Saul D Jacka David J HandBiblio.com
6.883 resultados
ref. 61450115John Wiley & Sons . Hardback. New. pp. 464 John Wiley & Sons hardcover
1966ref. 103067Paris, Maeght éditeur, impr. Presses de Arte, à Paris 1966 In-4 à l’italienne 27 x 32 cm. Cartonnage éditeur sous jaquette illustrée en couleurs, non paginé [198] pp., nombreuses illustrations par Saul Steinberg en couleurs et en noir et photographies par Inge Morath, maquette de Max Weber. Exemplaire en bon état.
1973ref. 31832Paris, Derrière le Miroir, N° 205, 1973. Un volume in folio, (380 x 280 mm), en feuilles, 32 pp.
1971ref. 20670ABParis. Maeght éditeur. Juin 1971. Folio. 24 n.n. S. Mit 1 doppelblattgrossen farbigen Originallithographie, 5 (4 doppelblattgrossen inkl Umschlag) farbigen Abbildungen und 7 (6 ganzseitigen) s/w. Abbildungen. Lose in Originalumschlag.
1973ref. 19458ABParis. Maeght éditeur. Septembre 1973. Folio. 27 S., 1 S. Mit 3 (1 doppelblattgrossen) farbigen Originallithographien, 8 (2 doppelblattgrossen) farbigen Illustratioenen und 7 ganzseitigen s/w. Illustrationen. Lose in Originalumschlag.
1977ref. 56839ABParis. Maeght, Editeur. Mai 1977. Folio. 24 p. avec 4 lithographies originales en couleurs (dont 2 de couverture) et illustrations en noir et en couleurs dans le texte. Broché.
1954ref. 86318Hamburg Rowohlt Verlag 1954,, in-4, Leinenband mit Schutzumschlag, (179p.) Original. Good condition.
1988ref. 104686Paris Maeght 1988 1 vol. broché in-4, broché, couv. illustrée, (32) p., reproductions en noir et en couleurs précédées d'un texte d'Eugène Ionesco. Très bon état.
1988ref. 104686Paris Maeght 1988 1 vol. broché in-4, broché, couv. illustrée, (32) p., reproductions en noir et en couleurs précédées d'un texte d'Eugène Ionesco. Très bon état.
1977ref. 348911Paris : Maeght Editeur 1977. First Edition. Softcover. Good copy in original stiff card wrappers with some wear and tear as with age. Remains well-preserved overall; bright and clean. Series; Derriere le miroir ; no. 224. Physical description; 28 pages 4 unnumbered pages : illustrations some color ; 39 cm. Notes; Cover title. Essay 'La plume de la premiere personne' by Italo Calvino. Subjects; Steinberg Saul. Genre; Illustrated. Paris : Maeght E?diteur paperback
1953ref. mon0003370593Maeght 1953T. paperback. Good. . Scarce. 2nd ed stated. Minor wear staining to covers due to being stored w/ old leather books. Pages clean. Maeght paperback
ref. J0-R4QS-N8F1Paperback. Very Good. Paris: Maeght Editeur 1953. Tall folio in color lithograph printed pictorial wrappers. 24 pages illustrated with original color and monochromatic lithographs by Saul Steinberg. Text in French. Published upon the occasion of Steinberg's first Paris exhibition in 1953 marked 2 edition. Minor soiling bumping to covers else very good overall condition; no owner marking NOT EX-LIBRARY fpbw paperback
1966ref. 27246VG oversize hc French text expedited shipping not available Maeght Editeur hardcover
1965ref. 5-C14717Harper & Row New York 1965. First Edition. Hardcover. Good. signed . Signed on half title page.No d/w yellow boards shop soiled some scuffing.Carefully wrapped on a protective acetate cover to prevent further damage. Harper & Row, New York hardcover
2005ref. 1-0810959011Harry N Abrams Inc 2005. Hardcover. New. new title edition. 240 pages. 12.00x10.25x1.25 inches. Harry N Abrams Inc hardcover
2005ref. 362391NY: Abrams 2005. 1st. Hardcover. Very Good/Very Good. Hardcover 240 pages. Steinberg's high-concept graphic art—epitomized by his oft-imitated cartoon map in which a Manhattan distended with self-importance shoves the continents of North America and Asia to the margins—is enchantingly showcased in this lavishly illustrated retrospective of his work for the New Yorker. Smith a curator at the Frances Lehman Loeb Art Center at Vassar and author of Edward Steichen: The Early Years surveys six decades of Steinberg's pieces including all 89 New Yorker covers in full color cartoons wartime sketches from overseas evocative but never literal-minded illustrations for articles and unpublished items from the artist's portfolio. The material is arranged thematically examining such recurring motifs as cats pedestals and rubber-stamped figures and documenting the turn to visual metaphor in Steinberg's later work where symbolic graphic representations of sound abstract relationships and existential conundrums replace the usual scenario-with-verbal-punch line cartoon setup. Smith's pithy biographical essay situates Steinberg as a self-conscious modernist who helped develop a distinctive New Yorker visual style one with "a wry informal wit. attuned to the jittery optimism of the Atomic Age." Steinberg's cartoons usually made readers think before they laughed and so will this splendid memorial to a 20th-century artistic landmark. Record # 362391 Abrams hardcover
