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2021ref. BIBSD0032094782021. Full Leather Bound. NEW. Size: 14.60 x 22.86 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in 1860 and this unique edition is Reprinted in 2021 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - French Pages 427. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. hardcover
1999ref. 81402Bad Tölz, Thomas Tilsner, 1999. Original Broschur, kl.4°, ca.140 Seiten. 1.Auflg.
2001ref. 81403Bad Tölz, Thomas Tilsner, 2001. Original Broschur, kl.4°, ca.130 Seiten Anhang. 2.Auflg.
In-8 (cm. 25), pp. XVIII, 554 p. : ill., con illustrazioni in bianco e nero e a colori, La Divina Commedia : con pagine critiche / Dante Alighieri ; a cura di Umberto Bosco e Giovanni Reggio|Alighieri, Dante. In buono stato di conservazione (good copy).
Alighieri Dante La Divina Commedia. Inferno. , Scolastiche Bruno Mondadori 1996-07-24, Piatti e dorso segnati dal tempo e con piccole usure. Tagli scuriti. Interno complessivamente in buono stato. Buono (Good) . Copertina flessibile 552 8842430773
2016ref. 2-1483249638North Holland 2016. Paperback. New. 254 pages. 9.75x6.50x0.58 inches. North Holland paperback
1970ref. 3127747Philadelphia & New York: Lippincott 1970. 217 Seiten. 8° (17,5-22,5 cm). Orig.-Leinenband mit Orig.-Schutzumschlag. [Hardcover / fest gebunden].
1979ref. 1242291979 Editions de l'Atlanthrope, Paris - 1979 - Grand in-8 carré, broché, couverture illustrée - 253 pages - Nombreuses illustrations et reproductions photographiques en N&B, in et hors-texte, dans l'ouvrage
1540ref. ST20622Germany ca. 1540. 183 x 133 mm. 7 1/8 x 5 1/4". WITH A FULL-PAGE MINIATURE DEPICTING THE HARROWING OF HELL featuring a naked Adam and Eve on the left and on the right Christ bending down to rescue John the Baptist the figures framed by a stone archway supporting a hairy creature who aims the point of a spear directly at Adam and Eve the miniature in a thin brown frame with gilt lines surrounded on two sides by the words "VERBUM DOMINI MANET IN ETERNUM" in gilt all framed in gray and red washes with double rules of black and gilt. Light soiling to frame a little flaking to the gray border and a couple of small scuffs and smudges elsewhere verso with spotting but the miniature vibrant and well preserved with only very trivial imperfections. A close copy of an early 16th century engraving by Albrecht Dürer this powerful miniature depicting the Harrowing of Hell is an intriguing artifact that ties together manuscript art print culture and the Reformation. The image depicts an apocryphal tale in the Gospel of Nicodemus in which Christ following his death but before his Resurrection descends into Limbo in order to save righteous souls who had passed away before him particularly figures from the Old Testament. Christ appears here in pale pink robes carrying a long staff with a cross and banner adorning the top. Having just brought down the gates of Hell he stoops to rescue John the Baptist here dressed in furs from its depths. A naked Adam and Eve covering their loins stand at the left of the composition--Adam now a gray-bearded old man as a reflection of sin and mortality but Eve still as she was at the Expulsion in keeping with the period's inclination to retain the classically idealized youthful feminine form. Above them is a stone arch upon which a dog-like demon perches stealthily aiming a spear directly at the oblivious couple. Another demon snaps its jaws at the feet of Christ and we can see a lick of flames below the broken gate as more captive souls clamor to escape. The painting is skillfully done showing the artist's facility with anatomy proportion and foreshortening. The bodies of Adam and Eve are particularly excellent with lovely skin tones and convincing molding. The composition is clearly based on an engraving by Dürer published in 1513 as part of a major series of 16 images known as the "Engraved Passion." In translating a black & white print into a full-color painting the artist here dispensed with a few details seen in Dürer's work such as the shadowy figure behind Adam and Eve and the stigmata on Christ's hand; however the overall composition deviates little from the original suggesting that the artist may have been working from an actual engraving. Although this leaf contains just a few words in the form of a border inscription--"Verbum Domini manet eternum" "the Word of the Lord endures forever"--they are monumentally important. This line from Isaiah 40:8 and 1 Peter 1:25 became the motto of the Lutheran Reformation appearing on art clothing coins and even armor of the 16th century. The Schmalkaldic League an influential group of allied Lutheran principalities in the Holy Roman Empire at the time also adopted it as their motto. Given the dominance of print materials during the Reformation period our hand-painted miniature--possibly produced as a frontispiece--must have been a very special commission. It is also an object that is prime for further study touching on aspects of book production religious art and the transmission of images and ideas in the early modern period. unknown
ref. ria9783032010896_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This thesis explores a fundamental question in field theory: If we modify a theory by introducing a small parameter can we recover the original theory by setting that parameter back to zero While seemingly simple this question presen hardcover
1994ref. 49951Stuttgart : Reclam 1994. 347 S. : 50 Abb. ; 19 cm Pp., gebundene Ausgabe, Hardcover/Pappeinband, Exemplar in gutem Erhaltungszustand
ref. 110488Soleil, collection 2B, DL novembre 2001. Un album cartonné d'environ 34 x 24 cm, non paginé, très bon état. L'album est composé de l'histoire en noir et blanc, ainsi qu'en miroir de chaque page le crayonné de la planche, avec un cahier graphique de 5 pages en fin d'album. Très belle dédicace à l'aquarelle de Varanda en début d'album.
