6.894 Ergebnisse
1975Best.-Nr. 2006100002The Viking Press 1975-08-25. Hardcover. Very Good. 9x6x1. Signed. Autographed by author. Hardcover and dust jacket. Dust jacket in protective mylar cover. Good binding and cover. Clean unmarked pages. Later printing. The Viking Press hardcover
1979Best.-Nr. 187956Chicago: Lyric Opera of Chicago 1979. First Edition First Printing. Hardcover. Very Good. 233p. INSCRIBED BY NUMEROUS OPERA STARS TO NORMAN PELLEGRINI. An oversize hardcover book in near-fine condition with a very good dustjacket. Corners and spine ends mildly rubbed; otherwise clean and tight. The jacket has some small tears along the edges and at the corners but is still mostly intact. Inscribed by 9 opera stars to Norman Pellegrini who was the program director for WFMT Chicago's classical music radio station. Among the signers are Placido Domingo Arnold Voketaitis Ardis Krainik and Kathleen Kuhlmann. The book itself is fiilled with photographs mostly in color celebrating the history of Chicago's Lyric Opera. Measures approx. 12.25" x 10.25 Lyric Opera of Chicago hardcover
2004Best.-Nr. 25672Valmayor Ediciones S.L. 2004. 1st edition. Cloth. Near Fine/Near Fine. 1st edition. SIGNED. A Near Fine copy in Near Fine dust jacket. Tall 4to. 317 pp. profusely illustrated with color photographs and charts. Bound in blue cloth with silver titles in black photo-illustrated dust jacket. SIGNED by Braaceras on the title page this is in addition to the facsimile signature on dedication page. The dj has light edge wear. The upper corner of the spine is lightly bumped. The dj is now protected in a mylar sleeve. Text in English and Spanish. Valmayor Ediciones S.L. unknown
1992Best.-Nr. 021814New York: Alfred a Knopf 1992. First Edition. Quarto. 208p. illustrated with 196 color and in black and white illustrations. The artist paint America and its people comically through daily life work job personal and private subjects an more. Much of his work has been seen in the The New Yorker. A very nice coy bound in gray cloth lettered in dark gray spine lettering dark gray two corners only lightly bumped in unclipped pictorial dust jacket. Alfred a Knopf unknown
1962Best.-Nr. 3808New York: William R. Scott 1962. First printing. 43 pp. 8.5 x 11.25 inches. Printed paper over boards in illustrated dust-jacket. Designed by Saul Bass. Faint spotting and slight splay to boards internally fine save for a tiny printing flaw on the facing pages of one spread in a very good price-clipped jacket with wear and small closed tears to edges and very small losses at extremities. Rare and much sought-after first edition of the only children's book by designer Saul Bass. William R. Scott hardcover
1965Best.-Nr. AEIeSTEI32New York: Harper & Row 1965. 1965. 4to. pp. 156. illus. throughout. cloth upper edges of covers spotted. dw. extremities slightly chipped. First Edition. F. Hardcover. New York: Harper & Row, [1965]. Hardcover
1978Best.-Nr. ABE-461867400Indianapolis & New York: The Bobbs-Merrill Company Inc. 1978. 1978. 4to. pp. 172. illus. throughout. cloth. dw. dw. rubbed & 2 full-length creases. First Edition. F. Hardcover. Indianapolis & New York: The Bobbs-Merrill Company, Inc., [1978]. Hardcover
1959Best.-Nr. stela694New York: Saul Raskin 1959. 1959. 4to. pp. 136. English & Hebrew text. 100 b/w illus. cloth foot of spine bumped. dw. stained & spotted couple tears and one nick previous owners inscription on front free endpaper. Hardcover. Very Good/Dust Jacket Included. [New York: Saul Raskin, 1959]. Hardcover
2012Best.-Nr. 102521London:: Folio Society. Fine. 2012. Hardcover. Introduction by Malcolm Bradbury. First edition thus. Fine in a fine slipcase. ; 364 pages . Folio Society, hardcover
2007Best.-Nr. SB00238New York: Library of America 2007 Fine Special Edition with near fine cream-colored slipcase. First Printing. Hardcover. Fine. Library of America hardcover
1964Best.-Nr. 1706019Viking Press 1964. first. hardcover. fine/very good plus. SIGNED first edition "First published in 1964" stated on copyright page. Book fine light blue top edge faded top spine very slightly creased. Dust jacket very good plus spine slightly faded very minor wear. Viking Press unknown
2002Best.-Nr. mon0003423532John Benjamins Publishing Compan 2002-10-24. Hardcover. Like New. 1.4000 8.7000 6.1000. John Benjamins Publishing Compan hardcover
2002Best.-Nr. 16855new hc fold inside the front cover Random House hardcover
1991Best.-Nr. 2175Special Signed Edition. In fine condition clean and unmarked appears unread in a fine dust jacket with price intact. Signed by Saul Bellow on a label affixed to front end page. Viking hardcover
2008Best.-Nr. 3565Stated First Edition. In near fine condition clean and unmarked light toning at edges. In a near fine dust jacket. Signed and inscribed by Saul Leiter on the title page. Steidl hardcover
1989Best.-Nr. 240112040Easton Press 1989. leather_bound. Like New. 10x6x2. Please Read NAME INSIDE COVER - No marks on text - My shelf location 40-E-16 Easton Press hardcover
1982Best.-Nr. 1686Harper & Row 1982. Limited Numbered First Edition. Cloth. Fine/Near Fine in NF Slipcase. A handsome burgundy Limited Numbered First Edition signed by the author and with the origiinal acetate dustjacket in the original burgundy slipcase. Numbered 205 OF 500. Winner of the 1976 Nobel Prize for Literature the National Book Award three times and the Pulitizer Prize for "Humboldt's Gift" in 1976 Saul Bellow is one of America's best-known writers. The book is in fine unread condition solid clean and bright with an attractive burgundy topstain. It is housed in the original acetate dustjacket that is complete with only minor rubbing. The original burgundy slipcase is solid and complete and is blindstamped with the author and title. There are a few spots on the back of the slipcase; otherwise fine. 312 pp. A nice edition. Harper & Row unknown
