981 resultados
ref. 49684Leipzig Heinrich Gräff 1806. . Eymer S. 512 u. 386. - Erste Ausgabe Goed. IX 282 10. - Angestaubt unbeschnitten bibliograph. Notizen a. Innendeckel. - Zu dem sehr produktiven Schriftsteller u. Übersetzer Theodor Hell 1775-1856 der "nebenher" noch vielerlei Ämter versah Bühnendirector Cassirer Fleisch-Accisen-Rendant Leiter einer Verlags-Buchhandlung u.a.m. siehe ADB 11 693 f. Leipzig, Heinrich Gräff, 1806. unknown
1929ref. 028697London 1929 CASSELL AND COMPANY LIMITED Hardcover 1st Edition
ref. 384831S.N. Amsterdam 1757 In-12 ( 175 X 105 mm ) de XVI-271 pages, basane brune tabac nerfs orné de fers dorés, tranches brique ( Reliure de l'époque. Nouvelle édition ( la première française date de 1725 ) contenant 1 ( sur 2 ) planche gravée dépliante et 2 planches simples hors-texte. Curieux ouvrage dans lequel Tobias SWINDEN ( 1659-1719 ) cherchant à concilier foi et raison, soutient que l enfer se trouve dans le soleil et non dans les entrailles de la Terre. 1 planche manquante, coins et coiffes usés, 1 mors fendu sur 6 cm, exemplaire solide.
1963ref. 720297PN. New. 1963. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
ref. 3752382848.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 3832531025.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2004ref. x-3540202331Springer Berlin 2004. Hardcover. New. 354 pages. German language. 9.45x6.46x0.94 inches. Springer, Berlin hardcover
1928Pages 41-80. Features: The Saddest Woman in the World - Marie of Russia - article with photos; Buried Treasure - a complete story; Photo tips of what not to do with your Gramphone; Most People Have a Double - but is sometimes means trouble - article with photos; Does Marriage Mean Going ThroughThe Mill? - a story that answers the problem; Lovers or Friends? - Woodbine Willie discusses the truth about companionship between the sexes; Wit of the Week; Open That Window! - and help yourself to health; "Stop & Look" pictures include Copenhagen church in the shape of an organ; Why George Tupper wished his wife many unhappy returns (fiction); In a Floating "Hell" - horses break loose aboard a storm-tossed ship enroute to Russia from Canada; Angel Esquire (continued); The Story of the Birmingham Municipal Bank; and more. Staples disintegrated. Above-average but not excessive wear. A worthy vintage copy. Magazine
196870 pages. Features: Priests Shouldn't Marry; Draft Resisters - "Hell no, we won't go!"; Deserters go Underground; Gertrude Crum's Recipes for Success; Death in a Far Place - four men climb an Alaskan mountain and one loses his life; The Tragedy of Thomas Dodd (part 2); A Comedian's Life - maybe tomorrow, maybe the next day - Jeremy Vernon; ""I Want to Smoke Pot"; The Great Auk; Trip Out on Red Lizzie; and more. Ads: Fantastic one-page color-photo ad for the 440 Dodge Coronet, featuring a blue two-door hardtop with white roof; Nice one-page color ad for the 1968 Wide Track Pontiacs - featuring a maroon 2-door 1968 Benneville; Great one-page color-photo Campbell's Soup ad features Campbell's kid, smiling butcher and a large assortment of meat; Nice one-page Oldsmobile ad features color photo of family with goldish-colored Vista-Cruiser station wagon; Nice one-page color-photo ad for the (baby blue with dark roof) 1968 Plymouth Fury III saying "Luxury isn't expensive anymore."; Cover held by two of the three staples. Four-inch opening to bottom of coverfold. Somewhat above-average wear. A worthy vintage copy. Magazine
1987Features: Drinking Tips and Other War Stories; Zen Bastard; The Yellow Journal; True Facts; Late Night with Mr. Vengeance!; Shoeshine for the Apocalypse; Crime!; The Do-Goodies Social Action Team in Cartoon Madness; Everyone's a Criminal; Foto Funnies; P-Men; War is Hell; Trots and Bonnie and Clyde; The FBI Uniform Crime Report; Brooklyn; Berserk!; Life on Death Row; Con Crafts; The Chain of Command; The Effective Manager; Funny pages. Unmarked. Somewhat above-average wear. This copy has been partially three-hole punched along the left margin. Book
1987Features: Drinking Tips and Other War Stories; Zen Bastard; The Yellow Journal; True Facts; Late Night with Mr. Vengeance!; Shoeshine for the Apocalypse; Crime!; The Do-Goodies Social Action Team in Cartoon Madness; Everyone's a Criminal; Foto Funnies; P-Men; War is Hell; Trots and Bonnie and Clyde; The FBI Uniform Crime Report; Brooklyn; Berserk!; Life on Death Row; Con Crafts; The Chain of Command; The Effective Manager; Funny pages. Unmarked. Somewhat above-average wear. This copy has been partially three-hole punched along the left margin. Book
