31 766 résultats
1981réf. 60758Goshen CT: Angler's & Shooter's Press 1981. First edition 1/26 copies in the De Luxe issue this one noted in ink "Unlettered / Author's copy" and signed by Harry Marschalk. Tall 8vo. xi 266 pp. Illustrated from photographs plates photoengraved frontispiece and photoengraved extra title page portrait of Eugene Connett publisher of the Derrydale books; publisher's prospectus for the book laid in. Describes 169 items published at the press with short prose sketches on de luxe edition and rarities issued by the press its privately printed books the "non-Connett" Derrydales previous bibliographical efforts etc. Fine copy of a beautiful book. Full black niger gilt gilt title and date between raised bands on spine six-color leather onlay picturing the Derrydale Press printer's device on the upper board marbled endpapers top edge gilt others untrimmed publisher's morocco-backed and silk lined tray case with gilt spine title by Gray Parrot. #7846. Angler's & Shooter's Press unknown
1981réf. 60758Goshen CT: Angler's & Shooter's Press 1981. First edition 1/26 copies in the De Luxe issue this one noted in ink "Unlettered / Author's copy" and signed by Harry Marschalk. Tall 8vo. xi 266 pp. Illustrated from photographs plates photoengraved frontispiece and photoengraved extra title page portrait of Eugene Connett publisher of the Derrydale books; publisher's prospectus for the book laid in. Describes 169 items published at the press with short prose sketches on de luxe edition and rarities issued by the press its privately printed books the "non-Connett" Derrydales previous bibliographical efforts etc. Fine copy of a beautiful book. Full black niger gilt gilt title and date between raised bands on spine six-color leather onlay picturing the Derrydale Press printer's device on the upper board marbled endpapers top edge gilt others untrimmed publisher's morocco-backed and silk lined tray case with gilt spine title by Gray Parrot. #7846. Angler's & Shooter's Press unknown books
1778réf. 001367London: J. W. Parsham 1778. Hand-Painted Vellum; With Full Morocco Box. Near Fine. 2 volumes in one. 12mo 4.75 by 3" 12 by 7 cm. 4 240 20 4 216 26 pp. Above all else this is a beautifully painted vellum binding in the style of the Edwards of Halifax a family of bookbinders in the late 18th century who developed a process of producing painting on vellum or parchment. The painting would actually lie under the surface giving it a greater permanence as well as a subtle glassy aura. On the front of this particular binding is a lady in late Georgian attire playing an organ with a cherub at her side and a lute at her feet. The rear board has a tinted illustration of a castle in a park-like setting. The spine is divided into five compartments four of which have a lyre ornament. Gilt ornamental borders and other detail work add further refinement to the binding. This comes with a brown levant gilt folding case shaped like book octavo in size and with plush interior with resting compartment for book itself by Sangorski & Sutcliffe. The joints of the book are partly cracked. The first title page has some light soilage. There is a small tear partially repaired on pp 1/2 of the second work. The vellum has light soilage and wear. Front joint of box repaired. Some minor scuffs and rubbing along edges. Notwithstanding these issues the book remains a highly attractive work of book art. J. W. Parsham unknown
1778réf. 001367London: J. W. Parsham 1778. Hand-Painted Vellum; With Full Morocco Box. Near Fine. 2 volumes in one. 12mo 4.75 by 3" 12 by 7 cm. 4 240 20 4 216 26 pp. Above all else this is a beautifully painted vellum binding in the style of the Edwards of Halifax a family of bookbinders in the late 18th century who developed a process of producing painting on vellum or parchment. The painting would actually lie under the surface giving it a greater permanence as well as a subtle glassy aura. On the front of this particular binding is a lady in late Georgian attire playing an organ with a cherub at her side and a lute at her feet. The rear board has a tinted illustration of a castle in a park-like setting. The spine is divided into five compartments four of which have a lyre ornament. Gilt ornamental borders and other detail work add further refinement to the binding. This comes with a brown levant gilt folding case shaped like book octavo in size and with plush interior with resting compartment for book itself by Sangorski & Sutcliffe. The joints of the book are partly cracked. The first title page has some light soilage. There is a small tear partially repaired on pp 1/2 of the second work. The vellum has light soilage and wear. Front joint of box repaired. Some minor scuffs and rubbing along edges. Notwithstanding these issues the book remains a highly attractive work of book art. J. W. Parsham unknown books
