5 589 résultats
2008réf. FLAHIVE-1606Pantheon New York 2008 First printing with full number line. A very fine as-new copy in a very fine as-new wraparound. A clean copy. Wraparound comes with archival-quality jacket protector. Note: Very light wear to corners as pictured of an otherwise beautiful copy. SIGNED by Chip Kidd and another illustrator on bookplate as pictured. Fiction-K. Signed by Authors. 1st Edition Limited Edition. Hardcover. As New/As New. Pantheon, New York hardcover
réf. 51-6273Philadelphia: The Falcon Press : distributed by Wittenborn New York City 1962. Folio. 28 x 38cm. Original linen binding slightly discolored and warped. Some fold-out plates and some pribted in 2 colors.The Notebooks and Drawings of Louis I. Kahn originally published in 1962 and long out of print was the first book on the architect to feature Kahn’s own images and words—and it was Kahn’s favorite book on his work. It includes his early sketches reproduced at full size from his European travels in the 1950s as well as renderings of the designs for several of his notable buildings along with unpublished speeches and excerpts from lectures radio broadcasts and other sources.Physical Description:83 p. : ill. port. plans ;OCLC Number / Unique Identifier:1397329651 Philadelphia: The Falcon Press : distributed by Wittenborn, New York City, 1962 unknown
1962réf. 39799New York: S. Raskin 1962. First edition. Hardcover. g to vg. Dedicated to Mr. and Mrs. Max Mason "The book of my dreams" signed Saul Raskin with his name in Hebrew written below signature 1964 on free front endpaper. Small Elephant Folio. 64pp. Original illustrated dustjacket over salmon buckram with silver-stamped lettering on cover. Illustrated title page. Experiencing a "New Face of Israel" during his sixth visit to Israel in 1960 Raskin's excitement lead him to surrealism painting "more and better than ever before" and shaping his book of dreams. Illustrated with an extraordinary collection of his work in color and b/w offset reproductions. Dustjacket rubbed with some wear at top right corner of back cover. Block with light age-toning not affecting images. DJ in overall good binding and interior in very good condition. S. Raskin hardcover
1962réf. 39799New York: S. Raskin 1962. First edition. Hardcover. g to vg. Dedicated to Mr. and Mrs. Max Mason "The book of my dreams" signed Saul Raskin with his name in Hebrew written below signature 1964 on free front endpaper. Small Elephant Folio. 64pp. Original illustrated dustjacket over salmon buckram with silver-stamped lettering on cover. Illustrated title page. Experiencing a "New Face of Israel" during his sixth visit to Israel in 1960 Raskin's excitement lead him to surrealism painting "more and better than ever before" and shaping his book of dreams. Illustrated with an extraordinary collection of his work in color and b/w offset reproductions. Dustjacket rubbed with some wear at top right corner of back cover. Block with light age-toning not affecting images. DJ in overall good binding and interior in very good condition. S. Raskin hardcover books
1949réf. cj133NY: G.P. Putnam's Sons 1949. Book. Very Good. Hardcover. Signed by Authors. 4th Edition. 8vo - over 7¾. 1949. SIGNED FIRST EDITION --JOHN L. LEWIS: An Unauthorized Biography-- written and signed by SAUL D. ALINSKY. JOHN L. LEWIS was a leader to millions of American union workers-- his voice dominated and shaped the 1930s American labor movement. Between 1920 and 1960 John L. Lewis was president of the United Mine Workers of America and played a major role in the history of coal mining. Lewis was founding president of the Congress of Industrial Organizations-- that established the United Steel Workers of America and helped organize millions of other industrial workers during the Great Depression. SAUL ALINSKY author of 'Rules for Radicals' wrote his unauthorized biography of John L. Lewis from his own personal files and from personal knowledge-- Saul Alinsky and John L. Lewis were friends. In his biography Alinsky reveals why Lewis broke with President Roosevelt why Lewis fought with the AFL to form the CIO the birth of sit-down strikes and the motives behind WW2 worker strikes and how often John L. Lewis managed to stymie the U.S. Government. In very good condition-- boards lightly rubbed and scuffed. Light offsetting on the front pastedown. Just a single ex-lib stamp of the Fairhope Public Library. DJ has 2 shallow chips and some closed tears on the edges. G.P. Putnam's Sons Hardcover
