Steinberg, Saul (1914-1999)Biblio.com
6909 risultati
rif. 16-3736Paris: Maeght 1973. Poster. 79.5 x 60 cm. Time stained lower left margin. Crease in lower. right marinPrinted by Arte. Paris: Maeght, 1973 unknown
rif. 16-3735Paris: Maeght 1953. Poster. 65.5 x 46.5 cm. Pin holes in corners. Printed by Mourlot. Paris: Maeght, 1953 unknown
rif. 51-3847Saint-Paul-de-Vence France: la Fondation Marguerite et Aimé Maeght 1970. Original poster. 88.9 x 57.15 cm 35 x 22 1/2 inches. Repaired 3cm. tear in upper margin Notes Saul Steinberg born Saul Jacobson in June in Romania was a cartoonist and illustrator best known for his line drawings that suggest elaborate eclectic doodlings. Steinberg studied sociology and psychology at the University of Bucharest and architecture in Milan. From 1936 to 1939 he published his cartoons in Italian magazines. Settling in New York City in 1942 Steinberg worked as a freelance artist cartoonist and illustrator mainly for The New Yorker magazine and exhibited his drawings in Paris New York City and other cities. Steinberg’s subject matter ranges from the whimsical e.g. a wicker chair overtaken by its curlicues to the satirical sinister overgrown gadgets to the philosophical a tiny figure perched on a giant question mark balanced at the edge of an abyss. He died in New York in 1999.Né en Roumanie Saul Steinberg entreprend des études de lettres dans son pays avant de partir pour l’Italie en 1933 pour fuir l’antisémitisme. En 1940 il obtient son diplôme d’architecture à l’école polytechnique de Milan où il commence à publier dans la presse antifasciste des dessins satiriques très appréciés. Il doit de nouveau émigrer et arrive aux Etats-Unis pendant les années de guerre où il collabore avec le magazine The New Yorker qui publiera près de 1200 de ses dessins. Essentiellement dessinateur il est également illustrateur et scénographe. Il intervient comme caricaturiste et satiriste dans un domaine entre l’invention et le pastiche et utilise tous les media du dessin crayon noir et de couleur fusain gouache aquarelle mais aussi le collage. L’humour faisant partie intégrante de ses œuvres l’écriture et la calligraphie « je suis un écrivain qui dessine » appuient et accompagnent très souvent l’image et la ligne.Eugène Ionesco disait de lui : « Je crois qu’aucun autre artiste n’a su comme lui ou n’a réussi comme lui à faire de la caricature un langage et une critique métaphysiques ». Saint-Paul-de-Vence, France: la Fondation Marguerite et Aimé Maeght, 1970. unknown
rif. 16-3630Paris: Maeght 1973. Folio. 38 x 28 cm. Original wraps. Very good. Upper corner creased."DLM édité en septembre 1973 pour l'exposition STEINBERG à la Galerie Maeght. Texte de Hubert Damish ""Tables d'évidences"". 32 pages non reliées. 3 lithographies originales dont 2 en double page et 8 reproductions en noir. Tirage original. Paris: Maeght, 1973 paperback
rif. 16-3629Paris: Maeght 1980. Folio. 38 x 28 cm. Original wraps. Very good.DLM édité pour l'exposition LINDNER et STEINBERG à la Galerie Maeght en octobre 1980. Texte en français et anglais Eugène Ionesco. 36 pages non reliées. 24 reproductions dont 11 en couleurs. Tirage original. Paris: Maeght, 1980 paperback
rif. 18-6092Berkeley: University of California Press 1984. 4to. 408 pp. First Paperback Printing. Very Good. Soft Cover. Minor shelf wear. Photographic paper wraps. B&W plates throughout. ISBN: 9780520256361 0520256360 0520052188 9780520052185.From the Collection of the Art Historian Peter Selz. Contents:List of Illustrations Preface Acknowledgments 1. Art Worlds and Collective Activity 2. Conventions 3. Mobilizing Resources 4. Distributing Art Works 5. Aesthetics Aestheticians and Critics 6. Art and the State 7. Editing 8. Integrated Professionals Mavericks Folk Artists and Naive Artists 9. Arts and Crafts 10. Change in Art Worlds 11. Reputation Bibliography Index Berkeley: University of California Press, 1984. paperback
rif. 18-3427Boston: State Street Press 1958. 8vo. 24 pp. Very Good. Soft Cover. Brown deckled paper wraps. Staple binding. B&W plates throughout. From the Collection of the Art Historian Peter Selz. Boston: State Street Press, 1958. paperback
rif. 18-3708New York NY: World House Galleries 1958. . Promotional pamphlet. 8vo. 4 pp. Single sheet folded. Good with marginal toning and creasing. 2 black and white plates. Created on occasion of traveling exhibition “Saul Baizerman: Memorial Exhibition 1889-1957” being held at World House Galleries in New York NY from September 16 - October 25 1958. Scarce. From the Collection of the Art Historian Peter Selz. New York, NY: World House Galleries, 1958. unknown
