4722 risultati
rif. BN324998Rivages. Softcover. Journal intime Journal intime Alma Mahler Rivages paperback
1950rif. 91416Nashville: Printed by A.M.E. Sunday School Union 1950. Paperback. Very Good. portrait135 32p. Softcover in original wrapper. 22 cm. Uneven browning on cover and first adjacent leaves. Former owner's name on cover and title-page "A. Leon Bailey" -- then pastor of Institutional AME Church at 3825 S. Dearborn St. in Chicago. George W. Baber listed as Presiding Bishop of the Conference. Printed by A.M.E. Sunday School Union paperback books
1950rif. 90749Nashville: Printed by A.M.E. Sunday School Union 1950. Paperback. Very Good. 135 32p. Softcover in original wrapper. 22 cm. George W. Baber was the Presiding Bishop. Printed by A.M.E. Sunday School Union paperback books
1954rif. 94437Nashville: Printed by A.M.E. Sunday School Union Press 1954. Paperback. Very Good. portrait 141 30p. Softcover in original wrapper. 22 cm. Minor wear. George W. Baber listed as Presiding Bishop of the Conference. Printed by A.M.E. Sunday School Union Press paperback books
1956rif. 94439Nashville: Printed by A.M.E. Sunday School Union Press 1956. Paperback. Very Good. portrait 107 2p. Softcover in original wrapper. 22 cm. Minor wear. Joseph Gomez listed as Presiding Bishop of the Conference. Printed by A.M.E. Sunday School Union Press paperback books
1953rif. 94436Nashville: Printed by A.M.E. Sunday School Union Press 1953. Paperback. Very Good. portrait 142 30p. Softcover in original wrapper. 22 cm. Minor wear. George W. Baber listed as Presiding Bishop of the Conference. Printed by A.M.E. Sunday School Union Press paperback books
1952rif. 91587Nashville: Printed by A.M.E. Sunday School Union Press 1952. Paperback. Very Good. portrait 154 30p. Softcover in original wrapper. 22 cm. Minor cover soil. Former owner has added some inked notes to the Conference Roll. George W. Baber listed as Presiding Bishop of the Conference. Printed by A.M.E. Sunday School Union Press paperback books
1953rif. 94436Nashville: Printed by A.M.E. Sunday School Union Press 1953. Paperback. Very Good. portrait 142 30p. Softcover in original wrapper. 22 cm. Minor wear. George W. Baber listed as Presiding Bishop of the Conference. Printed by A.M.E. Sunday School Union Press paperback
1956rif. 94439Nashville: Printed by A.M.E. Sunday School Union Press 1956. Paperback. Very Good. portrait 107 2p. Softcover in original wrapper. 22 cm. Minor wear. Joseph Gomez listed as Presiding Bishop of the Conference. Printed by A.M.E. Sunday School Union Press paperback
1954rif. 94437Nashville: Printed by A.M.E. Sunday School Union Press 1954. Paperback. Very Good. portrait 141 30p. Softcover in original wrapper. 22 cm. Minor wear. George W. Baber listed as Presiding Bishop of the Conference. Printed by A.M.E. Sunday School Union Press paperback
1952rif. 91587Nashville: Printed by A.M.E. Sunday School Union Press 1952. Paperback. Very Good. portrait 154 30p. Softcover in original wrapper. 22 cm. Minor cover soil. Former owner has added some inked notes to the Conference Roll. George W. Baber listed as Presiding Bishop of the Conference. Printed by A.M.E. Sunday School Union Press paperback
1950rif. 91416Nashville: Printed by A.M.E. Sunday School Union 1950. Paperback. Very Good. portrait135 32p. Softcover in original wrapper. 22 cm. Uneven browning on cover and first adjacent leaves. Former owner's name on cover and title-page "A. Leon Bailey" -- then pastor of Institutional AME Church at 3825 S. Dearborn St. in Chicago. George W. Baber listed as Presiding Bishop of the Conference. Printed by A.M.E. Sunday School Union paperback
1950rif. 90749Nashville: Printed by A.M.E. Sunday School Union 1950. Paperback. Very Good. 135 32p. Softcover in original wrapper. 22 cm. George W. Baber was the Presiding Bishop. Printed by A.M.E. Sunday School Union paperback