1959réf. 140943165New York: Published by the Editors for FAPA 1959. Very Good. 1949 1950. Four issues Volume 2 numbers 1 2 3 and 4. Bound in publisher's original stapled binding with the exception of Number 2 which is a single sheet. Very Good with light toning and light general wear. Published by the Editors for FAPA unknown
1959réf. 140943165New York: Published by the Editors for FAPA 1959. Very Good. 1949 1950. Four issues Volume 2 numbers 1 2 3 and 4. Bound in publisher's original stapled binding with the exception of Number 2 which is a single sheet. Very Good with light toning and light general wear. Published by the Editors for FAPA unknown books
réf. 51-6827Paris: Maeght Éditeur 1973. Original; wraps. 38.1x28.1 cm 15x11".Derrière le Miroir No. 205 - Septembre 1973. 1973. With 4 original lithographs.DLM édité en septembre 1973 pour l’exposition STEINBERG à la Galerie Maeght. Texte de Hubert Damish « Tables d’évidences ». 32 pages non reliées. 3 lithographies originales dont 2 en double page et 8 reproductions en noir. Tirage original.Famed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me” he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 1973 paperback
réf. 51-6825Paris: Maeght Éditeur 1953. Original; wraps. 38.1x28.1 cm 15x11".With 22 lithographs 16 in color of which 4 are double-page spreads including covers.Note that since at least 1981 Maeght has been selling a facsimile Réédition of the original.It can be identified by the cover in which "Steinberg/1953" is printed. In the original of 1953 Steinberg's name is in his own handwriting and there is no date on the cover.DLM édité en mars 1953 pour la 1ère exposition de STEINBERG à la Galerie Maeght présentant 110 dessins inédits. 28 pages non reliées. 22 reproductions en couleurs dont 4 en double page.Famed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me” he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 1953 paperback
réf. 51-6828Paris: Maeght Éditeur 7. Original; wraps. 38.1x28.1 cm 15x11".Derrière le Miroir No. 224 - Mai 1977. 1977. With 4 original lithographs including covers.l.DLM édité pour l’exposition STEINBERG à la Galerie Maeght en mai 1977. Texte d’Italo Calvino « La Plume à la première personne ». 26 pages non reliées. 4 lithographies originales en couleurs et 22 reproductions dont 11 en couleurs et 1 en double page. Tirage original.IFamed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me” he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 7 paperback
1973réf. DADAX0670399221Brand: Viking Adult 1973-03-16. First Edition. hardcover. New. 2.00x21.00x14.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Viking Adult hardcover
2014réf. x-1472505522Bloomsbury USA Academic 2014. Hardcover. New. 323 pages. 9.75x6.50x1.00 inches. Bloomsbury USA Academic hardcover
2011réf. SKU0537703dgeSAGE Publications Inc 2022-01-19. paperback. New. 8x1x11. New Book Ships with Tracking SAGE Publications, Inc paperback
2011réf. SKU0630290SAGE Publications Inc 2022-01-19. paperback. New. 8x1x11. New Textbook Ships with Tracking SAGE Publications, Inc paperback
1947réf. 210304New York: The Vanguard Press 1947. First Edition . Hardcover. Good/Poor. Inscribed and SIGNED by the author on the fep. Endpapers are yellowed and stained. 294 pages in very good clean condition except for last page which is stained. Outer edges yellowed. Black cloth with blue titles on the spine. Corners lightly bumped. Light rubbing on the edges head/tail of spine. Blue DJ with white titles. Jacket is in poor condition.; missing one flap and half of the lower jacket and spine. Upper jacket is mostly intact with chips at the corners and head of spine. Jacket yellowed. Author's second book. GOOD/POOR The Vanguard Press hardcover
19138vo., First Edition, fore-edges very lightly foxed as often; strongly bound in tan buckram, upper board with printed paper label, ORIGINAL PRINTED WRAPPERS PRESERVED, a very good, bright, clean copy. 1000 copies were published on 10 February 1913. Sassoon's delightful parody of Masefield's early work was sparked by a chance re-reading of the latter's 'Everlasting Mercy'. Sassoon's publisher, TWH Crosland helped in the correction of the proofs, and 'Sassoon awoke as the anonymous author of a sixpenny pamphlet in cheerful orange-coloured wrappers' ('The Weald of Youth', p.124 ff). The mock-serious preface was written by Crosland and issued under his trading name of John Richmond. Sassoon sent a copy to Edmund Gosse, who handed it on to Eddie Marsh, the result being a long letter from Marsh criticizing Sassoon's poetry, to the latter's great advantage (see Keynes pp.32-33). SCARCE, ESPECIALLY IN THIS CONDITION. Keynes, A10.
