31 210 résultats
réf. 201312591Paris, J'ai Lu - SF, 1989 ; in-12, 249 pp., br. Ouvrage en bon état.
réf. 201307644Paris, J'ai lu , 1986 ; in-12, 252 pp., br.
réf. 201114530Paris, J'ai Lu - SF, 1989 ; in-12, 249 pp., br. Bon état broché n° 552.
réf. 201403448Paris, Denoel - présence du futur, 1986 ; in-12, 184 pp., broché, couverture illustr. Broché en bon état -.
réf. 200613621Paris, Editions Denoel présence du futur, 1985 ; in-12, 250 pp., broché, couverture illustr.
réf. 201309257Paris, Terra, 1974 ; in-12, 142 pp., broché, couverture illustr . Ouvrage en bon état.
réf. 201012614Paris, Presses poket, 1988 ; in-12, 312 pp., broché, couverture illustr. N°5034.
réf. 201307639Paris, J'ai lu - science fiction, 1986 ; in-12, 256 pp., broché, couverture illustr. Très bon état.
réf. 201307638Paris, J'ai lu - science fiction, 1986 ; in-12, 256 pp., broché, couverture illustr. Très bon état.
réf. 201013897Paris, J'ai lu - science fiction, 1986 ; in-12, 256 pp., broché, couverture illustr. Très bon état.
réf. 201323335Paris, J ai lu , 1991 ; in-12, 369 pp., br.
réf. 201304350Paris, Presses de la cité, 1984 ; in-12, 220 pp., br. Bon état -N° 18.
réf. 201403449Paris, Denoel - présence du futur, 1986 ; in-12, 198 pp., broché, couverture illustr. Broché en très bon état.
réf. 201216601Paris, Pocket, 2011 ; in-12, 411 pp., br.
réf. 201601509Paris, J ai lu, 1985 ; in-12, 312 pp., br.
réf. 201307643Paris, J'ai lu , 1986 ; in-12, 252 pp., br.
1973réf. 62750Chicago IL: Follett Publishing Co. 1973. 8vo. 381 1 pp. Blue publisher’s cloth silver lettering on spine w/ d.j. cover art by Franz Altschuler proted by the “Aldine” lamination process as issued very slight sunning to spine tiny chip at foot of spine still F/NF copy. First edition of this excellent 24-story anthology drawing upon 100 years of science fiction literature including first time stories specifically written for each of the categories: Robots Monstrosities Machines Mutants Time Travel & Space Travel by authors Rachel Cosgrove Payes William F. Temple Richard Posner Robert Silverberg Jeff Sutton and Dean Koontz respectively. Follett Publishing Co., hardcover
1941réf. 62808Chicago & New York: Fictioneers 1941. 4to. 112 pp. Text illustrations by Kyle Thorp et al. Colour-illustrated softcovers cover art w/ initials R.C.S. yapp fore-edges as issued uniform interior toning as usual minor edgewear 1 very small closed tear VG copy. First edition of this installment in the 2nd year of the pulp magazine edited by Pohl which would only run until 1943 and featured Asimov’s 23rd science fiction short story “Heredity” examining the results of twins subjected to a psychological study. Fictioneers, paperback
1941réf. 62881New York: Street & Smith Publications Inc. 1941. 4to. 162 pp. Text illustrations by Kramer Rogers & Schneeman. Colour-illustrated softcovers cover art by Hubert Rogers uniform light interior toning as usual slight shelfwear slight rubbing front cover 1 small closed tear at upper left corner slight bumping head of spine still VG- bright copy. First edition of this installment in Astounding Stories considered Campbell’s “Golden Age” and which here featured two stories from Heinlein including “Universe” and “Solution Unsatisfactory” under his Anson MacDonald pen-name. Also included are Asimov’s “Liar!” and the conclusion of De Camp’s “The Stolen Dormouse.” Street & Smith Publications, Inc., paperback
1940réf. 62877New York: Street & Smith Publications Inc. 1940. 4to. 162 pp. Text illustrations by M. Isip R. Isip Kramer & Schneeman. Colour-illustrated softcovers cover art by Hubert Rogers uniform light interior toning as usual slight shelfwear slight dustsoiling front cover still VG bright copy. First edition of this installment in Astounding Stories considered Campbell’s “Golden Age” and which here featured the debut of Van Vogt’s “Slan” part 1 Heinlein’s “Blowups Happen” Asimov’s “Homo Sol” and others. Street & Smith Publications, Inc., paperback
1966réf. 62730Boston: Houghton Mifflin Co. 1966. 8vo. 10 239 1 pp. Gray boards pink lettering slight shelfwear w/ d.j. cover art by Dale Hennesy minor scuffing to upper front cover shelfwear scuffing at foot of spine from removed label still a NF/G copy. Early Houghton edition $ 3.95 price front flap of this Nebula nominee science fiction adventure and movie tie-in released six months before the movie opened August 16 1966 and starred Stephen Boyd Raquel Welch Edmond O’Brien Donald Pleasence and others. Contracted to write the novelization of the script Asimov rewrote a number of plot holes and due to his speed was published prior to the film and won Academy Awards for Best Visual Effects and Best Art Direction in Color. Houghton Mifflin Co., hardcover
