978 résultats
réf. 356393990X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1952réf. 238186New York 1952. pamphlet. Very scarce signed Playbill featuring "The First Drama Quartette" a loose ensemble of friends consisting of Charles Laughton Charles Boyer Cedric Hardwicke and Agnes Moorehead appearing in the 1952 Broadway production of Bernard Shaw's "Don Juan in Hell" at the Plymouth Theatre. Signing on the cover next to a fantastic photo are Laughton Boyer and Hardwicke. Moorehead's autograph is absent. Near fine condition. unknown
réf. 0259048127.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0364253215.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0260232289.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1020185279.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1022855263.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0265440831.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1996réf. 140790San Francisco: AK Press 1996. Third printing. Softcover. Fine. 131 p. 27 cm. B&w illustrations. Most offensive magazine ever. AK Press paperback
réf. 9357961488.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 9749863895.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 6202337664.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2009réf. 049022Skatebook. CLEAN 2009 HARDCOVER in very good near fine condition. . Very Good to Near Fine. Hardcover. 1st Printing. 2009. Skatebook hardcover
2008réf. __0571567851Faber Music Ltd 2008. Paperback. New. 140 pages. 7.87x5.51x1.57 inches. Faber Music Ltd paperback
réf. 1149196785.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1847réf. 6375London: Chapman and Hall 1847. First Edition. First edition ex-library. Measuring approximately 9" x 6.25" with 436 numbered pages. This book is in good minus condition. Moderate chipping to both ends of spine. Moderate bumping to all edges of boards and corners. Both hinges are cracked no mesh is exposed. Library markings on spine and both pastedowns. Interior pages are clean. Please view the many other rare titles available for purchase at our store. We are always interested in purchasing individual or collections of fine books. Inventory #O7-141. Chapman and Hall unknown
réf. 3752382848.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3640584732.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 3838120469.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2008réf. 26271Springer 2008. Hardback in near fine condition. Hardcover. Near Fine. Springer Hardcover
1968réf. 587263New York: Genesis : Grasp 1968. Softcover. Very Good. First edition. Small octavo. 49pp. Illustrated. Wrappers with light wear and the front cover a bit foxed topedge with a tiny stain and first two leaves with a corner crease very good or better. Inaugural issue of this literary magazine that prints a manifesto and contributions from Richard Meyers Thomas Merton David Giannini Jim Jowers George Wagner William Leo Coakley Richard Eberhart and Yuki Hartman. Richard Meyer would later reinvent himself as Richard Hell; according to an article in The New Yorker he typeset some of the issues himself on a Varityper machine. Genesis : Grasp unknown
1470réf. ST17764Delft ca. 1470. Leaf: 175 x 122 mm. 6 7/8 x 4 3/4"; Frame: 250 x 195 mm. 9 3/4 x 7 3/4". No text on recto or verso. In an attractive wooden frame. A FINELY PAINTED MINIATURE OF THE HARROWING OF HELL within an arch-topped compartment the mouth of hell depicted on the left with a fiery red interior and five people emerging from it the figure of Christ on the left holding a cross on a long staff and half-clothed in a pink and blue robe the background with a castle in the distance ALL OF THIS BENEATH A VERY DETAILED ARCHITECTURAL CANOPY suspended in the sky AND THE WHOLE WITHIN A FULL BORDER of acanthus leaves and other foliage and flowers in reds blues greens yellows and brushed gold along with very many small burnished gold ivy leaves and buds on hairline stems a small stork in the bottom border and a large delicately shaded angel in the left border. ◆Left margin trimmed very close to decoration just escaping loss and the other three margins ample mild darkening right at fore and tail edge but not reaching into borders otherwise IN FINE CONDITION the colors rich and true and the burnished gold still shimmering. This extraordinary miniature notable for its uncommon subject matter memorable imagery and fine workmanship was produced by a talented artist belonging to the stylistic group known as the Masters of the Delft Half-Length Figures. The subject here is infrequently depicted in Books of Hours: the Harrowing of Hell appears as a full-page miniature in only three of the 119 prayer books described by Roger Wieck in his "Time Sanctified" and three others contain a Harrowing depiction inside an initial. Christian theological tradition tells us that after his crucifixion Christ went to liberate souls from Limbo--a location inhabited by those barred from entry into Heaven because they died before the Redemption. In our scene Christ wrapped in a regal cloak and carrying a long staff his hands and feet still bleeding from the wounds he received on the Cross reaches into an absolutely wonderful Hellmouth to extricate Adam and Eve and other naked souls while the recently deceased and original saint John the Baptist still clad in an animal skin garment waits patiently for his turn to emerge. The great maw of Hell as depicted here has bulging eyes a distended snout thickly matted hair and a bad complexion; his gaping mouth punctuated by sharp gray teeth glows red hot and one can tell from the creature's expression that he is loath to comply with this rescue of souls. In addition to its compelling subject matter there is a high level of artistic achievement here including delicately molded figures impressively detailed architectural elements and a lovely color palette. The elegance and quiet sophistication observed in this miniature distinguishes the artist responsible for this work as a particularly talented member of his circle. Active from about 1450-80 the Masters of the Delft Half-Length Figures were named by James Marrow after the angels and other figures whose upper bodies are typically found emerging from a cloud within the borders. Although the present leaf uncharacteristically contains a full-length angel in the border it shares other stylistic similarities such as the elaborate architectural canopy hovering over the main composition; and it particularly resembles the work of the artist of Keble College MS 77 an illuminator described in "The Golden Age of Dutch Manuscript Illumination" as "one of the more articulate of the group" whose "figures are more fully modelled and his palette . . . deeper and brighter" than that of his contemporaries. Because the subject of the present miniature goes beyond the standard image program seen in routine productions and because of the high level of artistic accomplishment seen here this leaf was almost certainly part of an elaborate Book of Hours produced in response to an important commission. unknown
1994réf. 45299New York: Poetry Project 1994. Very Good. New York: Poetry Project 1994. First Edition. Octavo 23cm; publisher's white pictorial card wrappers by Shen Chen; 127pp. Light soil to textblock margins else Very Good to Near Fine. Poetry Project unknown
réf. 0080108385.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3856307303.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover