Folkema, JacobBiblio.com
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réf. 1267854Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1702. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1267853Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1702. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1267855Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1702. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1997réf. 52913Seattle: University of Washington Press 1997. Fine in near fine jacket. First edition thus re-issued with five new images of this beautifully illustrated take on Aesop's classic fables featuring stunning pen-and-ink illustrations by Lawrence "one of America's most celebrated artists." This book was originally published in 1970 and fell out of print before being redesigned for this new edition which features five additional illustrations by Lawrence. 10'' x 8''. Original black cloth stamping to front board lettered in red to spine. In original pictorial jacket. Grey endpapers. Illustrated throughout in black and white. 56 pages. Jacket with touch of edgewear and rubbing faintest toning to top edge of front panel. Interior fresh and bright. University of Washington Press unknown
1970réf. 94112New York: Windmill Books 1970. 1st ed. Hardcover. Near Fine/Near Fine. unpaginated approx. 46 pages consisting of fables and black and white illustrations by Lawrence. No separate title-page. Original red boards. dj. 31 cm. Jacket slightly scuffed and soiled. Windmill Books hardcover
1997réf. 18431Seattle: University of Washington Press 1997. Signed by Lawrence on the title page. Newly designed edition containing the full complement of Lawrence's illustrations 18 of which were published in the Windmill Books in 1970. Black cloth. Very fine in very fine dust jacket. University of Washington Press, hardcover
1997réf. Q-0295976411University of Washington Press 1997-08-01. Hardcover. New. In shrink wrap. Looks like an interesting title! University of Washington Press hardcover
1997réf. 85803University of Washington Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 56 pages; 23 illustrations. -- with a bonus offer--; "Aesop's Fables" combines 23 timeless morality tales with striking black ink drawings by the revered artist Jacob Lawrence. This new edition completely redesigned and typeset adds five illustrations Lawrence prepared for the original edition but which were not included in it. Aesop's fables are often ungentle tales with profound and instructive morals. Lawrence's bold and expressive pen-and-ink illustrations reflect both the charm and the severity of the fables themselves. The wisdom and depth of this collection will reach all who read it from child to adult. . 1997. 0295976411 . University of Washington Press hardcover
1972réf. 1024G37London; New York: William Heinemann; Weathervane Books 1972-1994. Cloth. Near Fine/Very Good Indeed. 8" by 6"; 9" by 6"; 9.5" by 7.5". Arthur Rackham. A very smart five volume set of works of fiction charmingly illustrated throughout by noted illustrator Arthur Rackham. A five volume set. In the publisher's original cloth bindings. In the original unclipped dust wrappers. A set of works illustrated profusely by Arthur Rackham an English book illustrator who is recognised as one of the leading figures during the Golden Age of British book illustration. His work is noted for its robust pen and ink drawings which were combined with the use of watercolour. Comprising: 1972 'The Sleeping Beauty'. A reprint originally published in 1920. By C.S. Evans. With a frontispiece and in text and full page illustrations. 1972 'Aesop's Fables'. A reprint originally published in 1912. A new translation by V.S. Vernon Jones. With an introduction by G.K. Chesterton. With a coloured frontispiece eleven coloured plates and in text illustrations. 1973 'Grimm's Fairy Tales'. Including twenty stories. By the Grimm brothers. With twelve coloured plates and in text illustrations. 1977 'A Christmas Carol'. The first of this Rackham illustrated edition published by Weathervane. Written by Charles Dickens. With twelve coloured plates and in text illustrations. 1994 'Mother Goose Nursery Rhymes'. A reprint first published in 1913. With twelve coloured plates and in text illustrations. All volumes collated complete. In the publisher's original cloth bindings. In the original unclipped dust wrappers. Externally light bumping to the heads and tails of the spines. Dust wrappers are smart with light shelf wear to extremities and sunning to spines with the odd closed tear and chipping. Internally firmly bound. Pages are bright and clean. Near Fine William Heinemann; Weathervane Books hardcover
