Rosenberg, Harold / Saul SteinbergBiblio.com
1978ref. 385247NY: Alfred A. Knopf 1978. 1st. Hardcover. Very Good/Very Good. Saul Steinberg. Hardcover in a bright unclipped dust jacket with light edgewear. INSCRIBED BY STEINBERG in blue pencil and dated Oct 79 on the half-title page. Inscribed to Silvano Arieti 1914-1981 a psychiatrist regarded as the world's foremost authority on schizophrenia. He was also a longtime professor at New York Medical College. 256 pages black and white and color reproductions publisher's brown cloth-backed tan papered boards lettered in gilt at spine brown endpapers minor chipping to rear bottom edge. Pictorial dust jacket minor toning and wear mostly to edges very good. Record # 385247 Alfred A. Knopf hardcover
1978ref. 511765New York: Alfred A. Knopf in association with the Whitney Museum of American Art 1978. Softcover. Fine. First edition wrappered issue. Quarto. 256pp. Illustrated with the art works of Steinberg. Pictorial wrappers. Slight rubbing on the wrappers very near fine. Inscribed by Steinberg to author Mary McCarthy on the half-title page in the year of publication: "For Mary and Jim from Saul and the dear memory of Harold. Oct 78." Jim is Jim West McCarthy's fourth and final husband. Alfred A. Knopf in association with the Whitney Museum of American Art unknown
1978ref. 28188New York: Alfred A. Knopf Publ 1978. First Edition ~1st Printing. Softcover. SIGNED on half-title page by artist Steinberg and author Rosenberg; near fine in illustrated covers; gentle wear to pageblock edges hinge glue is brittle but binding intact else a tight square unmarked copy with catalog from Steinberg's 1978 Whitney exhibition laid in Alfred A. Knopf Publ paperback
ref. U00A-04239Sidney Janis Gallery. Used - Good. Good condition. American Art Drawing Exhibition Catalogs A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. Sidney Janis Gallery unknown
ref. DA08C-02541Harper & Row. Collectible - Very Good. New York: Harper & Row 1949. NAP. Early printing. 4to hardcover. Yellow cloth with black ink illustration and lettering in pictorial dust jacket. Unpaginated. Illustrations. Near Fine book. Near Very Good dust jacket. Dust jacket toned and price clipped with a small stain on the front panel. Cloth has a crease from the binding process. In polypropylene bag. In polypropylene bag. Cartoons Humor Inquire if you need further information. Harper & Row hardcover
2006ref. 22221very good oversize hc Mylar protection no marks at all binding is loose on rear cover ex-library--expedited shipping not available Yale University Press hardcover
ref. GOR009082705Paperback. Very Good. paperback
2007ref. 398419New Haven CT: Yale University Press 2007. 1st. Hardcover. Very Good/Very Good. Hardcover in a bright dust jacket firm and clean; Binding tight; Pages bright internally clean no ownership markings or annotations illustrated with color and b&w plates 9.1 X 6.1 X 0.8 inches; 287 pages. Best known for his barbed and brilliant art for The New Yorker Saul Steinberg 1914–1999 did much more. He executed public murals designed fabrics and stage sets was an inventive collagist and printmaker and turned his magic touch to the fields of painting sculpture advertising and even wartime propaganda. This is the first comprehensive look at Steinberg’s extraordinary contribution to 20th-Century art which was that of a modern-day illuminator putting word and image in play to create art that spoke to the eyes and minds of readers. Previously unseen sketches documents and printed matter from the artist’s papers illustrate the essay career chronology and entries for 120 objects featured in this important book. DOMESTIC SHIPPING ONLY. Record # 398419 Yale University Press hardcover
ref. sk5nvn1796Paperback. Very Good. UK stocked available immediately. Large format paperback published by Yale University Press in 2008. 2nd printing. A lovely bright copy with unmarked contents. Very light rubbing to the edges only. Illustrated. paperback
2006ref. 72450Yale University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 272 pp. With 315 ills. 178 col. . 32 x 27 cm. -- with a bonus offer-- . 2006. 0300115865 . Yale University Press hardcover
1981ref. mon0004238157The Gallery 12/31/1981 4:00:00 P. paperback. Good. . The Gallery paperback