1799réf. 786441799. WELD Isaac Jr. Travels through the States of North America and the Provinces of Upper and Lower Canada during the Years 1795 1796 and 1797. London: Printed for John Stockdale 1799. xxiv464pp. plus 16 maps and plates one folding. 4to. Contemporary 3/4 calf and marbled boards rebacked in matching style with original spine label laid down endpapers refreshed. Boards rubbed corners and edges slightly worn lower spine a bit scuffed. Contemporary ownership inscription "D. Erskine" on frontispiece recto early bookplate laid in. Light tanning and foxing. Very good. HOWES W-235 "aa." Clark II:132. ESTC T110539. Gagnon I:3701. Lande 890. JCB II:4062. Sabin 192541. Scheidley 170. TPL 708. Reese Federal Hundred 78. Weld an Irishman arrived in Philadelphia in late 1795 at the age of nineteen. His observations during two years of travels through eastern North America and Canada told through a series of letters comprise one of the most popular narratives of the day. Story wrote that "his account of Canada letters 21-25 is a clear and sustained description of an area and a way of life that pleased him more than had the United States." Weld made one trip south as far as Virginia as well as crossing Pennsylvania and New York. He said that he left the United States "without a sigh and without entertaining the slightest wish to revisit it." The engraved plates are after sketches by the author. The map with its borders and those of the states colored by hand shows the East Coast of America south through North Carolina with an inset map of South Carolina and west through the Great Lakes region. unknown
1953réf. 282857gnome press 1953 first edition. near fine book near fine jacket blue boards lettered in brown tiny name written on the ep tiny top of the spine and corner chips hard to see.some rub marks top of the boards. gnome press hardcover
1756réf. 006153London: Grays-Inn; near London Bridge; in Fleetstreet; in Cornhill; in Pater-Noster-Row.: T Osborne and J Shipton; J Hodge; L Davies; J Ward; And R Baldwin. 1756. First Edition . Hardcover. Very Good. Elephant Folio - over 15 - 23" tall. WARE I. WATE J. SMITH GL. ROBERTS Thos. Intended as a comprehensive reference work covering both the theory & practice of architecture first edition later issue 122 pls frontis & 2 vignettes. In contemporary boards gilt edge tooling corners & edges rubbed. Skilfully rebacked raised bands gilt tooling gilt titles to red morocco label. Internally frontis some spotting 17 1 1 2-92 93-96 2 97-112 2 113-120 2 121-748 4 complete with all 122 plates some large & folding plus frontispiece title page in red & black inks 2 vignettes leaves watermarked IA or XA pl 110 with 2 short gutter tears old ink name to title head Frances Puleston some browning & light spotting pls generally mounted per pl list 1 pl with Warwick Shire rather than Berkshire contents lists Books 1-10. But a Very Good copy. Originally issued in parts 1756-1757. 250420 mm. O'Neil 126a/b. Fowler 436. Avery AAW21. 'A work of Sterling Merit; it relates to the practical as well as the theoretical and decorative part of the Art' - Allibone 2581. Ware's best known work a translation of Palladio's great treatise which offers a comprehensive overview of the theory & practice of Georgian Architecture. It is organized in ten 'Books' treating all aspects of architecture including construction the classical orders interior & exterior details elevations bridges and geometry. T Osborne and J Shipton; J Hodge; L Davies; J Ward; And R Baldwin. hardcover
2021réf. 132043Cambridge University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - BRAND NEW FLAWLESS COPY - with a bonus offer--; 7.7 X 2.8 X 11.6 inches; 1080 pages . 2021. 1108954227 . Cambridge University Press hardcover
1769réf. 102661Londres W. Johnston, 1769, in-8, VIII-536-[2]-63-[3] pp. 8 pl, Demi-veau à coins brun, filets à froid sur les plats, dos à nerfs orné de frises à froid, Troisième édition de la traduction anglaise de Mr. Ralphson, révisée et corrigée Mr. Cunn, annotée par le révérend Theaker Wilder et augmentée d'un traité sur les mesures de ratio de James Maguire. L'originale a d'abord paru en latin en 1707 et la première traduction anglais en 1720. Elle est illustrée de 8 planches dépliantes reliées in fine. Cette édition fut mise au point par le commentateur Theaker Wilder à l'usage de ses élèves dublinois. À l'origine, ce petit traité abordant l'algèbre et la solution des équations a paru sans le nom de son illustre auteur et provient de ses leçons professées de 1673 à 1683 alors qu'il est professeur de mathématiques à Cambridge. Son successeur à ce poste n'est autre que William Whiston, traducteur de la première édition anglaise. Newton y donne notamment, sans démonstration, son interprétation de la règle des signes de Descartes pour obtenir le nombre de racines réelles d'un polynôme. Il faudra attendre 1865 pour que le mathématicien anglais James Joseph Sylvester en fasse la démonstration après que nombres de mathématiciens, et parmi eux Euler, s'y soient essayés en vain. Peu commun. Reliure restaurée, frottements et épidermures, quelques taches et rousseurs éparses. Ex-libris manuscrit Richard M. Elligott; ex-libris manuscrit Peter Villeneuve[?]; ex-libris manuscrit Cavanagh Wilder [? un parent du commentateur de l'ouvrage ?]. Gray, 286; Babson, 203. Couverture rigide
