BELLOW, SaulABAA
5 610 résultats
1970réf. 431202New York: The Viking Press 1970. Hardcover. Fine/Fine. First edition. Fine in fine dust jacket. Winner of the National Book Award. The Viking Press hardcover books
1970réf. 47231New York: Viking Press 1970. First edition. 313 pp. 1 vols. 8vo. Quarter cloth. Fine in fine dust jacket. First edition. 313 pp. 1 vols. 8vo. Signed by Bellow on front free endpaper. Viking Press unknown books
1970réf. 3082NY: Viking 1970. First edition first prnt. Signed by Bellow wth "Best wishes" on the page listing his to then published works. Corners tapped bump to front board topedge; dustjacket with minimal edgewear mostly at the corners and a shallow crease on the front panel topedge. Very Good condition in a Very Good dustjacket with an archival cover. A tight and bright copy. National Book Award for Fiction winner 1971. Signed by Author. First Edition. Hardcovers. Very Good/Very Good. 8vo - over 7¾" - 9¾" tall. Viking Hardcover books
1971réf. 84824New York 1971. Quarto 35.5cm x 22cm; single unbound mimeographed sheet with printing on front side only. Light tanning and soil with horizontal fold crease nick effect to text 1" and 1.5" tears and creases and tiny tears to edges; Good. Advance for release 6PM March 4 1971 with remarks presented at Alice Tulley Hall Julliard School Lincoln Center. Winner of the 1971 National Book Award in Fiction for Mr. Sammler's Planet Bellow discusses the purpose of writing novels in relation to community. Bellow also earned the National Book Award in 1954 and 1965. 84824. unknown books
1953réf. 60081New York: Viking Press 1953. First Edition. First printing. Octavo; gray and black cloth titles decoratively stamped in orange on spine and front cover; 536pp. Mild bumps to board corners else tight and Fine. In the original Robert Hallock designed dustwrapper unclipped priced $4.50 on front flap gently rubbed overall more pronounced at spine ends; small snag at crown of spine panel and a few tiny nicks and closed tears to margins; Very Good. A quite presentable copy of Bellow's third novel a National Book Award winner. Viking Press unknown books
1991réf. 11982New York: Noonday Press 1991-01-01. First Edition Thus. softcover. Collectible; Like New. 5x0x8. Signed. Signed and inscribed on half title page by Saul Friedlander. Tight clean and crisp. A faint hint of shelf wear to wraps otherwise a gently read book in excellent condition. No remainder mark. Not ex-library. Signed books by Saul Friedlander are very scarce. Noonday Press paperback
1965réf. 4495Dublin Ireland: Dolmen Press 1965. First editions. Paperbacks. All Very Good or Near Fine. 8vos 6.25"x8.75". Brown kraft wrappers red/black titles french flaps. Light shelfwear and slight fade to several volumes. Spine faded to No. VI. Mark to cover of No. IX see photo. Titles are as follows: No. I: Yeats and the Easter Rising No. II: Beulah to Byzantium: A Study of Parallels in the Works of William Blake Samuel Palmer & Edward Calvert No. III: Yeats and Innisfree No. IV: Yeats's Idea of the Gael No. V: Yeats & the Irish Eighteenth Century No. VI: Yeats and the Noh: Types of Japanese Beauty and their Reflection in Yeats's Plays No. VII: In.Luminous Wind No. VIII: Yeats's 'Last Poems' Again No. IX: Yeats's Quest for Eden No. X: Yeats and Patrick McCartan A Fenian Friendship: Letters with Commentary No. XI: Yeats and Joyce No. XII: Yeats and Music Preliminaries and Index. Dolmen Press paperback
1947réf. 019472New York: Published by the author 1947. Book. Very good condition. Hardcover. Signed by Authors. First Edition. Oblong quarto 4to. 360 pages of text. Hardcover leatherette binding with moderate shelfwear. Contains hundreds of black & white illustrations. Signed and inscribed by the artist on the front endpaper in the year of publication. Moderate bump to the top corner causing minor creasing to all pages. The text is clean and unmarked. Oblong quarto measuring over 11.25" height by over 14". First edition. Published by the author Hardcover
