55 913 résultats
réf. Z42198RELIE
réf. 22614Presses de l’Ecole normale supérieure, Paris, 1981.
réf. 6355PARIS, Gallimard - 1957 - In-8 -Broché - Exemplaire non coupé - Portrait de l'auteur en frontispice par André Beaudin - 145 pages - très propre
1992réf. 46566Heide; Westholsteinische Verlagsanstalt Boyens & Co., 1992. 71 S., mit 43 Abbildungen Lex. 8° (=25-30cm) Broschiert
1992réf. 2038808Heide; Westholsteinische Verlagsanstalt Boyens & Co., 1992. 71 Seiten mit 43 Illustrationen; 28 cm. Broschiert.
2004réf. 9458Paris, Beauchesne, 2004. 2 vol. in-8°, 307 pp., +/- 50 ff. (corrigés), avec l'errata (joli ex-libris armorié). Br., très bon état.
2004réf. 9458Paris, Beauchesne, 2004. 2 vol. in-8°, 307 pp., +/- 50 ff. (corrigés), avec l'errata (joli ex-libris armorié). Br., très bon état.
Rubinstein, Raphael: Jacob El Hanani: Linescape. Exhibition: New York, Acquavella, 2017. 100 pages. Paperback. 27 x 27cms.
Staring, A.: Jacob de Wit 1695 - 1754. Amsterdam: Kampen & Zoon, 1958. 199pp plus 126 monochrome illustrations, 1 folding. Cloth. 27.5x19.5cms. With a list of dated works and of models for ceilings ordered by named customers. Text in Dutch. With a list of dated works and of models for ceilings ordered by named customers. Text in Dutch
1870réf. 69158New York: Sheldon & Company. Very Good-. 1870. Hardcover. 226 pages brown cloth covers with black and gilt stamping.The spine is sunned and the covers slightly soiled. The contents are bright and complete. Near Very Good. . Sheldon & Company hardcover books
réf. 28897Other: Other. Very Good. Hardcover. Boston Otis Broaders & Co 1843. 192 pages original cloth very good condition. . Other hardcover books
1941réf. 38631New York: Bowker. Fine. 1941. First Printing. Hardcover. -; Fine in Good dust jacket. DJ soiled and chipped. . Bowker hardcover books
1961réf. 64451Cambridge: Research Classics. Very Good. 1961. Hardcover. This is the third printing from 1961. The binding is gilt titled red buckram Very Good. . Research Classics hardcover books
1859réf. 49552New York: Holman. Very Good. 1859. Softcover. New York: Holman 1859. PAMPHLET. 16pp disbound some light foxing Very Good. . Holman paperback books
réf. 046948Steingraber Verlag broché Couverture Illustrée Hannover 88 pages en format 25 -32 cm
2011Viviamo nella civiltà delle immagini, e i nostri sensi vengono quotidianamente sottoposti a un bombardamento di figure la cui potenza di fuoco non ha mai avuto pari nella storia del genere umano. I tradizionali modelli interpretativi, incentrati sulla parola e sul discorso, sono insufficienti a renderne conto in modo adeguato. Oggi le ricerche che si raccolgono sotto il titolo di "cultura visuale" sono chiamate a rispondere a questa sfida: non per affermare un ingenuo primato dell'immagine sulla parola, ma per indagare parola e immagine nella loro azione reciproca, e nei loro condizionamenti storici. Jacob Burckhardt ha precocemente intuito questa costellazione di problemi: storico della cultura e storico dell'arte, ha insegnato a generazioni di europei che il vedere non si dà nella sua immediata naturalità, ma si forma nella storicità della percezione. Attorno a questi nodi problematici, insieme storici e teorici, ruotano i saggi presentati in questo volume: impegnati a illuminare ora il Burckhardt storico della cultura, ora il Burckhardt storico dell'arte, ora la sfera delle immagini visive ora la dimensione della parola e del linguaggio. Curatori: A. Pinotti, M. L. Roli.
2001réf. 3087521Oxford: Blackwell 2001. XIV, 392 Seiten Gr. 8° (22,5-25 cm). Orig.-Broschur. [Softcover / Paperback].
1995réf. 44975Beaux Arts Editions 1995. 4to pp. 374. Index. With more than 250 reproductions over half in color. Blue paper over boards stamped in gilt. Leaves slightly rippled at tops o/w a nice copy in little scratched and wrinkled dj. Very heavy. Beaux Arts Editions unknown books
2021réf. 191191New York N.Y.: Acquavella / Rizzoli International 2021. Hardcover. Like New light wear to boards; may still be in publisher's shrink wrap. Light blue cloth over boards; 120 pp; illustrated some are color. "Jacob El Hanani b. 1947 was born in Casablanca Morocco and was raised in Israel. He produces highly intricate works through the painstaking repetition of minuscule marks often Hebrew letters repeated thousands of times using ink on paper or canvas. He draws these images without magnification. The end result is a work of extraordinary detail that appears to be a pattern from a distance and speaks of the passage of time and the link between the microscopic and the infinite. Inspired by Albrecht Durer and minimalism El Hanani practices the ancient art of micrography in which tiny calligraphic letters are repeatedly drawn to create abstract designs. Jewish scribes used this technique to transcribe holy texts. El Hanani sees his work as part of this continuum and himself as a champion of the handmade."-- website. Acquavella / Rizzoli International hardcover books
1988réf. 68799Hatier, coll. Faune Sauvage 1988 In-4, cartonnage éditeur, dos insolé, 284pp., illustrations en couleurs. Sans la jaquette
réf. 61808, Snoeck Publishers (France), 2023 PB+, 280 x 245 mm, 192 p, 270 illustrations, FR edition, Publication date: Juli 23. ISBN 9789461617910.
1978réf. 38186Frankfurt, S. Fischer, 1978. 272 Seiten, überwiegend illustriert, 24 x 21 cm, Klappenbroschur.
2008réf. 78215PINACOTHEQUE 2008 In-4 broché 28,4 cm sur 24,6. 312 pages. Très bon état d’occasion.
réf. 9782368087985Kimane
réf. SLIVCN-9782849335673CONTRE-DIRES