1757réf. 21794Publish'd According to Act of Parliament March 21 1757. 700 by 890mm. 27.5 by 35 inches. Taylor's Plan of Hereford Engraved plan on two sheets joined remnants of old creases laid on later linen some minor areas of loss and a few tears skilfully repaired trimmed to right and upper image. Beautifully engraved plan of Hereford. The central city-plan is surrounded by views of notable places in Hereford framed by elaborate rococo strapwork among them: "General View from Broomy Hill" "Crofs of the White Fryers" "The Palace Church & part of the Town" the "Town Hall" and "St Ethelbert's Cathedral". Bottom-right the title is housed in an elaborate cartouche accompanied by apparently a self-portrait of Taylor himself at work. To the left are listed the number of houses and of inhabitants of different streets from "Broad Cabbage lane" to "Cooker row". Isaac Taylor of Ross fl.1750-1778 was born in Hereford. He earned a reputation as a surveyor of both county maps and city plans. His style was easily recognizable with his county maps Herefordshire 1754 Hampshire 1759 Dorset 1765 Worcestershire 1772 and Gloucestershire 1777 giving particular emphasis to the hills. It is surprising that Taylor like Rocque and Jefferys was not successful in gaining the approval of the Society of Arts who appeared to favour the amateur surveyors rather than the professional map-makers. Nearly all the awards went to applicants who produced just one or two maps rather than men like Taylor or Jefferys who between them published 15 fine large-scale maps accurately surveyed and well engraved and in some instances more competent than most of those that were recognized by the Society. It is unlikely that Taylor's plan of Hereford was hugely successful at its time of publication given the lack of wealth and of population in the county. Indeed for his map of Herefordshire published three years earlier Taylor had only managed to raise 77 subscribers and print less than 100 copies of which few examples survive today. The plan is engraved by Richard Benning fl.1743-1781. Little is known about Benning beyond his work. Born perhaps in St Martin in the Fields in 1720 he was possibly related to William Benning fl.1746-1756 a copperplate printer. He engraved several plans and maps for John Rocque of Paris London Berkshire and also engraved the plan of Brest and Recouvrance for Isaac Ross Taylor. Rare: we have only been able to trace two institutional examples of this plan one in the British Library and one in the Biblioteca Nacional de Espana. We are unable to trace an example coming up at auction since the war. Publish'd According to Act of Parliament, unknown
1655réf. 65643Amsterdam: Louys & Daniel Elzevier 1655. Fine. ""the school of Biblical interpretation of which he was perhaps the first founder"" before Spinoza Louys & Daniel Elzevier Amsterdam 1655 14.50 x 19.50 cm 3 textes reliés en 1 volume Rare first edition of a work that was controversial from the moment of its publication. Baruch Spinoza a contemporary of the author owned a copy in his personal library. Our copy is complete with its folding map of the Holy Land and its three texts here bound in an order inverse to the usual: the Præadamitæ bound at rear is in fact the first text. Contemporary full brown calf spine with five raised bands decorated with double gilt fillets and gilt fleurons boards twice framed in gilt all edges marbled. Spine-ends very skilfully restored otherwise a very fine copy. Dry stamp of the Gianni de Marco library on the first flyleaf. Early manuscript annotation on the title page: ""Fait par le Sr de la Pebere en Hollande et bruslé à Paris"" Written by the Sr de la Pebere in Holland and burned in Paris. Provenance: armorial bookplate of Balthazar-Henri de Fourcy 1669-1754 Abbé of Saint-Sever in the diocese of Coutances subsequently of Saint-Wandrille and of the Priory of the Bons-Hommes. « ""Dubitare possumus num apostoli tanquam prophetæ ex revelatione et expresso mandato ut Moses Jeremias et alii an vero ut privati vel doctores Epistolas scripserint. We may fairly inquire whether the Apostles wrote their Epistles as prophets by revelation and express mandate as Moses Jeremiah and others did or whether only as private individuals or teachers"" Spinoza ""Tractatus Theologico-Politicus"" c. XI edit. 1674 p. 198. . The ""Tractatus Theologico-Politicus"" was published in 1670. Fifteen years earlier a French Protestant Isaac de la Peyrère 1594-1676 had published ""Præadamitæ sive Exercitatio super versibus"" . 1655. He admits miracles but reduces their number as far as possible; Adam is not the father of all mankind but only of the Jews; other men the Pre-Adamites existed before him; Moses is not the author of the Pentateuch etc. La Peyrère converted more or less sincerely to Catholicism in 1656. Mr. Lecky in his ""History of the Rise and Influence of the Spirit of Rationalism in Europe"" 4th ed. 1870 vol. I p. 297 regards him as having been perhaps the founder of the rationalist interpretation of the Bible ""the school of Biblical interpretation of which he was perhaps the first founder."" In reality his influence was virtually nil; the same cannot be said of Spinoza whose ideas later exercised a profound influence. Cf. Lecky ibid. p. 299. » Fulcran Vigouroux ""La Bible et les découvertes modernes en Égypte et en Assyrie"" 1877 our own translation [Louys & Daniel Elzevier] hardcover