1946réf. 12950London: John Lehmann 1946. First U.K. edition first printing of 'Dangling Man'. 8vo. Publisher's original cloth in the original dust wrapper. A very good copy in very good dust wrapper. The binding remains firm with clean boards. The dust wrapper is complete and unclipped with light rubbing and minimal wear. Bellow's first novel and a cornerstone of post-war literature. John Lehmann hardcover
1946réf. 1100377London: John Lehmann 1946. Book. Fine. 1st UK. 8vo - over 7¾" - 9¾" tall. The author's first book. The book is bright and crisp with a hint of browning to the endpapers. The dj is fresh with light darkening to the spine. A very attractive copy. John Lehmann unknown
1947réf. 004940New York: The Vanguard Press 1947. Nice clean copy of author's 2nd book. Small bookplate on front pastedown. Black boards have light shelfwear but clean with fairly sharp tips. Binding tight and square with clean possibly unread textblock. Jacket is clean with small 1/2" chip at bottom of front panel minor tanning to letters on spine but blue on spine neither tanned or sunned. Small stamped 49N on front panel of jacket. Light rubbing on rear panel of jacket with two barely noticeable small chips on rear fold. In mylar. . First American Edition. Cloth. Near Fine/Near Fine. 8vo - over 7¾" - 9¾" tall. The Vanguard Press Hardcover
1995réf. 2-1563246112M E Sharpe Inc 1995. Hardcover. New. 460 pages. 9.25x6.25x1.50 inches. M E Sharpe Inc hardcover
réf. 682391971. Original painting. SIGNED. Saul White with Kenneth Rexroth and Kenneth Patchen brought Beat jazz poetry to Los Angeles in the late 1950s. White was mentored by both poets and artists including Willem de Kooning. He was also good friends with the poet Stuart Perkoff and often read his own work with jazz. We are offering here an original work by Saul White a 4" x 6" painting shown vertically with Saul White's signature to the lower right hand corner and fully signed on both the painting and on the reverse by the artist dated by Saul White - 1971 from "Woodstock New York USA." A multicolored work with the appearance of many faces 1971 unknown
1991réf. DBS-9780824774103marcel dekker 1991. 1St. Hardcover. New. marcel dekker hardcover
1991réf. DBS-9780824774103marcel dekker 1991. 1St. Hardcover. New. marcel dekker hardcover
1991réf. 118778New York: The Viking Press 1991. First edition of this trio of short works by the Nobel laureate and “greatest writer of American prose of the twentieth century” James Wood The New Republic. Octavo original half cloth. Presentation copy inscribed by the author on the title page "For Sally Soames Saul Bellow Chicago Oct 10 '91." The recipient British photojournalist Sally Soames worked for The Sunday Times from 1968 until 2000 and was highly regarded for her exclusively black and white portraits of many of the most prominent figures of the 20th century including Menachem Begin Margaret Atwood Margaret Thatcher Sean Connery Rudolf Nureyev Alec Guinness and Andy Warhol. Soames who was known to be a warm and personal journalist performed extensive research on the subjects of her photographs and developed intimate rapports with them during her process resulting in intimate and revealing portraits. In addition to the several world leaders Soames came to know and photograph she captured the creative energy and personality of some of the world’s most gifted authors poets and playwrights. She published two books of photographs during her lifetime Manpower 1987 with text by Robin Morgan and an introduction by Harold Evans and Writers 1995 with a preface by Norman Mailer. Fine in a fine dust jacket. Jacket design by Neil Stuart. Jacket illustration by Herb Tauss. While Saul Bellow is known best for his longer fiction in award-winning novels such as The Adventures of Augie March and Herzog Something to Remember Me By will draw new readers to Bellow as it showcases his extraordinary gift for creating memorable characters within a smaller canvas. The loss of a ring in A Theft helps an oft-married woman understand her own wisdom and capacity for love. In The Bellarosa Connection Harry Fonstein has escaped from Nazi brutality with the help of an underground organization masterminded by the legendary Broadway impresario Billy Rose and his story continues in America . In the title story seventeen-year-old Louie—whose mother is dying of cancer—strays far from home and finds not solace but humiliation and ultimately the blessing of his father’s wrath. The Viking Press hardcover
1964réf. 154240N.p.: N.p. 1964. Vintage reference photograph of playwright Saul Bellow and actor Sam Levene on the set of the 1964 play. Printed mimeo snipe with a full description affixed to the verso and noting a date of 9/24/64 along with the stamps of The Salt Lake Tribune Library. Bellow's only theatrical effort about a New York comedian who conducts a psychiatric examination on himself in his own apartment which he televises and broadcasts to a group of therapists at the Waldorf. The play debuted on October 1 1964 at the Belasco Theatre and ran for 28 performances closing on October 24 1964. Set in New York. 9 x 7 inches. Near Fine. N.p. unknown