1951réf. 63041New York: Stadium Publishing Corporation 1951. 8vo. 129 1 pp. Text illustrations. Colour-illustrated softcovers cover art by Hannes Bok slight interior toning very minor shelfwear slight creasing still VG bright copy. First edition of this installment of this early issue after the pulp was re-established in digest quarterly following World War II. Science fiction greats’ Bradbury Asimov Matheson and others are all featured. Stadium Publishing Corporation, paperback
1941réf. 62909Chicago IL: Fictioneers Inc. 1941. 4to. 144 pp. Text illustrations by Morey G. Thorp. Colour-illustrated softcovers yapp fore-edges uniform light interior toning as usual minor shelfwear couple very minor closed tears still VG- bright copy. First edition of this installment in Super Science Stories launched as a cheaper companion to Astonishing Stories and which here features an an early Asimov short story “History” De Camp’s & Miller’s “Genus Homo” and jones’s “Captives of the Durna Rangue.” Fictioneers, Inc., paperback
réf. 61396London: John and Josiah Boydell 1798 1803. Original copper engraving 44 x 60 cm overall sheet 55 x 68 cm. Light foxing to lower margin not affecting plate. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1798 [1803]. unknown
réf. 66999No place: No printer. Prints only no sonnets. Folio 34 cm Illustrated dedication/title page plus 11 mounted woodcut prints images 5 1/2 x 7 1/2"; on paper 7 3/8 x 9 1/2" on loose bifolia sheets 13". Each with a loose tissue guard. All prints are signed by Isaac Friedlander in pencil in the bottom right corner. The Sonnet number is written in pencil in the bottom left corner. The prints are in a folder with a mounted illustrated dedication page on the front wrap 1 1/2" closed tear to the front folder wrap at the foot of the spine. All contents housed in a black paper chemise portfolio with a paper title label on the front of the portfolio. The portfolio is in very good condition with light rubbing and edge wear. Short closed tear to top edge. Light stain along top edge of one bifolium. Prints fine. It is commonly agreed upon that the author of the dedication "T. T." is the publisher Thomas Thorpe however the identity of the dedicatee W. H. has been the matter of widespread and often bitter dispute and is considered to be one of the most elusive figures in literary history. With striking images illustrating the following Sonnets by Shakespeare: Sonnet 7 traces the path of the sun across the sky; Sonnet 12 the poet realizes that the young man's beauty will be destroyed by Time; Sonnet 27 the poet laments that the night which should be a time of rest is instead a time of continuing labor as in his imagination he wrestles to reach his beloved; Sonnet 34 the sun is overtaken by clouds and the sun/beloved is accused of having betrayed the poet by promising what is not delivered; Sonnet 53 the poet praises the beloved as not only the essence of beauty but also as the epitome of constancy; Sonnet 66 the poet gives examples of the societal wrongs that have driven him to become weary of life and long to die except that he would thereby desert the beloved; Sonnet 97 the poet remembers his separation from his beloved as a period as bleak as winter; Sonnet 116 the poet meditates on what he views as the truest and strongest form of love that between minds; Sonnet 123 the poet muses that there is nothing new under the sun; Sonnet 127 the poet defends his love of a mistress who does not fit the standard conventional definition of beauty; Sonnet 144 reflects an allegory of a person tempted by a good and a bad angel. Missing Sonnet 106 . Eleven powerful images by Isaac Friedlander. Prolific etcher and wood engraver Isaac Friedlander 1890-1968 was born in Mitau Latvia. Friedlander a fervent opponent of Czarist rule was sentenced to death at the age of 16- a fate he managed to narrowly escape. He moved to Italy in 1912 where he befriended Russian artist Maxim Gorky. During this time he studied etching drawing and relief printing at the Academy of Rome. He emigrated to the United States in 1929 eventually settling in New York where he worked as a full-time artist until his death. His work often emphasizes his native Riga the urban drama of Depression-era New York and the horror of the Holocaust. Friedlander's works are represented in numerous museums including the Smithsonian Bibliotheque Nationale and the Brooklyn Museum. No printer unknown