1997réf. 52913Seattle: University of Washington Press 1997. Fine in near fine jacket. First edition thus re-issued with five new images of this beautifully illustrated take on Aesop's classic fables featuring stunning pen-and-ink illustrations by Lawrence "one of America's most celebrated artists." This book was originally published in 1970 and fell out of print before being redesigned for this new edition which features five additional illustrations by Lawrence. 10'' x 8''. Original black cloth stamping to front board lettered in red to spine. In original pictorial jacket. Grey endpapers. Illustrated throughout in black and white. 56 pages. Jacket with touch of edgewear and rubbing faintest toning to top edge of front panel. Interior fresh and bright. University of Washington Press unknown books
1970réf. 94112New York: Windmill Books 1970. 1st ed. Hardcover. Near Fine/Near Fine. unpaginated approx. 46 pages consisting of fables and black and white illustrations by Lawrence. No separate title-page. Original red boards. dj. 31 cm. Jacket slightly scuffed and soiled. Windmill Books hardcover books
1997réf. 010195Seattle WA: University of Washington Press 1997 Hard cover in dust jacket. Originally published in 1970 an edition published in 1997 with additional artwork by Lawrence. . Hard Cover. As New/As New. Illus. by Jacob Lawrence. 4to. University of Washington Press hardcover books
réf. 3368646966.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0153-06Stgt. Spemann 1883. gr.-8°. VIII 476 S. Mit chromolith. Frontisp. u. 215 Textabb. OHLdr. m. goldgepr. Rü. u. -Schildchen. Rückenkanten leicht berieb. EA. Stgt., Spemann (1883). unknown
réf. ria9783368646967_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Unveränderter Nachdruck der Originalausgabe von 1883. paperback
1897réf. 70086Kristiania U. å. 1897. 4to Originalbind. 80 s. . Alb. Cammermeyers Forlag Lars Swanstrøm Norsk. Navn på friblad. unknown
réf. 1023818973.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1685réf. 43361Wittenberg: Christianus Schrödterus 1685. First edition. Hardcover. g to vg-. Large octavo. Unpaginated 11 leaves. Black library buckram over marbled off-white heavy cardstock boards. The book block approx. 5.5x7" is re-bound attached to the boards by white library tape. The scarce work is a philological study on the fifth verse of the sixth chapter of the Book of Samuel dealing with God's punishment upon the Philistines for taking the Ark of the Covenant. The work seems to have been a dissertation given before a large audience on September 9th 1685 at the University of Wittenberg and submitted for academic review by Johanne Nicolao Hardtschmidt. Text in Latin with selected terms and passages throughout in Hebrew. Boards with some light water stains at the bottom of the front cover. Interior with some minor sporadic water spots and minor rubbing and creasing to the extremities of some pages. Binding in good interior in very good- condition overall. Johann Jacob Stolterfoht 1665 Schleswig - 1715 Lubeck was a German theology scholar physician and professor at the University of Greifswald. Early in his academic career he studied Protestant theology at the University of Wittenberg under Abraham Calovius. He later decided to study medicine at the University of Greifswald where he later became a professor. Christianus Schrödterus hardcover
1685réf. 43361Wittenberg: Christianus Schrödterus 1685. First edition. Hardcover. g to vg-. Large octavo. Unpaginated 11 leaves. Black library buckram over marbled off-white heavy cardstock boards. The book block approx. 5.5x7" is re-bound attached to the boards by white library tape. The scarce work is a philological study on the fifth verse of the sixth chapter of the Book of Samuel dealing with God's punishment upon the Philistines for taking the Ark of the Covenant. The work seems to have been a dissertation given before a large audience on September 9th 1685 at the University of Wittenberg and submitted for academic review by Johanne Nicolao Hardtschmidt. Text in Latin with selected terms and passages throughout in Hebrew. Boards with some light water stains at the bottom of the front cover. Interior with some minor sporadic water spots and minor rubbing and creasing to the extremities of some pages. Binding in good interior in very good- condition overall. Johann Jacob Stolterfoht 1665 Schleswig - 1715 Lubeck was a German theology scholar physician and professor at the University of Greifswald. Early in his academic career he studied Protestant theology at the University of Wittenberg under Abraham Calovius. He later decided to study medicine at the University of Greifswald where he later became a professor. Christianus Schrödterus hardcover books