1985rif. AEDséREE40New York: Hacker Art Books 1985. 1985. 4to. pp. 272. illus. throughout. cloth. cfFreitag 7166. Hardcover. New York: Hacker Art Books, 1985. Hardcover
rif. 24727No place 22 Avril 1829. One page 12mo unsigned bifolium good condition. Note by another hand in top left corner "lettre de Masclet". Text unsigned: "J'envoye a Monsieur Mollard la copie du memoire sur la place du chemin de fer entre Liverpool et Manchester. On pourra annoncer a l'institute un autre memoire plus developpe sur l'etat actuel du chemin de fer entre Darlington et Stockto: j'en enverrais une copie si on la desire. Je de me rendre la france jeudi a 2 h 1/2: serait il possible a Mondieur Moll;ard de m'envoyer un second billet pour mon support car j'ai besoin d'en avoir un. Ce serait pour ". See image for full text. Note: Masclet refers to the following articel: "Avis important aux constructeurs de routes par M. le Chevalier Maclet" Journal des Genie Civil des Sciences et des Arts vol.3 p.207 1829. No place, 22 Avril [1829] unknown
1975rif. 364941Miami: Dade County Board of Public Instruction 1975. Softcover. Very Good. First edition. Illustrated by Roblan. Small octavo. 32pp. Stapled illustrated wrappers. Printed in black and green. Text in Spanish. Some soiling and use but at least very good. Elementary school reader a biography of Marti a unit in the Cuban Cultural Supplement Reading Series. Very scarce OCLC locates no copies. Dade County Board of Public Instruction unknown
1975rif. 364941Miami: Dade County Board of Public Instruction 1975. Softcover. Very Good. First edition. Illustrated by Roblan. Small octavo. 32pp. Stapled illustrated wrappers. Printed in black and green. Text in Spanish. Some soiling and use but at least very good. Elementary school reader a biography of Marti a unit in the Cuban Cultural Supplement Reading Series. Very scarce OCLC locates no copies. Dade County Board of Public Instruction unknown books
1932rif. 140942296New York: Delphic Studios 1932. First Edition. Fine/Near Fine. First edition first printing. Signed by Jose Clemente Orozco on the first blank sheet. Bound in publisher's original black cloth with paper title label to upper board. In original glassine wrapper which is toned crease and has a short meandering split at one spine fold housed in publisher's original box which is toned. Rear pastedown is stamped number 278 box is inked with matching number. A fantastic copy of a book not normally seen in such nice condition and uncommon with box and glassine. Delphic Studios unknown books
1932rif. 378New York: Delphic Studios 1932. First edition limited numbered edition. Original publisher black cloth. Good. Jose Clemente Orozco. Scarce signed copy by Orozco of this limited-edition compilation of the renowned Mexican painter's and muralist's work. Condition: Good. Without the scarce glassine dust jacket and slipcase. BOOK INFO Signed by Orozco on the half-title in blue ink. Published by Delphic Studios in New York City in 1932. First edition first printing. Limited edition #1026 signed by publisher on rear pastedown. In its original black cloth covered boards with paper pastedown label on front cover. Quarto 11.25" x 8.75". Collated and complete: unpaginated 272 pp. with hundreds of black and white photographic images of the artist's work. CONDITION REPORT The book is in Good collectible condition. Exterior and binding: spine lean covers a bit loose a bit shaken with strained binding in places. Cover cloth faded and worn. Chips to cloth at spine tips. Fraying along edges and joints in places. Crack through front cover label. Bumped and heavily worn corners. Soiling to cloth in places. Top edge darkened per usual. Interior: Toned endpapers. Lightly toned pages. Plate images in excellent condition. Quarter sized water dampening stain to foot of fore-edge of text block. 