[IHLEE (Johann Jacob)].Livre Rare Book
56 313 résultats
réf. 238183S.l., 1793 petit in-8, [2] ff. n. ch., IV pp., 247 pp., avec 2 planches hors texte coloriées, cartonnage Bradel de papier crème imprimé, dos orné d'un semis géométrique noir en long, étiquette de titre manuscrite au dos (reliure de l'époque). Coins abîmés, rousseurs.
1730réf. 5023Copperplate engraving 83.5 x 55.5 cm 1 folio. Fold marks minor edge wear otherwise a very good copy in very crisp dark impression. Rare large-format engraved print produced in 1730 as part of the celebrations of the 200th anniversary of the Augsburg Confession 1530 one of the foundational documents of Lutheranism. The subject of the print is the famous Tranquebar Mission in southern India which was established by King Frederick IV of Denmark 1671-1730 and led by the German missionaries Bartholomäus Ziegenbalg 1682-1719 and Heinrich Plütschau 1676-1752 who are noted for having translated the Bible into Tamil and arranged for its printing. The engraving executed by Johann Jacob Kleinschmidt after a design by Elias Riedinger is a splendid example of 18th-century Augsburg printmaking. It takes as its compositional conceit a church altar surmounted by a framed retable. The image above the altar depicts the German missionaries preaching to an audience of natives; in the background of this scene can be glimpsed a statue of 'Biruma oder Brama' Brahma. The elaborately carved frame of the retable is enlivened with vignettes illustrating the successes of the Lutheran mission e.g. an Indian smashing an idol a native being baptized a domesticated elephant symbolizing the people under God's yoke etc. Placed atop the altar are oval portraits of Ziegenbalg and Plütschau their names written in Tamil and the books they translated an Indian bible an Indian catechism and an Indian hymnal. A map of southern India hangs on the front face of the altar. Flanking the altar are two young natives: the boy on the left holds the Danish Royal arms and the boy on the right displays the architectural plan of the New Jerusalem Church in Tranquebar built by the Germans and dedicated in 1719. In front of the altar are fallen symbols of the old dispensation. At the foot of the sheet is a poem in Latin and German celebrating the expansion of the Lutheran faith to all corners of the world. The engraving is one of several quite ambitious broadside prints produced in Augsburg to commemorate the bicentennial of the Augsburg Confession some of which apparently reproduced paintings executed for the occasion. These rather disparate graphic productions were collected by Johann Michael Roth in 1730/31 and released as a small-edition composite volume with an added engraved title page reading Augspurgisches Iubel-Gedächtnüs. The contents of this rather odd production vary greatly from copy to copy. Kleinschmidt's Vorstellung der Evangelisch-Ost-Indischen Kirche engraving apparently was a commercial success because in 1736 citing demand he released a small-format version of the work its composition slightly altered. OCLC locates U.S. examples of the Augspurgisches Iubel-Gedächtnüs at Illinois Duke Getty Stanford Princeton Yale Harvard Emory Concordia Seminary and Cal. State Sutro. The Getty copy includes Kleinschmidt's Vorstellung der Evangelisch-Ost-Indischen Kirch but it is not clear which other examples include this engraving. Drugulin Historischer Bilderatlas 4112; S. Neill A History of Christianity in India. Kleinschmidt
1730réf. 5023Copperplate engraving 83.5 x 55.5 cm 1 folio. Fold marks minor edge wear otherwise a very good copy in very crisp dark impression. Rare large-format engraved print produced in 1730 as part of the celebrations of the 200th anniversary of the Augsburg Confession 1530 one of the foundational documents of Lutheranism. The subject of the print is the famous Tranquebar Mission in southern India which was established by King Frederick IV of Denmark 1671-1730 and led by the German missionaries Bartholomäus Ziegenbalg 1682-1719 and Heinrich Plütschau 1676-1752 who are noted for having translated the Bible into Tamil and arranged for its printing. The engraving executed by Johann Jacob Kleinschmidt after a design by Elias Riedinger is a splendid example of 18th-century Augsburg printmaking. It takes as its compositional conceit a church altar surmounted by a framed retable. The image above the altar depicts the German missionaries preaching to an audience of natives; in the background of this scene can be glimpsed a statue of 'Biruma oder Brama' Brahma. The elaborately carved frame of the retable is enlivened with vignettes illustrating the successes of the Lutheran mission e.g. an Indian smashing an idol a native being baptized a domesticated elephant symbolizing the people under God's yoke etc. Placed atop the altar are oval portraits of Ziegenbalg and Plütschau their names written in Tamil and the books they translated an Indian bible an Indian catechism and an Indian hymnal. A map of southern India hangs on the front face of the altar. Flanking the altar are two young natives: the boy on the left holds the Danish Royal arms and the boy on the right displays the architectural plan of the New Jerusalem Church