1828réf. 5934New York: J & J Harper. Good. 1828. First Edition. Hardcover. This is a rare and interesting book relating to the western frontier of the early nineteenth century-- Isaac Reed was born in Granville NY in 1787 and after trying teach and the law he turned to ministry. Reed went West in 1816 and and preached on a circuit in Kentucky before removing to Indiana. He traveled throughout southern Indiana and was in charge of churches in Indianapolis and Bloomington. The rear joint is partially split but still holding well. There is some old staining to the title page and scattered foxing elsewhere. This book is bound in the original publisher's leather spine rear joint starting and paper covered boards. It is contained in a new green cloth tray case with a leather spine label. The last leaf is unpaged and contains errata information. Ref: Howes R126 b Buck Banta Indiana Authors not in Sabin. "Observations on people manners and conditions in frontier Indiana Illinois and Kentucky by an intelligent itenerant preacher. "--Howes R126b. "The Christian Traveler published immediately after his return to the East describes his travels and adventures in Indiana and Kentucky. It is a narrative of considerable charm and historical importance and is now quite rare."--Banta Indian Authors and Their Books. Reed was a Presbyterian minister in Indiana but his labors occasionally took him into eastern Illinois."--Buck. Not in Sabin ; 12mo 7" - 7½" tall; 242 pages . J & J Harper hardcover
1974réf. 1968PABEL/MOEWIG VERLAGSUNION 06-11/1974. 1. softcover. Lucky Starr: Weltraum-Ranger 240242244246248250 SF/UTOPISCHE ROMANE PABEL/MOEWIG VERLAGSUNION paperback
1982réf. 2528PABEL/MOEWIG VERLAGSUNION 09/1982-01/83. 1. softcover. Nightfall 454749 PABEL/MOEWIG VERLAGSUNION paperback
réf. 49391behelzende een verslag van de huwelijkse plegtigheden begrafenissen en feesten der Japanezen. De Gedenkschriften der laatste Japansche keizers en andere merkwaardigheden nopens dat Rijk. 's Gravenhage The Hague : the widow of J. Allart 1824. Two volumes octavo finely bound in modern half calf over marbled papered boards spine with ornamental gilt tooling and contrasting morocco title labels lettered in gilt pp. xvi; 250; 264; previous owner's name stamp to half-title hand coloured engraved title pages four spectacular hand coloured plates housed in a matching marbled paper box with calf trimming. A fine set. The first Dutch edition of a magnificently illustrated work on Japanese festive ceremonies and customs written by Isaac Titsingh Head of the Dutch Factory at Dejima the base of the Dutch East Indian Company. The Dutch edition was translated from the English edition of 1822 Illustrations of Japan which itself was based on the French edition of 1819- 20 Cérémonies usitées en Japon pour les mariages et les funérailles 1819 and Mémoires et anecdotes de la dynastie regnante des Djogouns 1820. This rare work on Japanese customs was written by a merchant with first hand knowledge of Japanese life the Dutch port of Dejima in Nagasaki being the only point of contact between Japan and the western nations. Landwehr VOC 538; Cordier Japonica 451. Â hardcover
réf. 2108PA542By. D.C.L. F.S.A. Thirteenth Edition. Edward Moxon. London. MDCCCXLIII 1843.De 24x17 cm. Com xiv 578 págs.Encadernação de Asprey e Co.Lt. inteira de pele com nervos e ferros a ouro na lombada nas pastas e seixas onde consta a assinatura do encadernador. Corte das folhas dourado e com fore-edge painting com uma vista de uma cidade do séc. XIX. Com folhas de guarda em papel marmoreado.Ilustrado em extratexto com um retrato do autor frontispício gravado datado de 1840 e um fac-simile de um manuscrito de Alexander Pope com uma passagem da sua versão da Ãliada.Texto em duas colunas com cercadura de duplo filete.A obra contem uma miríade de anedotas sobre pessoas e acontecimentos históricos livros invulgares e os hábitos dos coleccionadores de livros. A obra era muito popular e amplamente vendida no século XIX.Isaac D´Israeli 1766 1848 foi um escritor estudioso e homem de letras britânico. É mais conhecido pelos seus ensaios pelas suas associações com outros homens de letras e como pai do primeiro-ministro britânico Benjamin Disraeli.EN 24x17 cm. xiv 578 pp.Bound by