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1678ref. 272771678 ENGLISH Medicine & Surgery Riverius Medica Nicholas Culpeper Cures Physick "No man ought to commit his life into the hands of that Physician who is ignorant of Astrologic: because he is a Physician of no value." ― Nicholas Culpeper Lazare Riviere or Riverius was a 17th-century French physician known for his numerous contributions to pharmacology and human anatomy. English peer Nicholas Culpeper alongside Abdiah Cole and William Rowland published a translation of Riverius's 'Praxis Medica' under the title 'The Practice of Physick'. This work was a series of 17 shorter essays discussing various medical fields including over 'five hundred and thirteen observations or histories of famous and rare cures' per title. Item number: #27277 Price: $995 RIVERIUS Lazare The practice of physick in seventeen several books : wherein is plainly set forth the nature cause differences and several sorts of signs ; together with the cure of all diseases in the body London: Printed for George Sawbridge 1678. Details: <!-- if !supportLists-->· <!--endif-->Collation: 2 parts in 1 volume <!-- if !supportLists-->o <!--endif-->Practice of Physick – 12 645 i.e. 537 1 <!--endif-->Wanting p. 137-138 and 569-570 provided in modern facsimile <!-- if !supportLists-->o <!--endif-->Four Books of Riverius – 12 463 i.e. 363 33 <!-- if !supportLists-->o <!--endif-->Pagination errors expected <!-- if !supportLists-->· <!--endif-->Provenance: Handwritten – Beavis Family records 1680-1711 <!-- if !supportLists-->· <!--endif-->Language: English <!-- if !supportLists-->· <!--endif-->Binding: Leather; secure <!-- if !supportLists-->· <!--endif-->Size: ~12in X 8.25in 30.5cm x 20.5cm Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation! Photos available upon request. for George Sawbridge hardcover
1671ref. 023226Chez I. Ant. Huguetan, & Guill. Barbier, à Lyon 1671 Deux tomes en un fort volume in-4° (170 x 228mm), [12] ff. bl. [10] ff. (titre, epistre, table des chapitres de la théorie, avis, table chapitres du tome premier, privilège), 49 pp. [1] ff. (table matières) [6] ff. (explication des figures) 429 pp. [8] ff. (table des matières) [1] ff. (titre) [3] ff. (table) 3-204 pp. 6 pp. marquées 205*-210* (explication des figures de la planche II) 205-303 pp. [4] ff. (table des matières tome second) 12 pp. (traité maladies vénéneuses) [3] ff. (table des noms latins et des noms françois (sic)) [12] ff. (figures). Reliure en plein veau fauve, dos à nerfs orné du titre et de caissons fleuronnés or, plats ornés d'un décor " à la DU SEUIL ", nom frappé au premier plat ( " MARIE MARGUERITE MEYSSONNIER "), tranches mouchetées de rouge (reliure de l'époque). (dos frotté, coiffes en parties absentes, présence de tâches noires et d'auréoles sur les plats, trois coins légèrement frottés et un émoussé, présence d'une petite cerne claire angulaire et d'une cerne claire en bordure supérieure à de nombreux feuillets mais sans incidence sur le texte, coupures et marques de pliure à la première planche repliée, exemplaire rogné, présence de rousseurs peu soutenues, deux derniers feuillets des figures en partie détachés, petite galerie de ver au bas d'une cinquantaine de feuillets sans incidence sur le texte). Nouvelle édition, augmentée d'un second tome regroupant des oeuvres de Lazare Meysonnier ( " Théorie de la médecine " et " Traité des maladies vénéneuses "). L'édition originale est parue en 1615. Page de titre en rouge et noir. Édition illustrée d'une vignette de titre et de deux planches dépliantes anatomiques gravées par Spirinx, contenant plusieurs figures, et de 202 bois gravés (répartis sur six feuillets) représentant des plantes tirées de Matthiole, en fin d'ouvrage. L'ouvrage eut, dès sa première parution, un énorme succès, en raison du thème de la beauté abondamment traité au cours de l'ouvrage, notamment par des chapitres sur les poils, les oreilles, le teint du visage...En fin de volume on trouvera un chapitre sur les maladies extraordinaires, comme la mal d'amour, ainsi qu'un autre consacré aux maladies spirituelles. Provenance : exemplaire de Marie Marguerite MEYSSONNIER, avec son nom frappé au centre du premier plat, fille unique de Lazare Meyssonnier qui était docteur en médecine de l'université de Montpellier, conseiller et médecin du Roi puis de son altesse royale de Dombes. RARE.
