Field, Saul (1912-1987)Biblio.com
6 894 résultats
1972réf. 324522Greenwich Conn. : New York Graphic Society 1972. 1st edition. Hardcover. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust wrapper now mylar-sleeved. Remains quite well-preserved overall. Physical description: 119 p.: ill. part col.; 41 cm.Subjects: Field Saul 1912-1987. Joyce James 1882-1941. Ulysses Illustrations. Joyce James 1882-1941 Ulysses.Field Saul 1912-. Genre:Illustrated. Greenwich, Conn. : New York Graphic Society hardcover
1964réf. 294749Milan: Gorlich 1964. 1st edition. Hardcover. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust wrapper now mylar-sleeved. Remains quite well-preserved overall. Provenance: From the library of Robin Shield with personal bookplate. Physical description: 2 volumes 36 pages 367 i.e. 369 plates ; 35 cm. At head of title: Saul Levy. ""Il testo della presente edizione e stato per la maggior parte attinto dalle Note di Guiseppe Morazzoni Il Mobile Veneziano del Settecento' edizione Gorlich Milano 1958"" - t.p. verso. Bibliography : p 30. Subjects: Furniture Italy Venice. Furniture Italy 18th century. Milan: Go?rlich hardcover
2009réf. 297361London : Hodder & Stoughton 2009. First Edition. Softcover. Proof copy. Signed. Fine paperback copy. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Physical description: 376 p. : map ; 24 cm. Subject: Zulu War 1879 ; Fiction. London : Hodder & Stoughton paperback
1998réf. 285683London : Little Brown and Co. 1998. First Edition. Hardcover. SIgned by the author. Fine cloth copy in a near-fine very slightly edge-dulled dust wrapper now mylar-sleeved. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: x 484 p. 12 p. of plates: ill. ; 25cm. Notes: Includes bibliography and index. Subjects: George IV King of Great Britain 1762-1830. Kings and rulers ; Biography. Regency ; Great Britain. London : Little, Brown and Co. hardcover
2009réf. 290900London : Hodder & Stoughton 2009. First Edition. Hardcover. Signed by the author. Limited edition no.82/100. Fine cloth copy in an equally fine dust-wrapper now mylar-sleeved. Particularly well-preserved overall; tight bright clean and strong. Physical description: 376p. : map ; 24cm. Subjects: Zulu War 1879 ; Fiction. London : Hodder & Stoughton hardcover
2009réf. 289014London : Hodder & Stoughton 2009. First Edition. Hardcover. Signed by the author. Limited edition no.37/100. Fine cloth copy in an equally fine dust-wrapper now mylar-sleeved. Particularly well-preserved overall; tight bright clean and strong. Physical description: 376p. : map ; 24cm. Subjects: Zulu War 1879 ; Fiction. London : Hodder & Stoughton hardcover
1937réf. 244002Jerusalem: Bamberger & Wahrmann 1937. First Edition. Hardcover. Good copy in the original publisher's gilt-blocked cloth cloth edges very slightly toned. Some wear and tear as with age. Corners sharp with an overall tight bright and clean impression. Physical description; volume 1 only: 249 pages : facsim. ; 27 cm. Subjects; Tosefta — Commentaries. Genre; Illustrated. Jerusalem: Bamberger & Wahrmann hardcover
1890réf. 168127London : Elliot Stock 1890. First Edition. Hardback. Finely bound in modern aniline calf over marble boards. Raised bands with the title blocked direct in gilt. An exceptional copy - scans and additional bibliographic detail on request; 8vo 8"" - 9"" tall; 1890 pages; Physical desc.: 312 p. ; 24 cm. A classified list of books etc. relating to Cumberland: p. 289-297. Series; Popular county histories. Subjects; Cumberland --Cumbria England --History London : Elliot Stock hardcover
1988réf. 167773Braga : Tipografia Barbosa & Xavier 1988. First Edition. Paperback. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. ; 8vo 8"" - 9"" tall; 1268 pages; Physical desc. : cxxxvii 1268 p. 26 pages of plates one folded : ill. ; 27 cm Subject: Bible O. T Pentateuch --Jewish law - Early works to 1800 Braga : Tipografia Barbosa & Xavier paperback
1984réf. 110068New York : Harper & Row 1984. First Edition. Hardback. Fine cloth copy in a near fine dw. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Review copy with publisher's ephemera and photos of author loosely inserted. ; 294 pages; Description: 294 p. ; 24 cm. Subjects: Collection of stories - Saul Bellow. New York : Harper & Row hardcover
1970réf. 36937The Walton Press Philadelphia 1970. First Edition. Hardback. Fine cloth copy in a good if somewhat edge-torn with some minor loss and dust-toned dw now mylar sleeved. Remains quite well-preserved overall; tight bright clean and strong; 56 pages; Description: 56 p. 22 cm. From a well-known poet fictionist and scholar in Anglo-Irish Literature. Subjects: Poetry--Irish The Walton Press, Philadelphia hardcover
2008réf. TA260723019Z20Aurelia 2008. paperback. Like New. 5x0x8. Paperback--no flaws Aurelia paperback
1988réf. 035509Watson-Guptill Pubns 1988. First Edition 1988. Hardcover with dust jacket. Folio with 295 pages. Signed on the half-title page "With thanks Saul Bass." The book and dust jacket are in very good condition very slight shelf wear to the dust jacket. Interior is clean and tight. Profusely illustrated. Pictures available upon request. Blue spine/White text. #035509. Signed. 1st Edition. Hardcover. Very Good/Very Good. Folio. Graphic Design Color Use. Watson-Guptill Pubns Hardcover
1990réf. mon0003708003Feldheim Pub 1990-06-01. Hardcover. Very Good. 1.1102 9.1299 6.5709. Feldheim Pub hardcover