in Tranquebar built by the Germans and dedicated in 1719. In front of the altar are fallen symbols of the old dispensation. At the foot of the sheet is a poem in Latin and German celebrating the expansion of the Lutheran faith to all corners of the world. The engraving is one of several quite ambitious broadside prints produced in Augsburg to commemorate the bicentennial of the Augsburg Confession some of which apparently reproduced paintings executed for the occasion. These rather disparate graphic productions were collected by Johann Michael Roth in 1730/31 and released as a small-edition composite volume with an added engraved title page reading Augspurgisches Iubel-Gedächtnüs. The contents of this rather odd production vary greatly from copy to copy. Kleinschmidt's Vorstellung der Evangelisch-Ost-Indischen Kirche engraving apparently was a commercial success because in 1736 citing demand he released a small-format version of the work its composition slightly altered. OCLC locates U.S. examples of the Augspurgisches Iubel-Gedächtnüs at Illinois Duke Getty Stanford Princeton Yale Harvard Emory Concordia Seminary and Cal. State Sutro. The Getty copy includes Kleinschmidt's Vorstellung der Evangelisch-Ost-Indischen Kirch but it is not clear which other examples include this engraving. Drugulin Historischer Bilderatlas 4112; S. Neill A History of Christianity in India. Kleinschmidt books
2018réf. 2347210Dalcassian Publishing Company 2018. Reissue. Hard Cover. Fine/No Jacket. 6x0x9. Reissue. Brand new from publisher. 2018 Hard Cover. 324 pp. Based on the 1928 translation of Rev. Montague Summers edited by D.P. Curtin. Woodcut illustrations reproduced from the 1626 Compendium Maleficarum. A treatise on the prosecution of witches or at least those accused of witchcraft written by a German Catholic clergyman named Heinrich Kramer but rejected by the clergy at the University of Cologne. The common English translation of the title is The Hammer of Witches. A posthumous author credit has been given to Jakob Sprenger though there is cause to believe this is an erroneous attribution. Whatever the case its publication exacerbated the proliferation of witch trials over the next two centuries and its advocacy of torture and deception to obtain convictions in these trials is partly responsible for the frequently brutal nature of inquiries and punishments. Dalcassian Publishing Company hardcover books
réf. 201211432, Glock und lutz nurnberg, s.d. ; in-12, 422 pp., cartonnage de l'éditeur. Avec jaquette.
réf. 48361P., Colmar, Alsatia, 1955, in 12 broché, 103 pages ; jaquette illustrée ; 8 gravures photographiques.
réf. L13250Les amis de la reliure originale/Bibliothèque historique de la ville de Paris, 1994. In-8 br. présenté sous une chemise cartonnée et toilée, avec pièce de titre sur le premier plat. Catalogue de l'exposition (5 octobre au 6 novembre, 1994) par C. Boulouque et C. Bourdois. Préface de J. Dérens. Liste détaillée des livres et documents présentés. E.O. carton d'invitation joint.
réf. 18008P., Wexmael-Charlier (Collection "Conversions Célèbres"), 1962, in 12 broché, 147pp. ; illustrations.
réf. 5282P., Corrêa, 1954, in 8, broché, 263 pages ; couverture usée.
réf. 5285P., Nouvelle Revue Critique, 1935, in 8, broché, 96 pages
réf. 61702Sans lieu, Editions Henri Veyrier (Collection "Les Plumes du Temps"), 1981, in 4° broché, 143 pages ; très nombreuses illustraitons ; couverture illustrée.
réf. 6791P., Editions Baudinière, 1944, 1 vol. in-12 (200 x 150) broché, de 187 pp. + tables. Initiales d'un ancien possesseur et date inscrites en page de garde, très bel exemplaire.
1976réf. 180181976 Paris, Klincksieck, 1976, grand in 8° broché, 429 pages ; couverture illustrée.
1994réf. 30910Paris Les Amis de la Reliu 1994 Grand in-8, en feuilles, couverture illustre (chemise de lditeur).Catalogue de lexposition consacre Max Jacob et ses ddicaces, qui a eu lieu la Bibliothque Historique de la Ville de Paris en 1994, et dans laquelle figuraient 162 manuscrits ou ouvrages dont de nombreux relis par les plus grands relieurs. Tirage limit 500 exemplaires numrots sur papier Conqueror blanc. Exemplaire imprim spcialement pour les Amis de La Reliure Originale (30910 - DOC411).
réf. L13961Editions de La Sirène, 1919. In-12 br. Couverture et page de titre ornés de la Sirène dessinée par Raoul Dufy. Préface de Max Jacob. Un des exemplaires réservés à l'auteur. E.O. ex. sur beau papier bouffant avec une sorte de monogramme de Moricand. Très bel envoi autographe de Conrad Moricand à Max Jacob, préfacier du livre.
réf. 554182P., Editions de Paris, 1953. In-8, broché, couv. illustrée (Max Jacob par Modigliani), XIX-229 pp., frontispice (Max Jacob par Picasso), 5 planches d’ill. hors texte sur papier couché. Edition originale. Tirage limité à 130 exemplaires, un des 100 sur vélin d'Ingres de Lana, n°53.
réf. 15682Saint Etienne, P.U.S.E (Centre de Recherches Max Jacob), 1978-80, 3 volumes in 4° brochés, 137, 127, et 124 pages ; illustrations.
réf. 2769Orléans, chez M. le Curé, s.d. - in-8, 60 pp. - agraphé
réf. 23395P., Delahays, 1858, in 12 relié demi-chagrin marron, dos lisse, XXIII-393pp. ; signatures sur le faux-titre ; des rousseurs ; petits frottis.