Asprey and Co.Lt. in full leather with raised bands and gilt tools on spine gilt framed on the pastedowns and gilt double line frame on the back of the boards which also have the bookbinder's signature. Gilt coloured edges and fore-edge painting with a view of a 19th century city. Marbled endpapers.Illustrated hors text with a portrait of the author an engraved frontispiece dated 1840 and a facsimile of a manuscript by Alexander Pope with a passage from his version of the Iliad.Double framed text in two columns.The work contains various anecdotes about historical characters and events unusual books and the habits of book-collectors. The work was very popular and sold widely in the 19th century.Isaac D´Israeli 1766 - 1848 was a British writer scholar and man of letters. He is best known for his essays his associations with other men of letters and as the father of British Prime Minister Benjamin Disraeli. M-17-B-12 hardcover
1720réf. 102659Amsterdam, Humbert, 1720, , 2 vol. in-12 : XV-[1]-228 pp. + [2] pp. 331 à 583 pp. [17] pp. 12 pl, Demi-basane marbrée havane de Lobstein-Laurenchet, dos à nerfs orné de caissons dorés, pièce de titre rouge, Édition originale de la traduction depuis l'anglais par M. Coste, faite sur la seconde édition augmentée par l'auteur. Elle est illustrée de 12 planches dépliantes, reliées in fine du 2nd volume. La pagination est continue sur les 2 tomes mais chacun possède sa propre page de titre. Newton commence la rédaction de ce traité alors qu'il est encore étudiant à Cambridge et en termine la rédaction autour de 1665-1666. Il y explore notamment le spectre des couleurs, sa nature, ses réactions et ses différentes modifications autant par le prisme de la théorie mathématique que celui de l'expérimentation. L'ouvrage connaît une grande répercussion à sa publication tant chez ses détracteurs que ses admirateurs et sera maintes fois réédité et traduit. Petits frottements, restaurations de l'angle inférieur du f. *2 au premier vol, dans l'angle supérieur des ff. O7 et O8, aux pl. 2, 4, 8, 10 et 12, quelques rousseurs et taches éparses. Ex-libris manuscrits Esparron et P. Morel au titre . Babson, 139; PMM, 172; Gray, 186; Dictionary of National biography, XII, p. 275 : "His translations were of durable service and helped to introduce english thought to the French of the eighteenth century." Couverture rigide
1731réf. ABC_46670Amsterdam 1731. Small oblong folio 22 x 32.5 cm. Hendrik de Leth 20th-century half vellum marbled paper sides. With 26 numbered engraved prints including the title-page. 26 engraved ll. Second edition of a fine series of 26 beautiful and delicate etchings of the sumptuous 17th-century Heemstede estate near Utrecht not in the municipality Heemstede including a bird's-eye view of the entire estate and detailed views of the gardens house and other buildings fountains sculpture hedges and trellises all drawn and etched by Isaac van Moucheron. It also shows visitors strolling through the gardens horses coaches dogs and gardeners at work with pruning saws. "The fame of the gardens of Heemstede near Houten in the province of Utrecht was and still is considerable. . a highlight in Dutch garden art." Anglo-Dutch garden. Each print has a caption in Dutch and French the bird's-eye view with a key to five numbered features.With the bookplate of the Dutch entomologist Frans.Titus. Valck-Lucassen 1885-1939 on the front paste-down. Binding slightly worn and the vellum a little scuffed especially around the spine and the lower corners on the fore-edge vellum slightly dust-soiled. Leaves very slightly browned and slightly frayed some minor marginal staining never affecting the images overall in good condition.l Hollstein Dutch & Flemish XIV p. 94 nos. 10-35; cf. Anglo-Dutch garden pp. 193-198; STCN 4 copies of the 1st ed. incl. 2 incompl.; Springer Bibl. overzicht p. 47 1st ed. hardcover
1983réf. SBBI-mon0000061834Longman 1983. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Longman paperback
1842réf. 1540DB1842. Nouvelle édition. 3 Bde. Paris Roret 1842. 4°. XXXII 5091 S.; XI1 542 8 S. Mit 1 gest. Titel Atlasband 97 Kupfertafeln dv. 8 kol. 41 doppelblattgross u. 10 gef. Halblederbände der Zeit mit Rückenvergoldung berieben und bestossen. Vgl. Brunet I 785 u. Grässe I 340 für die zweite Ausgabe. - Titelauflage der zweiten Ausgabe. Erschien erstmals 1792-1796 in Paris. Die farbigen Tafeln mit Holzmuster die übrigen Tafeln mit Holzverarbeitungsgeräten Maschinen und Holzarbeiten. Am Schluss mit einer zusätzlichen nicht nummerierten Tafel. Der gestochene Titel des Atlasbandes zur zweiten Ausgabe. - Die Seiten unbeschnitten. Einige Tafeln und die Seitenränder stärker gebräunt. Ansonsten nur wenig stockfleckig. unknown
1842réf. 1540DBNouvelle édition. 3 Bde. Paris, Roret, 1842. 4°. XXXII, 509(1) S.; XI(1), 542, 8 S. Mit 1 gest. Titel (Atlasband), 97 Kupfertafeln (dv. 8 kol., 41 doppelblattgross u. 10 gef.) Halblederbände der Zeit mit Rückenvergoldung (berieben und bestossen).