1978ref. 160892Alfred A. Knopf / Whitney Museum of American Art 1978. First Edition. Trade Paperback. Very Good. Exhibition catalog for a show held at the publisher's gallery. Book is in excellent condition with very light shelf wear to covers only. Binding is solid and square covers have sharp corners exterior shows no notable blemishes text/interior is clean and free of marking of any kind. 256 pages with a great many full color full page prints as well as many b&w. Contains full page Bleeker Street 1969 - the cover for a New Yorker compilation also laid in cover of the New Yorker 7/18/'70 at front and laid in 4 page flyer of the Hirshorn Museum and Scupture Garden show ""Saul Steinberg."" Publisher's page includes the words ""First Edition"". The catalog for a major Whitney Museum retrospective presenting drawings cartoons New Yorker covers watercolors and three-dimensional constructions by an artist who crossed boundaries between high art caricature and language. Keywords: Whitney Retrospective New Yorker Covers Cartoons Drawings Three Dimensional Works Watercolors Prints Art Language Border Romanian Born Calligraphy Line Philosophical Humor Street Signs Passport Stamps American Pop Art Alfred A. Knopf / Whitney Museum of American Art paperback
ref. 51-6827Paris: Maeght Éditeur 1973. Original; wraps. 38.1x28.1 cm 15x11".Derrière le Miroir No. 205 - Septembre 1973. 1973. With 4 original lithographs.DLM édité en septembre 1973 pour l’exposition STEINBERG à la Galerie Maeght. Texte de Hubert Damish « Tables d’évidences ». 32 pages non reliées. 3 lithographies originales dont 2 en double page et 8 reproductions en noir. Tirage original.Famed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me” he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 1973 paperback
ref. 51-6825Paris: Maeght Éditeur 1953. Original; wraps. 38.1x28.1 cm 15x11".With 22 lithographs 16 in color of which 4 are double-page spreads including covers.Note that since at least 1981 Maeght has been selling a facsimile Réédition of the original.It can be identified by the cover in which "Steinberg/1953" is printed. In the original of 1953 Steinberg's name is in his own handwriting and there is no date on the cover.DLM édité en mars 1953 pour la 1ère exposition de STEINBERG à la Galerie Maeght présentant 110 dessins inédits. 28 pages non reliées. 22 reproductions en couleurs dont 4 en double page.Famed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me” he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 1953 paperback
ref. 51-6826Paris: Maeght Éditeur 1966. Original; wraps. 38.1x28.1 cm 15x11".Derrière le Miroir No. 157 - Mars 1966. 1966. With 19 reproductions: 7 in color of which 2 are double-page.Derrière le Miroir accompagnant l'exposition Saul STEINBERG à la Galerie Maeght en 1966. Format 38 x 28 cm 24 pages incluant 19 reproductions. Derrière Le Miroir n°157 including covers.Famed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me” he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 1966 paperback
ref. 51-6828Paris: Maeght Éditeur 7. Original; wraps. 38.1x28.1 cm 15x11".Derrière le Miroir No. 224 - Mai 1977. 1977. With 4 original lithographs including covers.l.DLM édité pour l’exposition STEINBERG à la Galerie Maeght en mai 1977. Texte d’Italo Calvino « La Plume à la première personne ». 26 pages non reliées. 4 lithographies originales en couleurs et 22 reproductions dont 11 en couleurs et 1 en double page. Tirage original.IFamed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me” he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 7 paperback
ref. 51-6003Paris: Galerie Maeght 1953. Folio. Original wraps. 28 x 28cm Tear lower right corner of front cover stains on rear cover outside edge. .DLM édité en mars 1953 pour la 1ère exposition de STEINBERG à la Galerie Maeght présentant 110 dessins inédits. 28 pages non reliées. 22 reproductions en couleurs dont 4 en double page. Not the reprint or second edition. Paris: Galerie Maeght, 1953. paperback
ref. 51-6008Paris: Galerie Maeght 1973. Folio. Original wraps. 28 x 28cm DLM édité en septembre 1973 pour l’exposition STEINBERG à la Galerie Maeght. Texte de Hubert Damish « Tables d’évidences ». 32 pages non reliées. 3 lithographies originales dont 2 en double page et 8 reproductions en noir. Tirage original. Epuisé en diffusion. Paris: Galerie Maeght, 1973. paperback
