11 055 résultats
réf. Frommann-9783772815225frommann-holzboog Verlag e.K. German. Hardcover. New. 622 p. 175 x 25 x 53 cm. Due to the long history of this edition it can only really be made accessible through the complete indexes which replace missing cross references in the commentaries in volumes published first to later volumes and provide an overview of texts which are presented in various places but whose subject matter does belong together. Deutschsprachiger Teil: German-language section: index of terms index of persons index of titles for all the books and essays mentioned catalogue of works for all the letters from and to Mendelssohn as well corrigenda as well as complete table of contents. Hebräischer Teil: Hebrew section index of terms index of persons index of titles for all the Hebrew texts in the edition. Inhalt: Werkverzeichnis nach Bänden geordnet Werkregister Verzeichnis wiederaufgefundener Handschriften Briefverzeichnis Personenregister Begriffsregister Titelregister Stellenregister Bibel und rabbinische Literatur Corrigenda Verzeichnis der anhand von wiederaufgefundenen Handschriften korrigierter Texte Konjekturen frommann-holzboog Verlag e.K. hardcover
réf. Frommann-9783772815225frommann-holzboog Verlag e.K. German. Hardcover. New. 622 p. 175 x 25 x 53 cm. Due to the long history of this edition it can only really be made accessible through the complete indexes which replace missing cross references in the commentaries in volumes published first to later volumes and provide an overview of texts which are presented in various places but whose subject matter does belong together. Deutschsprachiger Teil: German-language section: index of terms index of persons index of titles for all the books and essays mentioned catalogue of works for all the letters from and to Mendelssohn as well corrigenda as well as complete table of contents. Hebräischer Teil: Hebrew section index of terms index of persons index of titles for all the Hebrew texts in the edition. Inhalt: Werkverzeichnis nach Bänden geordnet Werkregister Verzeichnis wiederaufgefundener Handschriften Briefverzeichnis Personenregister Begriffsregister Titelregister Stellenregister Bibel und rabbinische Literatur Corrigenda Verzeichnis der anhand von wiederaufgefundenen Handschriften korrigierter Texte Konjekturen frommann-holzboog Verlag e.K. hardcover
1814réf. ASECoMOS75London: J.Taylor 1814. 1814. small 4o. pp. 1 p.l. xii 63 1. engraved title 151 engraved plates 9 hand-coloured & 18 engraved head & tailpieces. contemporary straight-grained deep red morocco sides with blind-tooled border & central panel stamp gilt back inside dentelles gilt edges slight chipping to spine ends & corners worn scattered light foxing dampstain in upper margin of some plates. First Edition. Most of the vases and other antiquities depicted were selected from authentic public and private collections which included the British Museum the Musée Napoleon the Museo Pio Clementino the Libreria di San Marco the Museum Capitolinum and those belonging to Thomas Hope William Hamilton as well as to himself. Others are copied from Piranesi Bartoli and Millin. Nineteen plates in the section on tombs "may not at first appear connected with the principal object of the work: yet as they represent some of the vast and superb sepulchral chambers in which Vases Cinerary Urns and Sarcophagi were deposited and are taken from Bartoli and other celebrated authorities it is hoped that they will be considered as an useful addition."p. v These include the mausoleum of Hadrian and the tombs of Caius Cestius Cecilia Metella Alexander Severus and Julia Mammea &c. The engraver Moses "enoyed a great reputation for his outline plates which are distinguished for the purity and correctness of the drawing. His art was peculiarly suited to the representation of sculpture and antiquities and he published many sets of plates of that class." DNB. 1st Edition. Hardcover. London: J.Taylor, [1814]. Hardcover
réf. Frommann-9783772813535frommann-holzboog Verlag e.K. German. Hardcover. New. XLII 855 p. 156 x 209 cm. This volume provides annotations for the approximately 125 articles by Mendelssohn in the Briefen die neueste Litteratur betreffend 17591765 Letters concerning the Most Recent Literature and shows the scope of his essays on the most important humanities-related institution of the »Berlin Enlightenment«. Moreover the commentary includes the thematic connections between Mendelssohns reviews and those of his contemporaries and for the first time calls attention to Hamann Kant still unknown at this time Boscovich the physicist and Leeuwenhoek the biologist. The merits of Spinozas still unrecognized at that time as well as contemporary philosophy and aesthetics are also discussed. frommann-holzboog Verlag e.K. hardcover