1795ref. 18824Par l'Abbé Lazare Spallanzani. Ouvrage enrichi de 9 planches dépliantes dans le tome 2 dont Etna, Stromboli, Vésuve, .Edition originale rare. Berne, chez Emanuel Haller, 1795. 4 tomes complet en 3 volumes. (T1 : XLIV + 299 pp) , (T2 : 273 pp), (T3 : 281 pp), (T4 : 124 pp).Reliure plein veau de l'époque. Dos lisse orné et doré. Pièces de titre en maroquin rouge. Pièces de tomaison. Tranches jaunes. Mors du 1er plat du T1 fendillé sans remettre en cause la solidité de la reliure. Pas de rousseur. Bon état. Format in-8°(21x13).Lazare Spallanzani (1729-1799) est un biologiste et géologue italien. En 1788, il visite le Vésuve et les volcans de l'ile Lipari et ceux de la Sicile. Il rassemble les résultats de ses recherches dans cet ouvrage qu'il publiera quelques année plus tard.
ref. 9781608769810NOVA SCIENCE PUBLISHERS INC
1672ref. 4445Lugduni [Lyon], Antoinii Cellier, 1672. In-4 de [16]-535-[18] pages, plein vélin souple de l’époque.
1673ref. LA - HAY292151673. A Lyon Chez Daniel Gayet & Jaques Faeton. relié demi-basane vert bouteille reliure 19e siècle. Coiffe et mors supérieurs frottés avec petit manque de cuir ; deux taches auréolées en bas de la page de titres ; très faibles et petites piqûres éparses ; l'ouvrage a été massicoté lors de la reliure de façon pas très précise mais sans gravité sinon bonne reliure et intérieur mieux que correcte. fort in-8 carré. illustré d'une grande planche dépliante avec 10 gravures de figures anatomiques ; avec également in-fine 13 planches ornées de gravures de plantes ; avec aussi des bandeaux et lettrines et page de titre en rouge et noir ; dos lisse avec caissons de filets et bandeaux d'encadrements motifs floraux titres et tomaisons dorés. unknown
1666ref. 1409020028Peter Cole 1666-01-01. Hardcover. Good. 2 volumes bound as one. 30 cm. Bound in modern leather. Gilt ruled. Hardcover. 646 417 p. adds notice to reader etc. Penultimate contents page of vol 2 has been restored with some loss appears to be lacking ultimate contents page. Four books of that learned and renowned Doctor Lazarus Riverius. has special t.p. dated 1658. Translation of: Praxis medica; Observationes medicae et curationes insignes; Consiliorum medicinalium liber. Wing R1559A. Krivatsty/NLM 9735. Heirs of Hippocrates 461 1668 edition This edition lacks portrait. "Riviere introduced Paracelsian iatrochemistry into the curriculum of the University of Montpellier and added Potio Riveri to the pharmacopeia. It was under his auspices that Alexander Fraser introduced the Hareian theory of the circulation of the blood. Riviere is best remembered for having been the first to describe stenosis of the aortic valve." - Norman Peter Cole hardcover
ref. 1653801London : Printed for Henry Eversden at the Greyhound in Pauls Church-yard 1657. Hardcover. Used-Very Good. Small 4to. 20 236 257-267 278-417 6 pp. Collation: pi4 a6 B-Gg4 Hh2 Ll-Fff4 Fff3. Two folding plates. Expertly rebound preserving much of the original blind-ruled leather covers; spine and board corners are new. Spine is decorated in blind. Some general age-toning in the text but always very legible. Like the copy in the Univ. of Bristol Library the source text for online editions this copy has continuous text in spite of some oddities in pagination. Compared to that copy however it does have one additional blank leaf at the end. Two ownership inscriptions one the earlier in several places. A very good copy of an uncommon work the first English version of Riviere's treatise. London : Printed for Henry Eversden at the Greyhound in Pauls Church-yard, 1657 hardcover
ref. 13008Paris : Courcier, 1806. In-4, (2)-111-(1) pp. et 3 pl. h-t, reliure XIXe demi-basane vert bouteille, dos orné (mouillure).
