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réf. 1358251673.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3471657Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1658. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3471658Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1658. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3471655Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1658. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3471656Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1658. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3472437Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1656. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3472438Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1656. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3472436Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1656. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3472435Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1656. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 0266900321.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. A9781482258592Paperback / softback. New. paperback
2017réf. STM-9781482258592United Kingdom: Chapman & Hall/Crc 2017. Paperback. Brand New. Book Condition:- Brand New. Secured Packaging. Fast DeliveryBookseller Inventory # 9781482258592 Chapman & Hall/Crc paperback
2020réf. Star-9780367363956Taylor & Francis 2020. Paperback. New. Taylor & Francis paperback
2020réf. Star-9780367363956Taylor & Francis 2020. Paperback. New. Taylor & Francis paperback
2016réf. x-1482258595Chapman & Hall 2016. Hardcover. New. 264 pages. 9.00x6.25x0.75 inches. Chapman & Hall hardcover
réf. 1482258595.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. DADAX1482258595CRC Press 2016-12-22. 1. paperback. New. 6.13x0.64x8.75. Buy with confidence. Excellent Customer Service & Return policy. CRC Press paperback
réf. SONG1482258595CRC Press 2016-12-22. 1. paperback. Used: Good. 6.13x0.64x8.75. Buy with confidence. Excellent Customer Service & Return policy. CRC Press paperback
1828réf. 42606Boston: Pendleton's Lithography 1828. Uncoloured lithograph. Framed size: 19 1/4 x 15 5/8 inches. An early American marine lithograph depicting the steam packet Chancellor Livingston entering Newport Harbor issued at the outset of steam navigation on the New England coast. Published in Boston by Pendleton's Lithography after a design by Moses Swett this print presents the Chancellor Livingston under way as it enters Newport Harbor with passengers visible along the decks and flags flying from the rigging. The composition combines a detailed vessel portrait with a wider harbour view situating the steamer within a recognizable coastal setting and emphasizing both its scale and activity. The vessel itself held a prominent place in early American steam navigation. Originally associated with Robert Fulton's Hudson River operations the Chancellor Livingston was rebuilt in 1827 for service between New York and Providence. The lithograph records this later phase of its career when coastal steam travel was expanding rapidly and such vessels were becoming a familiar presence along the northeastern seaboard. The printed text beneath the image reinforces the promotional aspect of the print listing the vessel's dimensions horsepower boilers and fittings as well as its passenger capacity and accommodations. This combination of technical specification and visual representation places the image at the intersection of ship portraiture and commercial advertisement reflecting the contemporary interest in steam technology and its practical advantages. As a product of Pendleton's Lithography the print also belongs to the earliest phase of lithographic production in the United States. Established in Boston in the 1820s the firm was among the first to adopt the medium on a sustained basis and works such as this illustrate both the technical possibilities of lithography and its application to subjects of current interest. The present impression reflects that early moment when lithography was emerging as a flexible and effective means of producing images of modern life and technology. Pendleton's Lithography unknown
1828réf. 42606Boston: Pendleton's Lithography 1828. Uncoloured lithograph. Framed size: 19 1/4 x 15 5/8 inches. An early American marine lithograph depicting the steam packet Chancellor Livingston entering Newport Harbor issued at the outset of steam navigation on the New England coast. Published in Boston by Pendleton's Lithography after a design by Moses Swett this print presents the Chancellor Livingston under way as it enters Newport Harbor with passengers visible along the decks and flags flying from the rigging. The composition combines a detailed vessel portrait with a wider harbour view situating the steamer within a recognizable coastal setting and emphasizing both its scale and activity. The vessel itself held a prominent place in early American steam navigation. Originally associated with Robert Fulton's Hudson River operations the Chancellor Livingston was rebuilt in 1827 for service between New York and Providence. The lithograph records this later phase of its career when coastal steam travel was expanding rapidly and such vessels were becoming a familiar presence along the northeastern seaboard. The printed text beneath the image reinforces the promotional aspect of the print listing the vessel's dimensions horsepower boilers and fittings as well as its passenger capacity and accommodations. This combination of technical specification and visual representation places the image at the intersection of ship portraiture and commercial advertisement reflecting the contemporary interest in steam technology and its practical advantages. As a product of Pendleton's Lithography the print also belongs to the earliest phase of lithographic production in the United States. Established in Boston in the 1820s the firm was among the first to adopt the medium on a sustained basis and works such as this illustrate both the technical possibilities of lithography and its application to subjects of current interest. The present impression reflects that early moment when lithography was emerging as a flexible and effective means of producing images of modern life and technology. Pendleton's Lithography unknown books
1998réf. 063123Munchen Germany: Prestel-Verlag 1998. Book. Very Good. Hardcover. Signed by Authors. 205 pages Folio. SIGNED and inscribed in German by Stefan Moses on title page with an original drawings of a cat holding a flower. Includes bound original b&w photographic print SIGNED by Stefan Moses on rear. German text. Shelfwear to DJ: scuffing along edges and covers some light smudges on covers. DJ in mylar. Front endpaper is heavily creased and warped. Light tanning along page edges. Tight binding. Volume is in Very Good condition. Prestel-Verlag Hardcover
2015réf. 115162Kehrer Verlag. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in German. -- with a bonus offer-- . 2015. 386828544X . Kehrer Verlag paperback
2002réf. BN451481München : Fotomuseum 2002. 2002. Stefan Moses : die Monographie ; anläßlich der Stefan-Moses-Retrospektive die das Fotomuseum im Münchner Stadtmuseum in Zusammenarbeit mit dem Goethe-Institut Inter Nationes organisiert ; die Stationen der Ausstellung: Fotomuseum im Münchner Stadtmuseum 11. Dezember 2002 - 23. Februar 2003 . Hygiene-Museum Dresden Frühjahr 2005. Hrsg. von Ulrich Pohlmann und Matthias Harder. Mit Texten von Marion Ackermann . und Essays von Harald Eggebrecht Stefan Moses : die Monographie ; anläßlich der Stefan-Moses-Retrospektive die das Fotomuseum im Münchner Stadtmuseum in Zusammenarbeit mit dem Goethe-Institut Inter Nationes organisiert ; die Stationen der Ausstellung: Fotomuseum im Münchner Stadtmuseum 11. Dezember 2002 - 23. Februar 2003 . Hygiene-Museum Dresden Frühjahr 2005. Hrsg. von Ulrich Pohlmann und Matthias Harder. Mit Texten von Marion Ackermann . und Essays von Harald Eggebrecht Pohlmann Ulrich Hrsg. Marion Ackermann und Stefan Moses Illustrator München : Fotomuseum unknown