réf. Frommann-9783772813535frommann-holzboog Verlag e.K. German. Hardcover. New. XLII 855 p. 156 x 209 cm. This volume provides annotations for the approximately 125 articles by Mendelssohn in the Briefen die neueste Litteratur betreffend 17591765 Letters concerning the Most Recent Literature and shows the scope of his essays on the most important humanities-related institution of the »Berlin Enlightenment«. Moreover the commentary includes the thematic connections between Mendelssohns reviews and those of his contemporaries and for the first time calls attention to Hamann Kant still unknown at this time Boscovich the physicist and Leeuwenhoek the biologist. The merits of Spinozas still unrecognized at that time as well as contemporary philosophy and aesthetics are also discussed. frommann-holzboog Verlag e.K. hardcover
réf. 2138BIBLE The five books of Moses. Abel Pann. Jérusalem, the Palestine Art Publishing Co., s.d. Quarante-sept lithographies in folio, légendées en hébreu et en anglais, montées sous cache, précédées d'un f. de titre et d'un f. de préface bilingues hébreu - anglais, l'ensemble conservé dans un étui toilé portant titre et nom d'artiste imprimés. Bien que le titre annonce cent lithographies, ces quarante-sept pièces constituent tout ce qui a paru de cette extraordinaire série. Précieux exemplaire dont toutes les lithographies sont contresignées par l'artiste, l'une d'elles enrichie de plus d'une remarque marginale
2017réf. BN68347CreateSpace Independent Publishing Platform 2017. 2017. Tha Holy Bibizzle CreateSpace Independent Publishing Platform unknown
1893réf. 60194Chicago: W.B. Conkey Co. Publishers to the Exposition 1893. Two vols. 8vo. 506; 506 pp. Frontisp. both vols. With maps photo plates. 1st vol. -- Full dark brown morocco over beveled boards gilt ornamented borders gilt lettering & ownership stamp on front cover gilt lettering on spine gilt inner dentelles marbled endpapers t.e.g. minor rubbing edgewear front hinge tender rear hinge just starting very slight uniform interior toning as usual still VG- copy w/ presentation ALS on Conkey private letterhead presenting to Charles M. Kurtz dated Oct. 28th 1893; 2nd vol. -- Full flexible Bible calf dark purple silk moire endpapers gilt lettering stamped front cover & spine a.e.g. w/ dark maroon cloth d.j. backed in dark purple silk moire a F/F presentation copy from Conkey to Kurtz w/ inscription on half-title preserved in open-backed slipcase. First editions thus presentation copies and the second copy with publisher’s note indicating this was No. 91 of 275 Editor’s Deluxe copies signed & presented to Charles McMeen Kurtz 1855-1909 at the time one of Halsey Ives’s Assistants in the Fine Arts Department of the 1893 World’s Columbian Exposition Art Director of the 1894 St. Louis Exposition and later Museum Director at the Buffalo Museum of Art 1905-1909. Conkey writes in the letter for the first volume to Charles Kurtz “I send you herewith a copy of the Catalogue which you may deem to file away as a reminder of many hours spent in order that others might see intelligently the grand work which you with others have done in the Art Department.” Walter Blakesley Conkey had founded the printing house in 1877 occupied many different job printers and in 1890 absorbed the Illinois Printing & Binding Co. and in Jan. 1893 signed the contracts awarding him exclusive rights for printing the myriad of catalogues and handbooks for the Columbian Exposition receiving a deposit of $ 10000. W.B. Conkey Co., Publishers to the Exposition, hardcover
2009réf. 10113Ships with insurance and US orders only signature confirmation . 2008 oversize hardcover in photographic boards and no dj as published. Fraying on edges corners bumped light curling musty smell if you go into the spine a bit of rubbing on cover else text clean binding tight . No printing listed presumed 1st edition. Not paginated. Oversize book – extra shipping charges will apply for international and priority orders as this will not fit into a flat rate envelope. Contrasto
1520réf. 2401040023xbvkOhne Druckerangabe (gem. VD16 gedruckt in Leipzig bei Melchior Lotter d. Ä., 1520) [MDXX]. (7) Seiten (inkl. der unbedruckten 'Titelblatt'-Rückseite) auf 4 Blättern, mit figürlicher Holzschnitt-Initiale 'N' auf S. (3); in braunem Halbleineneinband der 1. Hälfte des 20. Jahrhundert mit Pappdeckeln (blaues Überzugspapier) und handschriftlichem Papierrückenschild; kl.-4to.(ca. 20 x 15,5 cm).