ref. SONG0486786420Dover Publications 2015-01-14. Reprint. paperback. Used: Good. 5.00x0.75x7.75. Buy with confidence. Excellent Customer Service & Return policy. Dover Publications paperback
1786ref. 378066France 1786. 6pp plus integral blank. Folio. Modern boards. Provenance: Jay Snider booklabel. 6pp plus integral blank. Folio. An unpublished manuscript ode on the wonders of electricity written in 20 stanzas of decasyllabic 10-line units dizains. The author Marc-Antoine Lazare Malot was a lawyer and the King's prosecutor at Avallon in Burgundy and submitted this poem to l'Académie de Marseille on August 25 1786 for which he received a prize. The thirteenth stanza contains lines on Benjamin Franklin: Le Modeste Franklin s'arme contre l'orage Et va chercher la foudre en ses plus noirs foyers ; Il lui prescrit sa route ; et du sein du nuage Sans bruit la fait descendre et mourir à ses pieds. De cette même main qui termina la guerre Qui de la liberté dans un autre hémisphère Sur rappeller défendre et raffermir les droits Il impose silence au maître du tonnerre Il désarme les dieux du ciel et de la terre L'inclémence des airs la vengeance des rois. Roughly translated: The modest Franklin arms himself against the storm And goes to seek the lightning in its darkest lairs; He prescribes its path; and from the heart of the cloud Silently makes it descend and die at his feet. With that same hand that ended the war That in another hemisphere recalled defended And reasserted the rights of liberty He silences the master of the thunder He disarms the gods of sky and earth The inclemency of the skies the vengeance of kings. unknown
1786ref. 378066France 1786. 6pp plus integral blank. Folio. Modern boards. Provenance: Jay Snider booklabel. 6pp plus integral blank. Folio. An unpublished manuscript ode on the wonders of electricity written in 20 stanzas of decasyllabic 10-line units dizains. The author Marc-Antoine Lazare Malot was a lawyer and the King's prosecutor at Avallon in Burgundy and submitted this poem to l'Académie de Marseille on August 25 1786 for which he received a prize. The thirteenth stanza contains lines on Benjamin Franklin: Le Modeste Franklin s'arme contre l'orage Et va chercher la foudre en ses plus noirs foyers ; Il lui prescrit sa route ; et du sein du nuage Sans bruit la fait descendre et mourir à ses pieds. De cette même main qui termina la guerre Qui de la liberté dans un autre hémisphère Sur rappeller défendre et raffermir les droits Il impose silence au maître du tonnerre Il désarme les dieux du ciel et de la terre L'inclémence des airs la vengeance des rois. Roughly translated: The modest Franklin arms himself against the storm And goes to seek the lightning in its darkest lairs; He prescribes its path; and from the heart of the cloud Silently makes it descend and die at his feet. With that same hand that ended the war That in another hemisphere recalled defended And reasserted the rights of liberty He silences the master of the thunder He disarms the gods of sky and earth The inclemency of the skies the vengeance of kings. unknown books
ref. 05-05191987. Monoprint and collage. 23 x 17.5 inches. Signed titled dated and annotated 1/1. Framed. 1987. unknown
1803ref. 013720Paris: Crapelet Courcier 18031806. E.O. Prima edizione di entrambe le opere. Due opere riunite in un volume 21x28 cm in mezza pelle coeva dorso liscio con fregi e titoli dorati; piatti con carta marmorizzata qualche usura ai margini e piccola mancanza alla carta del piatto anteriore. 1- Paginazione: 4-XXXVIII-2-489 pagine con 11 su 15 tavole incise ripiegate in fine le tavole mancanti da 7 a 10 sono presenti in fotocopia. 2- Paginazione: 4-111-1 pagine con 3 tavole incise ripiegate in fine. Esemplari a grandi margini; una firmetta di possesso al titolo della seconda opera del matematico italiano di Corfù Giovanni Carandinò. In lingua francese. -- La mancanza delle quattro tavole nella Géometrie de Position è l'unico difetto di questa importante riunione in unico volume delle Edizioni originali delle due opere più importanti di Carnot uno dei fondatori della geometria moderna. Crapelet, Courcier unknown