1971réf. 345j1187New York: Random House Inc. Very Good in Good dust jacket. 1971. First Edition. Hardcover. 0394443411 . Signed and inscribed to a friend by Saul Alinsky 1909-1972 atop front free endpaper. "America's most famous community organizer tells the Have-Nots how they can organize to achieve real political power for the practice of true democracy. The distillation of Mr. Alinsky's more than forty years as a professional radical. This hard-headed tactical advice provides an alternative not only to the powerlessness that threatens our democracy but to the random violence and bitter alienation by which so much radical energy is wasted." - dust jacket. In her B.A. thesis entitled 'An Analysis of the Alinsky Model' Hillary Clinton wrote "In regard to the paper itself there are three people who deserve special appreciation including Mr. Alinsky for providing a topic sharing his time and offering me a job." Book very clean bright tight and unmarked with negligible wear. Average wear to unclipped dust jacket now preserved in glossy new archival-grade Brodart. A quality signed example.; 8vo; Signed by Author . Random House Inc hardcover
réf. 0691041601.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1946réf. 031680Chicago: University of Chicago 1946. Second Printing 1946. Hardcover with dust jacket. 8vo with 228 pages. The book is in good condition with browning to front free end paper and front paste down otherwise interior is clean and tight. The dust jacket is in fair condition with fading to spine front flap is separated for jacket one 1" tear to bottom of front panel one 1"tear to top of front panel one 1" by 3/16" piece missing from top panel one triangular piece 1/2" by 1/4" piece missing from bottom of front panel 3/16" missing from top of spine and 4 minute tear to back panel. In an epitaph for Alinsky by his biographer Sanford Horwitt "Alinsky was a true believer in the possibilities of American democracy as a means to social justice. He saw it as a great political game among competing interests a game in which there are few fixed boundaries and where the rules could be changed to help make losers into winners and vice versa. He loved to play the game ." Orange white spine/black text. #031680. Second Printing. Hardcover. Good/Fair. 8vo. Politics. University of Chicago Hardcover
réf. 26443300like new. unknown
réf. 1998047946.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1971réf. 027271Vintage/Random House 1971. First Mass Market Paperback Edition 1st Printing. Soft cover. Very Good. Both Volumes 1 & 2 included in this important "documentary analysis of America's racial history & why it has been kept hidden." More important than ever with recent attempts to whitewash this country's history. In 360 & 379 pages with Indices respectively. Orig. published in hardcover in 1971 these are First Printings of the First mass market paperback editions from Vintage Books/Random House V-459 & V-460 from that same year. Condition is VG: both books are exceptionally clean inside & completely unmarked save for former owner's stamps to first pages of both 1 sentence written in pen on last page of Vol. 2. Exteriors show slight darkening & toning with random spotting/foxing to Vol. 2. Very mild spine creasing & just a hint of bumping to corners. Each is now protected in a new clear mylar collector bag. Our photos depict the Exact book you will receive never "stock" images of books we don't actually have! Same day shipping on all orders received Weekdays by 2 pm Pacific time; later orders weekends & holidays ship very next business day. Vintage/Random House paperback
1993réf. b136-29Jones & Bartlett Learning 1993. Hardcover. New. In the 1880s over fifty years after the discovery of the hyperbolic plane Poincare pointed out that this plane provides a very useful context for describing the properties of the solutions of an important class of differential equations. Jones & Bartlett Learning hardcover
réf. 51-6827Paris: Maeght Éditeur 1973. Original; wraps. 38.1x28.1 cm 15x11".Derrière le Miroir No. 205 - Septembre 1973. 1973. With 4 original lithographs.DLM édité en septembre 1973 pour l’exposition STEINBERG à la Galerie Maeght. Texte de Hubert Damish « Tables d’évidences ». 32 pages non reliées. 3 lithographies originales dont 2 en double page et 8 reproductions en noir. Tirage original.Famed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me” he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 1973 paperback
réf. 51-6825Paris: Maeght Éditeur 1953. Original; wraps. 38.1x28.1 cm 15x11".With 22 lithographs 16 in color of which 4 are double-page spreads including covers.Note that since at least 1981 Maeght has been selling a facsimile Réédition of the original.It can be identified by the cover in which "Steinberg/1953" is printed. In the original of 1953 Steinberg's name is in his own handwriting and there is no date on the cover.DLM édité en mars 1953 pour la 1ère exposition de STEINBERG à la Galerie Maeght présentant 110 dessins inédits. 28 pages non reliées. 22 reproductions en couleurs dont 4 en double page.Famed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me” he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 1953 paperback
réf. 51-6826Paris: Maeght Éditeur 1966. Original; wraps. 38.1x28.1 cm 15x11".Derrière le Miroir No. 157 - Mars 1966. 1966. With 19 reproductions: 7 in color of which 2 are double-page.Derrière le Miroir accompagnant l'exposition Saul STEINBERG à la Galerie Maeght en 1966. Format 38 x 28 cm 24 pages incluant 19 reproductions. Derrière Le Miroir n°157 including covers.Famed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me” he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 1966 paperback
réf. 51-6828Paris: Maeght Éditeur 7. Original; wraps. 38.1x28.1 cm 15x11".Derrière le Miroir No. 224 - Mai 1977. 1977. With 4 original lithographs including covers.l.DLM édité pour l’exposition STEINBERG à la Galerie Maeght en mai 1977. Texte d’Italo Calvino « La Plume à la première personne ». 26 pages non reliées. 4 lithographies originales en couleurs et 22 reproductions dont 11 en couleurs et 1 en double page. Tirage original.IFamed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me” he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 7 paperback
