Aranda MD PhD FRCP(C), Jacob VBiblio.com
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2021réf. SKU0190493LWW 2021-01-13. Hardcover. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking LWW hardcover
2021réf. SONG1975112482WOLTERS KLUWER HEALTH 2021-01-13. 5. hardcover. Used: Good. 8.50x1.00x10.00. Buy with confidence. Excellent Customer Service & Return policy. WOLTERS KLUWER HEALTH hardcover
2020réf. __1975112482Lippincott Williams & Wilkins 2020. Hardcover. New. 5th har/psc edition. 1040 pages. 11.00x8.50x1.75 inches. Lippincott Williams & Wilkins hardcover
réf. 9789348094353New. unknown
réf. 1975112482New. Never used book unknown
1908réf. 333750Nyu York : A.M. Yevalenko 1908. 1st edition. Hardcover. Poor copy in the original cloth. Worn spine with some wear and tear to the panel edges. Scattered foxing throughout. Text remains clear without blemish. Physical description: various paging; 20 cm.Subjects: Short stories Yiddish. 20th century. Genre: Fiction. Nyu York? : A.M. Yev?alenk?o hardcover
réf. 51-6510Washington DC: The Black Sun Press / Caresse Crosby 1950 . Small 4to. 11 x 13.7cm Original wrapsPresented in a custom made black cloth chemise and gilt slipcase.Minkoff no. A-52b.OCLC Number / Unique Identifier:639841165Any movement poetry can now make beyond the achievement of Pound Williams et al. must make use of the fact of their work and further of what each has stressed as the main work now to be done. We can't discard either of these men by calling them 'experimentalists' or by thinking that however right their method may be for their own apprehension of form we can now ignore its example in our own dilemmas. Unless we also can find for ourselves a method equal to our content show some comprehension of the difficulties involved we stay where we are.A recent comment of Dr. Williams notes one of the headaches. "To me the battle lodges for us as poets in the poetic line something has to be done with that line—it's got to be opened up. . . ." I cite this here since a good many feel that it's just the opposite that should be done that the line must be tightened pulled in fixed. We should by now have a clear idea as to what this kind of tightness implies. To begin with it's an external tightness having more to do with the poem's pattern than with the movement of its sense. And it's this same tightness which Stevens has damned by implication: "There is however a usage with respect to form as if form were a derivative of plastic shape."The five poems in this present collection of Olson's work demonstrate a technique set squarely against this tightness . They mark theMontevallo Review Summer 1951.― 98 ―alternatives. For Olson the line becomes a way to a movement beyond the single impact of the words which go to make it up and brings to their logic a force of its own. Instead of the simple wagon which carries the load he makes it that which drives too to the common logic the sense of the poem.The first poem "La Préface" is an illustration. Here the line is used to make the ground logic beyond the single 'senses' of the words. The poem can't be understood lacking a comprehension of the work the line is doing here. What it does do then is give the base pattern which pulls the poem's juxtaposition of action and thing to a common center where the reader can get to bedrock. Meaning.Put war away with time come into space.It was May precise date 1940. I had air my lungs could breathe.He talked via stones a stick sea rock a hand of earth.It is now precise repeat. I talk of Bigmans organshe look the lines! are polytopes.And among the DPs—deathhead at the apex of the pyramid.The line is the means to focus is that which says 'how' we are to weight the various things we are told. And as it is there to do this work so the words break through to their sense .Perhaps enough to find this use of line in these poems but Olson is a good deal more than a competent technician. There is a reach in these five poems a range of subject and a depth of perception that mark him exceptional. His language is exact hangs tight to the move of his thought.Shallows and miseries shadows from the crossecco men and dull copernican sun.Our attention is simplerThe salts and minerals of the earth returnThe night has a love for throwing its shadows around a mana bridge a horse the gun a grave."The K"Provenance… Collection of Dr. Gregory R. Bonomo Washington, DC: The Black Sun Press / Caresse Crosby, 1950 paperback
réf. ria9781545632024_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Statistics show that you have less than a 25 percent chance of choosing a partner who can truly make you happy. Whether you are single or married studies show that the problem is personality difference! We each have an X or Y type pers hardcover
réf. B9781545632024Hardback. New. hardcover
réf. 1545632022.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. DADAX1545632022Xulon Press 2018-04-03. hardcover. New. 6.00x0.81x9.00. Buy with confidence. Excellent Customer Service & Return policy. Xulon Press hardcover
