taught photographer from the Bay Area whom Edward Weston told to abandon the soft-focus style of the times and adopt the crisp style of the Modernist movement. She took the advice to with such verve that she was invited to participate in a San Francisco gallery show that featured work by Weston's newly formed photo group f/64. The attention- getting show which also featured the work of Ansel Adams Imogen Cunningham and Consuelo Kanaga exposed her work to wide acclaim leading to three solo shows at the San Francisco Museum of Modern Art inclusion in Edward Steichen's "The Family of Man" exhibition and showings at the Metropolitan Museum of Art and the Museum of Modern Art in New York. Like many women of the time Lavenson largely set aside her career as a photographer after her marriage in 1933. Lavenson died in 1989 at age 92 just a year after her final solo exhibition at the Baltimore Museum of Art but today is gaining in reputation as an important photographer of the first part of the 20th Century. A detailed list follows: Guatemala 47 prints 4 small prints Portfolio 1. Almolonga Quetzaltenango 5 prints. In a red and purple paste paper wrapper. Some fraying and short tears to the edges else all other wrappers are near fine. Portfolio 2. San Francisco el Alto 6 prints. In a dark green/blue paste paper wrapper. Includes several images of "Friday Market Day". Portfolio 3. Chichicastenango 8 prints. B & W and multi-colored paste paper wrapper. Portfolio 4. Antiqua 3 prints. Light amber and multi-colored paste-paper wrapper. Includes an image of a man stitching on a loom. Portfolio 5. San Antonio Aguas Calientes 3 prints. B & W and multi-colored paste-paper wrapper. Portfolio 6. Palín Nahualá and Quetzaltenango 10 prints. Light purple paper wrapper. Portfolio 7. Lake Atitlán 16 prints including the four smaller prints. Light purple paper wrapper. Includes images of Guatemalans in Panajachel Santiago and San Antonio Palopó. The four smaller prints are landscapes of Puerto Barrios and the Rio Dulce. Mexico 32 gelatin silver prints Housed in 4 orange and black paste-paper wrappers very good or better Portfolio 1 12 prints Pátzcuaro 6 and Taxco 6. Portfolio 2 4 prints Janitzio 3 and Cuernavaca 1. Portfolio 3 9 prints San Miguel Allende 5 and Guanajuato 4. Includes one print: "Child with Sugar Cane" owned by the Center for Creative Photography at the University of Arizona; and images of the woman "Caretaker of Church Guanajuato". Portfolio 4 7 prints San Juan de las Lagos 2 and Morelia 5. Includes images of "Fiesta dancers Guadelupe Day" and of a "Fire-Works Family". Also: Exhibition Catalog Inscribed. Portraits of Artists; Faces Photographed; 9 December 1984 - 24 March 1985. Inscribed by Lavenson: "For Judy Nan / from Alma" on p. 37 underneath her photograph printed in the catalog: San Idelfonso Indians 1941. unknown books
1979rif. 211410Riverside CA: California Museum of Photography 1979. First edition. Softcover. 56 pages. Exhibition catalog for a traveling show. Essay by Patricia Gleason Fuller. Includes over 40 black and white images checklist list of previous exhibitions and a bibliography. A near fine copy in wrappers with a small sticker shadow to the front panel and some other minor wear. Internally a clean copy. California Museum of Photography unknown books
rif. 1286876842.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. DADAX1904385303New unknown
rif. 3718658399.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1996rif. 260219004Routledge 1996-02-09. paperback. Very Good. 7x0x9. Softcover. Very Good condition. Minor shelf-wear. Marginalia throughout. For any additional information or pictures please inquire. Routledge paperback
