BASCHET Jérôme.Livre Rare Book
1,107 results
1993ref. 3074À Rome, École Française de Rome, 1993.
ref. BN222179Cornelsen Verlag. Softcover. Mathematik für bayerische Hauptschulen Jahrgangsstufe 5 Mathematik für bayerische Hauptschulen Jahrgangsstufe 5 Bartenschlager Franz; Geldermann Heinrich; Glaser Bernhard; Hell Dr. Peter; Hübner Heribert; Lang Andreas; Müller Siegfried; Paulig Prof. Dr. Peter Cornelsen Verlag paperback
1993In-8 (cm. 20.50), brossura illustrata, pp. 203, (5), con illustrazioni in bianco e nero e a colori soprattutto nel testo. Ex libris alla prima carta. Distacco parziale della plastica protettiva dalle punte; soprattutto quelle posteriori; peraltro, volume in buono stato di conservazione (good copy).
1928Pages 41-80. Features: The Saddest Woman in the World - Marie of Russia - article with photos; Buried Treasure - a complete story; Photo tips of what not to do with your Gramphone; Most People Have a Double - but is sometimes means trouble - article with photos; Does Marriage Mean Going ThroughThe Mill? - a story that answers the problem; Lovers or Friends? - Woodbine Willie discusses the truth about companionship between the sexes; Wit of the Week; Open That Window! - and help yourself to health; "Stop & Look" pictures include Copenhagen church in the shape of an organ; Why George Tupper wished his wife many unhappy returns (fiction); In a Floating "Hell" - horses break loose aboard a storm-tossed ship enroute to Russia from Canada; Angel Esquire (continued); The Story of the Birmingham Municipal Bank; and more. Staples disintegrated. Above-average but not excessive wear. A worthy vintage copy. Magazine
2023ref. 1203402023 Editions Actes Sud - 2023 - Grand in-4, cartonnage illustré de l'éditeur - Sans pagination - Très nombreuses illustrations hors texte et pleine page en couleurs
ref. 1247Deux tomes en deux volumes in 8 carré plein maroquin noir, reliure éditeur avec titre en rouge et fil de fer barbelé sur le dos et les plats.tome 1:Faux-titre,titre illustré,282 pages,1feuillet de table des matières,non rogné,tête dorée lithographies dans et hors-texte de Berthold Mahn.Tome 2 Faux-titre,titre illustré,240 pages,1 feuillet de table des matières,lithographies dans et hors-texte de Berthold Mahn.non rogné,tête dorée.Crès éditeur 1930 collection Guerre.Edition numérotée sur vélin de Rive.Bel exemplaire.
2011Mm 170x240 Brossura editoriale con alette, pp. 139 con 101 illustrazioni a colori su tavole fuori testo, Nuovo. Spedizione in 24 ore dalla conferma dell'ordine.
2019ref. __1089183046Independently published 2019. Paperback. New. 85 pages. 9.00x6.00x0.22 inches. Independently published paperback
2019ref. 2-1089183046Independently published 2019. Paperback. New. 85 pages. 9.00x6.00x0.22 inches. Independently published paperback
1984in 2 voll intonsi 35 interventi dei pi๠grandi filologi italiani e mondiali; perfetto. Brossura
1957Slight marking. Previous owner's name inside. Foxing. 182 pages. Dual-Language, in English and French.
1999290 pages. Reproductions of black and white photos in text. "Whether by accident or design, governments and agencies have remained silent, so all the research has been up to us. However this true fifty year old shame must be revealed in the hope that mankind remembers and never allows it to be repeated." - from Foreword. "Our story tells what happened to 168 Allied Airmen who jumped into Northern Europe after their planes had met with an explosive and fiery end... Because our eventual betrayal to the Gestapo was accomplished so smoothly, a number of these encounters will be explained so that you can better understand our dilemma. The retelling of our encounter with our Gestapo hosts is mild, for many of us do not wish to recall the most unpleasant details that deserve to stay well hidden in the back of our minds... Now with this story told, we again wish to forget." - from Prologue. Moderate wear. Unmarked. Binding intact. A sound copy. Book
1988fioriture ai tagli
1998Mm 140x220 Brossura editoriale con bandelle, pagine 105. Opera in stato di nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
1961In-8 (cm. 21.20), brossura editoriale illustrata, con alette, pp. 34, (2). Un tenue segno a penna. In buono stato di conservazione (good copy).
ref. 9850Iconco-bio-bibliographie de tous les ouvrages composant cette collection. Mention fictive de deuxième édition. In 8 broché, faux-titre, titre, 415 pages, Mercure de France 1913. Bon exemplaire
1845Opera incompleta, presente Volume Primo: Inferno. Volume della prima metà dell'800 in 16.o, stato discreto, coperta in mezzapelle con angoli, piatti marmorizzati, dorso diviso in cinque finte caselle, fregi e caratteri incisi in oro, diversi segni del tempo, tracce di fioritura sparsa, legatura poco allentata, tagli, prime e ultime pagine un po' bruniti, pagine in buono stato, prime con becca. Presenta firma d'appartenenza su guardia, antiporta, protetta da foglio di carta velina, con incisione in nero, ritratto di Dante Alighieri, appunto sul margine di piede del frontespizio. XLIX volume della collana Biblioteca scelta di opere italiane antiche e moderne. I.a edizione milanese. Numero Pagine 472 USATO
1996cm. 17 x 24, 182 pp. Biblioteca dell'?Archivum Romanicum? - Serie I: Storia, Letteratura, Paleografia Le biografie della ?Commedia? disegnano e attuano la nuova frontiera della tanatologia dantesca che consente al poeta di affermarsi come autore di una nuova poesia sapienzale, i cui contenuti sono rigorosamente razionalizzati in virt? di quel potente e singolare sincretismo culturale che ha consentito al poeta di compiere la pi? eccentrica avventura medievale che si potesse concepire. Questi sono resi universali da una lingua e da un linguaggio sapienzali che possono aspirare a essere la nuova lingua di Adamo. Il criterio della storicit? sancisce, dunque, il valore supremo del nuovo linguaggio poetico secondo i criteri della nuova universalit? The biographies of the ?Commedia? outline and accomplish a new frontier for Dante's thanatology that allows the poet to assert himself as an author of a new erudite poetry, whose contents are severely rationalized in view of the powerful and singular cultural syncretism which has enabled the poet to undertake the most eccentric mediaeval adventure ever to be conceived. The same are made known universally by a language and a learned tongue that could well aspire to become the new language of Adam. The criterion of historicity therefore ratifies the supreme value of the new poetical language according to the criteria of the new universality. 355 gr. 182 p.