réf. 13377Estampe gravée à l’eau forte et la pointe sèche, en quatre feuilles, d’après François VERDIER Format 650 x 1350mm avec marges 1298x500mm à la cuvette. En marge inférieure : Illustrissimo Viro D Carolo Le Brun- Equiti Christianissimi Régis Pictorum Principi oc operibus régiis proeposito. gravé par G. AUDRAN 1676. Bell épreuve sur vergé, une pliure renforcée. Rare dans ce format. Moïse placé au second plan ordonne aux eaux de se refermer et d’engloutir les Philistins. Dans le ciel, Dieu le père envoie deux anges accomplir l’ordre de Moïse
1916réf. 121112Paris : Dan. Niestlé 1916. broché. CENDRARS Blaise. - KISLING Moise dessins de.La guerre au Luxembourg. Six dessins de Kisling. Paris Dan. Niestlé1916 295x145mmnon paginé 6 planches n/b et un dessin in texte à la page de justification de tirage broché. Un des 950 exemplaires sur papier Hollande vergé numéroté à la presse n° 308. Mention : “Cette édition ne sera par réimprimée”. Couverture inférieure tachée intérieur propre. Bel exemplaire. For shipments to the U.S.A. with a value exceeding 800 USD VAT is not included. Please contact us via our website if needed. Dan. Niestlé unknown
1824réf. 4504491London 1 Portland Place Wandsworth Road: by Henry Moses 1824. Slight staining and creasing some wear at edges spine neatly strengthened. 11 etched plates 193 x 282 mm; original illustrated brown paper wrappers. A scarce series of privately-published etchings of shipping in the London Dockyards. This section of Henry Moses' publication comprises his complete series on London's Docklands. An advertisement in the Quarterly Review 1826 shows that he had then published altogether six parts of his Sketches of Shippng by that date with a further two announced. The six parts contained five engravings each. The first ten etchings depicted shipping on the Thames the second ten showed Sheerness and the Medway while the final ten depicted life on London's docks. The present copy lettered in ink "Nos 5 & 6" actually contains 11 plates although the advertisement in fact only calls for nine plates in the these two parts. There are five with the shared title "London Docks" as against four called for in the advertisement while the eleventh plate differing in style to the others probably comes from an earlier part. 1. Vessels off the Tower Two-masted ship with numerous sightseers in rowed boats in the foreground 2. Limehouse Sailing ship being unloaded by crane at pier. A sailing barge is on the river. In the foreground a rowing boat and anchor are visible on the shore. 3. Blackwall Reach with the Columbus in the Distance A cutter in Blackwall Reach with another beyond on the right. The four-masted barque Columbus a vast 300-foot Canadian-built experimental timber carrier is seen as a long grey hull in the distance stretching from the centre or the image to the right edge. 4. Limehouse Sailing ship moored at Limehouse with rowing boats and barges unloading barrels. 5. A West Indiaman in Cox & Curlin's Yard Limehouse the substantial docks later known as Limehouse Yard where very large vessels could be built 6. London Docks Men sitting on timber slabs ship with sails hanging loose behind in dock 7. London Docks Barge in front of stern of ship at dock sails up and catching the wind two ships to left one making way 8. London Docks Numerous ships at anchor sails drying tender at centre with barrels being rowed by two men 9. London Docks Large three-master in dock. tender with barrels in front dockside showing a sluicegate 10. London Docks Two ladies in a boat rowed by a man three ships behind wiht sails loose 11. Trafalgar 120 Guns Different in style to the other plates close-up