1830réf. 67190Philadelphia: Adam Walde 1830. LEESER Isaac. . JOHLSON Joseph author. Instruction in the Mosaic Religion. Translated from the German of J. Johlson Teacher of an Israelitish School at Frankford on the Maine. By Isaac Leeser Reader of the Portuguese Jewish Congregation in Philadelphia. Philadelphia: Adam Walde 5590 1830. First American edition and first edition in English. Octavo 8 1/4 x 5 1/8 inches; 210 x 131 mm. viii 139 1 blank pp. Full contemporary sheep. Red morocco spine label. Marbled endpapers. Page 35 with a large closed tear professionally repaired with no loss of text. Internally very clean. Overall a very good copy. "Leeser brought with him to Philadelphia his translation of J. Johlson's Instruction in the Mosaic Religion. He had it published there in 1830 appropriately dedicated to his uncle Zalman Rehine. The book is a catechism published in Germany and translated and adapted by Leeser for "the instruction of the younger . of Israelites of both sexes who have previously acquired some knowledge of the fundamental part . of their religion." Leeser undertook its publication because there was a great scarcity of elementary textbooks for Jewish children. It is significant that this Instruction in the Mosaic Religion Leeser's first issued work is a textbook of religious instruction for the young for though Leeser attained distinction as an author translator editor and a national leader of the American Jewish community he considered himself first and foremost an educator." The Jewish Virtual Library "Leeser's career as a translator also began in Philadelphia in 1830 with the publication of his rendering from German of J. Johlson's Instruction in the Mosaic Religion. Leeser as part of his ongoing efforts to contribute to the development of Jewish education and culture in America translated a number of important works into English from German Spanish French and Hebrew. " Penn Libraries. Rosenbach 321. HBS 67190. $3000. Adam Walde unknown
1830réf. 67190Philadelphia: Adam Walde 1830. LEESER Isaac. . JOHLSON Joseph author. Instruction in the Mosaic Religion. Translated from the German of J. Johlson Teacher of an Israelitish School at Frankford on the Maine. By Isaac Leeser Reader of the Portuguese Jewish Congregation in Philadelphia. Philadelphia: Adam Walde 5590 1830. First American edition and first edition in English. Octavo 8 1/4 x 5 1/8 inches; 210 x 131 mm. viii 139 1 blank pp. Full contemporary sheep. Red morocco spine label. Marbled endpapers. Page 35 with a large closed tear professionally repaired with no loss of text. Internally very clean. Overall a very good copy. "Leeser brought with him to Philadelphia his translation of J. Johlson's Instruction in the Mosaic Religion. He had it published there in 1830 appropriately dedicated to his uncle Zalman Rehine. The book is a catechism published in Germany and translated and adapted by Leeser for "the instruction of the younger . of Israelites of both sexes who have previously acquired some knowledge of the fundamental part . of their religion." Leeser undertook its publication because there was a great scarcity of elementary textbooks for Jewish children. It is significant that this Instruction in the Mosaic Religion Leeser's first issued work is a textbook of religious instruction for the young for though Leeser attained distinction as an author translator editor and a national leader of the American Jewish community he considered himself first and foremost an educator." The Jewish Virtual Library "Leeser's career as a translator also began in Philadelphia in 1830 with the publication of his rendering from German of J. Johlson's Instruction in the Mosaic Religion. Leeser as part of his ongoing efforts to contribute to the development of Jewish education and culture in America translated a number of important works into English from German Spanish French and Hebrew. " Penn Libraries. Rosenbach 321. HBS 67190. $3000. Adam Walde unknown books
1740réf. 5802Paris: De Bure l'aine 1740. First edition. First edition in French of Newton's first exposition of his fluxional calculus translated with a long and impotant preface by the celebrated naturalist Comte de Buffon. Originally written in 1671 in Latin this was Newton's first comprehensive presentation of his method of fluxions which according to Hall 'might have effected a mathematical revolution in its own day' Philosophers at War pp. 65-6. It should properly be placed first in the great trilogy of Newton's major works: Fluxions Principia 1687 and Opticks 1704. . BUFFON'S TRANSLATION OF NEWTON'S EXPOSITION OF CALCULUS. First edition in French of Newton's first exposition of his fluxional calculus translated with a long and important preface by the celebrated naturalist Comte de Buffon. Originally written in 1671 in Latin this was Newton's first comprehensive presentation of his method of fluxions which according to Hall 'might have effected a mathematical revolution in its own day' Philosophers at War pp. 65-6. It should properly be placed first in the great trilogy of Newton's major works: Fluxions Principia 1687 and Opticks 1704. Newton's Methodus fluxionum remained unpublished until its English translation by John Colson in 1736. In it he presents a method of determining the magnitudes of finite quantities by the velocities of their generating motions. At its time of preparation it was Newton's fullest exposition of the fundamental problem of the calculus in which he presented his successful general method. Newton prepared this treatise just before his death. The autograph manuscript which survives in Cambridge University Library was entrusted to Henry Pemberton after Newton's death but he did not publish it. John Colson 1680-1760 based his translation on a copy of Newton's original manuscript made by William Jones. Both Newton's manuscript and Jones's copy lack a title page and it is unknown what title if any Newton gave to the manuscript. The title 'De methodus fluxionum' originates with Colson. In the preface