1987Angelo Marchese Guida alla Divina Commedia. Inferno. , SEI 1987, Libro in condizioni discrete, presenta copertina usurata ed ingiallita Mediocre (Poor) . Copertina flessibile 276 9788805019304
1961In-8 (cm. 21.20), brossura editoriale illustrata, con alette, pp. 28, (2). In buono stato di conservazione (good copy).
ref. 110488Soleil, collection 2B, DL novembre 2001. Un album cartonné d'environ 34 x 24 cm, non paginé, très bon état. L'album est composé de l'histoire en noir et blanc, ainsi qu'en miroir de chaque page le crayonné de la planche, avec un cahier graphique de 5 pages en fin d'album. Très belle dédicace à l'aquarelle de Varanda en début d'album.
1994ref. 49951Stuttgart : Reclam 1994. 347 S. : 50 Abb. ; 19 cm Pp., gebundene Ausgabe, Hardcover/Pappeinband, Exemplar in gutem Erhaltungszustand
2023ref. x-3662667207Spektrum Akademischer Verlag Gmbh 2023. Paperback. New. 184 pages. German language. 9.25x6.10x0.40 inches. Spektrum Akademischer Verlag Gmbh paperback
ref. ria9783032010896_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This thesis explores a fundamental question in field theory: If we modify a theory by introducing a small parameter can we recover the original theory by setting that parameter back to zero While seemingly simple this question presen hardcover
1470ref. ST17764Delft ca. 1470. Leaf: 175 x 122 mm. 6 7/8 x 4 3/4"; Frame: 250 x 195 mm. 9 3/4 x 7 3/4". No text on recto or verso. In an attractive wooden frame. A FINELY PAINTED MINIATURE OF THE HARROWING OF HELL within an arch-topped compartment the mouth of hell depicted on the left with a fiery red interior and five people emerging from it the figure of Christ on the left holding a cross on a long staff and half-clothed in a pink and blue robe the background with a castle in the distance ALL OF THIS BENEATH A VERY DETAILED ARCHITECTURAL CANOPY suspended in the sky AND THE WHOLE WITHIN A FULL BORDER of acanthus leaves and other foliage and flowers in reds blues greens yellows and brushed gold along with very many small burnished gold ivy leaves and buds on hairline stems a small stork in the bottom border and a large delicately shaded angel in the left border. ◆Left margin trimmed very close to decoration just escaping loss and the other three margins ample mild darkening right at fore and tail edge but not reaching into borders otherwise IN FINE CONDITION the colors rich and true and the burnished gold still shimmering. This extraordinary miniature notable for its uncommon subject matter memorable imagery and fine workmanship was produced by a talented artist belonging to the stylistic group known as the Masters of the Delft Half-Length Figures. The subject here is infrequently depicted in Books of Hours: the Harrowing of Hell appears as a full-page miniature in only three of the 119 prayer books described by Roger Wieck in his "Time Sanctified" and three others contain a Harrowing depiction inside an initial. Christian theological tradition tells us that after his crucifixion Christ went to liberate souls from Limbo--a location inhabited by those barred from entry into Heaven because they died before the Redemption. In our scene Christ wrapped in a regal cloak and carrying a long staff his hands and feet still bleeding from the wounds he received on the Cross reaches into an absolutely wonderful Hellmouth to extricate Adam and Eve and other naked souls while the recently deceased and original saint John the Baptist still clad in an animal skin garment waits patiently for his turn to emerge. The great maw of Hell as depicted here has bulging eyes a distended snout thickly matted hair and a bad complexion; his gaping mouth punctuated by sharp gray teeth glows red hot and one can tell from the creature's expression that he is loath to comply with this rescue of souls. In addition to its compelling subject matter there is a high level of artistic achievement here including delicately molded figures impressively detailed architectural elements and a lovely color palette. The elegance and quiet sophistication observed in this miniature distinguishes the artist responsible for this work as a particularly talented member of his circle. Active from about 1450-80 the Masters of the Delft Half-Length Figures were named by James Marrow after the angels and other figures whose upper bodies are typically found emerging from a cloud within the borders. Although the present leaf uncharacteristically contains a full-length angel in the border it shares other stylistic similarities such as the elaborate architectural canopy hovering over the main composition; and it particularly resembles the work of the artist of Keble College MS 77 an illuminator described in "The Golden Age of Dutch Manuscript Illumination" as "one of the more articulate of the group" whose "figures are more fully modelled and his palette . . . deeper and brighter" than that of his contemporaries. Because the subject of the present miniature goes beyond the standard image program seen in routine productions and because of the high level of artistic accomplishment seen here this leaf was almost certainly part of an elaborate Book of Hours produced in response to an important commission. unknown books
