4.133 Ergebnisse
2007Best.-Nr. Q-068982582XAtheneum Books for Young Readers 2007-07-10. Hardcover. New. In shrink wrap. Looks like an interesting title! Atheneum Books for Young Readers hardcover
Best.-Nr. 6209246389.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0673270688.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2012Best.-Nr. DADAX3659063533Eae Editorial Academia Espanola 2012-11-13. paperback. New. 5.91x0.61x8.66. Buy with confidence. Excellent Customer Service & Return policy. Eae Editorial Academia Espanola paperback
Best.-Nr. 3659063533.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1959Best.-Nr. 419549Guatemala and Mexico 1959. Near Fine. A collection of 79 gelatin silver prints ranging in size from 7" x 7" to 8" x 10" and four smaller 5" x 4" prints by Alma Lavenson collated and housed in 11 handmade paste-paper portfolios. The collection consists of 51 prints taken in Guatemala in seven portfolios and 32 prints taken in Mexico in four portfolios. Each print is captioned by Lavenson on the versos in green ink giving place names and in her smaller hand underneath in blue ink giving additional information. All are in fine condition. Also included is a San Francisco Museum of Modern Art exhibition catalog 1984-85 Inscribed by Lavenson. This portfolio is Lavenson's first book solely devoted to her photography. A remarkable assemblage of images made by the famed California photographer of Guatemalan and Mexican women children and men including several Mayan peoples from various rural regions and towns throughout both countries. The images date from a trip Lavenson made in 1959 during which she also visited her son Albert who was conducting anthropological field research in Chiapas Mexico. Lavenson was a self-taught photographer from the Bay Area whom Edward Weston told to abandon the soft-focus style of the times and adopt the crisp style of the Modernist movement. She took the advice to with such verve that she was invited to participate in a San Francisco gallery show that featured work by Weston's newly formed photo group f/64. The attention- getting show which also featured the work of Ansel Adams Imogen Cunningham and Consuelo Kanaga exposed her work to wide acclaim leading to three solo shows at the San Francisco Museum of Modern Art inclusion in Edward Steichen's "The Family of Man" exhibition and showings at the Metropolitan Museum of Art and the Museum of Modern Art in New York. Like many women of the time Lavenson largely set aside her career as a photographer after her marriage in 1933. Lavenson died in 1989 at age 92 just a year after her final solo exhibition at the Baltimore Museum of Art but today is gaining in reputation as an important photographer of the first part of the 20th Century. A detailed list follows: Guatemala 47 prints 4 small prints Portfolio 1. Almolonga Quetzaltenango 5 prints. In a red and purple paste paper wrapper. Some fraying and short tears to the edges else all other wrappers are near fine. Portfolio 2. San Francisco el Alto 6 prints. In a dark green/blue paste paper wrapper. Includes several images of "Friday Market Day". Portfolio 3. Chichicastenango 8 prints. B & W and multi-colored paste paper wrapper. Portfolio 4. Antiqua 3 prints. Light amber and multi-colored paste-paper wrapper. Includes an image of a man stitching on a loom. Portfolio 5. San Antonio Aguas Calientes 3 prints. B & W and multi-colored paste-paper wrapper. Portfolio 6. Palín Nahualá and Quetzaltenango 10 prints. Light purple paper wrapper. Portfolio 7. Lake Atitlán 16 prints including the four smaller prints. Light purple paper wrapper. Includes images of Guatemalans in Panajachel Santiago and San Antonio Palopó. The four smaller prints are landscapes of Puerto Barrios and the Rio Dulce. Mexico 32 gelatin silver prints Housed in 4 orange and black paste-paper wrappers very good or better Portfolio 1 12 prints Pátzcuaro 6 and Taxco 6. Portfolio 2 4 prints Janitzio 3 and Cuernavaca 1. Portfolio 3 9 prints San Miguel Allende 5 and Guanajuato 4. Includes one print: "Child with Sugar Cane" owned by the Center for Creative Photography at the University of Arizona; and images of the woman "Caretaker of Church Guanajuato". Portfolio 4 7 prints San Juan de las Lagos 2 and Morelia 5. Includes images of "Fiesta dancers Guadelupe Day" and of a "Fire-Works Family". Also: Exhibition Catalog Inscribed. Portraits of Artists; Faces Photographed; 9 December 1984 - 24 March 1985. Inscribed by Lavenson: "For Judy Nan / from Alma" on p. 37 underneath her photograph printed in the catalog: San Idelfonso Indians 1941. unknown books