1835réf. 30583Geneve a.k.a. Geneva: Abraham Cherbuliez 1835. Very Good. Geneva: Abraham Cherbuliez 1835. Second edition. 12mo 16 cm; 5 256pp; collated complete. Boards quarter bound in brown and tan marbled paper and dark brown leather with gilt stamping. All edges stained chartreuse; red ribbon. Board paper scuffed with some rubbing away of color. All margins shelf worn with bumping to corners and spine ends and some paper rubbed away at edges. Burn mark to center of spine and small leather loss to the back upper hinge. Brief pencil markings on the first few pages and number in pen on first pastedown. Foxing throughout with creased corner on page 177. Abraham Cherbuliez unknown
1835réf. 30583Geneve a.k.a. Geneva: Abraham Cherbuliez 1835. Very Good. Geneva: Abraham Cherbuliez 1835. Second edition. 12mo 16 cm; 5 256pp; collated complete. Boards quarter bound in brown and tan marbled paper and dark brown leather with gilt stamping. All edges stained chartreuse; red ribbon. Board paper scuffed with some rubbing away of color. All margins shelf worn with bumping to corners and spine ends and some paper rubbed away at edges. Burn mark to center of spine and small leather loss to the back upper hinge. Brief pencil markings on the first few pages and number in pen on first pastedown. Foxing throughout with creased corner on page 177. Abraham Cherbuliez unknown books
1911réf. 997B4London: A & C Black Limited 1911 . Cloth. Good. 8.5" by 6". Charles Folkard. Beautifully illustrated edition of the classic Brothers Grimm fairy-tale collection featuring eight colour plates by Charles Folkard. In publisher's original pictorial cloth binding.Illustrated with eight colour plates including the frontispiece. Collated complete. From prominent British illustrator Charles Folkard best known as the creator of "Teddy Tail".Four pages of publisher's advertisements to the rear.Charming edition of the iconic Brothers Grimm fairy-tale collection. The first collection of folktales from Jacob and Wilhelm Grimm appeared in the original German in 1812 their popularity growing as the stories spread across Europe in the same century. Known for Hansel and Gretel Cinderella Little Red Riding Hood all of which appear in this volume and many more the Grimm's stories have become embedded in the public consciousness aided by prolific adaptions from Disney. In publisher's original pictorial cloth binding. Inscription from previous owner to front free endpaper. Externally reasonably smart with moderate bumping and rubbing resulting in minor loss of cloth most noticably to joints and the odd mark. Internally especially weak to the first twenty pages the frontispiece being very delicate. Binding more fragile closer to plates for example to page 16 and pages 145-160 otherwise generally firmly bound. Reasonably bright and clean with light spotting throughout heavier to first and last few pages. Good A & C Black Limited hardcover
1896réf. 852Helgoland Germany: Jacob Kruss-Aeuckens 1896. Boards. Very good . 3 7/8" x 5" oblong; 13 accordion-folded panels; red textured board with title to front; table of contents and illustration titles in German; red printing; 12 b&w photographic illustrations with title; scuffing and sunning to boards; very good plus. Only 2 located in WorldCat both in Germany. Accordion style souvenir album of the German island of Helgoland now Heligoland in the North Sea. Historically the archipelago were possessions of Denmark in 1807 they transferred to United Kingdom and in 1890 to Germany. Photo illustrations include town and country scenes including harbor scenes with ships and a man and woman in traditional dress. Rear pastedown advertisement for the Konigin Victoria Hotel Restaurant and Bazar. Jacob Kruss-Aeuckens unknown
1896réf. 852Helgoland Germany: Jacob Kruss-Aeuckens 1896. Boards. Very good . 3 7/8" x 5" oblong; 13 accordion-folded panels; red textured board with title to front; table of contents and illustration titles in German; red printing; 12 b&w photographic illustrations with title; scuffing and sunning to boards; very good plus. Only 2 located in WorldCat both in Germany. Accordion style souvenir album of the German island of Helgoland now Heligoland in the North Sea. Historically the archipelago were possessions of Denmark in 1807 they transferred to United Kingdom and in 1890 to Germany. Photo illustrations include town and country scenes including harbor scenes with ships and a man and woman in traditional dress. Rear pastedown advertisement for the Konigin Victoria Hotel Restaurant and Bazar. Jacob Kruss-Aeuckens unknown books
réf. 4736Paris, Pierre Seghers, éditeur, (2e trimestre) 1956. In-8 étroit (207 x 115 mm), broché, 96 pages, couverture illustrée à rabats.