1675réf. 12522Nuremburg: J. von Sandart 1675. Copper engraving with early colour. Printed on laid paper. Title in manuscript ink on verso of sheet. Cleveland Historical Society collection stamp on verso of sheet. Numerous tears and creases in outside margins which have been expertly repaired. Center fold has been strengthened. An early map of Africa by the great mapmaker Jacob von Sandrart engraved by Homann. Sandrart's stunning map of Africa is a close copy of Fredrik de Wit's map 'Nova Africa Descriptio' published in 1660. With the prime meridian running through Ferro Island the map is typical of late seventeenth century maps of Africa. Like other maps of the period Sandrart has included a highly decorative and informative cartouche in the lower left corner of the sheet. Homann's continental cartouches aspired to convey the natural history as well as the costume and manner of life of the human inhabitants. Here while a woman peacefully nurses her baby in a hammock a native chief stares out at the viewer from under the shade of a large umbrella. On the right side of the vignette two riders on horseback one with a cutlass and one with a decaptitated head ride by a river where one man is attacking another with his sword. Among the humans are a lion a snake a reptile of some sort and another fox-like animal. Although the map repeats De Wit's decorations it relies on Ptolemy for its description of the Nile basin. It is to some degree remarkable that seventeenth century maps of the interior of Africa were filled with geographical features and named locations since there had been very little European exploration of the interior at this date. European trade took place at specific locations along the coast and almost nothing was known about the interior of the dark continent except through rumor. This is a fascinating map by Sandrart and one of only two maps engraved by Homann before 1690. Born at Frankfurt-on-Main Jacob von Sandrart was one of the most esteemed mapmakers in Nuremberg at the close of the seventeenth century. He learned his trade from his uncle Joachim von Sandrart and from Cornelius Danckerts. As with this impressive map all of Sandrart's charts are filled with a wealth of decorative details and highly ornate cartouches. J. von Sandart unknown
1675réf. 12522Nuremburg: J. von Sandart 1675. Copper engraving with early colour. Printed on laid paper. Title in manuscript ink on verso of sheet. Cleveland Historical Society collection stamp on verso of sheet. Numerous tears and creases in outside margins which have been expertly repaired. Center fold has been strengthened. An early map of Africa by the great mapmaker Jacob von Sandrart engraved by Homann. Sandrart's stunning map of Africa is a close copy of Fredrik de Wit's map 'Nova Africa Descriptio' published in 1660. With the prime meridian running through Ferro Island the map is typical of late seventeenth century maps of Africa. Like other maps of the period Sandrart has included a highly decorative and informative cartouche in the lower left corner of the sheet. Homann's continental cartouches aspired to convey the natural history as well as the costume and manner of life of the human inhabitants. Here while a woman peacefully nurses her baby in a hammock a native chief stares out at the viewer from under the shade of a large umbrella. On the right side of the vignette two riders on horseback one with a cutlass and one with a decaptitated head ride by a river where one man is attacking another with his sword. Among the humans are a lion a snake a reptile of some sort and another fox-like animal. Although the map repeats De Wit's decorations it relies on Ptolemy for its description of the Nile basin. It is to some degree remarkable that seventeenth century maps of the interior of Africa were filled with geographical features and named locations since there had been very little European exploration of the interior at this date. European trade took place at specific locations along the coast and almost nothing was known about the interior of the dark continent except through rumor. This is a fascinating map by Sandrart and one of only two maps engraved by Homann before 1690. Born at Frankfurt-on-Main Jacob von Sandrart was one of the most esteemed mapmakers in Nuremberg at the close of the seventeenth century. He learned his trade from his uncle Joachim von Sandrart and from Cornelius Danckerts. As with this impressive map all of Sandrart's charts are filled with a wealth of decorative details and highly ornate cartouches. J. von Sandart unknown books
réf. 9781536177008NOVA SCIENCE PUBLISHERS INC