1531ref. RBAYERV00lvFroben 1531. Very Good. Bay Lazari. Ervditis Eruditis Simi Viri Lazari Bay. Baysius De Vestimentis & Vasculis; with Animad Versiones in Tracta. Baif Lazarus fre de. Basileae Basel: Froben 1531. 1st edition. 125 79pp. Indexed. 16mo. Book condition: Very good with light soiling and slightly chipped label barely touching text. Contemporary bookplate on front paste down. Old inscription on verso of front free end sheet. Faint damp stains at lower edge of first few pages. Sporadic brief era marginalia. Pages are occasionally yellowed but very clean. Margins trimmed close by the binder. Froben unknown
1531ref. RBAYERV00lvFroben 1531. Very Good. Bay Lazari. Ervditis Eruditis Simi Viri Lazari Bay. Baysius De Vestimentis & Vasculis; with Animad Versiones in Tracta. Baif Lazarus fre de. Basileae Basel: Froben 1531. 1st edition. 125 79pp. Indexed. 16mo. Book condition: Very good with light soiling and slightly chipped label barely touching text. Contemporary bookplate on front paste down. Old inscription on verso of front free end sheet. Faint damp stains at lower edge of first few pages. Sporadic brief era marginalia. Pages are occasionally yellowed but very clean. Margins trimmed close by the binder. Froben unknown books
1535ref. ST19567-017Paris: Jean Bignan apud Ambroise Girault 1535. 163 x 108 mm. 6 1/2 x 4 1/4". 68 pp. 5 leaves.Edited by Charles Estienne. Old 17th century stiff vellum flat spine title in ink. Front pastedown with book plate of the Macclesfield South Library first two leaves with very small Macclesfield embossed stamp. Colas USTC 204573. See Renouard "Estienne" p. 42 #16. Vellum on rear cover roughened small water spot to front cover but the binding entirely sound and quite fresh and clean internally. Abridged and edited for schoolchildren by the scholar physician and printer Charles Estienne this is a treatise on the customary dress and fashions in ancient Rome. It is among the best-known works of the distinguished humanist and diplomat Lazare de Baïf 1485-1547 who also produced respected translations of the Greek dramatists and published treatises on other aspects of ancient life including vases and ships. Charles Estienne 1504 or 1505-64 for a time served as tutor to Baïf's son Jean Antoine who became a famous poet. Charles' brother Robert also published this title in 1535 but Renouard believes Girault's printing might have come first. Colas gives priority to the Estienne press. Because Girault's printing contains additions and corrections that don't appear in Robert's edition it seems more likely that this was the later printing if only by a matter of weeks. The Girault edition is uncommon in the marketplace. The provenance is significant here as our volume was part of the great library of the earls of Macclesfield which was sold in 12 sales at Sotheby's from 16 March 2004 to 2 October 2008 for some £22 million approximately $40 million at the time. The library was dispersed when the 9th Earl Macclesfield Richard Timothy George Mansfield Parker b. 1943 who was described by the "Independent" as leading an "unconventional lifestyle" was forced to leave his 14th century Shirburn Castle after a protracted family dispute. Called by the paper "a sleeping beauty" his crenellated home had a moat a drawbridge and at the time of the Earl's departure a repair bill of approximately £2.6 million. Despite the building's dilapidation the books in the very large library were distinguished for being uniformly well preserved were almost always in their original bindings and were a sensation at auction for more than four years. [Jean Bignan] apud Ambroise Girault unknown