In-8 (cm. 21.20), brossura editoriale illustrata, con alette, pp. 28, (2). In buono stato di conservazione (good copy).
Angelo Marchese Guida alla Divina Commedia. Inferno. , SEI 1987, Libro in condizioni discrete, presenta copertina usurata ed ingiallita Mediocre (Poor) . Copertina flessibile 276 9788805019304
cm. 17 x 24, 182 pp. Biblioteca dell'?Archivum Romanicum? - Serie I: Storia, Letteratura, Paleografia Le biografie della ?Commedia? disegnano e attuano la nuova frontiera della tanatologia dantesca che consente al poeta di affermarsi come autore di una nuova poesia sapienzale, i cui contenuti sono rigorosamente razionalizzati in virt? di quel potente e singolare sincretismo culturale che ha consentito al poeta di compiere la pi? eccentrica avventura medievale che si potesse concepire. Questi sono resi universali da una lingua e da un linguaggio sapienzali che possono aspirare a essere la nuova lingua di Adamo. Il criterio della storicit? sancisce, dunque, il valore supremo del nuovo linguaggio poetico secondo i criteri della nuova universalit? The biographies of the ?Commedia? outline and accomplish a new frontier for Dante's thanatology that allows the poet to assert himself as an author of a new erudite poetry, whose contents are severely rationalized in view of the powerful and singular cultural syncretism which has enabled the poet to undertake the most eccentric mediaeval adventure ever to be conceived. The same are made known universally by a language and a learned tongue that could well aspire to become the new language of Adam. The criterion of historicity therefore ratifies the supreme value of the new poetical language according to the criteria of the new universality. 355 gr. 182 p.
Opera incompleta, presente Volume Primo: Inferno. Volume della prima metà dell'800 in 16.o, stato discreto, coperta in mezzapelle con angoli, piatti marmorizzati, dorso diviso in cinque finte caselle, fregi e caratteri incisi in oro, diversi segni del tempo, tracce di fioritura sparsa, legatura poco allentata, tagli, prime e ultime pagine un po' bruniti, pagine in buono stato, prime con becca. Presenta firma d'appartenenza su guardia, antiporta, protetta da foglio di carta velina, con incisione in nero, ritratto di Dante Alighieri, appunto sul margine di piede del frontespizio. XLIX volume della collana Biblioteca scelta di opere italiane antiche e moderne. I.a edizione milanese. Numero Pagine 472 USATO
ref. 9850Iconco-bio-bibliographie de tous les ouvrages composant cette collection. Mention fictive de deuxième édition. In 8 broché, faux-titre, titre, 415 pages, Mercure de France 1913. Bon exemplaire
In-8 (cm. 21.20), brossura editoriale illustrata, con alette, pp. 34, (2). Un tenue segno a penna. In buono stato di conservazione (good copy).
Mm 140x220 Brossura editoriale con bandelle, pagine 105. Opera in stato di nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
fioriture ai tagli
290 pages. Reproductions of black and white photos in text. "Whether by accident or design, governments and agencies have remained silent, so all the research has been up to us. However this true fifty year old shame must be revealed in the hope that mankind remembers and never allows it to be repeated." - from Foreword. "Our story tells what happened to 168 Allied Airmen who jumped into Northern Europe after their planes had met with an explosive and fiery end... Because our eventual betrayal to the Gestapo was accomplished so smoothly, a number of these encounters will be explained so that you can better understand our dilemma. The retelling of our encounter with our Gestapo hosts is mild, for many of us do not wish to recall the most unpleasant details that deserve to stay well hidden in the back of our minds... Now with this story told, we again wish to forget." - from Prologue. Moderate wear. Unmarked. Binding intact. A sound copy. Book
Slight marking. Previous owner's name inside. Foxing. 182 pages. Dual-Language, in English and French.
in 2 voll intonsi 35 interventi dei pi๠grandi filologi italiani e mondiali; perfetto. Brossura
2019ref. 2-1089183046Independently published 2019. Paperback. New. 85 pages. 9.00x6.00x0.22 inches. Independently published paperback
Mm 170x240 Brossura editoriale con alette, pp. 139 con 101 illustrazioni a colori su tavole fuori testo, Nuovo. Spedizione in 24 ore dalla conferma dell'ordine.