1960réf. 311095New York: Academy Photo Offest 1960. First edition. Illus. 128 pp. Folio. Blue cloth. Fine in VG dust jacket. First edition. Illus. 128 pp. Folio. Inscribed on ffep. Academy Photo Offest unknown
1960réf. 311095New York: Academy Photo Offest 1960. First edition. Illus. 128 pp. Folio. Blue cloth. Fine in VG dust jacket. First edition. Illus. 128 pp. Folio. Inscribed on ffep. Academy Photo Offest unknown books
1978réf. 385247NY: Alfred A. Knopf 1978. 1st. Hardcover. Very Good/Very Good. Saul Steinberg. Hardcover in a bright unclipped dust jacket with light edgewear. INSCRIBED BY STEINBERG in blue pencil and dated Oct 79 on the half-title page. Inscribed to Silvano Arieti 1914-1981 a psychiatrist regarded as the world's foremost authority on schizophrenia. He was also a longtime professor at New York Medical College. 256 pages black and white and color reproductions publisher's brown cloth-backed tan papered boards lettered in gilt at spine brown endpapers minor chipping to rear bottom edge. Pictorial dust jacket minor toning and wear mostly to edges very good. Record # 385247 Alfred A. Knopf hardcover
1947réf. 582626Pittsburgh: Published as a separate and in the Journal of Psychology 1947. Softcover. Near Fine. First separate revised edition. Octavo. P.165-208. Stapled printed buff wrappers. Signature and stamp of a noted psychologist Henry Guze a little edgewear else near fine. In original envelope addressed from Rosenzweig to Guze. The envelope is worn. Published as a separate and in the Journal of Psychology unknown
1947réf. 582626Pittsburgh: Published as a separate and in the Journal of Psychology 1947. Softcover. Near Fine. First separate revised edition. Octavo. P.165-208. Stapled printed buff wrappers. Signature and stamp of a noted psychologist Henry Guze a little edgewear else near fine. In original envelope addressed from Rosenzweig to Guze. The envelope is worn. Published as a separate and in the Journal of Psychology unknown books
1959réf. 1965First Edition First Printing. In very good condition clean and unmarked topstain faded cloth boards without wear in a very good first edition dust jacket light wear at edges $4.50 publisher's price intact on flap. Viking Press hardcover
réf. 000231Harper & Row 1984 Book. As New. Soft cover. F. As New. First Edition. Galley/Proof. 8vo - over 7¾" - 9¾" tall. ISBN:0-06-015179-X. Harper & Row, 1984 Paperback
1975réf. 3918First Edition/First Printing; A Near Fine book in a Near Fine dust jacket. SIGNED by the author to the 2nd free paper with provenance for the signing laid in bookmark from the Kroch's & Brentano's First Editions Circle. An excellent copy of this novel winner of the Pulitzer Prize and propelling Bellow to the Nobel Prize for Literature; uncommon signed and with provenance. This copy is in near fine condition showing only some mild foxing to the page edges and a faint scratch to the front board and spine; housed in a crisp and bright near fine dust jacket that shows only moderate sunning to the spine common for the title and light rubbing to the edges. A highly presentable and collectible copy of this important work of 20th Century literature. Not remaindered not price-clipped not ex-library; in a protective Mylar cover and will ship securely wrapped in a sturdy box. The Viking Press hardcover
1970réf. 4488First Printing. In near fine condition clean and unmarked cloth boards without wear top stain unfaded in a near fine dust jacket with $6.95 publisher's price intact on flap. Signed by Saul Bellow on the front end page. Viking hardcover
réf. 000231Harper & Row 1984 Book. As New. Soft cover. F. As New. First Edition. Galley/Proof. 8vo - over 7¾" - 9¾" tall. ISBN:0-06-015179-X. Harper & Row, 1984 Paperback books