1535ref. ST19567-017Paris: Jean Bignan apud Ambroise Girault 1535. 163 x 108 mm. 6 1/2 x 4 1/4". 68 pp. 5 leaves.Edited by Charles Estienne. Old 17th century stiff vellum flat spine title in ink. Front pastedown with book plate of the Macclesfield South Library first two leaves with very small Macclesfield embossed stamp. Colas USTC 204573. See Renouard "Estienne" p. 42 #16. Vellum on rear cover roughened small water spot to front cover but the binding entirely sound and quite fresh and clean internally. Abridged and edited for schoolchildren by the scholar physician and printer Charles Estienne this is a treatise on the customary dress and fashions in ancient Rome. It is among the best-known works of the distinguished humanist and diplomat Lazare de Baïf 1485-1547 who also produced respected translations of the Greek dramatists and published treatises on other aspects of ancient life including vases and ships. Charles Estienne 1504 or 1505-64 for a time served as tutor to Baïf's son Jean Antoine who became a famous poet. Charles' brother Robert also published this title in 1535 but Renouard believes Girault's printing might have come first. Colas gives priority to the Estienne press. Because Girault's printing contains additions and corrections that don't appear in Robert's edition it seems more likely that this was the later printing if only by a matter of weeks. The Girault edition is uncommon in the marketplace. The provenance is significant here as our volume was part of the great library of the earls of Macclesfield which was sold in 12 sales at Sotheby's from 16 March 2004 to 2 October 2008 for some £22 million approximately $40 million at the time. The library was dispersed when the 9th Earl Macclesfield Richard Timothy George Mansfield Parker b. 1943 who was described by the "Independent" as leading an "unconventional lifestyle" was forced to leave his 14th century Shirburn Castle after a protracted family dispute. Called by the paper "a sleeping beauty" his crenellated home had a moat a drawbridge and at the time of the Earl's departure a repair bill of approximately £2.6 million. Despite the building's dilapidation the books in the very large library were distinguished for being uniformly well preserved were almost always in their original bindings and were a sensation at auction for more than four years. [Jean Bignan] apud Ambroise Girault unknown books
1549ref. 21784Lutetiae: ex officina Roberti Stephani 1549. Cm. 22 pp. 152 8; 176 12. Marchio tipografico di Stephanus al frontespizio. Grandi iniziali istoriate e molte affascinanti illustrazioni xilografiche anche a piena pagina. Legatura strettamente coeva in pergamena molle con nervi passanti e titoli manoscritti al dorso. Una antica striscetta di carta a rinforzare il margine alto bianco di alcune pagine senza mai toccare la parte di testo qualche arrossatura alle ultime carte peraltro bell’esemplare genuino marginoso ed in ottimo stato di conservazione. Seconda edizione parigina dopo l’originale del 1536 di questa celebre opera la maggiore del Bayf il quale fu con Budé uno dei più alti rappresentanti dell’umanesimo italiano in Francia. Molto interessante la parte iconografica con raffigurazioni di navi citato anche da alcune bibliografie enologiche in quanto contiene la descrizione e l’immagine di come il vino fosse trasportato per mare. “It reminds us of the days when Englishmen drank more wine than any other beverage and when the wine trade with Bordeaux and Germany flourished.” Henderson’s History of ancient and modern wines. Il De Re Vestiaria è citato da Colas 192; segue il De Vasculis studio sui vasi ed infine un trattato sui colori di Cfr. Brunet I 710. ex officina Roberti Stephani unknown