1/2" tear to head of 27-28 pp. No bookplates writing or foxing. ABOUT THE ARTIST José Clemente Orozco November 23 1883 - September 7 1949 was a Mexican caricaturist and painter who specialized in political murals that established the Mexican Mural Renaissance together with murals by Diego Rivera David Alfaro Siqueiros and others. Orozco was the most complex of the Mexican muralists fond of the theme of human suffering but less realistic and more fascinated by machines than Rivera. Mostly influenced by Symbolism he was also a genre painter and lithographer. Between 1922 and 1948 Orozco painted murals in Mexico City; Orizaba; Claremont California; New York City; Hanover New Hampshire; Guadalajara Jalisco; and Jiquilpan Michoacán. With Diego Rivera he was a leader of the artist movement known as Mexican Muralism. An important distinction he had from Rivera was his darker view of the Mexican Revolution. While Rivera was a bold optimistic figure touting the glory of the revolution Orozco was less comfortable with the bloody toll the social movement was taking. Orozco is known as one of the Big Three muralists along with Diego Rivera and David Alfaro Siqueiros. All three artists as well as the painter Rufino Tamayo experimented with fresco on large walls and elevated the art of the mural. Delphic Studios unknown
1932rif. 049396New York: Delphic Studios 1932. 1st Edition . Hardcover. Good. Portrait Frontispiece; B/W Plates. Grey Cloth. First Printing Dated 1932 On Title Page. No Spine Or Cover Labels Unlike Others We Have Seen No Trace Of Label Removal And "Orozco" Hand Lettered On Spine. William Gropper's Copy Although Not Labeled As Such. Cloth Worn But No Fraying Spine Cloth Faded As Usual Hinges Solid No Marks. Slight Bump To Upper Right Corner Of All Pages Leaving A Partial Crease About 1/2" Long. Delphic Studios hardcover
1932rif. 140942296New York: Delphic Studios 1932. First Edition. Fine/Near Fine. First edition first printing. Signed by Jose Clemente Orozco on the first blank sheet. Bound in publisher's original black cloth with paper title label to upper board. In original glassine wrapper which is toned crease and has a short meandering split at one spine fold housed in publisher's original box which is toned. Rear pastedown is stamped number 278 box is inked with matching number. A fantastic copy of a book not normally seen in such nice condition and uncommon with box and glassine. Delphic Studios unknown
1932rif. 12057New York: Delphic Studios. 1932. First Edition. Hardcover. Very Good- in No Dust Jacket dust jacket. Light bumping to black cloth slight fraying of spine ends spine and board edges unevenly faded. Slightly shaken binding and clean text. Offsetting front pastedown and ffep. No ownership marks ex-lib marks stamps or stickers. Orozco's signature on half title page without inscription. Requires a signature at delivery non-negotiable. International addresses will require extra postage due to size.; B&W plates; 4to 11" - 13" tall; Unpaginated pages; Signed by Artist . Delphic Studios hardcover
1932rif. 55657New York: Delphic Studios 1932. Hardcover. Good. Quarto. 11.25 x 8.75" Unpaginated. SIGNED BY OROZCO. Short introduction and some biographical notes followed by b&w reproductions of Orozco's early work from 1909-1932. Includes his frescoes in Mexico City Pomona College New York and more. Also includes paintings drawings lithographs and sketches. Nicely designed and printed. Credit is given to Tina Modotti and Edward Weston for their assistance in presenting the frescoes. Ownership signature of enamel artist Ellamarie Packard Woolley on half-title. Black cloth with paper label. Spine is sunned edges have light wear spine ends frayed. Delphic Studios hardcover
rif. 0878172041.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1932rif. 612917New York: Delphic Studios 1932. 1st. Hardcover. Good/None. Non-paginated. Hardcover. Illustrated with black & white examples of paintings drawings by Jose Clemente Orozco. Black cloth covers with fading along spine edges. No dust jacket. Clean unmarked text. Record # 612917 Delphic Studios hardcover