1987Features: Zen Bastard; The Yellow Journal; Crazy Ed Meese's Giant Porno Blowout Blitz!; How I Solved the Mystery of the Kennedy Assassination; Peppy; Cartoons for the Blind; I Spent an Evening with Art; The Hear no Evil, See no Evil, Say no Evil Section Frontispiece; Aratours; Vacation; Fifty Things They Won't Let You Do; The Sunday Morning Quarterback; The Edible Complex; Roy Cohn in Hell; Senate Hearing on Opera and the Librettos Therein; The Cave of the Bare Clan. Average wear. Unmarked. A sound copy. Book
1815A Sua Altezza la Signora Principessa Alessandra de Dietrichstein ... , Accademica di S. Luca, Pastorella d'Arcadia ed Accademica Tiberina ..., di cui io faccio numero, Filippo De Romanis - Approvazioni dell'Antica edizione del 1791 - L'Editore ai Lettori - Indice delle correzioni e giunte fatte alla Romana edizione del 1791 nella Cantica dell'Inferno, secondo i Codici Cassinense e Caetani, ed i commentatori dopo il Lombardi. - Esame delle correzioni che pretendeva doversi fare nell'edizione originale del 1791 il Veronese Monsignor Canonico Gio. Jacopo de Marchesi Dionisi ne' suoi blandimenti funebri stampati in Padova nell'anno 1794 1 25,5x18,5 cm., legatura in mezza pelle e piatti marmorizzati, 5 nervi fregi e titoli in oro sul dorso, tagli spruzzati, pp. XL, 486, in principio incisione raffigurante l'Inferno con relative indicazioni, su carta forte, ampi margini, piccoli strappi alla sguardia retrocopertina con leggera allentatura, un piccolo buco angolo inferiore p. 239, altri piccoli segni d'uso al dorso e ai margini dei piatti, ma bell'esemplare, ben conservato.
1968ref. 587263New York: Genesis : Grasp 1968. Softcover. Very Good. First edition. Small octavo. 49pp. Illustrated. Wrappers with light wear and the front cover a bit foxed topedge with a tiny stain and first two leaves with a corner crease very good or better. Inaugural issue of this literary magazine that prints a manifesto and contributions from Richard Meyers Thomas Merton David Giannini Jim Jowers George Wagner William Leo Coakley Richard Eberhart and Yuki Hartman. Richard Meyer would later reinvent himself as Richard Hell; according to an article in The New Yorker he typeset some of the issues himself on a Varityper machine. Genesis : Grasp unknown
1968ref. 587263New York: Genesis : Grasp 1968. Softcover. Very Good. First edition. Small octavo. 49pp. Illustrated. Wrappers with light wear and the front cover a bit foxed topedge with a tiny stain and first two leaves with a corner crease very good or better. Inaugural issue of this literary magazine that prints a manifesto and contributions from Richard Meyers Thomas Merton David Giannini Jim Jowers George Wagner William Leo Coakley Richard Eberhart and Yuki Hartman. Richard Meyer would later reinvent himself as Richard Hell; according to an article in The New Yorker he typeset some of the issues himself on a Varityper machine. Genesis : Grasp unknown books
2010ref. 7825Minneapolis MN: Rain Taxi 2010. Saddle Stitch 20 pages. Very Good. Signed on front cover by Richard Hell. No inscription written in black marker with a bit of a smudge. 1 of 200 copies. Binding is tight. Text is unmarked. Rain Taxi unknown
2013ref. mon0003753495Ecco 2013-03-12. Hardcover. Like New. 1.2000 9.1000 6.1000. Ecco hardcover
1976ref. 90224New York: Punk Publications Inc 1976. First Edition. Slim quarto 27.5cm; original pictorial newsprint wrappers; 22pp; illus. Light wear to extremities a few faint creases with a touch of dust-soil and one faint stain to rear wrapper; Near Fine. Early issue of John Holmstrom's groundbreaking punk fanzine with the entirety of the issue dedicated to Richard Hell's film treatment "The Legend of Nick Detroit". 90224. Punk Publications, Inc unknown
1976ref. 90224New York: Punk Publications Inc 1976. First Edition. Slim quarto 27.5cm; original pictorial newsprint wrappers; 22pp; illus. Light wear to extremities a few faint creases with a touch of dust-soil and one faint stain to rear wrapper; Near Fine. Early issue of John Holmstrom's groundbreaking punk fanzine with the entirety of the issue dedicated to Richard Hell's film treatment "The Legend of Nick Detroit". 90224. Punk Publications, Inc unknown books