ref. 2608RS066Published by J.& M. lAZARUS Photographers. Lourenço Marques Maputo. 1901. Album oblongo de 24x30 cm. Com 82 págs. Encadernação inteira de tela com gravações a seco na pasta anterior. Profusamente ilustrado com reproduções de 40 fotografias com vistas da cidade de Lourenço Marques actual Maputo incluindo imagens etnográficas de edificios praças ruas nas páginas 5-46 e de anúncios de diversas empresas com actividade em Moçambique nas páginas 47-82. Exemplar com danos na encadernação algumas folhas soltos e rasgão sem perda de pape na pág. 26. Data consultada na introdução. Tem as seguintes reproduções fotográficas: 1 Lourenço Marques from Ponta Vermelha; 2 The Railway Station; 3 The Lourenço Marques Club; 4 Panorama of Lourenço Marques; 5 The Berea Lourenço Marques; 6 Avenida Aguiar; 7 e 8 Reuben Point Road; 9 Ponta Vermelha Reuben Point; 10 Lighters Discharging Cargo at Customs Wharf; 11 Customs Wharf; 12 The Passengers Landing Pier; 13 The Custom House and Enclosure; 14 The Portuguese Railway Pier; 15 The British Consulate-Geral; 16 The Cathedral; 17 Rua Araujo - The Principal Business Street; 18 Rua D. Luiz; 19 Avenida D. Carlos; 20 Cocoa-nuts Palms; 21 The Bank of Africa Ldt; 22 Augustin Fabre & Fils" Buildings; 23 The Largest and smallest of the D. O. A. Line Steamers; 24 The Mafalala. Mozambique Kafirs Dance; 26 The MShongola. Delagoa Bay Kafirs Bakonga Dance; 27 A group of Delagoa Bay Kafir Women; 28 Kiosks Praça Mousinho dAlbuquerque; 29 The Band Stand Praça Mousinho dAlbuquerque; 30 The Pyramid Kiosk; 31 The Oriental Kiosk; 32 The Residence of the District Governor; 33 The Eastern and South African Telegraph Companys Station Reuben Point; 34 Outside the Market or «Bazaar»; 35 Inside the Market; 36 The Post Office; 37 The Mohammedan Mosque; 38 Travessa da Palmeira; 39 Delagoa Bay by Moonlight; 40 The Hansen Schrader Coys Buildings. Album importante que documenta e serve de fotografia oficial de Lourenço Marques no início do século XX. Documentam uma cidade que estava a transformar-se rapidamente: ruas edifícios públicos hotéis jardins comércio porto praia mercados e diferentes aspectos da população como por exemplo fotografias do Hotel Club dos Correios da Praça 7 de Março actual Praça 25 de Junho da Ponta Vermelha da praia da Polana e de outros locais que permitem comparar a cidade de 1901 com a actual Cidade de Maputo. Joseph Lazarus 18761940 e o seu irmão mais velho Maurice Lazarus 18661949 eram de origem judaica britânica naturais da região de Sunderland no nordeste de Inglaterra. A família emigrou para a Ãfrica do Sul e no final do século XIX os dois irmãos dedicaram-se à fotografia passando por Barberton antes de se estabelecerem em Lourenço Marques actual Maputo Moçambique por volta de 1899. Foram fotógrafos pioneiros em Moçambique onde fundaram o estúdio J. & M. Lazarus. Através da fotografia documentaram o crescimento urbano os acontecimentos oficiais as comunidades locais e o quotidiano da cidade produzindo também postais ilustrados e álbuns fotográficos de elevado valor histórico. O seu trabalho tornou-se uma importante fonte para o estudo da história colonial de Moçambique inclusive documentou com fotografias a visita a Moçambique do Principe D. Luiz Filipe herdeiro da coroa de Portugal em Julho-Setembro de 1907. Posteriormente transferiram a sua atividade para Lisboa onde abriram a Photographia Ingleza um estúdio reconhecido pela realização de retratos da elite portuguesa. Um recibo datado de 1929 comprova a continuidade da sua atividade e o prestígio alcançado em Portugal. Atualmente o legado dos irmãos Lazarus é amplamente reconhecido pelo Centro Português de Fotografia e por investigadores sendo considerado um importante património documental para o estudo da fotografia da história e da memória de Moçambique e de Portugal. EN Oblong album 24 × 30 cm. 82 pages. Full cloth binding with blind-stamped designs on the front cover. Richly