1854réf. 194411854. Dewees Jacob. The Great Future of America and Africa is an 1854 colonizationist treatise documenting the racial and political logic through which some white reformers advocated gradual emancipation while rejecting Black citizenship in the United States. Addressed to "the white race and the free Negro of the United States" the work identifies colonization as a proposed system for managing emancipation revealing how racial separation economic argument and claims of political practicality shaped anti-slavery thought outside immediatist abolitionism. Dewees's assertion that abolition required "of the master sacrifices that never will be-never can be made" places the book within antebellum debates over slavery free Black migration and the limits of white antislavery reform. Dewees Jacob. The Great Future of America and Africa: An Essay Showing Our Whole Duty to the Black Man Consistent with Our Own Safety and Glory. Philadelphia: Printed for the Author by H. Orr 1854. First edition. 8vo. Original brown publisher's cloth gilt-titled spine blindstamped boards pale yellow endpapers; 236 pages. Contemporary ownership inscriptions of Isaac Eastburn appear on the front free endpaper and front flyleaf. The text develops an extended argument for eventual emancipation paired with organized removal to Africa or other western colonial destinations offering primary-source evidence for the study of colonization white racial ideology African American emigration debates and the political vocabulary of slavery reform in the decade before the Civil War. The book belongs to the broader colonization movement associated with efforts to relocate free and formerly enslaved African Americans outside the United States a movement that treated Black freedom as separable from equal civic belonging. Its 1854 publication is significant because it appeared during escalating national conflict over slavery and the same year as the Kansas-Nebraska Act when arguments over slavery's expansion sharpened the divide between gradualist abolitionist pro-slavery and emigrationist positions. Front joint splitting with board wear; cloth worn; front free endpaper repaired with cellotape; crayon markings to approximately six early leaves; text complete. Overall good only. A substantial antebellum statement of colonizationist thought useful for documenting the contested relationship between emancipation race and citizenship before the Civil War. unknown
2022réf. x-1944455159Library Pr at Uf 2022. Paperback. New. 227 pages. 8.75x5.75x0.50 inches. Library Pr at Uf paperback
1854réf. 194411854. Dewees Jacob. The Great Future of America and Africa is an 1854 colonizationist treatise documenting the racial and political logic through which some white reformers advocated gradual emancipation while rejecting Black citizenship in the United States. Addressed to "the white race and the free Negro of the United States" the work identifies colonization as a proposed system for managing emancipation revealing how racial separation economic argument and claims of political practicality shaped anti-slavery thought outside immediatist abolitionism. Dewees's assertion that abolition required "of the master sacrifices that never will be-never can be made" places the book within antebellum debates over slavery free Black migration and the limits of white antislavery reform. Dewees Jacob. The Great Future of America and Africa: An Essay Showing Our Whole Duty to the Black Man Consistent with Our Own Safety and Glory. Philadelphia: Printed for the Author by H. Orr 1854. First edition. 8vo. Original brown publisher's cloth gilt-titled spine blindstamped boards pale yellow endpapers; 236 pages. Contemporary ownership inscriptions of Isaac Eastburn appear on the front free endpaper and front flyleaf. The text develops an extended argument for eventual emancipation paired with organized removal to Africa or other western colonial destinations offering primary-source evidence for the study of colonization white racial ideology African American emigration debates and the political vocabulary of slavery reform in the decade before the Civil War. The book belongs to the broader colonization movement associated with efforts to relocate free and formerly enslaved African Americans outside the United States a movement that treated Black freedom as separable from equal civic belonging. Its 1854 publication is significant because it appeared during escalating national conflict over slavery and the same year as the Kansas-Nebraska Act when arguments over slavery's expansion sharpened the divide between gradualist abolitionist pro-slavery and emigrationist positions. Front joint splitting with board wear; cloth worn; front free endpaper repaired with cellotape; crayon markings to approximately six early leaves; text complete. Overall good only. A substantial antebellum statement of colonizationist thought useful for documenting the contested relationship between emancipation race and citizenship before the Civil War. unknown books