rif. 51-3156Paris: Maeght 1980 . Folio. Loose as issued. Very good.DLM édité pour l'exposition LINDNER et STEINBERG à la Galerie Maeght en octobre 1980. Texte en français et anglais Eugène Ionesco. 36 pages non reliées. 24 reproductions dont 11 en couleurs. Tirage original. Paris: Maeght, 1980 unknown
rif. 13-1327New York: Viking Press 1975. 8vo. 487 pp. Very Good Soft Cover with slight warping stains some sun-fading rubbing & minor edge wear on covers; shelf wear. Mylar Jacket with strip of art paper to discourage further sun-fading along spine. Advance Reading Copy. First Edition. New York: Viking Press, 1975. paperback
rif. 63-0248Berkeley CA: Saul Zaentz Company 1978. 25 Glossy Black & White Photographs 8 x 10 inches Very Good. Berkeley, CA: Saul Zaentz Company, [1978]. unknown
rif. 63-0453Berkeley CA: Saul Zaentz Company 1987. Glossy Black & White Photograph 8 x 10 inches 14 Stapled Press Release Profiles of the production; Very Good. Berkeley, CA: Saul Zaentz Company, 1987. unknown
rif. 16-2945Illinois State Libraay: 1995. 32 x 24 inches. Provenance: Peter Howard Serendipity Books Berkeley. Illinois State Libraay: 1995. unknown
rif. 15-8072New York: Perls Gallery 1941-1943. 8vo. Printed Wrappers Very Good Illustrations. 4 pp. each.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1941-1943. unknown
rif. 15-4155New York: Avon Publications 1954. 8vo. 252 pp. Very Good Paperback with yellowing throughout shelf wear. New York: Avon Publications, 1954. paperback
rif. 15-4866Los Angeles: Limited Editions Club Plantin Press 1949. 4to. 145 pp. Very Good Tan Decorative Cloth with some sun-staining especially along spine shelf wear rubbing. Provenance: John Ruyle his bookplate inside cover. With an Introduction by Carl Van Doren. Illustrations printed in gravure by The Photogravure & Color Company of New York. One of 1500 copies Publisher's Copy according to penciled note on FFEP. Los Angeles: Limited Editions Club, Plantin Press, 1949. hardcover
rif. 15-2987New York: Viking Press 1975. 8vo. 487 pp. Very Good Soft Cover with stains some sun-fading rubbing & minor edge wear; shelf wear. Mylar Jacket. Advance Reading Copy. First Edition. New York: Viking Press, 1975. paperback
rif. 15-2986New York: Viking Press 1975. 8vo. 487 pp. Very Good Yellow Cloth On Yellow Boards Dust Jacket with small tears stains some sun-fading rubbing & minor edge wear; shelf wear. Former owner's bookplate on FEP. Mylar Jacket. First Edition. New York: Viking Press, 1975. hardcover
rif. 15-2992New York: Viking Press 1975. 8vo. 487 pp. Very Good Soft Cover with stains some sun-fading rubbing & minor edge wear on covers; shelf wear. Advance Reading Copy. First Edition. New York: Viking Press, 1975. paperback
rif. 15-2989New York: Viking Press 1975. 8vo. 487 pp. Very Good Soft Cover with slight warping creasing stains some sun-fading rubbing & minor edge wear on covers; shelf wear. Mylar Jacket. Advance Reading Copy. First Edition. New York: Viking Press, 1975. paperback
rif. 15-2990New York: Viking Press 1975. 8vo. 487 pp. Very Good Soft Cover with small tears slight warping creasing stains some sun-fading rubbing & minor edge wear on covers; penciled notes inside cover; shelf wear. Advance Reading Copy. First Edition. New York: Viking Press, 1975. paperback
rif. 16-2417New York: Viking Press 1970. 8vo. 313 pp. Very Good Light Blue Cloth On Blue Boards Dust Jacket with sun-fading on boards & jacket staining small tears rubbing & edge wear; staining on edges of text block; half title page creased to gutter; shelf wear. Signed by Bellow on FEP. First Edition. New York: Viking Press, 1970. hardcover
rif. 15-2991New York: Viking Press 1975. 8vo. 487 pp. Very Good Soft Cover with slight warping creasing stains some sun-fading rubbing & minor edge wear on covers; staining on edges of text block; wear along head of spine; stamp inside front cover: "Purchased at USPS Auction"; front cover well-worn to gutters; shelf wear. Advance Reading Copy. First Edition. New York: Viking Press, 1975. paperback
rif. 16-2404New York: Viking Press 1959. 8vo. 341 pp. Very Good White & Orange Cloth Dust Jacket with losses at head of spine small tears sun-fading staining rubbing & edge wear; some stains on edges of text block; shelf wear. Former owner's signature on FFEP. First Edition. New York: Viking Press, 1959. hardcover
rif. 16-2467New York: Viking Press 1976. 8vo. 182 pp. Very Good Blue On Grey Cloth Dust Jacket with sun-fading some warping on edgesstaining rubbing & edge wear; minor stains on edges of text block; shelf wear. Mylar Jacket. New York: Viking Press, 1976. hardcover