Colson writes "I thought it highly injurious to the memory and reputation of our own nation that so curious and useful a piece should be any longer suppressed." Buffon translated Colson's edition in 1737 and added his lengthy preface the following year. The most interesting part of the preface is that dealing with the conception of the infinite and the metaphysical errors to which it leads. This includes a discussion of Berkeley's The analyst 1734 which oddly he criticizes although Berkeley's conclusions are very similar to his own. Provenance: Eugène Brand signature on title dated 1890. Newton wrote three accounts of the calculus. The composition of the first a tract entitled 'De analysi per aequationes numero terminorum infinitas' resulted from Newton's reception from Isaac Barrow in the early months of 1669 of a copy of Mercator's Logarithmotechnia a work which contained the series for log1 x. The work in which Newton demonstrated his much more general methods of infinite series was not published until 1711 when William Jones included it along with a number of other tracts in his Analysis per quantitatum series. In 'De analysi' however Newton "did not explicitly make use of the fluxionary notation or idea. Instead he used the infinitely small both geometrically and analytically in a manner similar to that found in Barrow and Fermat and extended its applicability by the use of the binomial theorem. . It will be noticed that although the work of Newton contains the essential procedures of the calculus the justification of these is not clear from the explanation he gave. Newton did not point out by what right the terms involving powers of o were to be dropped out of the calculation any more than Fermat or Barrow . His contribution was that of facilitating the operations rather than of clarifying the conceptions. As Newton himself admitted in this work his method is 'shortly explained rather than accurately demonstrated'" Boyer The Concept of Calculus p.191. It was first in 'Methodus fluxionum' that "Newton introduced his characteristic notation and conceptions. Here he regarded his variable quantities as generated by the continuous motion of points lines and planes rather than as aggregates of infinitesimal elements the view which had appeared in 'De analysi'. . In the 'Methodus fluxionum' Newton stated clearly the fundamental problem of the calculus: the relation of quantities being given to find the relation of the fluxions of these; and conversely" ibid. pp. 192-3. In Newton's third exposition De quadratura which was composed some twenty years after 'Methodus fluxionum' and published as an appendix to the Opticks "Newton sought to remove all traces of the infinitely small" ibid. "It was often lamented that the world had had to wait so many years to see Newton's masterpiece on fluxions. It is astonishing to realize that publication sixty years beforehand would have changed the history of the calculus and would have avoided for Newton any controversy over priority. In 1736 all the results contained in Newton's treatise were well known to mathematicians. However it was too concise for a beginner and Colson added almost 200 pages of explanatory notes. His commentary contributed to the establishment of a kinematical approach to the problem of foundations. In his explanatory notes Colson presents the 'geometrical and Mechanical Elements of Fluxions'. He writes: 'The foregoing Principles of the Doctrine of Fluxions being chiefly abstracted and Analytical. I shall here endeavour after a general manner to shew something analogous to them in Geometry and Mechanicks: by which they may become not only the object of the Understanding and of the Imagination which will only prove their possible existence but even of Sense too by making them actually to exist in a visible and sensible form'. "Colson was convinced that by using moving diagrams it is possible to exhibit 'Fluxions and Fluents Geometrically and Mechanically . so as to make them the objects of Sense and ocular Demonstration'. The motivation for using the geometrical and mechanical elements of fluxions is clearly that of guaranteeing an ontological basis to the calculus; in fact: 'Fluents Fluxions and their rectilinear Measures will be sensibly and mechanically exhibited and therefore must be allowed to have a place in rerum natura'. "Colson's approach to the calculus is representative of a whole generation of British mathematicians: his 'sensibly exhibited rectilinear measures' of fluxions are a naive anticipation of Maclaurin's kinematic definitions of the basic concepts of the calculus" Guicciardini The Development of Newtonian Calculus in Britain 1700-1800 pp. 56-57. "In his preface . Colson noted: 'The chief Principle upon which the Method of Fluxions is here built is. taken from the Rational Mechanicks; which is That Mathematical Quantity particularly Extension may be conceived as generated by continued local Motion; and that all Quantities may be conceived as generated after a like manner. Consequently there must be comparative Velocities of increase and decrease during such generations whose Relations are fixt and determinable and may therefore . proposed to be found.' "Thus a line or a curve was seen as generated by a continuously moving point a surface by the motion of a line and a solid by the motion of a surface. After defining fluxions fluents and moments Newton went on to show how within this framework significant results could be derived. Following an introduction in which it was shown how equations could be solved with the use of infinite series seven major problems were considered: From the Following Quantities fluents given to find their fluxions. From the given Fluxions to find the Flowing Quantities. To determine Maxima and Minima of Quantities. To draw Tangents to Curves. To find the Quantity of Curvature in any Curve. To find the Quality of Curvature in any Curve. To find any number of Curves that may be squared" Gjertsen Newton Handbook p. 158. "Buffon did start his