1954Best.-Nr. 055072Hamish Hamilton 1954. First British Edition . Hardcover. Very Good Plus. Folio - 13 x 10.5 Inches Tall. Illustrated by the Author. FIRST UK EDITION. LONDON : 1954. Same year as the American edition Harper and Brothers New York. Hardback. Illustrated by the Author. Red cloth spine; black lettered. Grey pictorial paper-covered boards. No owner name or internal markings. Tight bright and clean. Minor use only. VERY GOOD INDEED. SAUL STEINBERG June 15 1914 - May 12 1999 was an American artist best known for his work for The New Yorker most notably View of the World from 9th Avenue. He described himself as "a writer who draws". Steinberg was born in Romania to a family of Jewish descent. In 1932 he entered the University of Bucharest. In 1933 he enrolled at the Polytechnic University of Milan to study architecture; he received his degree in 1940. In 1936 he began contributing cartoons to the humour newspaper Bertoldo. Two years later the anti-Semitic racial laws promulgated by the Fascist government forced him to start seeking refuge in another country. In 1941 he fled to the Dominican Republic where he spent a year awaiting a US visa. By then his drawings had appeared in several US periodicals; his first contribution to The New Yorker was published in October 1941. Steinberg arrived in New York City in July 1942; within a few months he received a commission in the US Naval Reserve and was then seconded to the Office of Strategic Services OSS. He worked for the Morale Operations division in China North Africa and Italy. Shipped back to Washington in 1944 he married the Romanian-born painter Hedda Sterne. Folio; approx. 13.5 x 11 inches. Heavy; extra postage needed outside the UK. Will be well-packed for posting/shipping. Rosley Books for Antiquarian books CHS Cumberland Everyman GKC Inklings Keswick Literature MacDonald Rarities Theology and History. . Now quite SCARCE. Hamish Hamilton hardcover
2012Best.-Nr. 2-0124334350Academic Press 2012. Paperback. New. 288 pages. 9.25x6.00x0.65 inches. Academic Press paperback
1984Best.-Nr. 126-23-85Boston: The Francis A. Countway Library of Science 1984. 450p cloth no DW signed by Saul Jarcho VG The Francis A. Countway Library of Science hardcover
1954Best.-Nr. 853177New York : Harper & Brothers 1954. 1st. Hardcover. Very Good/Good. Saul Steinberg. Hardcover 224 pages. Oversized. Tan cloth cover minor wear to edges. Dust jacket has light wear. Inside is nice and clean with 350 b&w drawings. Record # 853177 Harper & Brothers hardcover
1954Best.-Nr. 379635NY: Harper and Brothers 1954. 1st. Hardcover. Very Good/None. Saul Steinberg. Hardcover in original beige cloth with pictorial design to cover and title to spine in black. Classic humorous cartoons by the celebrated graphic illustrator. The author's 3rd book. 224 pages 350 drawings states first edition on copyright page. Mild darkening of spine. Otherwise a clean very good copy. Record # 379635 Harper and Brothers hardcover
1645Best.-Nr. 352642New York: Duell Sloan & Pearce 1645. 1st. Hardcover. Good/Good. Unpaginated. Hardcover with dust jacket. Illustrated with black and white line drawings. Previous owner's inscription and drawing. Dust jacket shows chipping age discoloration and tearing. Now covered in Brodart. Corners bumped. Record # 352642 Duell, Sloan & Pearce hardcover
2005Best.-Nr. 362391NY: Abrams 2005. 1st. Hardcover. Very Good/Very Good. Hardcover 240 pages. Steinberg's high-concept graphic art—epitomized by his oft-imitated cartoon map in which a Manhattan distended with self-importance shoves the continents of North America and Asia to the margins—is enchantingly showcased in this lavishly illustrated retrospective of his work for the New Yorker. Smith a curator at the Frances Lehman Loeb Art Center at Vassar and author of Edward Steichen: The Early Years surveys six decades of Steinberg's pieces including all 89 New Yorker covers in full color cartoons wartime sketches from overseas evocative but never literal-minded illustrations for articles and unpublished items from the artist's portfolio. The material is arranged thematically examining such recurring motifs as cats pedestals and rubber-stamped figures and documenting the turn to visual metaphor in Steinberg's later work where symbolic graphic representations of sound abstract relationships and existential conundrums replace the usual scenario-with-verbal-punch line cartoon setup. Smith's pithy biographical essay situates Steinberg as a self-conscious modernist who helped develop a distinctive New Yorker visual style one with "a wry informal wit. attuned to the jittery optimism of the Atomic Age." Steinberg's cartoons usually made readers think before they laughed and so will this splendid memorial to a 20th-century artistic landmark. Record # 362391 Abrams hardcover
1992Best.-Nr. 353211New York: Knopf 1992. 1st. Hardcover. Very Good/Very Good. Hardcover 208 pages. Introduction by Arthur C. Danto. 196 color and b/w illustrations 56 of which first appeared in The New Yorker. Record # 353211 Knopf hardcover