1718réf. 36117Zürich 1718. Es fehlen die letzten 12 Seiten ansonsten guter Zustand Erste Aufl. David Gessner 8°. Ldr. Alte Drucke unknown
réf. 054216Paris Librairie de Firmin-Didot et Cie 1880 in 4 (29x21) 1 volume reliure demi chagrin rouge à coins de l'éditeur, dos à nerfs orné de riches caissons dorés, tête dorée, VIII et 580 pages. Ouvrage illustré de 16 chromolithographies et de 300 gravures sur bois (dont 20 tirées hors-texte) d'après les monuments de l'art de l'époque. Deuxième édition. Bel exemplaire
réf. 1572In 4 reliure d’éditeur rouge demi-chagrin très orné,titre fers,filets,roulettes,entrelacs dorés.Plats percaline rouge décorée de fers,filets,entrelacs,petits points dorés reliure de Souze 581 pages,tranches dorées,17 chromolithographies de Gaulard Nordmann et 300 gravures sur bois dans et hors-texte Firmin Didot 1882.superbe reliure rousseurs très éparses
réf. 3-73474Paris Librairie de Firmin Didot 1880 4to cm. 29 x 21 bellissima legatura originale in mezza pelle rossa copiosamente decorata con fregi e titoli dorati ai piatti ed al dorso tagli dorati pp. VIII 580 con 300 incisioni xilografiche nel testo e 16 belle tavole cromolitografiche protette da velina fuori testo. In ottime condizioni. unknown
réf. 3-70719Paris Librairie de Firmin Didot 1882 4to cm. 29 x 21 bellissima legatura originale in mezza pelle rossa copiosamente decorata con fregi e titoli dorati ai piatti ed al dorso tagli dorati pp. VIII 581 con 300 incisioni xilografiche nel testo e 17 belle tavole cromolitografiche protette da velina fuori testo. In ottime condizioni. unknown
réf. 15895unknown
réf. 10013Paris, Firmin-Didot, 1880, 1 chagrin rouge, belles plaques dorés sur les plats, dos orné, tranches dorées. fort in-4, f.t., frontispice, titre, VIII-580 pp., illustré de 16 chromolithographies et de 300 gravures sur bois (dont 20 tirées hors texte) d'aprés les monuments de l'art de l'époque, quelques rousseurs ;
2026réf. LRB51025203Paris: Editions Recreasoft 2026 Langue : Français. Environ 680 pages. Français : Réimpression à la demande. Édition originale : 1882. Ouvrage en français. Ouvrage historique et culturel sur le XVIIe siècle en France couvrant les domaines des lettres des sciences et des arts. Étude détaillée des moeurs des coutumes et des évolutions intellectuelles de cette période. Travail de référence par un auteur spécialisé dans l'histoire culturelle française. Images du livre non contractuelles English: Print-on-demand reprint. Original edition : 1882. Text in French. Historical and cultural work on 17th-century France covering literature science and the arts. Detailed study of customs manners and intellectual developments of the period. Reference work by an author specializing in French cultural history. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
1878réf. 24050Paris Firmin-didot et Cie 1878 GRAND In-8 Xiij+560 pp, illustré de 16 planches chromolithographiques et de 250 gravures sur bois, deuxième édition. ( Erreur du doreur au titre sur le dos, il manque un I pour titrer XVIII è et non XVII mais la date est bien 1700-1789 )
réf. 1573In 4 reliure d’éditeur rouge plein chagrin très orné,titre fers,filets,roulettes,entrelacs dorés.Plats décorés de fers,filets,entrelacs,petits points dorés.Superbe reliure signée de SMEERS.559 pages,tranches dorées,16chromolithographies de Durin,Gaulard,Bayalos... et 250 gravures sur bois dans et hors-texte Firmin Didot & Cie 1872.superbe reliure plus rare en reliure plein chagrin
1875réf. 24049Paris Firmin-didot et Cie 1875 GRAND In-8 viij+520 pp, illustré de 21 planches chromolithographiques et de 350 gravures sur bois, Toutes tranches dorées, percaline rouge de même couleur que le chagrin, décors dorés sur les plats et au dos. Deuxième édition
réf. 101488Paris, Librairie de Firmin-Didot 1875, 290x195mm, VIII- 520pages, reliure d'éditeur. demi-chagrin rouge, plats percaline même couleur, richement orné de dorure, tranches dorées, coins et charnières frottés, autrement bon état. Bel exemplaire.
réf. 117378Paris, Librairie de Firmin-Didot 1878, 315x220mm, XIII- 560pages, demi-chagrin brun à coins, plats papier marbré, auteur et titre dorés, tranche supérieure dorée. Tirage à 650 exemplaires sur grand papier n° 386. Très bel exemplaire.
1878réf. 19868Ouvrage illustré de 21 chromolithographies et de 350 gravures sur bois d’après Watteau, Vanloo, Rigaud, Boucher, Lancret, Greuze, J. Vernet, Chardin, Jeaurat, Bouchardon, Saint-Aubin, Gravelot, Cochin, Eisen, Moreau, Wille, Debucourt, etc..Troisième édition. Paris, Librairie de Firmin-Didot Frères, Fils et Cie. - 1878 - VIII et 520 pages.Reliure plein chagrin rouge signée. Dos et plats richement ornés et dorés. Tranches dorées. Gouttière régulière. Mors et coiffes frottés. Accident à la coiffe supérieure. Pas de rousseur. Bon état. Fort volume. Format in-4°(29x20).Paul Lacroix, (1806-1884) plus connu sous les pseudonymes de P. L. Jacob ou du Bibliophile Jacob, est un polygraphe érudit français.