scientific career as a Newtonian. He agreed that science should search for nature's laws and that those laws should be as simple and as universal as possible. Buffon's strong stance in favor of an orthodox Newtonianism was most obvious during his academic polemics with Alexis Clairaut. Buffon also published translations of two English books: Stephen Hales's Vegetable Staticks 1735 and Newton's Treatise on Fluxions 1740. The young man who wrote the prefaces to these books praised the experimental spirit of the English. But to what extent did these texts in fact express Buffon's supposed Newtonian position . "The case of the preface to Newton's Fluxions 1740 was a different matter since it appeared to be a sign of allegiance both to Newton and to mathematics in the guise of the calculus. But in fact Buffon's preface while acknowledging the perfect clarity of Newton's ideas developed a metaphysical critique of the concept of the infinite that had been closely tied to the practice of geometry. Buffon asserted that our daily experience by means of sensation is restricted to the limited the finite-and therefore that the arithmetical or geometrical infinite had no actual existence. The preface to the Fluxions far from being a sign of Buffon's loyalty to mathematical conceptions of science instead stressed the lack of reality of mathematical ideas. Some of these strong statements would later be developed near the end of the 'Premier discours' of the Histoire naturelle" Hoquet pp. 39-41. "In his preface Buffon rewrote the history of the calculus - drawing inspiration largely from a book that Fontenelle had published in 1727 Élémens de la géométrie de l'infini - in which he sided strongly with Newton against Leibniz. He was rightly criticized for his lack of objectivity and he became closely tied with English scholars whose point of view he blindly adopted. In France furthermore he became involved with Clairaut Maupertuis and Voltaire in a battle in defense of Newton. His translation and preface must be viewed from his perspective - historical objectivity was not his main concern . "The debate on infinity tells us something about Buffon's intellectual temperament . At the end of the seventeenth century a lengthy evolution of ideas had led to the Newtonian conception of an infinite time and space and therefore an infinite universe . Calculus gave a new topicality to this philosophical debate since it raised the question of whether the infinitely small quantities manipulated by the new calculus really existed. Leibniz did not believe so . In 1727 Fontenelle defended their real existence and Buffon seemed at first to have accepted his argument. He now attacked Fontenelle without naming him . "Buffon rejected Fontenelle's conclusion mainly because he did not differentiate between geometrical and metaphysical infinities. 'The idea of infinity' he said 'is only an idea of absence and has no concrete representation.' Even 'space time and duration are not real Infinities.' Likewise 'there is no number that is at present Infinite or infinitely small or smaller or bigger than an Infinity etc.' Because 'Numbers are no more than representations and never exist independently of the things they represent' they do not have a 'real existence' and things themselves cannot be infinite . "The direct consequence of this philosophy was that mathematics does not teach us anything about reality. More precisely - and here Buffon distanced himself radically from Fontenelle - mathematics does not have its own reality. Fontenelle gives an intellectual reality to numbers and geometrical figures independent of all physical and metaphysical reality. For Buffon there was only physical reality. Thus mathematics was only a tool practical even indispensable but nothing more . "The last argument in which Buffon intervened was the one that the idealistic philosopher Berkeley had provoked by attacking the metaphysical foundations of calculus .it is clear that Buffon addressed it only to defend his friend the English doctor and mathematician James Jurin. Regardless of what he said Buffon certainly had not read Berkeley's book The analyst 1734 attentively otherwise he would have seen that Berkeley's criticisms of the status of the infinitely small corresponded exactly to his own although they were based on an extremely different metaphysics. As with Leibniz the fundamental philosophical differences prevented Buffon from recognising what they had in common. His attack on Berkeley was more satire than philosophical discussion. By intervening so lightly into a serious debate Buffon exposed himself to criticism. The interesting thing about this episode is that it shows his friendship with James Jurin and suggest that it was Jurin who had advised him in the Leibniz-Newton controversy" Roger pp. 34-38. Babson 173; Macclesfield 1533; Wallis 236. Hoquet 'History without Time. Buffon's natural history as a nonmathematical physique Isis 101 2010 pp. 30-61. Roger Buffon: A Life in Natural History 1997. 4to 255 x 196 mm pp. xxx 4 errata and privilege 148 title printed in red and black woodcut figures in text. Contemporary quarter-morocco and marbled boards spine ruled and in gilt with red lettering-piece a little rubbed joints starting. De Bure l'aine unknown
réf. mon0002953351Gnome 1951-01-01. Hardcover. Very Good. 1.0000 8.2000 5.3000. FIRST edition stated on copyright page ""B"" binding 20.3x12.5cm sheets bulk 1.4cm across top. Dust Jacket is not price-clipped and is in a removable clear plastic Brodart protector with minor wear/chipping to the extremities later issue with next two Foundation books listed on the rear flap. Navy cloth cover with red lettering. SIGNED and inscribed by Asimov on the front free endpaper: ""For John Zola / who doesn't do / things by halves / Isaac Asimov"" Zola was a fan who brought up a large stack of books to be signed at Worldcon 14 at the Biltmore Hotel in New York City on September 2 1956. Pages are tanned and clean. A copy in near FINE condition. Gnome hardcover