1996rif. x-3718655853Routledge 1996. Paperback. New. 1st edition. 280 pages. 10.00x7.00x0.75 inches. Routledge paperback
rif. 15-5179Scarsdale NY: Alma H. Law 1972-1977. 8vo. 178 Letters Very Good with torn envelopes shelf wear edge wear. Alma H. Law was an important writer and scholar of Soviet theatre and expert on playwright Vsevolod Meyerhold conducting research in Soviet archives during this period well before other Western scholars. Worked as a diplomat in the US Paris Embassy and as a fellow at the Woodrow Wilson Center in Washington DC. Scarsdale, NY: Alma H. Law, 1972-1977. unknown
rif. 16-2750Brooklyn: Brooklyn Academy of Music 1983. . Poster 28 x 22 inches. Next Wave series.Some wrinkling. From the New York Times:By HARLOW ROBINSONPublished: November 20 1983When the opera ''Victory Over the Sun'' received its first performance in St. Petersburg in 1913 the city's artistic elite buzzed with excitement. Tickets were sold out in a day. One drama critic in attendance later noted: ''Scandal lovers from the St. Petersburg demimonde were willing to pay enormous amounts of money just to get into the theater.'' When ''Victory Over the Sun'' returned to the stage 67 years later in 1980 in Los Angeles the public demonstrated the same sort of wild enthusiasm. One ticketless woman in a gesture that would have delighted the opera's eccentric creators is said to have bitten a security guard's finger when he refused to let her into the theater.On Friday New Yorkers will have their first opportunity to see ''Victory Over the Sun'' at the Brooklyn Academy of Music where it is being staged as part of the Next Wave Festival of Contemporary Performance. From the collection of the Russian theater historian Alma Law. Brooklyn: Brooklyn Academy of Music, 1983. unknown
2008Hardcover New Item ships direct from publishers. Pls. allow a mimimum of 4 - 6 weeks delivery tiem being a newly release book.
rif. 1837528616.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1888rif. 1241761888 Berche et Tralin, Libraires-Editeurs, Paris - 1888 - Troisième édition - In-8, reliure demi-cuir vert, dos à 4 nerfs avec titre et fleurons en doré - 616 pages
1918rif. 6189Paris, Flammarion, 1918 ; in-12, broché ; (3) ff. , 356 pp. , 8 pp. ; couverture orange imprimée.
1911rif. 3891Paris, Flammarion, 1911 ; in-12, broché ; (4) ff., 340 pp., 8 pp. (Bibliothèque de philosophie scientifique).
rif. SONG3642195156Used: Good unknown
rif. 6202812311.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1960rif. 15371Paris, Aryana (G. Vidal) (Lyon, Imprimerie Bosc Frères), 1960 ; in-8, broché ; 288 pp., 1 planche hors-texte, figures.
rif. 3922545122.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1978rif. BN255839Kornwestheim : Minner-Verl. 1978. 1978. Email-Uhren : Kostbarkeiten unter den Taschenuhren ; zur Technik und Geschichte der Email-Malerei. ; Alma Helfrich Dörner. Fotogr. Günter Meyer. Zeichn. Relindis Agethen Email-Uhren : Kostbarkeiten unter den Taschenuhren ; zur Technik und Geschichte der Email-Malerei. ; Alma Helfrich Dörner. Fotogr. Günter Meyer. Zeichn. Relindis Agethen Leiter Alfred Alma Helfrich-Dörner und Günter Meyer Kornwestheim] : Minner-Verl. unknown
2010rif. x-0470407662Jossey-Bass Inc Pub 2010. Hardcover. New. 1st edition. 304 pages. 9.25x6.25x1.00 inches. Jossey-Bass Inc Pub hardcover
in-8 etroit, 267 pages, fig. in-texte, notes, broche, couverture plastifiee. Bel exemplaire. [STR]
1992rif. 12935Retz 1992 191 pages 381x33x546cm. 1992. Broché. 191 pages. L'analyse transactionnelle est une méthode de développement personnel qui aide à mieux se connaître améliorer ses relations et prendre sa vie en main. Ce livre présente les concepts-clés méthodes et techniques de cette approche thérapeutique à l'aide d'exemples concrets