view of the hull of recently launched Trafalgar at dock. Henry Moses c.1782-1870 was prolific and "worked throughout the first half of the present century enjoying a great reputation for his outline plates which are distinguished for the purity and correctness of the drawing. His art was peculiarly suited to the representation of sculpture and antiquities and he published many sets of plates of that class; he was one of the engravers employed upon the official publication Ancient Marbles in the British Museum 1812-1845" DNB. This delightful series was one that he produced on his own account. It is very scarce on the market. The British Museum's set for example comprises just the first four parts bound together. Only a reissued version by Ackermann of 1837 is recorded in Australian libraries and that only held by the National Library and the Vaughan Evans Library at the Australian National Maritime Museum. Appendix 1: Quarterly Review ad in 1826: Sketches of Shipping on the Thames the Medway and in the Dockyards drawn and engraved by Henry Moses. Nos. 1. to 6. containing the following plates: Parts 1-2 1 A Sailing Match near Vauxhall Bridge. 2 An India-man in Barnard's Yard Deptford. 3 The City Canal. 4 Wellington Indiaman in Blackwall Basin. 5 Another View of the same. 6 Stern View of ditto. 7 The Basin at Blackwall 8 Surat Castle Indiaman in the Basin. 9 A Dance on Board an Indiaman in the Basin. 10 Part of Blackwall Yard with View of the River. Parts 3-4 11 Waterman in his Boat in the Medwuy. 12 View on the Medway. 13 Shipping off Sheerness. 14 Hulks at Sheerness. 15 The Trafalgar of 120 guns in the Basin Sheerness. 16 Bow View of the same. 17 Stern View of ditto. 18 Entrance to the Basin Sheerness. 19 Part of Sheerness Yard from a Window of the Fountain Inn. 20 Another View of the same. Parts 5-6 Vessels off the Tower. Limehouse. Another View of the same. Blackwall Reach with the Columbus in the distance. A West Indiaman in Cox and Curlin's Yard Limehouse. London Docks. Four Views of the same. Price on Imperial 8vo. 18s. A few Copies are printed on Imperial 4to. price 1L. 4s. ### Nos. 7. and 8. just published containing 10 Views in Portsmouth Harbour. Appendix 2: Other works by Moses The Decision of the Flower by Henry Moses after Moritz Retzsch illustration to Goethe's Faust I The Gallery of Pictures painted by Benjamin West 12 plates 1811 patronage of Thomas Hope2; A Collection of Antique Vases Altars &c. from various Museums and Collections 170 plates 1814; Select Greek and Roman Antiquities 36 plates 1817; Vases from the Collection of Sir Henry Englefield 40 plates 1819; Examples of Ornamental Sculpture in Architecture drawn by L. Vulliamy 36 plates 1823; Illustrations to Goethe's Faust after Moritz Retzsch 26 plates 1821; Illustrations to Schiller's Fridolin and Fight with the Dragon 1824 and 1825; Georg Heinrich Noehden's Specimens of Ancient Coins of Magna Graecia and Sicily 24 stipple plates 1826; Works of Canova with text by Countess Albrizzi 3 vols. 1824-8; and Selections of Ornamental Sculpture from the Louvre 9 plates 1828. Moses contributed many of the illustrations to James Hakewill's Tour of Italy 1820 and Woburn Abbey Marbles 1822. He etched from his own designs Picturesque Views of Ramsgate 23 plates 1817; Sketches of Shipping and Marine Sketch Book 1824 reissued by Ackermann 1837; and Visit of William IV when Duke of Clarence to Portsmouth in 1827 17 plates 1830. Moses's final work was a set of twenty-two illustrations to Pilgrim's Progress after Henry Courtney Selous executed for the Art Union of London 1844.1 Appendix 3: DNB: MOSES HENRY 1782P-1870 engraver worked throughout the first