1959Best.-Nr. 419549Guatemala and Mexico 1959. Near Fine. A collection of 79 gelatin silver prints ranging in size from 7" x 7" to 8" x 10" and four smaller 5" x 4" prints by Alma Lavenson collated and housed in 11 handmade paste-paper portfolios. The collection consists of 51 prints taken in Guatemala in seven portfolios and 32 prints taken in Mexico in four portfolios. Each print is captioned by Lavenson on the versos in green ink giving place names and in her smaller hand underneath in blue ink giving additional information. All are in fine condition. Also included is a San Francisco Museum of Modern Art exhibition catalog 1984-85 Inscribed by Lavenson. This portfolio is Lavenson's first book solely devoted to her photography. A remarkable assemblage of images made by the famed California photographer of Guatemalan and Mexican women children and men including several Mayan peoples from various rural regions and towns throughout both countries. The images date from a trip Lavenson made in 1959 during which she also visited her son Albert who was conducting anthropological field research in Chiapas Mexico. Lavenson was a self-taught photographer from the Bay Area whom Edward Weston told to abandon the soft-focus style of the times and adopt the crisp style of the Modernist movement. She took the advice to with such verve that she was invited to participate in a San Francisco gallery show that featured work by Weston's newly formed photo group f/64. The attention- getting show which also featured the work of Ansel Adams Imogen Cunningham and Consuelo Kanaga exposed her work to wide acclaim leading to three solo shows at the San Francisco Museum of Modern Art inclusion in Edward Steichen's "The Family of Man" exhibition and showings at the Metropolitan Museum of Art and the Museum of Modern Art in New York. Like many women of the time Lavenson largely set aside her career as a photographer after her marriage in 1933. Lavenson died in 1989 at age 92 just a year after her final solo exhibition at the Baltimore Museum of Art but today is gaining in reputation as an important photographer of the first part of the 20th Century. A detailed list follows: Guatemala 47 prints 4 small prints Portfolio 1. Almolonga Quetzaltenango 5 prints. In a red and purple paste paper wrapper. Some fraying and short tears to the edges else all other wrappers are near fine. Portfolio 2. San Francisco el Alto 6 prints. In a dark green/blue paste paper wrapper. Includes several images of "Friday Market Day". Portfolio 3. Chichicastenango 8 prints. B & W and multi-colored paste paper wrapper. Portfolio 4. Antiqua 3 prints. Light amber and multi-colored paste-paper wrapper. Includes an image of a man stitching on a loom. Portfolio 5. San Antonio Aguas Calientes 3 prints. B & W and multi-colored paste-paper wrapper. Portfolio 6. Palín Nahualá and Quetzaltenango 10 prints. Light purple paper wrapper. Portfolio 7. Lake Atitlán 16 prints including the four smaller prints. Light purple paper wrapper. Includes images of Guatemalans in Panajachel Santiago and San Antonio Palopó. The four smaller prints are landscapes of Puerto Barrios and the Rio Dulce. Mexico 32 gelatin silver prints Housed in 4 orange and black paste-paper wrappers very good or better Portfolio 1 12 prints Pátzcuaro 6 and Taxco 6. Portfolio 2 4 prints Janitzio 3 and Cuernavaca 1. Portfolio 3 9 prints San Miguel Allende 5 and Guanajuato 4. Includes one print: "Child with Sugar Cane" owned by the Center for Creative Photography at the University of Arizona; and images of the woman "Caretaker of Church Guanajuato". Portfolio 4 7 prints San Juan de las Lagos 2 and Morelia 5. Includes images of "Fiesta dancers Guadelupe Day" and of a "Fire-Works Family". Also: Exhibition Catalog Inscribed. Portraits of Artists; Faces Photographed; 9 December 1984 - 24 March 1985. Inscribed by Lavenson: "For Judy Nan / from Alma" on p. 37 underneath her photograph printed in the catalog: San Idelfonso Indians 1941. unknown
Best.-Nr. 0153539631.Gspiral_bound. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
Best.-Nr. 139710aafTorino, G. Candeletti tipografo del C.A.I., 1880, gr. in-8vo, 31 p. ,hommage d l’auteur, manuscr. sur titre / ex libris Peter E. Obergfell, reliure récente en d.-cuir aux coins sur brochure originale. Titre doré au dos.