1973ref. 187309Paris: Maeght Éditeur 1973. First edition with 3 original lithographs number 40 of 150 signed by the artist and printed on vélin d'Arches. This issue of Derriére le Miroir Number 205 was published to celebrate two exhibitions of Steinberg's work held in 1971 and 1973 at the Maeght Gallery in Paris. Folio. With 20 lithographs 11 in colour in 3 sizes: covers 38 x 57 cm full-page 38 x 28.5 cm or double-page 38 x 55.5 cm. Original lithographed wrappers lettering to front cover in black sheets loosely inserted as issued. All housed in the publisher's blue boards with lettering to spine in black with matching slipcase paper label to front lettered in black. Faint offsetting to a few leaves from lithographs. A near-fine copy. hardcover
1973ref. 348909Paris : Maeght Editeur 1973. First Edition. Softcover. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Series; Derriere le miroir ; no. 205. Physical description; 27 pages : illustrations some color ; 39 cm. Notes; Cover title. Essay 'Tables d'evidence' by Hubert Damisch. Subjects; Steinberg Saul. Genre; Illustrated. Paris : Maeght E?diteur paperback
2021ill., br. Pubblicato in occasione della mostra "Saul Steinberg Milano New York" (Triennale Milano, 15 ottobre 2021 - 13 marzo 2022), "Steinberg A-Z" si presenta come una raccolta enciclopedica contemporanea che analizza l'opera di Saul Steinberg nei suoi molteplici aspetti, dall'architettura al disegno, dal rapporto con Milano a quello con New York, alle mappe, all'epistolario con Aldo Buzzi, agli artisti che gli furono amici e compagni come Costantino Nivola e Alexander Calder, ma anche Alberto Giacometti e Le Corbusier. Il volume restituisce uno spaccato dell'universo di Steinberg, ricostruito attraverso un racconto plurale che coinvolge 31 autori coordinati da Marco Belpoliti. Gli scritti sono raccolti in una struttura composta da 22 voci - che spaziano da "Architettura" a "Cartoons", da "Ghirigori" a "Labirinto", da "Milano" a "Romania" - suddivise in sottovoci per un totale di 139 lemmi. Il desiderio è quello di restituire una visione sfaccettata ed inedita della personalità artistica e poliedrica di Saul Steinberg, il quale ha coltivato una molteplicità di dimensioni espressive, talvolta non ancora indagate, sempre caratterizzate da una capacità comunicativa davvero straordinaria. Saul Jacobson , divenuto poi "Steinberg", nasce in Romania nel 1914 e studia per un anno filosofia presso l'università di Bucarest. Negli anni trenta pubblica i suoi disegni satirici nella rivista milanese "Bertoldo" e, poco dopo, i suoi lavori appaiono sulle riviste internazionali come "Life" e "Harper's Bazar". Le leggi razziali italiane contro gli ebrei lo costringono a emigrare negli Stati Uniti e, dal 1941, comincia a pubblicare su "The New Yorker", avviando una collaborazione destinata a durare sessant'anni e firmando novanta copertine. Fin da subito il suo lavoro grafico è riconosciuto come vera e propria forma d'arte, protagonista di mostre in importanti musei accanto ad artisti del calibro di Arshile Gorki, Isamu Noguchi e Robert Motherwell. Questo periodo costituisce l'inizio di un intenso susseguirsi di esposizioni in gallerie e nei musei più prestigiosi, mostre americane ed internazionali. La straordinaria immaginazione di Steinberg gli permette di esplorare i sistemi sociali e politici, le debolezze umane, la geografia, l'architettura, la lingua e, naturalmente, l'arte stessa. Saul Steinberg si spegne nel 1999 a New York.
1973ref. 91846Washington DC: Smithsonian Institution Press 1973. First edition. 44 pp. Small stain on front cover else near fine in illustrated wrappers. Foreword by John Hollander. Thirty-six reproductions. Washington DC: Smithsonian Institution Press, unknown books
1976ref. 49761ABReinbek bei Hamburg, Rowohlt, 1976. Unveränd. Neuaufl., [1. - 3. Tsd.] 31 cm. [172] S. : nur Ill. Pp., OU. OU u. innen leicht gebräunt, sonst sauber u. gut erhalten. 3
ref. 103224Paris Maeght 1971. 2° 8 S. Texte 1 doppelblattgrosse Orig.-lithogr. 7 ganzs. Abb. u. 4 doppelblattgrosse Abb. inkl. Umschlag Boschur. Min. gebrauchspurig gutes Ex = Derrière Le Miroir No 192Texte de Jacques Dupin. 010 Paris, Maeght, 1971 unknown
ref. 97626Paris Maeght Éditeur 1973. . Saul Steinberg 1914-1999 rumänisch-amerikanischer Karikaturist und Illustrator. - Rücken m. zarter Bräunung (Paris, Maeght Éditeur, 1973). unknown
ref. 16-3736Paris: Maeght 1973. Poster. 79.5 x 60 cm. Time stained lower left margin. Crease in lower. right marinPrinted by Arte. Paris: Maeght, 1973 unknown