half of the present century enjoying a great reputation for his outline plates which are distinguished for the purity and correctness of the drawing. His art was peculiarly suited to the representation of sculpture and antiquities and he published many sets of plates of that class ; he was one of the engravers employed upon the official publication ' Ancient Marbles in the British Museum' 1812-1845. Of the works wholly executed by himself the most important are : ' The Gallery of Pictures painted by Benjamin West' 12 plates 1811 ; ' A Collection of Antique Vases Altars &c. from various Museums and Collections' 170 plates 1814 ; ' Select Greek and Roman Antiquities' 36 plates 1817 ; ' Vases from the Collection of Sir Henry Englefield' 40 plates 1819 ; ' Examples of Ornamental Sculpture in Architecture drawn by L. Vulliamy' 36 plates 1823 ; illustrations to Goethe's ' Faust' after Retzsch 26 plates 1821; illustrations to Schiller's 'Fridolin' and 'Fight with the Dragon' 1824 and 1825 ; Noehden's 'Specimens of Ancient Coins of Magna Graecia and Sicily' 24 stipple plates 1826 ; ' Works of Canova' with text by Countess Albrizzi 3 vols. 1824-8 ; and ' Selections of Ornamental Sculpture from the Louvre' 9 plates 1828. Moses also contributed many of the illustrations to Hakewill's ' Tour of Italy' 1820 and ' Woburn Abbey Marbles' 1822 ; he etched from his own designs ' Picturesque Views of Ramsgate' 23 plates 1817 ; ' Sketches of Shipping ' and ' Marine Sketch Book' 1824 reissued by Ackermann 1837; and ' Visit of William IV when Duke of Clarence to Portsmouth in 1827' 17 plates 1830. Moses's latest work was a set of twenty-two illustrations to ' Pilgrim's Progress' after H. C. Selous executed for the Art Union of London 1844. He died at Cowley Middlesex 28 Feb. 1870. Redgrave's Diet of Artists ; Dodd's Collections in British Museum Add. MS. 33403 ; Universal Cat. of Books on Art. F. M. O'D. . by Henry Moses unknown
réf. 125790Paris chez l'auteur et Olivier de Varennes 1670 [1669] 1 vol. relié petit in-8, plein maroquin grenat, dos à nerfs orné de caissons, fleurons et filets dorés, double filet d'encadrement doré sur les plats, tranches dorées, roulette dorée aux coupes, 7 ff. + 218 pp. + 3 ff. + [+ 3 ff. pp. 203-278]. Édition originale ornée d'un beau frontispice gravé figurant deux vipères emmêlées en caducée et de 3 planches anatomiques dépliantes. Exemplaire de seconde émission avec le titre daté de 1670 et la "Suite" pour servir de réplique à une lettre de François Redi", imprimée le 4 août 1671, où Charas affirme que la salive de l'animal devient toxique seulement si celui-ci est en colère, tandis que Redi pense qu'elle est constamment toxique...Né à Uzès d'une famille protestante, Moyse Charas (1619-1698) débarque à Paris vers 1646 et ouvre boutique rue des Boucheries-Saint-Germain à l'enseigne des Vipères d'or, depuis laquelle il se fait envoyer des vipères de tous les points du royaume. En 1667, la compagnie des apothicaires lui confie la préparation officielle de la thériaque et il entre en 1672 au Jardin du Roi comme sous-démonstrateur de chimie, avant que les persécutions contre les protestants ne le contraignent à abandonner sa place. Il gagne l'Angleterre, la Hollande, puis l'Espagne, où il tombe entre les mains de l'Inquisition et ne recouvre la liberté qu'au prix de sa conversion au catholicisme. Rentré à Paris en 1691, il est élu l'année suivante à l'Académie royale des Sciences avec le titre de chimiste.Ex-libris manuscrit de Joseph-Louis Mailhos, docteur en médecine, daté de Paris, 5 novembre 1747. Infime accroc en pied du mors supérieur, mais exemplaire de qualité en maroquin rouge d'époque.