1982ref. 167880Los Angeles: New Line Cinema 1982. Three vintage studio still photographs from the 1982 film. A teenage runaway travels from New Jersey to New York in order to become famous in the punk subculture only to discover the punk scene long since faded and relocated to Los Angeles. Susan Seidelman would go on to direct "Desperately Seeking Susan" with some considering "Smithereens" a stylistic precursor to that film. The first American independent film to be invited to compete for the Palme d'Or at Cannes. 10 x 8 inches. Lightly toned else Near Fine. New Line Cinema unknown
1982ref. 167880Los Angeles: New Line Cinema 1982. Three vintage studio still photographs from the 1982 film. A teenage runaway travels from New Jersey to New York in order to become famous in the punk subculture only to discover the punk scene long since faded and relocated to Los Angeles. Susan Seidelman would go on to direct "Desperately Seeking Susan" with some considering "Smithereens" a stylistic precursor to that film. The first American independent film to be invited to compete for the Palme d'Or at Cannes. 10 x 8 inches. Lightly toned else Near Fine. New Line Cinema unknown books
1847ref. 6375London: Chapman and Hall 1847. First Edition. First edition ex-library. Measuring approximately 9" x 6.25" with 436 numbered pages. This book is in good minus condition. Moderate chipping to both ends of spine. Moderate bumping to all edges of boards and corners. Both hinges are cracked no mesh is exposed. Library markings on spine and both pastedowns. Interior pages are clean. Please view the many other rare titles available for purchase at our store. We are always interested in purchasing individual or collections of fine books. Inventory #O7-141. Chapman and Hall unknown
ref. 168481Chapman & Hall 1847. First edition super octavo blue cloth boards with gilt lettering to spine & gilt decorative rule to spine & front board blind decorative rule to board edges aeg frontispiece with tissue guard viii 436pp VG- moderate staining to boards bruising & two 1cm closed tears to upper spine light fraying to lower spine extrem prizegiving label to front pastedown some foxing Chapman & Hall 1847 hardcover
2010ref. DADAX3838347137LAP Lambert Academic Publishing 2010-03-29. paperback. New. 5.91x0.51x8.66. Buy with confidence. Excellent Customer Service & Return policy. LAP Lambert Academic Publishing paperback
186017,7×8,8 cm. Bellissima scena stereoscopica facente parte della rarissima serie detta delle “Diableries” realizzata intorno al 1860-70. Questa carta immagina il lavoro dei pompieri dell’inferno. Esemplare in buone-ottime condizioni di conservazione. Queste affascinanti e rare fotografie stereoscopiche vennero realizzate in Francia a partire dal 1860 circa e furono realizzate fino alla fine del XIX° secolo. Le carte sono vere e proprie opere d’arte in sé. Conosciute come “french tissues”, furono ideate appositamente per consentire loro di essere visualizzate (in apparecchi stereoscopici) con un gioco di luci che trasformava, quando colpite da una luce diretta, le vedute in bianco e nero, in animate scene a colori tridimensionali. Rappresentarono all’epoca della loro realizzazione un importante innovazione visiva. La fotografia che riproduceva il reale era ora capace di mischiare finzione e realtà creando delle scene che a chi le guardava potevano sembrar esser prese dal vero. Le scenografie erano realizzate con grande umorismo tanto che si possono in parte considerare come le antesignane dei mondi fantasiosi realizzate per il cinema da Georges Méliès sul finire del XIX° secolo. Le scene raffiguranti queste “Diableries” furono realizzate con grande abilità artistica e artigianale in argilla da un piccolo gruppo di scultori che riuscirono a rendere estremamente veritiere le scene realizzate. Poste poi su un tavolo le opere venivano fotografavate con una macchina fotografica speciale ideata per realizzare stereoscopie. Le fotografie venivano poi impresse su carta all’albumina molto sottile. Il recto dell’albumina veniva poi in parte colorata. Un sottile velina veniva poi applicata dietro alle stesse per rendere i colori visibili solo quando la foto si trova con una fonte di luce al recto. Dei piccoli forellini venivano poi aggiunti per aumentare l’effetto visivo in corrispondenza degli occhi dei demoni e degli scheletri o in corrispondenza dei lampioni, lampadari e fuochi. Rarissima.