illustrated with reproductions of 40 photographs showing views of the city of Lourenço Marques now Maputo including ethnographic images buildings squares and streets on pages 546 and advertisements for various companies operating in Mozambique on pages 4782. Copy with damage to the binding some loose pages and a tear on page 26 with no loss of paper. Date as stated in the introduction. Contains the following photographs: 1 Lourenço Marques from Ponta Vermelha; 2 The Railway Station; 3 The Lourenço Marques Club; 4 Panorama of Lourenço Marques; 5 The Berea Lourenço Marques; 6 Avenida Aguiar; 7 e 8 Reuben Point Road; 9 Ponta Vermelha Reuben Point; 10 Lighters Discharging Cargo at Customs Wharf; 11 Customs Wharf; 12 The Passengers Landing Pier; 13 The Custom House and Enclosure; 14 The Portuguese Railway Pier; 15 The British Consulate-Geral; 16 The Cathedral; 17 Rua Araujo - The Principal Business Street; 18 Rua D. Luiz; 19 Avenida D. Carlos; 20 Cocoa-nuts Palms; 21 The Bank of Africa Ldt; 22 Augustin Fabre & Fils" Buildings; 23 The Largest and smallest of the D. O. A. Line Steamers; 24 The Mafalala. Mozambique Kafirs Dance; 26 The MShongola. Delagoa Bay Kafirs Bakonga Dance; 27 A group of Delagoa Bay Kafir Women; 28 Kiosks Praça Mousinho dAlbuquerque; 29 The Band Stand Praça Mousinho dAlbuquerque; 30 The Pyramid Kiosk; 31 The Oriental Kiosk; 32 The Residence of the District Governor; 33 The Eastern and South African Telegraph Companys Station Reuben Point; 34 Outside the Market or «Bazaar»; 35 Inside the Market; 36 The Post Office; 37 The Mohammedan Mosque; 38 Travessa da Palmeira; 39 Delagoa Bay by Moonlight; 40 The Hansen Schrader Coys Buildings. An important album that documents and serves as an official snapshot of Lourenço Marques in the early 20th century. It captures a city that was undergoing rapid transformation: streets public buildings hotels gardens shops the harbour the beach markets and various aspects of the population such as photographs of the Hotel Club the Post Office Praça 7 de Março now Praça 25 de Junho Ponta Vermelha Polana beach and other locations allowing a comparison between the city of 1901 and present-day Maputo. Joseph Lazarus 18761940 and his elder brother Maurice Lazarus 18661949 were of British Jewish origin hailing from the Sunderland area in north-east England. The family emigrated to South Africa and towards the end of the 19th century the two brothers took up photography passing through Barberton before settling in Lourenço Marques now Maputo Mozambique around 1899. They were pioneering photographers in Mozambique where they founded the J. & M. Lazarus studio. Through their photography they documented urban growth official events local communities and everyday life in the city whilst also producing picture postcards and photographic albums of great historical value. Their work became an important source for the study of Mozambiques colonial history; among other things they documented with photographs the visit to Mozambique by Prince D. Luiz Filipe heir to the Portuguese throne in JulySeptember 1907. They subsequently moved their business to Lisbon where they opened Photographia Ingleza a studio renowned for producing portraits of the Portuguese elite. A receipt dated 1929 attests to the continuity of their work and the prestige they had achieved in Portugal. Today the legacy of the Lazarus brothers is widely recognised by the Portuguese Centre of Photography and by researchers and is considered an important documentary heritage for the study of photography history and the collective memory of Mozambique and Portugal. SACO RS886-12 hardcover
1893ref. 18273Paris, Editions du “Mercure de France”, 1893 ; in-16 (203 mm), broché, chemise-étui (rel. mod.) ; [16] 230 pp., [1] f. blanc, photographie du poète, en frontispice, à l’époque où on l’appelait “Le magnifique”.