2011Best.-Nr. DADAX3639307674VDM Verlag 2011-02-04. paperback. New. 5.91x0.39x8.66. Buy with confidence. Excellent Customer Service & Return policy. VDM Verlag paperback
Best.-Nr. 3639307674.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1997Best.-Nr. 54338Soulciety Records, 1997. EME 1012 CD MCD
1997Best.-Nr. 54337EastWest, 1997. CD MCS
1971Best.-Nr. 25396New York: The World Publishing Company 1971. Cloth. Very Good /Near Fine. A very notable Association copy: WARMLY INSCRIBED BY GRACE HALSELL WHO EDITED AND WROTE THE INTRODUCTION FOR THIS BOOK TO JOHN HOWARD GRIFFIN THE LEGENDARY AUTHOR OF "BLACK LIKE ME" WHOSE EXAMPLE ACCORDING TO THE INSCRIPTION INSPIRED GRACE TO TRY A SIMILAR EXPERIMENT IN SWITCHING RACES AND TO RECORD THE EXPERIENCE IN HER OWN PIONEERING BOOK ON THE SUBJECT "SOUL SISTER". A solid copy of the 1971 stated 1st printing to boot. Clean and VG with light cocking to the binding in a crisp price-intact Near Fine dustjacket. Octavo important memoir by the older brother of slain Civil Rights leader Medgar Evers. The World Publishing Company unknown
1971Best.-Nr. 25396New York: The World Publishing Company 1971. Cloth. Very Good /Near Fine. A very notable Association copy: WARMLY INSCRIBED BY GRACE HALSELL WHO EDITED AND WROTE THE INTRODUCTION FOR THIS BOOK TO JOHN HOWARD GRIFFIN THE LEGENDARY AUTHOR OF "BLACK LIKE ME" WHOSE EXAMPLE ACCORDING TO THE INSCRIPTION INSPIRED GRACE TO TRY A SIMILAR EXPERIMENT IN SWITCHING RACES AND TO RECORD THE EXPERIENCE IN HER OWN PIONEERING BOOK ON THE SUBJECT "SOUL SISTER". A solid copy of the 1971 stated 1st printing to boot. Clean and VG with light cocking to the binding in a crisp price-intact Near Fine dustjacket. Octavo important memoir by the older brother of slain Civil Rights leader Medgar Evers. The World Publishing Company unknown books
Best.-Nr. 47787581-nnew. unknown
Best.-Nr. 47787581like new. unknown
Best.-Nr. 9999313760.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 6202237791.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 3844346147.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1531644627.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1859Best.-Nr. RO80083964GUILLAUMIN & Cie.. 1859. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 448 pages. Charnières légèrement usées en coiffes.. . . . Classification Dewey : 352.4-Fiscalité
1860Best.-Nr. 13593Guillaumin, 1860, in-8°, viii-540 pp, broché, manque angulaire au 1er plat. L'ouvrage débute par un copieux historique sur le sujet qui va de Colbert à 1860. L'auteur était directeur des douanes à Bordeaux.
1922Best.-Nr. 3719Paris, Leymarie, 1922 ; in-12, broché ; 176 pp., (1) p. de table.
1957Best.-Nr. ROD0027490Denoël. 1957. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur bon état. 173 p. - Légères salissures sur la couverture - Infimes pliures sur le 1er plat et le dos - Petite tâche sur le 2nd plat - Exemplaire N° 992.. . . . Classification Dewey : 94.4-Editions numérotées