1975réf. 3918First Edition/First Printing; A Near Fine book in a Near Fine dust jacket. SIGNED by the author to the 2nd free paper with provenance for the signing laid in bookmark from the Kroch's & Brentano's First Editions Circle. An excellent copy of this novel winner of the Pulitzer Prize and propelling Bellow to the Nobel Prize for Literature; uncommon signed and with provenance. This copy is in near fine condition showing only some mild foxing to the page edges and a faint scratch to the front board and spine; housed in a crisp and bright near fine dust jacket that shows only moderate sunning to the spine common for the title and light rubbing to the edges. A highly presentable and collectible copy of this important work of 20th Century literature. Not remaindered not price-clipped not ex-library; in a protective Mylar cover and will ship securely wrapped in a sturdy box. The Viking Press hardcover books
1930réf. 29866Horace Liveright 1930. Amtrog Trading Corporation was the first trade representation of the Soviet Union in the USA established in 1924. Amtorg was a semi-private company in the unique position of being the single purchaser for the communist state. Saul Bron was the director from 1927 to 1930 followed by Peter A. Bogdanov. Laid into the front of the book is a with compliments of Peter A. Bogdanov card. A fine copy in a near fine slight sunning to spine and small hole over author's name in the front DJ with brodart cover for protection. Horace Liveright unknown
2008réf. 115835Steidl 2008. Hardcover. Fine/Fine. Steidl hardcover
1945réf. 286145New York: Duell Sloan & Pearce 1945. Hardcover. Good/Good. 12x9x0. Early printing of the first collection of Steinberg's cartoons. Duell Sloan and Pearce 1945; no additional printings indicated on copyright page however front jacket flap states "Second Large Printing"; unpaginated. VG-/G hardcover in G/G- dust jacket. Very slight forward lean to spine otherwise binding is tight sturdy and square; bottom corners gently bumped else only minor wear minor toning to edges of grey cloth boards; stamped maroon titling/decoration on front board remains bold; illustrations and text also very good. Several small chips and closed tears at edges of unclipped $2.50 dust jacket larger chipping over ends of spine; moderate amount of toning minor rubbing to jacket as well; thin blue paint stain about 3 1/2" long on rear jacket panel; jacket arrives wrapped in protective mylar. Due to the size/weight of this book extra charges may apply for international shipping. Ships from Dinkytown in Minneapolis Minnesota. Duell, Sloan & Pearce hardcover
1987réf. 511720New York: The Pace Gallery 1987. Softcover. Very Good. Exhibition catalog. Essay by Adam Gopnik. Slim oblong quarto. Heavily illustrated in color. French-folded wrappers. Rear cover a bit soiled covers and text very slightly wrinkled very good. Laid into the catalogue is a portion of the original mailing envelope with the return address in Saul Steinberg's ink holograph: "From: Saul Steinberg . N.Y.C. N.Y.S USA–10021. The Pace Gallery unknown
1966réf. 261889Paris: Maeght 1966. hardcover. fine/near fine. Steinberg Saul. Textes par Michel Butor et Harold Rosenberg. Photographies d'Inge Morath. Profusely illustrated throughout in color and b.w. Oblong folio pictorial dust wrapper over flexible boards wrapper is just slightly wavy as usual; original mylar and slipcase. Paris: Maeght Editeur 1966. First trade edition. A fine copy in a near fine dust wrapper. Maeght unknown
réf. 51-6826Paris: Maeght Éditeur 1966. Original; wraps. 38.1x28.1 cm 15x11".Derrière le Miroir No. 157 - Mars 1966. 1966. With 19 reproductions: 7 in color of which 2 are double-page.Derrière le Miroir accompagnant l'exposition Saul STEINBERG à la Galerie Maeght en 1966. Format 38 x 28 cm 24 pages incluant 19 reproductions. Derrière Le Miroir n°157 including covers.Famed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me” he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 1966 paperback