1659ref. 29260Lyons: Antoine Cellier 1659. First Description of Aortic Stenosis RIVIERE Lazare 1589-1655. Observationum medicarum & curationum insignium centurae tres. . . . Edited by Simeon Jacoz. 4to. 8 311 9pp. Lyons: Antoine Cellier 1659. 225 x 167 mm. Speckled sheep c. 1659 rubbed small wormhole in front cover. Some foxing browning & dampstaining old repair to one leaf. Very good copy. Old signature and notes on endpapers. First Edition. Riviere was the first to describe stenosis of the aortic valve from a case that he treated in 1646. GM 2727 cites Riviere's description of this condition in his Opera medica universa 1674 of which the present work is the first edition; the description appears here on p. 177 and is entitled "Cordis palpitatio & pulsus inaequalitas." Riviere also brought Paracelsian iatrochemistry into the curriculum of the University of Montpellier and it was under his auspices that Alexander Fraser introduced the Harviean theory of the circulation into the University's curriculum in 1636. An edition of the present work was published in The Hague in the same year as this Lyons edition. As Riviere was French it is reasonable to presume that the Lyons edition was first. Hirsch. Norman 1837. Willius & Dry p. 58. Thorndike VIII p. 518. . Antoine Cellier unknown
1659ref. 29260Lyons: Antoine Cellier 1659. First Description of Aortic Stenosis RIVIERE Lazare 1589-1655. Observationum medicarum & curationum insignium centurae tres. . . . Edited by Simeon Jacoz. 4to. 8 311 9pp. Lyons: Antoine Cellier 1659. 225 x 167 mm. Speckled sheep c. 1659 rubbed small wormhole in front cover. Some foxing browning & dampstaining old repair to one leaf. Very good copy. Old signature and notes on endpapers. First Edition. Riviere was the first to describe stenosis of the aortic valve from a case that he treated in 1646. GM 2727 cites Riviere's description of this condition in his Opera medica universa 1674 of which the present work is the first edition; the description appears here on p. 177 and is entitled "Cordis palpitatio & pulsus inaequalitas." Riviere also brought Paracelsian iatrochemistry into the curriculum of the University of Montpellier and it was under his auspices that Alexander Fraser introduced the Harviean theory of the circulation into the University's curriculum in 1636. An edition of the present work was published in The Hague in the same year as this Lyons edition. As Riviere was French it is reasonable to presume that the Lyons edition was first. Hirsch. Norman 1837. Willius & Dry p. 58. Thorndike VIII p. 518. . Antoine Cellier unknown books
1543ref. ABC_47685Paris 1543. Small 8vo ca. 16.5 x 10.5 cm. Roberti Stephani Robert Estienne Modern blueish-grey paper over boards with the title printed in black on the spine. With a woodcut printer's device on the title-page. 52 3 1 blank pp. Second instalment of the first children's books series ever printed. The work contains a description of ancient Roman vessels and was specifically printed for the entertainment and edification of children. This second edition by Estienne is very rare. It was not known to some of the early bibliographers and has not been on the market since 1947.The work is part of a series on Roman antiquities written by Lazare de Baïf 1496-1547 around 1530. The present work is the second title in the three-part series. It discusses ancient Roman vessels containers dishes vases and receptacles complete with an index in alphabetical order at the end. De Baïf's work was edited and abridged by Charles Estienne 1505-1564 scholar physician and younger brother of printer Robert Estienne 1503-1559. His work met great success and many editions of the different parts of the series were printed in the 1530s and 40s.De Baïf was a humanist poet and wealthy diplomat. He was the French ambassador in Venice and Germany. He hired Charles Estienne as a Latin tutor for his son Jean-Antoine de Baïf 1532-1589 who later became a poet. Estienne initially abridged De Baïf's works to provide simplified Latin readings for his student but soon published it for the enjoyment of other children as well. He was an elegant writer of Latin verse and is commended by poet Joachim du Bellay as having introduced a few valuable words into the French language.With a small water-stain in the outer corner of the leaves throughout not affecting the text. Otherwise in very good condition.l Adams B58; Pettegree & Walsby 55639/2535; USTC 88431 2 copies; WorldCat 1167140378 165546844 493360701 643845533 912652768 1190942118 17 copies; cf. Schreiber F. The Estiennes 51 other ed.; this edition not in BM Catalogue of French books; Renouard. EARLY PRINTING & MANUSCRIPTS EDUCATION & LEARNING EUROPE HISTORY Children's Books Classical Antiquity Early Printing - 16th century Education & Pedagogy France French Literature hardcover