réf. 125790Paris chez l'auteur et Olivier de Varennes 1670 [1669] 1 vol. relié petit in-8, plein maroquin grenat, dos à nerfs orné de caissons, fleurons et filets dorés, double filet d'encadrement doré sur les plats, tranches dorées, roulette dorée aux coupes, 7 ff. + 218 pp. + 3 ff. + [+ 3 ff. pp. 203-278]. Édition originale ornée d'un beau frontispice gravé figurant deux vipères emmêlées en caducée et de 3 planches anatomiques dépliantes. Exemplaire de seconde émission avec le titre daté de 1670 et la "Suite" pour servir de réplique à une lettre de François Redi", imprimée le 4 août 1671, où Charas affirme que la salive de l'animal devient toxique seulement si celui-ci est en colère, tandis que Redi pense qu'elle est constamment toxique...Né à Uzès d'une famille protestante, Moyse Charas (1619-1698) débarque à Paris vers 1646 et ouvre boutique rue des Boucheries-Saint-Germain à l'enseigne des Vipères d'or, depuis laquelle il se fait envoyer des vipères de tous les points du royaume. En 1667, la compagnie des apothicaires lui confie la préparation officielle de la thériaque et il entre en 1672 au Jardin du Roi comme sous-démonstrateur de chimie, avant que les persécutions contre les protestants ne le contraignent à abandonner sa place. Il gagne l'Angleterre, la Hollande, puis l'Espagne, où il tombe entre les mains de l'Inquisition et ne recouvre la liberté qu'au prix de sa conversion au catholicisme. Rentré à Paris en 1691, il est élu l'année suivante à l'Académie royale des Sciences avec le titre de chimiste.Ex-libris manuscrit de Joseph-Louis Mailhos, docteur en médecine, daté de Paris, 5 novembre 1747. Infime accroc en pied du mors supérieur, mais exemplaire de qualité en maroquin rouge d'époque.
réf. 24753Rare French edition of the celebrated letters of Jewish Enlightenment philosopher Moses Mendelssohn documenting the religious controversies surrounding Judaism and Christianity in the Age of Enlightenment. An important work on Jewish emancipation and religious tolerance illustrated with an engraved frontispiece depicting scenes of Jewish life.Modern old style binding half calf leather. Else a good copy with an ownership mark on the titlepage Joseph Basler or Basbe. With an engraved frontispiece showing three scenes from jewish life and a small engraving on the titlepage by I.M. Eben. A-Z 8 pag.: 368. The filosopher Moses Mendelssohn 1729-1786 was the spiritual leader of the German Jewry during the Enlightenment. He wrote many philosophical treatises and is considered the father of the Jewish Enlightenment. Thus he became the symbol of progressive Judaism to the Christian world. At the height of his career in 1769 Mendelssohn was publicly challenged by a Christian apologist a Zurich pastor named John Lavater to defend the superiority of Judaism over Christianity. The letters forming his reply - published in German in 1770 and translated for the present rare French edition - neither attacked Christianity nor defended Judaism; they maintained instead that such polemics were inconsistent with Judaism and unbecoming of Jews. The controversy which disturbed Mendelssohn greatly forced him to recognize that his Judaism created a barrier between himself and his enlightened colleagues. Mendelssohn wanted to take the Jews out of a ghetto lifestyle and into secular society. He tried to improve the relationship between Jews and Christians as he argued for tolerance and humanity. B0109. hardcover
1688réf. M6135Amsterdam 1688. Some discolouration of the green otherwise in very good condition. Notes: The map depicts the greater area of Tielt Ghent Hulst and Grimberge. Size : 410x520 mm 16.125x20.5 Inches Coloring: Original Hand Coloring Category: ; Maps Europe Benelux unknown
1903réf. 17370New York: Moses King 1903. Cloth. Very Good. A very important Association copy -- and a significant piece of turn-of-the-century New York history. INSCRIBED BY MOSES KING in February 1904 TO ADOLPH S. OCHS THE PUBLISHER AND OWNER OF THE NEW YORK TIMES 1896-1935 AND A MAJOR FORCE IN THE GROWTH OF NEW YORK AS A WORLD-CLASS CITY. A solid very presentable copy to boot of the 1903 installation of this photographic tribute to New York both overseen and published by the powerful Moses King himself a formidable figure in the world of New York movers and shakers. This copy is solid and VG to VG in its tan cloth with bright gilt-titling to the front panel. Light wear at the spine ends and the tips mild rubbing along the front panel's bottom-edge and very light soiling to the rear panel. Folio hundreds of crisp black-and-white plates glorifying the city's architectural acheivements. Laid-into this copy is a hand-sewn uncommon 1933 booklet called "Adolph S. Ochs at Seventy-Five" which pays tribute to the publisher's accomplishments from the perspective of Jewish theology and ideals. Moses King unknown