ref. 10096New York Knopf 1978. 4° 256 S. 274 teilw. farb. Abb. Broschur. Rücken min. gebräunt tadell. Saul Steinberg 1914-1999 war ein rumänisch-amerikanischer Zeichner und Karikaturist. Bekannt wurde er vor allem durch seine Cartoons und Titelbilder für das Magazin The New Yorker. Für diese Zeitschrift entstand auch ein Titelbild veröffentlicht am 29. März 1976 das später zu einem beliebten Postermotiv werden sollte: eine perspektivisch verzerrte Landkarte die von einer New Yorker Straße ausgehend einen Teil der Weltkugel abbildet und als grafische Idee für beliebige andere Orte abgewandelt wurde. 010 New York, Knopf, 1978 unknown
2012ref. 103846Random House. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 768 pages; illustrated with black and white and a number of color images. -- with a bonus offer-- . 2012. 038552448X . Random House hardcover
2006ref. mon0000992399Yale University Press 2006-11-01. Paperback. Very Good. 2.0285 in x 23.0924 in x 15.4782 in. A clean tight copy. Yale University Press paperback
1978ref. 592467New York: Alfred A. Knopf in association with The Whitney Museum of American Art 1978. Hardcover. Fine. Limited edition. Square quarto. 256pp. Heavily illustrated. Spine a touch soiled else fine in a near fine slipcase with just a bit of wear along the edges. Numbered 257 of 300 copies Signed by Steinberg. Alfred A. Knopf in association with The Whitney Museum of American Art hardcover books
2021Saul Steinberg (1914-1999) rimane uno degli artisti più noti e insieme sconosciuti dell’arte del XX secolo. È stato un cartoonist, un disegnatore, un aforista grafico: eppure il suo nome rimane ai margini, fuori dai manuali di Storia dell’arte. Questo numero di "Riga" rinnova e ripensa il volume edito nel 2005, ampliandolo con nuovi materiali. Fra questi spiccano ventuno interviste, per la maggior parte inedite in italiano, rilasciate da Steinberg fra il 1952 e il 1993; due importanti saggi, che gettano nuova luce sulla sua vicenda artistica e biografica; una serie di scritti e disegni con cui illustratori e artisti hanno voluto rendergli omaggio. Senza voler stabilire graduatorie o classifiche, si può – si deve – parlare di Steinberg con la stessa attenzione riservata a Picasso, a Giacometti, a Warhol. Altrettanto complessa e ricca, la sua arte parla tante lingue contemporaneamente: disegno e parola, retorica e letteratura, filosofia e percezione. Steinberg è disegnatore e scrittore, sociologo e filosofo, psicologo e persino moralista. E tuttavia Steinberg è solo Steinberg: ovvero uno degli artisti più imitati, citati, riprodotti, perché all’unicità del suo segno corrisponde un’universalità di significati e di messaggi. Curatori: Marco Belpoliti, Gabriele Gimmelli, Gianluigi Ricuperati.
2021ill., br. Saul Steinberg (1914-1999) rimane uno degli artisti più noti e insieme sconosciuti dell'arte del XX secolo. È stato un cartoonist, un disegnatore, un aforista grafico: eppure il suo nome rimane ai margini, fuori dai manuali di Storia dell'arte. Questo numero di "Riga" rinnova e ripensa il volume edito nel 2005, ampliandolo con nuovi materiali. Fra questi spiccano ventuno interviste, per la maggior parte inedite in italiano, rilasciate da Steinberg fra il 1952 e il 1993; due importanti saggi, che gettano nuova luce sulla sua vicenda artistica e biografica; una serie di scritti e disegni con cui illustratori e artisti hanno voluto rendergli omaggio. Senza voler stabilire graduatorie o classifiche, si può - si deve - parlare di Steinberg con la stessa attenzione riservata a Picasso, a Giacometti, a Warhol. Altrettanto complessa e ricca, la sua arte parla tante lingue contemporaneamente: disegno e parola, retorica e letteratura, filosofia e percezione. Steinberg è disegnatore e scrittore, sociologo e filosofo, psicologo e persino moralista. E tuttavia Steinberg è solo Steinberg: ovvero uno degli artisti più imitati, citati, riprodotti, perché all'unicità del suo segno corrisponde un'universalità di significati e di messaggi.
1994Mm 160x220 Rivista "RIGA" n. 24 del 2005, volume interamente dedicato a Saul Steinberg - Brossura originale, 411 pagine con illustrazioni in nero nel testo. Opera in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