1984réf. 87179MMI Americana Press 1984-01-01. Hardcover. Like New. Gorgeous leather bound edition with scallop design embossed to both boards. Robert Sack's Isreal Sack family personal copy with his name in gold leaf to front board. Warmly inscribed to him by author and signed. Promotional art work material laid in all in slipcase. Please email for photos. MMI Americana Press hardcover
1952réf. 216371952. Letters. Near Fine. A 2 pg. Robert Moses typed letter signed written on his personal stationary with the Babylon Long Island letterhead and addressed to radio and theatre producer and director Day Tuttle. Moses here discusses the challenges and complexities of building on Fire Island and displays a firm grasp of the material citing specific causeways projects and developments. The letter 2 separate 9"x11" pages has held up very well. Clean and crisp and very well-preserved with a strong ink signature by Moses. unknown
1970réf. 21705New York: McGraw-Hill 1970. Leatherette. Near Fine/Very Good . INSCRIBED BY ROBERT MOSES on the half-title. A very solid copy to boot of the 1970 1st edition in its pebbled navy-blue leatherette. Tight and Near Fine in a crisp VG to Near Fine example of the unprinted mylar dustjacket with several tiny chips along the spine ends. Thick octavo top-edge gilt. McGraw-Hill unknown
1946réf. 23879City Planning Commission City of New York 1946. Original wraps. Near Fine. Scarce November 1946 report spearheaded by the Construction Co-Ordinator of the City Planning Commission of New York the legendary Robert Moses. The report consists of research by Consulting Engineers Gano Dunn and W. Earle Andrews of Andrews & Clark and Gilmore D. Clarke Chairman of Clarke Rapuano & Holleran and includes the "Report of the Engineering Committee on New York City Traffic". Beautifully illustrated throughout with the "Perspective Drawings" by William Boice Julian Michele and Cornelius Flynn and the "Aerial Photographs" by Fried-Leder Photo-Aerographic Service. This copy is bright and crisp and very well-preserved in its maroon stapled wrappers. Internally very clean as well save for one piece of writing a small 4-word note at the top of the title page written in pencil and stating "Robert Moses's Orig copy". Though we're unable to autherticate this given the very impressive provenance of this copy shared upon request we believe it's distinctly possible. Folio sophisticated maps photographs and charts many of them in rich color throughout. Printed by Steidinger Press Inc. City Planning Commission, City of New York unknown
1901réf. 34494Berlin: Otto Lienekampf 1901. First edition. Softcover. vg. Folio. 4 323-351 3pp. Original wrappers illustrated by Art Nouveau illustrator Ephraim Moses Lilien. Exquisite issue of this early German interior design magazine published between 1900 and 1914. This August 1901 issue contains numerous b/w photographic reproductions as well as bordures motifs and illustrations by artist E. M. Lilien and others E. Lasch C. von Sivers A. von Lepell G. von Estorff etc. This copy is complete with its two large fold-out floral pattern sheets including one by Lilien and its color plate depicting a design by C. von Sivers . Page 326 features a large art nouveau pattern by Lilien 15 3/4" x 8". Pattern sheets measure appr. 52" x 45" each. Minor shelf wear. Text in German. Wrappers and interior in overall very good condition. Otto Lienekampf unknown
1831réf. 23445London: Henry Moses 1831 Seventeen fine quality engraved plates as called for in the list of plates but some with mis matched numbers plus engraved title plate and another for the dedication to Queen Adelaide. 23 text pages plus a loose printed sheet headed Windsor Castle confirming approval of the dedication. Morocco spine with plain boards the engraved title panel being surface mounted. Wear to cover edges. Capillary stains to two pages each fore and aft but not affecting text or image. Light random foxing to some plates. Henry Moses hardcover